Jake Worthington Slates Sophomore Album ‘When I Write The Song’ For September

Jake Worthington will release his sophomore album for Big Loud Texas, When I Write The Song, on Sept. 12. He’s giving fans a taste of the new project, “My Home’s In Oklahoma,” a western swing toe-tapper, today (July 25).

When I Write The Song doubles down on the authentic country sounds of Worthington’s debut self-titled album and features the new track “My Home’s In Oklahoma,” alongside viral “It Ain’t The Whiskey,” (nominated for the Texas Country Music Association’s Country Single of the Year,) Miranda Lambert collab “Hello Shitty Day,” “I’m The One (feat. Marty Stuart)” and the most recent release “Not Like I Used To.” Writers contributing to the album include Dean Dillon, Jessie Jo Dillon, Roger Springer, Clint Daniels, Jeff Hyde and more.

YouTube video

“This record means to me…it’s a reminder to fight the good fight,” shares the 2025 Texas Country Music Association Entertainer of the Year nominee. “I’m a strong believer in ‘do what moves ya.’ Make the kind of music that wrecks your world or picks up all the pieces. If it makes you feel that kind of way, and if that’s what you need, then don’t let anybody or anything change that. That’s what this record is to me.”

Worthington will celebrate the album’s announce tonight (July 25) with a headlining show at Billy Bob’s Texas. He joins Zach Top as direct support on all dates of his “Cold Beer & Country Music Tour,” followed by supporting slots on Jon Pardi’s “Honkytonk Hollywood Tour.”

When I Write The Song Track List:
1. “It Ain’t The Whiskey” (Jake Worthington, Will Banister, Jeff Hyde, Roger Springer)
2. “Hello Shitty Day” (feat. Miranda Lambert) (Dean Dillon, Jessie Jo Dillon, Jesse Frasure, Miranda Lambert)
3. “Too Much To Think” (Jake Worthington, Monty Holmes, Roger Springer)
4. “King Of The World” (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
5. “I’m The One” (feat. Marty Stuart) (Jake Worthington, Jenna LaMaster, Marty Stuart)
6. “Drownin’ In Whiskey” (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)
7. “Not Like I Used To” (Jake Worthington, Monty Criswell, Derek George)
8. “When I Write The Song” (Jake Worthington)*
9. “Two First Names” (Jake Worthington, Wyatt McCubbin, Brett Tyler)
10. “I Only Drink When It Rains” (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)
11. “I Still Believe In Miracles” (Jake Worthington, Robert Arthur, Roger Springer)*
12. “I Feel You” (feat. Mae Estes) (Jake Worthington, Roger Springer, Jacob Boyd Weinschenk)*
13. “My Home’s In Oklahoma” (Jake Worthington, Will Banister, Roger Springer)*
14. “Get Gone Too” (Jake Worthington, Clint Daniels, Jeff Hyde, Roger Springer)

Produced by Joey Moi and Chuck Ainlay
*Produced by Jon Randall and Chuck Ainlay

Scotty McCreery And Hootie & The Blowfish Hit No. 1 On MusicRow Radio Chart

Scotty McCreery rises to the No. 1 position on the MusicRow CountryBreakout Radio Chart this week alongside Hootie & The Blowfish with their song, “Bottle Rockets.”

The track was released as the lead single from McCreery’s recent EP Scooter & Friends, and was written by McCreery, Brent Anderson, Bobby Hamrick, Darius Rucker, Dean Felber, Derek George, Frank Rogers, Jeremy Bussey, Jim Sonefeid, Mark Bryan and Monty Criswell.

McCreery and Dustin Lynch are set to hit the road on their co-headlining “Two For The Road Tour.” With support from Walker Montgomery and Sons of Habit, the 12-date tour will kick off Nov. 6 in Michigan and includes stops in Illinois, Tennessee, Kentucky and more.

“Bottle Rockets” currently sits at No. 11 on the Billboard Country Airplay chart and No. 11 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

The Droptines Sign With Big Loud Texas

Pictured (L-R): Elliott Bell (Manager, C3 Management), Tony Rincon (Pedal Steel), Jon Randall (Co-founder / President of A&R, Big Loud Texas), Dillon Sampson (Bass), Miranda Lambert (Co-Founder, Big Loud Texas), Conner Arthur (Lead Singer / Guitarist), Brendon Anthony (Vice President, Big Loud Texas), Johnny Sheets (Drummer), Wes Donehower (SVP of A&R, Mercury Records / Big Loud Records). Photo: Brayln Kelly Smith

Big Loud Texas has signed another act to its growing roster with the addition of Austin-based band The Droptines. The band shared the news from stage over the weekend when opening for Whiskey Myers at Nashville’s sold-out Ascend Amphitheater.

