Current Best New Artist Grammy winner Meghan Trainor announced the nominations in four general field categories on CBS This Morning. 21,000 recordings have been submitted for Grammy nominations this year.
Both Kelsea Ballerini and Maren Morris scored Best New Artist nominations.
Morris also picked up nominations for Best Country Solo Performance and Best Country Song (“My Church”), and Best Country Album (Hero).
Sturgill Simpson‘s A Sailor’s Guide To Earth earned an Album of the Year nomination, as well as a Best Country Album nomination.
Lori McKenna, writer on Best Country Song nomination “Humble and Kind,” also picked up a Best Americana Album nomination for The Bird & The Rifle (CN Records). Additionally, she earned a nomination with Felix McTeigue for Best American Roots Song for “Wreck You,” as well as Best American Roots Performance (“Wreck You”).
The Time Jumpers, featuring Vince Gill, picked up nominations in the Best Americana Album (Kid Sister) and Best American Roots Song (“Kid Sister”).
In the Contemporary Christian categories, Lady Antebellum member Hillary Scott and The Scott Family earned nominations for Best Contemporary Christian Music Album (Love Remains), and Best Contemporary Christian Music Performance/Song (“Thy Will”).
The Nashville Symphony and conductor Giancarlo Guerrero received three nominations. Nashvillian Jack White earned four nods.
Beyonce leads this year’s Grammy nominations with nine nominations, followed by Drake, Rihanna and Kanye West with eight nominations apiece.
Grammy nominations include (selected categories):
Record of the Year
“Hello,” Adele
“Formation,” Beyonce
“7 Years,” Lukas Graham
“Work,” Rihanna
“Stressed Out,” Twenty One Pilots
Album of the Year
25, Adele
Lemonade, Beyonce
Views, Drake
Purpose, Justin Bieber
A Sailor’s Guide To Earth, Sturgill Simpson
Song of the Year
“Formation,” Beyonce
“Hello,” Adele
“I Took A Pill in Ibiza,” Mike Posner
“Love Yourself,” Justin Bieber
“7 Years,” Lukas Graham
Best New Artist
Kelsea Ballerini
The Chainsmokers
Maren Morris
Chance the Rapper
Anderson Paak
COUNTRY FIELD
Best Country Solo Performance
“Love Can Go To Hell” — Brandy Clark
“Vice” — Miranda Lambert
“My Church” — Maren Morris
“Church Bells” — Carrie Underwood
“Blue Ain’t Your Color” — Keith Urban
Best Country Duo/Group Performance
“Different For Girls,” Dierks Bentley Featuring Elle King
“21 Summer,” Brothers Osborne
“Setting The World On Fire,” Kenny Chesney & P!nk
“Jolene,” Pentatonix Featuring Dolly Parton
“Think Of You,” Chris Young With Cassadee Pope
Best Country Song
“Blue Ain’t Your Color,” Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen, songwriters (Keith Urban)
Track from: Ripcord Label: Capitol Records Nashville; Publisher(s): Warner-Tamerlane Publishing Corp./Songs of The Corn, admin. by Warner-Tamerlane Publishing Corp.; HillarodyRathbone Music, admin. by BMG Rights Management (US) LLC; House Of Sea Gayle Music, admin. by ClearBox Rights/Spirit Catalog Holdings, S.a.r.l. admin. by Spirit Two Nashville.
“Die A Happy Man,” Sean Douglas, Thomas Rhett & Joe Spargur, songwriters (Thomas Rhett)
Track from: Tangled Up Label: The Valory Music Co.; Publisher(s): EMI Blackwood Music Inc./Cricket On The Line admin. by Sony/ATV Music Publishing LLC./ Warner-Tamerlane Publishing Corp./Eastman Pond Publishing admin. by Warner-Tamerlane Publishing Corp./Music of Big Deal/Nice Life/Frederic and Ried Music. admin. by BMG Rights Management (US) LLC.
“Humble And Kind,” Lori McKenna, songwriter (Tim McGraw)
Track from: Damn Country Music Label: Big Machine Records; Publisher(s): Songs of Universal, Inc./Hoodie Songs
“My Church,” busbee & Maren Morris, songwriters (Maren Morris)
Track from: Hero Label: Columbia Nashville; Publisher(s): International Dog Music/Words & Music/BMG Platinum Songs/BMG Rights Management/Hello I Love You Music
“Vice,” Miranda Lambert, Shane McAnally & Josh Osborne, songwriters (Miranda Lambert)
Track from: The Weight of These Wings Label: Vanner Records/RCA Nashville; Publisher(s): SonyATV Tree Publishing/Pink Dog Publishing/Smack Songs LLC/Kobalt Songs Music Publishing/Anderson Fork In The Road Music/Kobalt Music Publishing
Best Country Album
Big Day In A Small Town, Brandy Clark, Label: Warner Bros. Records
Full Circle, Loretta Lynn, Label: Legacy Recordings
Hero, Maren Morris, Label: Columbia Nashville
A Sailor’s Guide To Earth, Sturgill Simpson, Label: Atlantic
Ripcord, Keith Urban, Label: Capitol Records Nashville
AMERICANA FIELD
Best Americana Album
True Sadness, The Avett Brothers, Label: American Recordings/Republic Records
This Is Where I Live, William Bell, Label: Stax
The Cedar Creek Sessions, Kris Kristofferson, Label: KK Records, Llc
The Bird & The Rifle, Lori McKenna, Label: CN Records
Kid Sister, The Time Jumpers, Label: Rounder Records
Best American Roots Song
“Alabama At Night,” Robbie Fulks, songwriter (Robbie Fulks)
Track from: Upland Stories Label: Bloodshot Records; Publisher(s): Lorne Rall Music
“City Lights,” Jack White, songwriter (Jack White)
Track from: Jack White Acoustic Recordings 1998 – 2016 Label: Columbia/Third Man Records; Publisher(s): Peppermint Stripe Music
“Gulfstream,” Eric Adcock & Roddie Romero, songwriters (Roddie Romero And The Hub City All-Stars)
Track from: Gulfstream Label: Octavia Records; Publisher(s): Grand Bayou Music/Roddie Romero Music
“Kid Sister,” Vince Gill, songwriter (The Time Jumpers)
Track from: Kid Sister Label: Rounder Records; Publisher(s): Vinny Mae Music admin. by Songs of Kobalt Music Publishing
“Wreck You,” Lori McKenna & Felix McTeigue, songwriters (Lori McKenna)
Track from: The Bird & The Rifle, Label: CN Records; Publisher(s): Melanie Howard Music, Inc./Rusty Muffler Songs admin. by Kobalt Songs Music Publishing
Best American Roots Performance
“Ain’t No Man,” The Avett Brothers, Track from: True Sadness Label: American Recordings/Republic Records
“Mother’s Children Have A Hard Time,” Blind Boys Of Alabama, Track from: God Don’t Never Change: The Songs Of Blind Willie Johnson Label: Alligator Records
“Factory Girl,” Rhiannon Giddens, Track from: Factory Girl Label: Nonesuch Records Inc.
