Eric Church Captures Magic Tour Moments On ’61 Days In Church’

Eric Church is letting fans relive the magic moments on his tour through a new live album, 61 Days In Church. Church recorded the project over the course of sixty-one shows in a five-month period, where he played an average of 37 songs per night.

Beginning Friday (Sept. 1), fans will have access to 30 initial live recordings from various stops across North America. The tracks will initially be released only on the Apple Music platform for a two-week period before being made available on all streaming services.

Following Sept. 1, subsequent tracks including some catalogue and cover songs as well as songs inspired by events that happened while he was on the road, will be released chronologically through the end of the year to complete the list. The unique, individual tour posters from each stop will serve as the artwork for each week’s release.

“I had so much fun learning songs that were unique to whatever city we found ourselves in,” Church reflects. “I learned a lot about each place, and it was special to see the crowd react to the songs that were only for them.  I’m glad we recorded it and can relive it forever.”

A double disc collectible boxed set and vinyl version of the project is slated for release via EMI Records Nashville on Record Store Day, April 21 2018.

Bertelsmann Announces BMG Revenues Increase 28 Percent For First Half Of Year

Bertelsmann credits recent developments in Nashville with a portion of its increase in global revenue for the first half of 2017 of €8.1 billion.

In results for the first six months of 2017, the music sector of the company, BMG, increased revenues by 28 percent to €233m (H1 2016: €182 million) while operating EBITDA increased by 25 percent to €40m (H1 2016: €32 million), noting the vast majority of growth was organic rather than through acquisition.

“BMG continu[es] to outpace the market and competitors, paying out more of our revenue in royalties to artists and songwriters than any of the established players (while generating a better return),” said Paki Newell, Senior Director, U.S. Corporate Communications.

The returns are credited in large part due to Nashville with BMG’s biggest single acquisition in the recording business since its launch in 2008. Credit was given to BBR Music Group (Broken Bow Records, Stoney Creek Records, Wheelhouse Records and Red Bow Records, and music publisher Magic Mustang Music) and the Bertelsmann music subsidiary also achieving success in the publishing segment by renewing contracts with songwriter Hillary Lindsey.

Additional mention is made for BMG’s earnings in the United Kingdom Europe and Australia. BMG signed contracts with international artists such as Avril Lavigne, Fergie, Kylie Minogue in the UK and Mando Diao in Germany. The company additionally experienced chart success with clients Nickelback (records) and DJ Khaled (music publishing), with significant chart success including shares in the international hits “I’m the One,” “Despacito” and “Wild Thoughts” and Roger Waters’s album “Is This the Life We Really Want?”

Read more at bertelsmann.com.

Cavalia Odysseo Offers Up Thrilling Music City Debut

The massive white 58,000 square-foot big top across from the Gaylord Opryland Hotel was abuzz with excitement Wednesday night (Aug. 30) as Mayor Megan Barry, Senator Bill Frist, artists like Chris Young and Tracy Lawrence, local council members, and thousands of Nashvillians welcomed the anticipated arrival of Cavalia Odysseo’s Music City debut.

The breathtaking theatrical experience featuring 50 horses and an array of equestrians, acrobats, dancers, aerialists, and musicians finally arrived in Nashville after six years of touring the U.S., Canada, and Mexico, making us the 30th city to host the spectacular multi-million dollar production.

Cavalia Artistic Director and Creator Normand Latourelle, (who co-founded Cirque Du Soleil,) welcomed the eager crowd, saying Nashville was by far the warmest and friendliest city they had encountered throughout their extensive travels. Mayor Barry acknowledged the work it took and initiative by several council members to convince the Montreal-based Cavalia company to come to town before the curtain unveiled on the set, which is a marvel in itself.

An 8,400 square-foot screen projects the multitude of scenic backdrops used in the massive production, and the 17,000 square-foot stage is covered in 10,000 tons of a sand/earth mixture providing the horses plenty of room to roam and run. At one point in the production, an actual lake is created by flooding the stage for the four-legged stars to frolic in with their riders. Picturesque waterfalls, serene mountain pastures, and even an African desert are created in an almost 3-D like way to take the audience on the magical journey that is Odysseo.

