Old favorites and new dancefloor darlings mix and mingle in today’s survey of current Music City pop/rock.
The enduring Nashville popsters of yore are Los Straitjackets, Take 6 and Webb Wilder. The electronic wunderkinds are Cappa, Mona and Davis Mallory.
The Disc of the Day award belongs to, of course, Taylor Swift, who is currently conquering the world (again) on tour.
The DisCovery Award goes to Birdtalker, a Nashville quintet that’s about to issue its debut album.
BAD COP/Dreamer Man
Producer: Chris Grainger
—It’s been a long wait for the new album by this Nashville post-punk outfit. But Hello Mr. Sunshine is out now, and so is this snarky emphasis track. Lead singer Adam Moult has a classic tenor snarl/whine that delivers sarcastic and/or ironic lyrics with flair. The band is minimalist thrashy, featuring old-school, small-kit drumming and jangling electric guitar. In previous seasons, Bad Cop’s music has had network syncs (ESPN, Showtime), been used in a Capri Sun ad and has enjoyed in-store promotion by Converse sneakers.
TAKE 6/Change the World
Writer: Tommy Sims/Gordon Kennedy/Wayne Kirkpatrick; Producer: Mark Kibble & David Thomas
—This Grammy winning a cappella jazz vocal ensemble has titled its new CD Iconic because it contains Take 6 versions of modern pop chestnuts. The group’s gospel background is revealed in “Nothing But the Blood.” It does a particularly nice job with the Christopher Cross oldie “Sailing.” And its Music City roots are showing with this groovy cover of Eric Clapton’s anthem, penned by three of Nashville’s best tunesmiths. The ballad is turned inside out via tempo shifts, melodic improvisations and background scatting. Ear opening.
WEBB WILDER & THE BEATNECKS/Powerful Stuff
Writer: R. Field; Publisher: Sharp Circle, ASCAP
—Written by Beatneck R.S. Field, this steaming, unrelenting, power-pounding blues rocker was originally recorded by Wilder 30 years ago. But The Fabulous Thunderbirds picked it up and made it a 1988 hit, so the original sat on the shelf. Now it’s the title of Wilder’s new collection of previously unreleased stompers. Clap hands and shout, “Hallelujah” at this rock ‘n’ roll evangelist. Then get up and dance to his muscular takes on Little Richard’s “Lucille,” Lightnin’ Hopkins,’ “I’m Wild About You Baby” and Sam & Dave’s “Ain’t That a Lot of Love.”
MONA/Thought Provoked
—I was initially smitten with this Music City band last year via its sex-positive viral-hit video “Kiss Like a Woman.” Mona’s new Soldier On CD drops June 22, and it has sent out this tease track to promote it. The hallmarks here are a hooky, soaring, anthem-like chorus, crunching guitars and a searing high-tenor lead vocal. Stomping and glam infected, evoking nouveau Queen.
TAYLOR SWIFT/Delicate
Writer: Taylor Swift/Max Martin/Shellback; Producer: Max Martin & Shellback; Publisher: Sony-ATV Tree/Taylor Swift/MXM/Kobalt, BMI/ASCAP; Big Machine
—Now that she’s launched her tour, sales of Taylor’s Reputation CD are bound to spike. This thumpy, seductive, swoony single sure won’t hurt. A dreamy track to get lost in.
CAPPA/Tension
—This EDM lady splits her time between L.A. and Nashville. Her new single is a catchy, light-hearted, bubbling bopper with winsome vocals and rhythmic pops, drops and dollops. Very promising. Cappa showcased her sounds at the Hutton Hotel’s cool Analog venue on Wednesday evening.
DAVIS MALLORY/Sun and Moon
Producer: Lopic Panillo
—With the Nashville Pride Festival approaching (June 23-24), this singer-songwriter’s music is timely indeed. His “Pride Edition Music Video” for this poppy track is out now. The infectious track highlights his breathy vocals, steady beats and synth accents. Mallory first achieved notoriety on MTV’s Real World Denver and three seasons on the game show The Challenge. Since moving to Nashville about four years ago, he’s written more than 300 dancefloor songs, including “Not That Far Away,” “Loud,” “Dance With Me,” “Be Without You” and “Anyone Would Know” all of which have internet videos.