“House Of Mercy,” Sarah Jarosz, Track from: Undercurrent Label: Sugar Hill Records
“Wreck You,” Lori McKenna, Track from: The Bird & The Rifle, Label: CN Records
POP FIELD
Best Pop Vocal Album:
25 — Adele
Purpose — Justin Bieber
Dangerous Woman — Ariana Grande
Confident — Demi Lovato
This Is Acting — Sia
DANCE/ELECTRONIC MUSIC FIELD
Best Dance/Electronic Album:
Skin — Flume
Electronica 1: The Time Machine — Jean-Michel Jarre
Epoch — Tycho
Barbara Barbara, We Face A Shining Future — Underworld
Louie Vega Starring…XXVIII — Louie Vega
ROCK FIELD
Best Rock Album:
California — Blink-182
Tell Me I’m Pretty — Cage The Elephant
Magma — Gojira
Death Of A Bachelor — Panic! At The Disco
Weezer — Weezer
ALTERNATIVE FIELD
Best Alternative Music Album:
22, A Million — Bon Iver
Blackstar — David Bowie
The Hope Six Demolition Project — PJ Harvey
Post Pop Depression — Iggy Pop
A Moon Shaped Pool — Radiohead
R&B FIELD
Best Urban Contemporary Album:
Lemonade — Beyoncé
Ology — Gallant
We Are King — KING
Malibu — Anderson Paak
Anti — Rihanna
RAP FIELD
Best Rap Performance:
“No Problem” — Chance The Rapper Featuring Lil Wayne & 2 Chainz
“Panda” —Desiigner
“Pop Style” — Drake Featuring The Throne
“All The Way Up” — Fat Joe & Remy Ma Featuring French Montana & Infared
“That Part” — ScHoolboy Q Featuring Kanye West
JAZZ FIELD
Best Jazz Vocal Album:
Sound Of Red — René Marie
Upward Spiral — Branford Marsalis Quartet With Special Guest Kurt Elling
Take Me To The Alley — Gregory Porter
Harlem On My Mind — Catherine Russell
The Sting Variations — The Tierney Sutton Band
GOSPEL/CONTEMPORARY CHRISTIAN MUSIC FIELD
Best Gospel Album:
Listen —Tim Bowman Jr.
Fill This House — Shirley Caesar
A Worshipper’s Heart [Live] —Todd Dulaney
Losing My Religion — Kirk Franklin
Demonstrate [Live] —William Murphy
Best Contemporary Christian Music Album:
Poets & Saints — All Sons & Daughters
American Prodigal — Crowder
Be One — Natalie Grant
Youth Revival [Live] — Hillsong Young & Free
Love Remains — Hillary Scott & The Scott Family
Best Contemporary Christian Music Performance/Song:
“Trust In You,” Lauren Daigle; Lauren Daigle, Michael Farren & Paul Mabury, songwriters
Track from: How Can It Be Label: Centricity Music; Publisher(s): CentricSongs/Sony/ATV Timber Publishing/Word Music & Pocket Full of Rocks Publishing
“Priceless,” For King & Country; Benjamin Backus, Seth Mosley, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
Track from: Run Wild. Live Free. Love Strong. [The Anniversary Edition] Label: Fervent/Curb Records; Publisher(s): Warner Tamerlane/Dayspring Music, LLC/Kilns Music / WB Music Corp./Word Music, LLC/Method To The Madness/Shankel Songs/CentricSongs/2 Hour Songs/R1WAY Music Publishing/Wordspring Music, LLC
“King Of The World,” Natalie Grant; Natalie Grant, Becca Mizell & Samuel Mizell, songwriters
Track from: Be One Label: Curb Records; Publisher(s): SeeSeeBubba Songs admin. by Music Services/Maxx Melodies/BMG Platinum Songs/Takin It To The Maxx
“Thy Will,” Hillary Scott & The Scott Family; Bernie Herms, Hillary Scott & Emily Weisband, songwriters
Track from: Love Remains Label: EMI Records Nashville; Publisher(s): W.B.M. Music Corp./EKT Publishing, admin. by W.B.M. Music Corp./WB Music Corp./Thankful For This Music, admin. by WB Music Corp./Songs of Universal, Inc./G650 Music
“Chain Breaker,” Zach Williams; Mia Fieldes, Jonathan Smith & Zach Williams, songwriters
Label: Essential Records/Provident/Sony Music; Publisher(s): Anthems of Hope/Upside Down Under/Be Essential Songs/Not Just Another Song Publishing/So Essential Tunes
LATIN FIELD
Best Latin Pop Album:
Un Besito Mas — Jesse & Joy
Ilusión — Gaby Moreno
Similares — Laura Pausini
Seguir Latiendo — Sanalejo
Buena Vida — Diego Torres
AMERICAN ROOTS MUSIC FIELD
Best American Roots Performance:
“Ain’t No Man” — The Avett Brothers
“Mother’s Children Have A Hard Time” — Blind Boys Of Alabama
“Factory Girl” — Rhiannon Giddens
“House Of Mercy” — Sarah Jarosz
“Wreck You” — Lori McKenna
SPOKEN WORD FIELD
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling):
The Girl With The Lower Back Tattoo — Amy Schumer
In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In The Sandbox — Carol Burnett
M Train — Patti Smith
Under The Big Black Sun: A Personal History Of L.A.Punk (John Doe With Tom DeSavia) — (Various Artists)
Unfaithful Music & Disappearing Ink — Elvis Costello
MUSIC FOR VISUAL MEDIA FIELD
Best Song Written For Visual Media:
“Can’t Stop The Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar), Track from: Trolls
“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots), Track from: Suicide Squad
“Just Like Fire” — Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk), Track from: Alice Through The Looking Glass
“Purple Lamborghini” — Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross), Track from: Suicide Squad
“Try Everything” — Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira), Track from: Zootopia
“The Veil” — Peter Gabriel, songwriter (Peter Gabriel), Track from: Snowden
MUSIC VIDEO/FILM FIELD
Best Music Video:
“Formation” — Beyoncé
“River” — Leon Bridges
“Up & Up” — Coldplay
“Gosh” — Jamie XX
“Upside Down & Inside Out” — OK Go
PRODUCTION, NON-CLASSICAL FIELD
Producer Of The Year, Non-Classical:
Benny Blanco
Greg Kurstin
Max Martin
Nineteen85
Ricky Reed
For a full list of nominations, visit grammy.com.