From the pulse-pounding excitement of trick riders barreling across the stage unmounting and mounting back in the saddle at high speeds to the soul-stirring simple beauty of a pack of Lusitanos roaming free then on command lining up into perfect groups and marching towards the stage, the show offers plenty of jaw-dropping and unforgettable moments. Cirque Du Soleil fans will find plenty of moments to love as well in the ethereal numbers like the life-sized carousel segment, which blends horses and aerialists in an almost dreamlike way.

With visual beauty at every turn, heart-stopping action from the beautiful stallions gathered onstage, live music that accompanies each montage, and talented dancers and acrobats bounding across the stage at every turn, Odysseo is truly a can’t miss during its stop in Music City. Due to high demand, the company has extended its run in Nashville through September 17 before the rolling city of 110 semis transporting the world’s largest touring production heads off to its next destination.

 

 

 

 

 

 

 

 

 

 

Jerry Esposito, Brother Of WMN Chairman/CEO John Esposito, Passes

Pictured (L-R): Jerry Esposito and John Esposito in 1976.

Jerry Esposito, brother of Warner Music Nashville Chairman and CEO John Esposito, passed away Thursday (Aug. 31) at his home in Shelburne, Vermont, following a heroic battle with cancer. Funeral arrangements are pending for “Espo’s” older brother, who was born three years to the day before him.

Jamie Grace Returns With New Album ’91’

Jamie Grace is back with a brand new album after taking a few years away from the spotlight. Her new project, ‘91, her third, is named for the year she was born.

“I really wanted to take the listener on a journey through my life,” says Grace. “This is absolutely my most personal record and the most personal lyrics I’ve ever written. My heart is literally on this record and I am ecstatic that it’s out today!”

’91 explores the singer’s life in great lyrical detail, from the intro track “Different,” which explains how it feels to not fit in, to the song “Games,” which addresses how fickle people can be. The project also includes some catchy sing-a-long pop-rock fun on “The Happy Song” and “Party Like A Princess,” and Grace delves into deeper spiritual material in the songs “Daughter of The King” and “Bella.”

At just 25 years old, Grace has racked up an impressive list of accolades: four No. 1 singles, a GMA Dove award for New Artist of the Year, a Grammy nomination, and a Billboard Music Award nomination, along with millions of views on her weekly Youtube videos.

Augustana And Dan Layus Sign With Red 11 Music

(L-R): Lauren Shatlock, Red 11 Music; Tyler Robertson, Red 11 Music; Geoff Turner, Red 11 Music; Dan Layus; Jon Folk, Red 11 Music; Taylor Williamson, Red 11 Music; Josh Green, Red 11 Music

Rockers Augustana and frontman Dan Layus have signed with Nashville-based Red 11 Music for booking.

The band achieved mainstream success with hits like “Boston” and “Sweet and Low,” selling over a million records worldwide and performing on shows like David Letterman, the Today Show and Jimmy Kimmel Live. Layus will also be re-releasing his solo album Dangerous Things this fall through Nashville label Folsom Records, and is on tour with Will Hoge this fall.

“I’ve been a huge fan of Augustana and Dan Layus for years,” said responsible agent Geoff Turner. “Dan’s approach to songwriting and performing creates a truly unique connection with audiences, and I’m honored to be a part of it.”

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Indie Artist April Kry Showcases Powerhouse Vocals On New Music

April Kry performs. Photo: Haley Crow

Connecticut native April Kry has lived in Nashville for the past five years, writing, recording and forging her own unique sound in the process. She visited the MusicRow offices recently to perform music she has been working on for an upcoming project.

A pastor’s daughter, Kry was raised primarily on contemporary Christian and pop music, until she heard the captivating voice of Martina McBride. It seems natural that Kry would take inspiration from a fellow petite vocal powerhouse.

“Her voice is so powerful and I was just drawn to the honesty in the songs she sang,” Kry says. “It made me want to sing country music.”

At 18, Kry was already garnering enough attention to perform at the Apollo Theater’s Amateur night and appear as a background vocalist for Enya, and she moved to Nashville at age 20 to pursue her musical ambitions.