LOS STRAITJACKETS/(What’s So Funny ‘Bout) Peace, Love and Understanding
Writer: Nick Lowe; Producer: Neil Brockbank; Yep Roc
—These masked marvels have this instrumental twanger as the title tune of their tribute CD to Nick Lowe. He’s often noted for his witty lyrics, but the Nashville surf rockers shine their spotlight on what a cool melody maker he is as well.
SWING SET/Make Mine a Double
Writer: Bois/Mosser/Scheinman/Shropshire/Spencer; Producer: Eight O’Five Jive; Publisher: Red Rudy Too Tunes, BMI; Red Rudy Too Tunes
—This came out last year, so I am quite tardy in getting to it. The quintet dresses in period costumes of the ‘30s and ‘40s when it plays its jump-blues tunes. The sound may be vintage, but the tunes are originals. Liven up your next cocktail party with this.
BIRDTALKER/Feel Like a Broken Heart
Missing Piece
—This is the advance tune for this Nashville band’s debut CD, which drops on June 22. It’s an upbeat, lo-fi outing with folk-flavored vocals backed by a crunchy rhythm track and nifty electric guitar licks. A previous Birdtalker track, “Heavy” amassed 21 million Spotify streams, I am told. Also check out the band’s delectable “One” lyric video and amusing dance clip “Graveclothes.”
NMPA Honors NSAI Executive Director Bart Herbison
/by Jessica NicholsonBart Herbison (L) and David Israelite (R). Photo: Gary Gershoff
NSAI Executive Director Bart Herbison was honored in New York City with the NMPA Industry Legacy Award on Wednesday (June 13).
Herbison was feted by NMPA President & CEO David Israelite as well as songwriters Steve Bogard and Lee Thomas Miller. Bogard congratulated Herbison saying, “He’s a tireless, astute, master of the politically achievable, an outspoken critic of copyright injustice and the world’s biggest song nerd. Most importantly, after 15 years, he’s still one of my best friends in the world.”
Miller added, “For 20 years he’s been dressing misfits like me up and walking us through the halls of Capitol Hill looking for an opportunity to tell our story to someone who can help us. He is shameless.”
NMPA also honored singer-songwriter Alicia Keys with the NMPA Songwriter Icon Award at the event. Publisher Caroline Bienstock was honored with the Lifetime Service Award and Senator Sheldon Whitehouse was presented the NMPA President’s Award.
The keynote was given by United States Department of Justice (DOJ) Assistant Attorney General for the Antitrust Division, Makan Delrahim, who addressed the ASCAP and BMI consent decrees.
Steve Bogard. Photo: Gary Gershoff
DISClaimer: Survey Of Current Music City Pop/Rock
/by Robert K OermannThe enduring Nashville popsters of yore are Los Straitjackets, Take 6 and Webb Wilder. The electronic wunderkinds are Cappa, Mona and Davis Mallory.
The Disc of the Day award belongs to, of course, Taylor Swift, who is currently conquering the world (again) on tour.
The DisCovery Award goes to Birdtalker, a Nashville quintet that’s about to issue its debut album.
BAD COP/Dreamer Man
Producer: Chris Grainger
—It’s been a long wait for the new album by this Nashville post-punk outfit. But Hello Mr. Sunshine is out now, and so is this snarky emphasis track. Lead singer Adam Moult has a classic tenor snarl/whine that delivers sarcastic and/or ironic lyrics with flair. The band is minimalist thrashy, featuring old-school, small-kit drumming and jangling electric guitar. In previous seasons, Bad Cop’s music has had network syncs (ESPN, Showtime), been used in a Capri Sun ad and has enjoyed in-store promotion by Converse sneakers.
TAKE 6/Change the World
Writer: Tommy Sims/Gordon Kennedy/Wayne Kirkpatrick; Producer: Mark Kibble & David Thomas
—This Grammy winning a cappella jazz vocal ensemble has titled its new CD Iconic because it contains Take 6 versions of modern pop chestnuts. The group’s gospel background is revealed in “Nothing But the Blood.” It does a particularly nice job with the Christopher Cross oldie “Sailing.” And its Music City roots are showing with this groovy cover of Eric Clapton’s anthem, penned by three of Nashville’s best tunesmiths. The ballad is turned inside out via tempo shifts, melodic improvisations and background scatting. Ear opening.