Music At Sea: Sixthman’s Rising Tide
/by Jessica NicholsonAnthony Diaz, CEO of Sixthman
“Every night I read the guests’ comment cards, because retaining guests is our only way to success. Ideally, we want you to come back and to bring friends because you are so excited about it,” says Anthony Diaz, CEO of Sixthman, which for the past 15 years has worked to bring together fans and bands for unique, intimate music experiences via themed music cruises.
Sixthman’s emphasis on listening to customers’ wants, as well as facilitating a more intimate fan-artist relationship, has been a core value for Sixthman founder and now Chairman Andy Levine since he launched the venture.
Diaz and Levine’s working relationship began when they were college students in the early ‘90s. As bandmates in a group popular at the University of Florida, they had dreams of music stardom. “We recorded a CD in Nashville, did showcases, and thought we were going to be rock stars, but never got that record deal,” Diaz recalls. The band broke up and some members joined with an acoustic duo, Ken and Drew. The new group would rebrand as Sister Hazel.
Levine booked shows for the band and later managed Sister Hazel for several years. They would sign with Universal and score the 1997 hit “All For You.”
Nikki Lane goes bowling with fans during the 2016 Outlaw Country Cruise. Photo: Will Byington
“They always made the pledge that they would put the fans first,” Diaz recalls. To that end, Levine sought ways to have the band spend time hanging with members of its avid street team. A change meeting with a travel agent during a flight convinced Levine to take a chance on a cruise with the band and team.
In 2001, Sister Hazel, Levine, and 400 of the band’s biggest supporters set sail from Tampa to Key West and Mexico, marking the launch of Sixthman’s flagship festival. The next year, they invited music friends including Edwin McCain and Cowboy Mouth, bringing in a total of nearly 2,000 guests for Sixthman’s first fully chartered ship, The Rock Boat. The initial outing wasn’t without a few learning curves (for instance, The Rock Boat ran out of beer and had to borrow from another Carnival ship). Still, the initial outing was a success and Sixthman was born.
A fully chartered outing became the genesis of a model Sixthman still uses. “We program stages, branding, activities, drink specials and shore excursions. That way it can be a fully immersive experience,” says Diaz.
For years, Diaz watched from afar as Levine’s company grew, adding concerts from Lynyrd Skynyrd and John Mayer. To date, Sixthman has chartered 94 full ships, and hosted more than 835,000 festival vacation days at sea for 207,000 fans, with artists including KISS, Kid Rock, Zac Brown Band, Train, Pitbull, Florida Georgia Line, Paramore, Chris Stapleton and more. The company’s 45 full-time employees work from Sixthman’s headquarters in Atlanta.
Kid Rock performs on his cruise during 2016. Photo: Will Byington
Diaz joined Sixthman five years ago as Chief Marketing Officer. Since then, he’s been on 45 cruises, and been promoted to Chief Operating Officer, and as of May, to the role of CEO. Prior to joining Sixthman, Diaz spent 13 years with media company Gannett, rising to VP, Sales Strategy and Development, where he was responsible for media sales efforts for 23 television stations and a 250-person sales force.
Diaz says cruises offer a unique concert environment by offering fans more up-close, personal interactions with their favorite artists. “There are only 2,600 people on the ship. You are legitimately on vacation with the band. When Kid Rock is sitting on the pool deck early in the morning with a coffee and just talking to fans, it just blows everyone’s minds. There are no sharpies and selfies.”
A smaller audience and the unique venue has allowed for magical, spontaneous moments over the years. One year, Sister Hazel performed until 6 a.m. when the ship pulled back into port. Another year, the alternative rock band Wideawake performed for two hours during a storm, while fans lined seven stories of the ship’s railing to watch the performance. During one of Kid Rock’s annual cruises, he took over the ship’s PA system at 1:30 a.m., inviting everyone to the pool deck, where he DJ’d for three hours.
For artists, cruises offer the time and space to collaborate with fellow artists. “In the regular festival model, bus number one pulls in, an artist plays a set, goes back to the bus and goes to the next festival. The next artist does the same. Maybe there is some backstage intermingling. With us, they are out there for five days, they are hanging out and they start to collaborate. All of a sudden you have Andy Grammer with Train all singing one of their songs.”
Chris Stapleton and Morgane Stapleton perform during a Sixthman cruise outing. Photo: Will Byington
While the ships primarily sail November through April, the company’s operations team spends its off season from May through October arranging every nuance of the experience and planning for every contingency: which ports artists should fly into, emergency plans if bad weather hit, what cranes are needed to get artists’ production gear on and off the ship, and even bar setups and napkin branding.
“Every time, I’m amazed at the marvel of logistics that has to happen to put these events on. You are dealing with the elements at sea, and the fact that you sail with what you’ve got. You’re not running down to Home Depot to get more. It forces you to be very disciplined with advanced planning.”
Clustering cruises back-to-back is one efficient use of time and space. “We get on Feb. 3 and do seven cruises in a row,” says Diaz, who notes the cost of chartering a ship alone can enter seven figures. Guests typically exit a ship at 8 a.m., and guests begin boarding for the next cruise at 11:30 a.m. “Our team will fly people in and out to keep fresh troops. You put the full deck stage up once for multiple music festivals, instead of having to put it up and take it down over and over again.”
In the midst of the plethora of planning, Diaz keeps his focus sharp.
“I have three things I have to do: Make the team and guests the star, grow the festivals and take care of our artist partners. The joy I see on guests’ faces when we are pulling away from port and there is sunshine and their favorite band starts a chord on the pool deck, that’s why we do it.”