“When we met JR [Jon Randall] and Brendon [Anthony], it just felt like ‘these are the guys,’ and then it’s incredible to know we also have the expertise of someone with a career like Miranda [Lambert]‘s to lean on,” shares The Droptines. “We just felt like if we are going to do this, we’re going to do it with them.”

“I can’t express my excitement to have The Droptines call Big Loud Texas home,” shares Big Loud Texas Co-Founder and President of A&R Jon Randall. “I absolutely love these guys and their music. They are the hardest working band out there and I can’t wait for everybody to hear what we’ve been up to in the studio.”

To celebrate the signing, The Droptines make their label debut today with the release of “Take Too Much.” Written by frontman Conner Arthur and produced by Randall at Arlyn Studios, the tune is driven by a vocal growl reminiscent of Springsteen, reflecting their influence from rock heroes like Tom Petty, and songwriters James McCurty, Mike McClure and more.

Date Changed For Music Row Ladies Golf Tournament

The 38th annual Music Row Ladies Golf Tournament will now take place on Aug. 11. The event will still take place at Old Natchez Country Club in Nashville.

With all proceeds again going to United Cerebral Palsy of Middle Tennessee, the tournament is one of Music Row’s longest-running charity events and United Cerebral Palsy of Middle Tennessee’s largest annual fundraiser. Throughout its 38-year history, the MRLGT has raised $2.5 million for the organization, supporting people with disabilities across Middle Tennessee by providing wheelchair ramps, home modifications and medical equipment donations.

Limited team space is still available. Interested players or sponsors can email mrlgtnash@gmail.com.

Akando Music Adds Two Regional Directors To Team

Christina Kosters & Greg Raneiri.

Akando Music, the radio promotion arm of Triple Tigers Records, has added two new regional directors to its team.

Christina Kosters will oversee the east region, while Greg Raneiri handles the west.

“Both Christina and Greg brought the energy and enthusiasm to the table we were looking for at Akando Music” says JC Coffey, Sr. Director of National Promotion.

Kosters joins the Akando Music team from Capital Christian Music Group where she served as Director of National Promotion Southeast.

Raneiri joins from KSON in San Diego where he was Assistant Brand Manager and a midday host.

Kosters can be reached at christina.kosters@akandopromo.com. Raneiri is available at greg.reneiri@akandopromo.com.

CMA EDU Hosts 12th Annual Leadership Summit

CMA EDU class of 2025-2026. Photo: Jamie Schramm/CMA

The Country Music Association’s industry development program, CMA EDU, held its 12th annual Leadership Summit this week.

The latest CMA EDU membership class participated three days of in professional development training, industry education and community building at the CMA headquarters in Nashville. This year’s class is made up of 37 students from 24 universities across the country.

Summit kicked off on Monday (July 21) with a session led by Red Frogs, an organization dedicated to promoting safe and supportive environments at live events, to learn about bar safety and event responsibility. Later in the day, students headed to Warner Chappell Music for an exclusive writers round featuring performances and stories from songwriters Erik Dylan, Jack Rauton and Schmitty.

Carter Faith and Team with CMA EDU Class of 26-26. Photo: Jamie Schramm/CMA

On Tuesday (July 22), students heard from Sarah Trahern (CMA CEO) before Brittany Schaffer (Dean of the Mike Curb College of Entertainment and Music Business at Belmont University) moderated a conversation with country artist Carter Faith and her team, including Cameron Lutz (Manager, Range Music), Ash Wolk (Manager, Range Music), Meredith Jones (Music Agent, CAA) and Katie McCartney (Executive Vice President & General Manager, Music Corporation of America) focused on how their individual roles contribute to an artist’s success.

The afternoon kicked off with a publishing panel led by Prescription Songs, featuring Hannah Bay-Schuck (A&R Executive, 7 Hills Music) and Jillian Rutstein (Senior Director, Digital Marketing & Creative Synch, Prescription Songs and Amigo Records). The focus then shifted to artist development with a session hosted by Sony Music Nashville, spotlighting insights from CMA EDU alum, Oakley Holmes (Senior Coordinator, Digital Marketing & Artist Development, Sony Music Nashville), Meghan Reich (Manager, Digital Marketing & Artist Development, Sony Music Nashville) and Fred Rubenstein (Vice President, Digital Marketing, Sony Music Nashville). The day concluded with a special two-hour session hosted by Black River Entertainment, where country artist Chris Young and his producer Andy Sheridan walked students through the creative process behind Young’s new album.