April Kry performs. Photo: Haley Crow

During her visit to the MusicRow offices, Kry offered a trio of songs, including “While We’re Young,” which she penned with Stephanie Bentley, Micah Wilshire, and Jennifer Pappas. “While We’re Young” earned a glowing review from MusicRow contributor Robert K. Oermann.

Like most artists, Kry has endured the long wait that comes with being a rising independent artist trying to get heard in the music industry.

“I had been doing so much recording, performing, writing, and pounding the pavement for several years and I felt like I was ready, but I kept being told to wait,” she says.

Kry channeled that artistic frustration into “Hurry Up and Wait,” penned with Jordy Searcy.

Kry possesses a powerfully versatile instrument capable of letting loose with soaring soulful notes on the choruses and drawing back to introspective, earthy contemplations on the verses. She pours that ability into the slow burn “I Feel At Home,” which was penned with Blair Daly.

“It was one of those sessions where you write a song in 20 minutes and you just know it’s a good song.”

April Kry with MusicRow owner/publisher Sherod Robertson. Photo: Haley Crow

LANCO Fans Helped Title Band’s Current Sony Music Nashville Single

LANCO performs. Photo: Haley Crow

Sony Music Nashville band LANCO recently previewed songs including “Born To Love You,” “Trouble Maker” and current single “Greatest Love Story,” during a visit to the MusicRow offices. LANCO is made of lead singer Brandon Lancaster, Tripp Howell, Eric Steedly, Jared Hampton, and Chandler Baldwin.

The barn burner “Trouble Maker” was inspired by shows the band would perform at Nashville’s concert series Whiskey Jam. “When we played this song at Whiskey Jam for the first time, it was like, ‘Oh yeah, this song is about so many people we’ve seen there,’” said Lancaster.

They played an acoustic rendition of “Born To Love You,” which they finished recording a few weeks ago, while wrapping the recording stage of their upcoming album with producer Jay Joyce. The song grew from the struggles that most 20-somethings go through to determine their place in life.

“I’ve grew up in Smyrna [Tennessee] and maybe you go to college or you go to work at the Nissan plant,” said Lancaster, who is soon to be wed. “We have a lot of young friends our age who, even as musicians, there is this struggle to find out what you were born to do. When you find that someone special a lot of those worries go away and you realize you were born to love this person.”

They closed with their current single, “Greatest Love Story.” The song’s video has recently notched more than 50 million streams.

“People can look at stat sheets and whatever, but our measurement of how a song is doing is on the road,” say Lancaster. “People are not shy on the road. They have no problem coming right up and letting it all out and telling you what they think of a song. We found that this song was impacting people.”

LANCO with MusicRow owner/publisher Sherod Robertson. Photo: Haley Crow

Lancaster says that it was fans from all over the world that ultimately gave “Greatest Love Story” its title.

“The song is pretty much my journal and at first it didn’t even have a title. People would ask me what it was called, and I’d say, ‘Maybe it’s called ‘Love Story?’ Oh, wait Taylor Swift already had a song called that, so ‘American Love Story?’ That was the working title, but people on the road people kept calling it ‘Greatest Love Story.’ We would have people from the UK and Ireland saying they loved it and related to it, so we were like, ‘This isn’t just an American love story. People relate to it all over the world.’”

LANCO with MusicRow staffers.

Emily Shackelton Signs Joint Publishing Deal With Liz Rose Music, BMG, Busbee

Pictured (L-R): Daniel Lee, VP Creative, BMG; busbee; Shackelton; Liz Rose, Owner, Liz Rose Music; Scott Ponce, President, Liz Rose Music

Singer-songwriter and Minnesota native Emily Shackelton has signed a joint publishing deal with her longtime publishing home, Liz Rose Music; frequent collaborator, busbee; and BMG.

Shackelton moved to Nashville after studying at Berklee College of Music, where she won the coveted BMI John Lennon Songwriting Competition. Shackelton has penned the current Carly Pearce single, “Every Little Thing,” which hit No. 1 last week on the MusicRow CountryBreakout chart, as well as the current Lauren Alaina single, “Doin’ Fine.”

Her catalog includes cuts by Reba McEntire, Sara Evans, Jana Kramer, David Cook, Mickey Guyton, Seth Ennis, and Cassadee Pope. Several of her songs have also been featured on TV shows, including Nashville and American Idol.