Upcoming Sixthman cruises for 2017 include the 2nd Annual Walker Stalker Cruise (Feb. 3-6), The Rock Boat XVII (Feb. 10-15), 2nd Annual Outlaw Country Cruise (Feb. 26-March 2), and Kid Rock’s 8th Chillin’ The Most Cruise (April 4-9).
Zac Brown Band performs during a Sixthman sailing. Photo: Will Byington
Kid Rock performs during one of his Chillin’ The Most cruises. Photo: Will Byington
Industry Ink: Pam Browne, Liz Rose, Emily Shackelton, Drew Baldridge, APA
/by Sarah SkatesPam Browne, Mike Panaggia Launch DME Entertainment
Former head of Belmont University’s Mike Curb Music Business Program, Pam Browne, has partnered with DME Delivers/DME Sports President, Mike Panaggio, to launch marketing/management company, DME Entertainment Group. Based in Daytona Beach, Florida, the client roster includes Curb Records’ Larry Gordon and indie pop artist, Aprilann.
Browne also serves as Executive Director of the Curb Institute at Bethune-Cookman University. Her career includes time as an entertainment attorney, NFL agent and manager of the multi-platinum group Tag Team (“Whoomp There It Is”).
Panaggio founded DME Delivers, a full-service, direct marketing agency, over 20 years ago. As President of the DME umbrella, he developed DME Sports, a major player in sports marketing and sports training.
Pam Browne
Liz Rose, Emily Shackelton Pen Song For Girl Scouts
Warner/Chappell and Girl Scouts of the USA have teamed to release the organization’s first original song, written by WCM/Liz Rose Music songwriters Liz Rose and Emily Shackelton. The song, “Watch Me Shine,” will be spotlighted in Girl Scouts’ new PSA and features Girl Scouts singing backup vocals.
Drew Baldridge Donates To T.J. Martell Foundation
Cold River Records’ Drew Baldridge recently presented a check for $4,000 to the T.J. Martell Foundation to support medical research focused on finding cures for leukemia, cancer and AIDS. The monies raised were from the country newcomer’s “Rebound from Cancer” campaign in which he teamed up with Premiere Networks and Super 8 for a month-long fundraiser selling limited edition T-shirts at his shows.
Pictured (L-R): Rick Murray, VP Integrated Marketing/Promotions at Premiere Networks, Cold River’s Drew Baldridge, and Tinti Moffat, Executive Director for The T.J. Martell Foundation; Southern Region.
APA Happy Hour
APA Nashville hosted the Nashville office of the fastest growing music rights management company, ole, for APA Happy Hour recently. Steve Lassiter, SVP/Head of Concerts and team held the gathering in their penthouse suite of One Nashville Place overlooking Music City.
ACM Nomination Round Voting Ends Dec. 7
/by Jessica NicholsonThe Nomination Round of voting for the upcoming ACM Awards will close at 5:00 p.m. CT on Wednesday, Dec. 7. Current ACM members were emailed a link and information about voting.
The complete voting timeline is below:
Nomination Round
Opens: Wednesday, November 30, 2016
Closes: Wednesday, December 7, 2016
Second Round
Opens: January 17, 2017
Closes: January, 24, 2017
Third Round
Opens: February 27, 2017
Closes: March 6, 2017
Criteria for Awards can be downloaded here and is posted along with each Award category on the voting website, for quick reference.
Bobby Karl Works The Room: Fin & Pearl Preview Party In Nashville
/by Bobby KarlBOBBY KARL WORKS THE ROOM
Chapter 551
I think I’ve had a taste of the music biz’s next restaurant hot spot.
Fin & Pearl staged its preview party in the Gulch on Friday evening (Dec. 2). I declare the venue has “hit” written on it. Why?
First of all, it is the latest venture of the great Tom Morales. His TomKats catering company has serviced more than 2,000 superstar Hollywood movies. Plus he is mega connected with the Nashville music industry, partly thanks to his sometime partner, former CMA honcho Steve Moore.
Second of all, Fin & Pearl is located in the ground floor of the 12th Avenue South building that is now home to Sony Music Nashville and will house WME and several other music endeavors. Third of all, it is specializing in seafood, which we need on the Nashville dining scene.
Fourth of all is the forecast suggested by the attendees: The industry turned out en masse for the eatery’s event “with hosted drinks and bites.” Bobby Karl went to the gig just to see and congratulate Tom. We wound up working the entire room.
That’s because Patrick Clifford, Bob Titley, Drew Alexander (promoting a Monday eve Basement East gig featuring Dylan Scott with Curb songwriters including Will Nance, Ruthie Collins and Bobby Tomberlin), Toni Thomas, Manuel, architect Seab Tuck (wearing a stylish, steel-gray Manuel jacket), Robert Ellis Orrall, Hank Adam Locklin, Kathy Hooper Wright, and Tom’s fellow music-biz restaurateur Randy Rayburn were making merry. And that was just in the first hour.
Randy Talmadge & Trav Livingston were schmoozing, too. The veteran publishers have moved back to Music City after spending the past decade in Palm Desert, California. She hated it there.
Included in Randy’s catalog are the timeless songs Trav’s father Jay Livingston wrote with Ray Evans – “Mona Lisa,” “Dear Heart,” “Silver Bells” (160 million records have been sold of this Christmas classic), “Tammy,” “Buttons and Bows,” “Que Sera Sera,” “To Each His Own” and the like. There are 26 Livingston & Evans songs that have sold more than a million records apiece.
We entered and left the gig arm-in-arm with mighty producer Mark Bright. “Great minds think alike,” he commented about our coincidental identical scheduling.
Fifth of all, is the fabulous menu. The “bites” included lobster BLTs, crab & avocado crostini, shrimp (both cocktail and fried), crab dip & won-ton, chicken-caesar egg rolls, smoked-salmon crostini and tenderloin beef with crab paste on toast, plus a raw-oyster bar with all the trimmings. There were also a number of specialty cocktails offered.
The décor is gleaming moderne, with butcher-block tabletops and faux vintage ceiling-fixture globes. Glass walls on two sides offer views of Gulch nightlife. A large, antique, neon sign states “Seafood Café” in the middle of the dining room. Partygoers took turns taking selfies with it. An expansive central bar offers a convivial environment for many.
Fin & Pearl is billed as, “Nashville’s premier sea-to-fork restaurant.” Tom Morales also operates Acme Feed & Seed on Broadway, The Loveless Café on Highway 100, The Southern on 3rd Avenue downtown and Saffire at The Factory in Franklin. Both Acme and Saffire double as live-music venues.