Chris Young discusses new album with CMA EDU Class of 25-26. Photo: Jamie Schramm/CMA

To close out the event, students took part in a panel highlighting the work of The Neal Agency. Panelists Kelly Littlefield (Director, HR & Operations, The Neal Agency), Adi Sharma (Co-Head and Agent, The Neal Agency), Michelle Bower (President, Strategic Partnerships, The Neal Agency) and Marisa Mineo (Head of Tour Marketing, The Neal Agency) offered insights into the agency’s approach to management, strategy, and artist development. Following the panel, keynote speaker and CMA Board member, Mary Hilliard Harrington (Artist Manager, Wild Heart/Red Light Management), whose visionary leadership continues to shape the future of the music business, spoke about her career path. The Summit concluded with a special “Live at CMA” performance from rising artist Hudson Westbrook.

Hudson Westbrook performs for Live at CMA. Photo: Jamie Schramm/CMA

“Welcoming each new class of CMA EDU students is always a highlight, and this year is no exception,” says Tiffany Kerns, CMA Senior Vice President, Industry Relations & Philanthropy. “This class is full of passionate, driven students who are already on track to becoming the next generation of leaders in our industry. It’s incredibly rewarding to watch them soak up every opportunity offered through the CMA EDU program, and walk away with insight, meaningful connections, and a stronger sense of where they can make an impact in our business. I am so proud of what this program continues to offer, and even more excited to see how these students carry it forward.”

DISClaimer Single Reviews: Rodney Crowell Gives Hall Of Fame Worthy Performance

Rodney Crowell. Photo: Neilson Hubbard

Is everybody on vacation?

This week’s DISClaimer stack of sounds sure seems like it. Superstars are in short supply and the songwriting pickin’s are slim. 

Mind you, there are still some highlights, namely Scotty McCreery, Sheryl Crow, Chris Janson, Tanner Adell, Billy Currington and our Disc of the Day winner, Rodney Crowell.

Shaylen stages her debut in the column and takes home a DISCovery Award.

BILLY CURRINGTON / “King of the World”
Writer: Troy Jones; Producer: Carson Chamberlain; Label: Mercury Nashville
An upbeat, bluesy celebration of summer, loaded with dobro and slide guitar licks. He’s got a boxed lunch, some weed, Merle’s tunes, a devoted dog, a fishing pole and a boat. Feelin’ fine.

MAE ESTES / “Mountain of a Man”
Writers: Jon Decious/Lauren McLamb/Liz Rose/Paul Sikes; Producer: Paul Sikes; Label: Big Machine Records
A peppy, double-time beat drives this snappy ditty praising a 6’10” former boyfriend. A dobro solo, an echoing gang of backup singers and her pert soprano delivery are among the audio highlights.

GAVIN ADCOCK / “Last One to Know”
Writers: Erik Dylan/Gavin Adcock/Jack Rauton/Luke Laird; Producer: Jay Rodgers; Label: Thrivin Here Records/Warner Music Nashville
This ACM New Male nominee takes a break from his rowdy, redneck-rebel image with a mournful lament. He’s still not much of a singer.

LUKE COMBS / “Back in the Saddle”
Writers: Dan Isbell/Jonathan Singleton/Luke Combs; Producers: Chip Matthews, Jonathan Singleton, Luke Combs; Label: Sony Music Nashville
A roaring declaration of …. exactly what? He’s hollering powerfully about launching some kind of comeback. It’s a potent sounding track, if somewhat lyrically vague.

CALI TUCKER / “Last Name”
Writers: Cali Tucker/Derek Robertson/G’harah “PK” Deg/Tricia Battani; Producer: G’harah “PK” Degeddingseze; Label: Mother Tucker Music
This former contestant on The Voice is the daughter of LaCosta Tucker and the niece of Tanya. Her new single addresses having a famous name, but needing to stand on her own. Cali’s nicely phrased vocal rides atop a burbling, multi-layered, heavily edited, electronic pop production.

SCOTTY McCREERY & HOOTIE & THE BLOWFISH / “Bottle Rockets”
Writers: Bobby Hamrick/Brent Anderson/Darius Rucker/Dean Felber/Derek George/Frank Rogers/Jeremy Bussey/Jim Sonefeid/Mark Bryan/Monty Criswell/Scotty McCreery; Producer: Frank Rogers; Label: Triple Tigers
A tuneful recollection of teenage summer on a Carolina beach with his girlfriend. The bonfire night was perfect, especially when she asked him to sing “Hold My Hand.” At the mention of the title, the Blowfish chime in with glorious harmony singing. An irresistible single.