‘MusicRow’ Reveals 2017 Next Big Thing Artists
/by Jessica NicholsonMusicRow is proud to reveal MusicRow‘s picks for its 2017 Next Big Thing list featured in the new print edition of MusicRow‘s Touring Issue.
This year’s 11 Next Big Thing artists range from established hit makers prepping their next moves, to newcomers ready to claim their turns in the spotlight.
“It’s a great honor to shine the spotlight on these deserving and talented artists,” says MusicRow Owner/Publisher Sherod Robertson. “They are poised to make large strides in 2017 earning them our Next Big Thing title. These artists have all proven they have talent and dedication and we see their stars shining even brighter in the coming year.”
Be sure to pick up your copy of the print magazine here, or receive your copy with purchase of a yearly subscription.
MusicRow‘s 2017 Next Big Thing Artists:
Tucker Beathard (Dot Records)
Tucker Beathard is bringing rock ‘n’ roll attitude to country music. His debut single “Rock On” reached No. 1 on MusicRow’s CountryBreakout chart and his EP, Fight Like Hell, shot to the top of the iTunes Country Chart on opening day. Beathard co-wrote every track on the project, and played both lead guitar and drums on the release. Beathard is entertaining audiences around the world. He toured Europe twice and recently launched his first-ever headlining tour, joined by fellow NBT artist Aubrie Sellers. He wraps 2016 with almost 200 performances under his belt.
Tucker Beathard. Photo: Jim Wright
Kane Brown (Zone 4/RCA Nashville)
Georgia native Kane Brown went from virtual unknown to viral sensation on the strength of his muscular baritone. He crowd funded the EP Closer, and his single “Used To Love You Sober” was later certified Gold by the RIAA. “Thunder In The Rain” was his fifth song to top the iTunes Country Chart, prior to receiving radio airplay. Brown’s success brought a deal with RCA Nashville, and an opening slot on Florida Georgia Line’s Dig Your Roots Tour. Brown released his major label, self-titled debut album on Dec. 2. He partnered with Monster Energy Outbreak for his current headlining tour.
Kane Brown. Photo: Joseph Llanes
Chris Lane (Big Loud Records)
Big Loud Records made plenty of noise in 2016, as the independent label launched its flagship artist Chris Lane straight to No. 1 at country radio. His debut single “Fix” gave listeners their fix for a smooth mix of r&b meets country. Producer Joey Moi helped Lane concoct the radio-ready tracks on his debut album Girl Problems. “Fix” has surpassed 26 million streams on Spotify and 6 million views on Vevo and earned Gold certification. Lane is following that success with fast-rising new single “For Her.” In 2017, look for Lane to earn even more love from country fans.
Chris Lane. Photo: Delaney Royer
LOCASH (Reviver Records)
LOCASH is riding high heading into 2017. The Reviver Records duo comprised of Chris Lucas and Preston Brust scored big with the hits “I Know Somebody” and “I Love This Life.” Their first chart-topper, “I Love This Life,” is RIAA Gold-certified. The Fighters, their first full-length project for the indie label, spawned those hits as well as new single “Ring On Every Finger.” The duo is on a North American tour to promote the album and are also playing dates on Live Nation’s Ones To Watch Tour. LOCASH’s self-penned song “Tough” is featured in the Comcast Built Ford Tough national advertising campaign.
LOCASH. Photo: David McClister
William Michael Morgan (Warner Bros.)
Mississippi native William Michael Morgan’s debut EP for Warner Music Nashville, Vinyl, is one of the most traditional projects to be released on a mainstream country label in recent years. Morgan earned his first chart-topping single in 2016, with “I Met A Girl,” penned by Shane McAnally, Sam Hunt, and Old Dominion’s Trevor Rosen. He’s following up that No. 1 with “Missing,” an up-tempo shuffle about getting away from the daily grind. Beginning in January 2017, he will take his neo-country sound to Lee Brice and Justin Moore’s American Made Tour.
William Michael Morgan. Photo: Amy Richmond
Maren Morris (Columbia Nashville)
“Can I get a hallelujah? Can I get an amen?” That’s what Maren Morris sang in her breakthrough hit “My Church,” earning shouts of praise from fans and critics. The song set a debut-week record at country radio and went on to be certified Platinum by the RIAA. Morris’ expert blend of soulful vocals and sassy lyrics propelled her album Hero to move 45,000 units in its first week of release, making her the first artist in Columbia Nashville history to open at No. 1 with a debut album in the Soundscan era. She took home the CMA’s New Artist of the Year honor, and spent plenty of time on the road with Keith Urban’s world tour, as well as headlining her own dates.
Maren Morris. Photo: Robbie Klein
Jon Pardi (Capitol Records Nashville)
Capitol Records Nashville artist Jon Pardi practically two-stepped into the hearts of country listeners this year, earning two chart-toppers, with both his single “Head Over Boots,” and his album California Sunrise. “Head Over Boots” has now been certified Platinum by the RIAA. Pardi offers a double shot of his rock-infused classic country sound with his new single, “Dirt On My Boots.” Pardi is currently on the road as an opener for Kip Moore’s Me and My Kind Tour, and will join Dierks Bentley’s What The Hell World Tour in 2017.
Jon Pardi. Photo: Jim Wright
Runaway June (Wheelhouse Records)
Songwriters and artists Naomi Cooke, Hannah Mulholland and Jennifer Wayne felt a spark of magic when they began collaborating in Nashville. The trio, who performs under the name Runaway June, is one of the hottest new acts on the roster of BBR Music Group/Wheelhouse Records. Harmonious vocals accent their brand of organic country, as found on spirited debut single “Lipstick.” They spent plenty of time on the road in 2016, performing and meeting radio. They closed the year with dates on Kip Moore’s tour and by being named to the CMT Next Women of Country list.
Runaway June. Photo: Jason Myers
Aubrie Sellers (Warner Music Nashville)
Aubrie Sellers spent three years crafting the songs that would land on her debut album, and her hard work and impressive skills paid off when she signed with Atlantic Records/Warner Music Nashville. When it came time to record, Sellers teamed with stepfather Frank Liddell (the award-winning producer behind Miranda Lambert) to create a unique sound they dubbed “garage country.” The result is a critically acclaimed debut album titled New City Blues. Among the highlights is the single “Sit Here & Cry,” a combination of edgy sound and sarcastic lyrics about what not to do after a breakup.
Aubrie Sellers. Photo: Allister Ann
Drake White (Dot Records)
Alabama native Drake White’s gospel-infused, soul-inspired country music brings a bluesy, foot-stomping energy to BMLG’s Dot Records imprint. White’s debut album Spark was released in August and landed in the Top 5 on the Billboard Top Country Albums chart. The project includes lead single, “Livin’ The Dream.” White spent much of 2016 on tour, opening for Zac Brown Band’s Black Out The Sun Tour, and for Dierks Bentley’s Somewhere On A Beach Tour. He recently took part in the Country Music Association’s Forever Country Cover series, offering a rendition of Waylon Jennings’ “Good Hearted Woman.”
Drake White. Photo: David McClister
Brett Young (BMLG Records)
Brett Young’s blend of country and blue-eyed soul has caught the attention of country music listeners. His debut single, “Sleep Without You,” recently topped the MusicRow CountryBreakout chart. The California native spent his childhood pursuing a career in baseball. After sustaining an elbow injury his junior year in high school, Young began learning to play and write songs. The career switch has paid off. Young co-wrote all the tracks on his six-song, self-titled EP. Dann Huff produced the project. In 2016, he made his debut performance on the Grand Ole Opry.
Brett Young. Photo: Chapman Baehler
Grammy Nominations Revealed
/by Jessica NicholsonCurrent Best New Artist Grammy winner Meghan Trainor announced the nominations in four general field categories on CBS This Morning. 21,000 recordings have been submitted for Grammy nominations this year.
Both Kelsea Ballerini and Maren Morris scored Best New Artist nominations.
Morris also picked up nominations for Best Country Solo Performance and Best Country Song (“My Church”), and Best Country Album (Hero).
Sturgill Simpson‘s A Sailor’s Guide To Earth earned an Album of the Year nomination, as well as a Best Country Album nomination.
Lori McKenna, writer on Best Country Song nomination “Humble and Kind,” also picked up a Best Americana Album nomination for The Bird & The Rifle (CN Records). Additionally, she earned a nomination with Felix McTeigue for Best American Roots Song for “Wreck You,” as well as Best American Roots Performance (“Wreck You”).
The Time Jumpers, featuring Vince Gill, picked up nominations in the Best Americana Album (Kid Sister) and Best American Roots Song (“Kid Sister”).
In the Contemporary Christian categories, Lady Antebellum member Hillary Scott and The Scott Family earned nominations for Best Contemporary Christian Music Album (Love Remains), and Best Contemporary Christian Music Performance/Song (“Thy Will”).
The Nashville Symphony and conductor Giancarlo Guerrero received three nominations. Nashvillian Jack White earned four nods.
Beyonce leads this year’s Grammy nominations with nine nominations, followed by Drake, Rihanna and Kanye West with eight nominations apiece.
Grammy nominations include (selected categories):
Record of the Year
“Hello,” Adele
“Formation,” Beyonce
“7 Years,” Lukas Graham
“Work,” Rihanna
“Stressed Out,” Twenty One Pilots
Album of the Year
25, Adele
Lemonade, Beyonce
Views, Drake
Purpose, Justin Bieber
A Sailor’s Guide To Earth, Sturgill Simpson
Song of the Year
“Formation,” Beyonce
“Hello,” Adele
“I Took A Pill in Ibiza,” Mike Posner
“Love Yourself,” Justin Bieber
“7 Years,” Lukas Graham
Best New Artist
Kelsea Ballerini
The Chainsmokers
Maren Morris
Chance the Rapper
Anderson Paak
COUNTRY FIELD
Best Country Solo Performance
“Love Can Go To Hell” — Brandy Clark
“Vice” — Miranda Lambert
“My Church” — Maren Morris
“Church Bells” — Carrie Underwood
“Blue Ain’t Your Color” — Keith Urban
Best Country Duo/Group Performance
“Different For Girls,” Dierks Bentley Featuring Elle King
“21 Summer,” Brothers Osborne
“Setting The World On Fire,” Kenny Chesney & P!nk
“Jolene,” Pentatonix Featuring Dolly Parton
“Think Of You,” Chris Young With Cassadee Pope
Best Country Song
“Blue Ain’t Your Color,” Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen, songwriters (Keith Urban)
Track from: Ripcord Label: Capitol Records Nashville; Publisher(s): Warner-Tamerlane Publishing Corp./Songs of The Corn, admin. by Warner-Tamerlane Publishing Corp.; HillarodyRathbone Music, admin. by BMG Rights Management (US) LLC; House Of Sea Gayle Music, admin. by ClearBox Rights/Spirit Catalog Holdings, S.a.r.l. admin. by Spirit Two Nashville.
“Die A Happy Man,” Sean Douglas, Thomas Rhett & Joe Spargur, songwriters (Thomas Rhett)
Track from: Tangled Up Label: The Valory Music Co.; Publisher(s): EMI Blackwood Music Inc./Cricket On The Line admin. by Sony/ATV Music Publishing LLC./ Warner-Tamerlane Publishing Corp./Eastman Pond Publishing admin. by Warner-Tamerlane Publishing Corp./Music of Big Deal/Nice Life/Frederic and Ried Music. admin. by BMG Rights Management (US) LLC.