SHAYLEN / “Loneliest Man”
Writers: Andrew Baylis/Conor Matthews/Riley Thomas/Shaylen; Producers: Julian Raymond, Shaylen; Label: Nashville Harbor Records & Entertainment
He dumped her, but she’s okay with it, knowing he’s headed on a journey that will make him, “the loneliest man in the world.” Confidently sung and well produced. Languid and lovely, yet not especially compelling as a song.

RODNEY CROWELL / “Twenty-One Song Salute (Owed to G.G. Shinn and Cléoma Falcon)”
Writer: Rodney Crowell; Producer: Tyler Bryant; Label: Rodney Crowell
Hidden in the lyric are the titles of 21 songs that helped to forge his musical life. The track rocks splendidly and Crowell remains a master at delivering a Texas-accented country performance. Tyler Bryant provides the harmony vocal. Highly recommended. This singer-songwriter belongs in the Country Music Hall of Fame.

TANNER ADELL / “Giddy Up Gorgeous”
Writer: Tanner Adell; Producers: Cambo, leelee, LOUALLDAY; Label: TA
The titled tune of Adell’s current tour is the lead track on her new Don’t Pet EP. It’s a lilting statement that she won’t be a victim and aims to steer her own destiny. A tasteful, spare production has just the right touch for her personable vocal delivery.

CHRIS JANSON / “Wild Horses”
Writers: Chris Janson/Kelly Roland/Pat Bunch; Producers: Chris Janson, Michael Wayne Wilkes; Label: Harpeth 60 Records/Warner Music Nashville
If she’s looking for a wild guy, he’s her man. The country-rock track thumps along with zest and Janson gives it his all. Highly listenable.

THE JACK WHARFF BAND / “Moonshine Man”
Writer: Jack Wharff; Producer: Charlie Worsham; Label: Big Machine Records
His almost-shrieking tenor vocal fronts sawing fiddles, fleet mandolin picking, electric guitar bursts and furious Southern-rock drumming. Intriguing and worth some spins.

SHERYL CROW & THE REAL LOWDOWN / “The New Normal”
Writers: Audley Freed/Fred Eltringham/Jen Gunderman/Peter Stroud/Robert Kearns/Sheryl Crow; Producer: Sheryl Crow and The Real Lowdown; Label: The Valory Music Co.
Collaborating with her longtime band, the new Rock & Roll Hall of Fame inductee returns to her pop-rock roots with this snappy bopper. The outspoken lyric critiques AI/robot culture, “the leader of the free world,” fake news and more. A/C programmers take note.

JOSH ROSS / “Later Tonight”
Writers: Alexander Izquierdo/Ashley Gorley/John Byron/Ryan Vojtesak; Producer: Matt Geroux; Label: Core Entertainment
His “Single Again” was a big ol’ hit. The follow-up is a finger-bopping ode to moving on after a breakup. Except when he gets back home, she’s still on his mind. The melody has all the complexity of a nursery rhyme. This one’s all about the percussive production.

The Countrypolitan Hotel & Carter Vintage Guitars Unveil Songwriting Competition

The Countrypolitan Hotel and Carter Vintage Guitars have teamed to launch “Songs from the Countrypolitan,” a songwriting competition for aspiring artists.

The competition will help tell a story inspired by the unique history of the building that houses the Countrypolitan. Located at the corner of Printer’s Alley and Union Street, The Countrypolitan recently completed a $10 million renovation, and the hotel design is inspired by the “Nashville Sound” and “Countrypolitan” eras of the 1960s and 70s in country. Rooted in Nashville’s deep history of music, the building has stories in its walls, and applicants are asked to take inspiration from the history and spirit of the hotel while penning their songs, with the connection to the theme being considered in the judging round.

Judges for the competition will be musicians Nikki Lane and Jonathan Terrell, and the winner will be announced on Aug. 30. The winner will have the opportunity to professionally record their song in a demo session at Carter Vintage Guitars, and will also be invited to perform their song live at the Countrypolitan’s Armadillo Wednesdays Showcase during AmericanaFest, among a few other perks.