“Humble And Kind,” Lori McKenna, songwriter (Tim McGraw)
Track from: Damn Country Music Label: Big Machine Records; Publisher(s): Songs of Universal, Inc./Hoodie Songs
“My Church,” busbee & Maren Morris, songwriters (Maren Morris)
Track from: Hero Label: Columbia Nashville; Publisher(s): International Dog Music/Words & Music/BMG Platinum Songs/BMG Rights Management/Hello I Love You Music
“Vice,” Miranda Lambert, Shane McAnally & Josh Osborne, songwriters (Miranda Lambert)
Track from: The Weight of These Wings Label: Vanner Records/RCA Nashville; Publisher(s): SonyATV Tree Publishing/Pink Dog Publishing/Smack Songs LLC/Kobalt Songs Music Publishing/Anderson Fork In The Road Music/Kobalt Music Publishing
Best Country Album
Big Day In A Small Town, Brandy Clark, Label: Warner Bros. Records
Full Circle, Loretta Lynn, Label: Legacy Recordings
Hero, Maren Morris, Label: Columbia Nashville
A Sailor’s Guide To Earth, Sturgill Simpson, Label: Atlantic
Ripcord, Keith Urban, Label: Capitol Records Nashville
AMERICANA FIELD
Best Americana Album
True Sadness, The Avett Brothers, Label: American Recordings/Republic Records
This Is Where I Live, William Bell, Label: Stax
The Cedar Creek Sessions, Kris Kristofferson, Label: KK Records, Llc
The Bird & The Rifle, Lori McKenna, Label: CN Records
Kid Sister, The Time Jumpers, Label: Rounder Records
Best American Roots Song
“Alabama At Night,” Robbie Fulks, songwriter (Robbie Fulks)
Track from: Upland Stories Label: Bloodshot Records; Publisher(s): Lorne Rall Music
“City Lights,” Jack White, songwriter (Jack White)
Track from: Jack White Acoustic Recordings 1998 – 2016 Label: Columbia/Third Man Records; Publisher(s): Peppermint Stripe Music
“Gulfstream,” Eric Adcock & Roddie Romero, songwriters (Roddie Romero And The Hub City All-Stars)
Track from: Gulfstream Label: Octavia Records; Publisher(s): Grand Bayou Music/Roddie Romero Music
“Kid Sister,” Vince Gill, songwriter (The Time Jumpers)
Track from: Kid Sister Label: Rounder Records; Publisher(s): Vinny Mae Music admin. by Songs of Kobalt Music Publishing
“Wreck You,” Lori McKenna & Felix McTeigue, songwriters (Lori McKenna)
Track from: The Bird & The Rifle, Label: CN Records; Publisher(s): Melanie Howard Music, Inc./Rusty Muffler Songs admin. by Kobalt Songs Music Publishing
Best American Roots Performance
“Ain’t No Man,” The Avett Brothers, Track from: True Sadness Label: American Recordings/Republic Records
“Mother’s Children Have A Hard Time,” Blind Boys Of Alabama, Track from: God Don’t Never Change: The Songs Of Blind Willie Johnson Label: Alligator Records
“Factory Girl,” Rhiannon Giddens, Track from: Factory Girl Label: Nonesuch Records Inc.
“House Of Mercy,” Sarah Jarosz, Track from: Undercurrent Label: Sugar Hill Records
“Wreck You,” Lori McKenna, Track from: The Bird & The Rifle, Label: CN Records
POP FIELD
Best Pop Vocal Album:
25 — Adele
Purpose — Justin Bieber
Dangerous Woman — Ariana Grande
Confident — Demi Lovato
This Is Acting — Sia
DANCE/ELECTRONIC MUSIC FIELD
Best Dance/Electronic Album:
Skin — Flume
Electronica 1: The Time Machine — Jean-Michel Jarre
Epoch — Tycho
Barbara Barbara, We Face A Shining Future — Underworld
Louie Vega Starring…XXVIII — Louie Vega
ROCK FIELD
Best Rock Album:
California — Blink-182
Tell Me I’m Pretty — Cage The Elephant
Magma — Gojira
Death Of A Bachelor — Panic! At The Disco
Weezer — Weezer
ALTERNATIVE FIELD
Best Alternative Music Album:
22, A Million — Bon Iver
Blackstar — David Bowie
The Hope Six Demolition Project — PJ Harvey
Post Pop Depression — Iggy Pop
A Moon Shaped Pool — Radiohead
R&B FIELD
Best Urban Contemporary Album:
Lemonade — Beyoncé
Ology — Gallant
We Are King — KING
Malibu — Anderson Paak
Anti — Rihanna
RAP FIELD
Best Rap Performance:
“No Problem” — Chance The Rapper Featuring Lil Wayne & 2 Chainz
“Panda” —Desiigner
“Pop Style” — Drake Featuring The Throne
“All The Way Up” — Fat Joe & Remy Ma Featuring French Montana & Infared
“That Part” — ScHoolboy Q Featuring Kanye West
JAZZ FIELD
Best Jazz Vocal Album:
Sound Of Red — René Marie
Upward Spiral — Branford Marsalis Quartet With Special Guest Kurt Elling
Take Me To The Alley — Gregory Porter
Harlem On My Mind — Catherine Russell
The Sting Variations — The Tierney Sutton Band
GOSPEL/CONTEMPORARY CHRISTIAN MUSIC FIELD
Best Gospel Album:
Listen —Tim Bowman Jr.
Fill This House — Shirley Caesar
A Worshipper’s Heart [Live] —Todd Dulaney
Losing My Religion — Kirk Franklin
Demonstrate [Live] —William Murphy
Best Contemporary Christian Music Album:
Poets & Saints — All Sons & Daughters
American Prodigal — Crowder
Be One — Natalie Grant
Youth Revival [Live] — Hillsong Young & Free
Love Remains — Hillary Scott & The Scott Family
Best Contemporary Christian Music Performance/Song:
“Trust In You,” Lauren Daigle; Lauren Daigle, Michael Farren & Paul Mabury, songwriters
Track from: How Can It Be Label: Centricity Music; Publisher(s): CentricSongs/Sony/ATV Timber Publishing/Word Music & Pocket Full of Rocks Publishing
“Priceless,” For King & Country; Benjamin Backus, Seth Mosley, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
Track from: Run Wild. Live Free. Love Strong. [The Anniversary Edition] Label: Fervent/Curb Records; Publisher(s): Warner Tamerlane/Dayspring Music, LLC/Kilns Music / WB Music Corp./Word Music, LLC/Method To The Madness/Shankel Songs/CentricSongs/2 Hour Songs/R1WAY Music Publishing/Wordspring Music, LLC
“King Of The World,” Natalie Grant; Natalie Grant, Becca Mizell & Samuel Mizell, songwriters
Track from: Be One Label: Curb Records; Publisher(s): SeeSeeBubba Songs admin. by Music Services/Maxx Melodies/BMG Platinum Songs/Takin It To The Maxx
“Thy Will,” Hillary Scott & The Scott Family; Bernie Herms, Hillary Scott & Emily Weisband, songwriters
Track from: Love Remains Label: EMI Records Nashville; Publisher(s): W.B.M. Music Corp./EKT Publishing, admin. by W.B.M. Music Corp./WB Music Corp./Thankful For This Music, admin. by WB Music Corp./Songs of Universal, Inc./G650 Music
“Chain Breaker,” Zach Williams; Mia Fieldes, Jonathan Smith & Zach Williams, songwriters
Label: Essential Records/Provident/Sony Music; Publisher(s): Anthems of Hope/Upside Down Under/Be Essential Songs/Not Just Another Song Publishing/So Essential Tunes
LATIN FIELD
Best Latin Pop Album:
Un Besito Mas — Jesse & Joy
Ilusión — Gaby Moreno
Similares — Laura Pausini
Seguir Latiendo — Sanalejo
Buena Vida — Diego Torres
AMERICAN ROOTS MUSIC FIELD
Best American Roots Performance:
“Ain’t No Man” — The Avett Brothers
“Mother’s Children Have A Hard Time” — Blind Boys Of Alabama
“Factory Girl” — Rhiannon Giddens
“House Of Mercy” — Sarah Jarosz
“Wreck You” — Lori McKenna
SPOKEN WORD FIELD
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling):
The Girl With The Lower Back Tattoo — Amy Schumer
In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In The Sandbox — Carol Burnett
M Train — Patti Smith
Under The Big Black Sun: A Personal History Of L.A.Punk (John Doe With Tom DeSavia) — (Various Artists)
Unfaithful Music & Disappearing Ink — Elvis Costello
MUSIC FOR VISUAL MEDIA FIELD
Best Song Written For Visual Media:
“Can’t Stop The Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar), Track from: Trolls
“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots), Track from: Suicide Squad
“Just Like Fire” — Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk), Track from: Alice Through The Looking Glass
“Purple Lamborghini” — Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross), Track from: Suicide Squad
“Try Everything” — Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira), Track from: Zootopia
“The Veil” — Peter Gabriel, songwriter (Peter Gabriel), Track from: Snowden
MUSIC VIDEO/FILM FIELD
Best Music Video:
“Formation” — Beyoncé
“River” — Leon Bridges
“Up & Up” — Coldplay
“Gosh” — Jamie XX
“Upside Down & Inside Out” — OK Go
PRODUCTION, NON-CLASSICAL FIELD
Producer Of The Year, Non-Classical:
Benny Blanco
Greg Kurstin
Max Martin
Nineteen85
Ricky Reed
For a full list of nominations, visit grammy.com.
Young Guns Publishing Signs Brandon Hood
/by Jessica NicholsonBack Row: Jesse Willoughby, Kobalt; Cliff Downs, President, Young Guns; Stephanie Cox, Kobalt; Mary Lauren Teague, Loeb and Loeb; Laura Alexander, Kobalt. Front Row: Will Hamrick, VP/GM, Young Guns; Brandon Hood, writer, Young Guns; Aubrey Rupe, Creative Director, Young Guns
Young Guns Publishing has signed writer/producer Brandon Hood to its publishing roster, exclusively administered by Kobalt.
Hood was born and raised in Blairsville, Georgia, coming from a long lineage of musicians. After graduating from Young Harris College in ’05 with a degree in classical guitar, he moved to Nashville to attend Belmont University, graduating in ’07. While performing as a road musician, Hood signed his first publishing/production deal in 2010.
Hood said, “I’m so excited to be starting a new chapter of my career with a company that has proven to be so supportive and encouraging.”
“It is exciting to watch the continued growth of the Young Guns Publishing team. With the addition of Brandon, we look forward to all he will be able to accomplish as an already established songwriter and producer,” said Will Hamrick, VP/GM Young Guns Publishing.
Hood’s songs have been recorded by Rascal Flatts, Sam Hunt, Jana Kramer, LOCASH, and Jerrod Niemann, among others.
In Pictures: BMI Wraps Maui Songwriters Festival
/by Eric T. ParkerPictured (L-R): Back Row: BMI songwriter Paul Doucette, sponsors Danny and Claudia Goodfellow, BMI’s Leslie Roberts, BMI songwriters Shawn Camp, Charlie Worsham, Aubrie Sellers, Marti Frederiksen, Ethan Ballinger and Dallas Wayne and BMI’s Mary Loving. Front Row: BMI’s Mason Hunter, BMI songwriter Lukas Nelson, songwriter Lee Ann Womack, BMI songwriters Willie Nelson, Eric Church and Liz Rose. Photo: Erika Goldring
BMI hosted its second annual BMI Maui Songwriters Festival on Maui from December 1-3.
The three-day, multi-genre festival offered three days of story and song with some of the industry’s top songwriters, including Eric Church, Lee Ann Womack, Willie Nelson, Aubrie Sellers, Liz Rose, Robert Earle Keen, Charlie Worsham and many more.
BMI songwriters Charlie Worsham (L) and Liz Rose (R) pose before their show at the Grand Wailea. Photo: Erika Goldring
Robert Earl Keen. Photo: Erika Goldring
Eric Church. Photo: Erika Goldring
Date Set For 2017 ‘Billboard’ Music Awards
/by Jessica NicholsonThe 2017 Billboard Music Awards will return to ABC, airing Sunday, May 21, 2017 at 8 p.m. ET.
Nominees or performer announcements have not been revealed at this time.
Billboard Music Awards finalists are based on key fan interactions with music, including album and digital songs sales, radio airplay, streaming, touring and social engagement, tracked by Billboard and its data partners, including Nielsen Music and Next Big Sound. The awards are based on a 12-month reporting period ending in March of 2017.
The 2016 Billboard Music Awards drew its third-largest audience with an average of 9.8 million viewers and a 3.2/10 in Adults 18-49.
Benefit Concert Set For Savannah Welch
/by Jessica NicholsonKevin Welch and Savannah Welch
A benefit concert has been set for actress/musician Savannah Welch, known for her roles in Boyhood and Tree of Life, and a member of the band The Trishas. Welch suffered severe injuries and lost her leg in a tragic accident on Nov. 2 in Wimberley, Texas.
On Dec. 13, Kevin Welch (Savannah’s father) and The Dead Reckoners will reunite for a special, one-time performance. Kevin Welch will perform alongside fellow The Dead Reckoners band members Kieran Kane, Mike Henderson, Tammy Rogers and Harry Stinson. Hosted by Wally Wilson and Skyville Live studio in Nashville, the evening will also include special guests.
Kevin Welch is a former Nashville resident for more than 30 years, and charted five singles on the Billboard Hot Country Songs chart.
The show will begin at 7 p.m., with tickets available at eventbrite.com.