“Our building is rooted in the Nashville spirit, full of history and stories,” says Bill Bacelieri, General Manager of The Countrypolitan. “The energy that defines the Countrypolitan has inspired artists and travelers alike, and we can’t wait to see who it inspires next through this contest. The Countrypolitan isn’t just a hotel–it creates a connection to a place that represents the unconventional spirit of Nashville, a city built on stories, songs and a little bit of outlaw charm.”

“At Carter Vintage Guitars, we’re passionate about supporting the next generation of musicians. Partnering with The Countrypolitan gives us a powerful opportunity to help emerging artists record and share their music,” says Ben Montague, Founder and CEO of TNAG Global, which acquired Carter Vintage Guitars in 2022. “All of our iconic demos and artist sessions are filmed and recorded in our High-End Acoustic Room—home to some of the rarest and most historic instruments in the world. The winner will have the chance to perform in the very same space where some of the most prolific players on the planet have played. With its striking, recognizable backdrop and unparalleled vibe, it’s a truly inspiring environment where artists can bring their vision to life.”

“Songs from the Countrypolitan” is open to songwriters 18 and older, and submissions must be entirely original compositions, with all artists credited, and are currently being accepted here. Submissions are now open, and artists have until Aug. 15 to submit their song. 

Opry Heads To Carnegie Hall As Part Of ‘United In Sound: America At 250 Festival’

The Grand Ole Opry will make a rare visit to Carnegie Hall for a special night of country music on March 20 as part of the upcoming “United in Sound: America at 250 Festival.”

Taking place from January through July 2026, “United in Sound” highlights the musical riches that have evolved and flourished in the U.S. as our country marks the 250th anniversary year of the signing of the Declaration of Independence. In more than 35 concerts at Carnegie Hall, festival programming will feature jazz, rock ‘n’ roll, hip-hop, country, bluegrass, classical, Broadway, film music and more, showcasing the very best of the American spirit.

Featured artists for the special Opry show will be announced in the upcoming months. The “United In Sound” Opry event will mark the fourth headlining performance by the Opry at Carnegie Hall, including previous visits in 1947, 1961 and 2005.

Mike Reid & Joe Henry Team For New Project ‘Life & Time’

Grammy-winning singer-songwriters Mike Reid and Joe Henry have collaborated on a new album, Life & Time, set for release Sept. 5 on Work Song Inc via Thirty Tigers.

Life & Time sees the two hit songwriters turning a new page: Reid was an NFL All Pro before turning to a career in music which yielded 12 No. 1s and an induction to the Songwriter’s Hall of Fame, and Henry penned 16 albums as a solo artist and has blazed a path as a Grammy-winning producer for Solomon Burke, Elvis Costello, Allen Toussaint, Julian Lage, and Bonnie Raitt.

The duo’s new album includes 12 songs rooted in piano ballads and feature upright bass, pedal steel and more. The idea for the collab was born when Reid and Henry first met sharing a table in the dining hall at Rodney Crowell’s Nashville songwriting camp. They exchanged shared influences, people that have contributed to their evolution as thinkers, readers and writers.

“I just heard a couplet in my head and stopped what I was doing and reached out to Mike, reminded him who I was, and asked if he might want to try writing something together,” Henry recalls. “And he uttered a phrase that we’ve repeated to each other since: “Let’s push off the dock and into the fog and we’ll see what we find.”’

Through dozens of songs written as a pair, with no agenda, Reid and Henry came to the realization that there was an album made along the way.

“There’s something very mysterious that happens to me emotionally, whatever that is… physically… when I sing Joe’s words, I just… believe them, and more than my mind, my body believes them,” adds Reid. “I feel physically a belief in this stuff. More than my mind, my body knows… feels these words, and I like that because ultimately, when I do something that isn’t working, I feel it physically in my body. I think, often, whether creating or not, or planting a rose or making a good lasagna, that part of you is always attempting to recognize itself. And the delight for me in this whole time with Joe is I got to recognize something in me that I only suspected was there. Granted, I did suspect it, but I got to recognize it before I moved on from here.”

In support of the project, the pair will embark on a U.S. tour in September, performing tracks from the album and featuring each as solo artists on selections from their separate catalogues, all with a shared backing band. The tour includes stops at New York’s City Winery Loft, Chicago’s Old Town School of Folk Music, Philadelphia’s City Winery, and more with West coast dates planned for early 2026.

Life & Time Track List:
1. “Sleeper Car”
2. “The Bridge”
3. “Room”
4. “Stray Bird”
5. “Life And Time”
6. “Martins Ferry”
7. “Weather Rose”
8. “Whoever We Are”
9. “City Of Light”
10. “Leaning House”
11. “History”
12. “So We May”