WEBB WILDER & THE BEATNECKS/Powerful Stuff
Writer: R. Field; Publisher: Sharp Circle, ASCAP
—Written by Beatneck R.S. Field, this steaming, unrelenting, power-pounding blues rocker was originally recorded by Wilder 30 years ago. But The Fabulous Thunderbirds picked it up and made it a 1988 hit, so the original sat on the shelf. Now it’s the title of Wilder’s new collection of previously unreleased stompers. Clap hands and shout, “Hallelujah” at this rock ‘n’ roll evangelist. Then get up and dance to his muscular takes on Little Richard’s “Lucille,” Lightnin’ Hopkins,’ “I’m Wild About You Baby” and Sam & Dave’s “Ain’t That a Lot of Love.”
MONA/Thought Provoked
—I was initially smitten with this Music City band last year via its sex-positive viral-hit video “Kiss Like a Woman.” Mona’s new Soldier On CD drops June 22, and it has sent out this tease track to promote it. The hallmarks here are a hooky, soaring, anthem-like chorus, crunching guitars and a searing high-tenor lead vocal. Stomping and glam infected, evoking nouveau Queen.
TAYLOR SWIFT/Delicate
Writer: Taylor Swift/Max Martin/Shellback; Producer: Max Martin & Shellback; Publisher: Sony-ATV Tree/Taylor Swift/MXM/Kobalt, BMI/ASCAP; Big Machine
—Now that she’s launched her tour, sales of Taylor’s Reputation CD are bound to spike. This thumpy, seductive, swoony single sure won’t hurt. A dreamy track to get lost in.
CAPPA/Tension
—This EDM lady splits her time between L.A. and Nashville. Her new single is a catchy, light-hearted, bubbling bopper with winsome vocals and rhythmic pops, drops and dollops. Very promising. Cappa showcased her sounds at the Hutton Hotel’s cool Analog venue on Wednesday evening.
DAVIS MALLORY/Sun and Moon
Producer: Lopic Panillo
—With the Nashville Pride Festival approaching (June 23-24), this singer-songwriter’s music is timely indeed. His “Pride Edition Music Video” for this poppy track is out now. The infectious track highlights his breathy vocals, steady beats and synth accents. Mallory first achieved notoriety on MTV’s Real World Denver and three seasons on the game show The Challenge. Since moving to Nashville about four years ago, he’s written more than 300 dancefloor songs, including “Not That Far Away,” “Loud,” “Dance With Me,” “Be Without You” and “Anyone Would Know” all of which have internet videos.
LOS STRAITJACKETS/(What’s So Funny ‘Bout) Peace, Love and Understanding
Writer: Nick Lowe; Producer: Neil Brockbank; Yep Roc
—These masked marvels have this instrumental twanger as the title tune of their tribute CD to Nick Lowe. He’s often noted for his witty lyrics, but the Nashville surf rockers shine their spotlight on what a cool melody maker he is as well.
SWING SET/Make Mine a Double
Writer: Bois/Mosser/Scheinman/Shropshire/Spencer; Producer: Eight O’Five Jive; Publisher: Red Rudy Too Tunes, BMI; Red Rudy Too Tunes
—This came out last year, so I am quite tardy in getting to it. The quintet dresses in period costumes of the ‘30s and ‘40s when it plays its jump-blues tunes. The sound may be vintage, but the tunes are originals. Liven up your next cocktail party with this.
BIRDTALKER/Feel Like a Broken Heart
Missing Piece
—This is the advance tune for this Nashville band’s debut CD, which drops on June 22. It’s an upbeat, lo-fi outing with folk-flavored vocals backed by a crunchy rhythm track and nifty electric guitar licks. A previous Birdtalker track, “Heavy” amassed 21 million Spotify streams, I am told. Also check out the band’s delectable “One” lyric video and amusing dance clip “Graveclothes.”
Carly Pearce Celebrates 50th Opry Appearance
/by Lorie HollabaughPictured (L-R): Big Machine Records’ Jim Weatherson, Longshot Management’s Rob Baker, Jeannie Seely, Carly Pearce, The Grand Ole Opry’s Sally Williams, Longshot Management’s Aaron Kinssies, 650 WSM’s Bill Cody Photo: Chris Hollo, Grand Ole Opry
Carly Pearce celebrated a momentous occasion Wednesday night (June 13): her 50th Grand Ole Opry appearance. Pearce first made her debut in the famed circle on May 30, 2015, and was just as proud the 50th time she stepped onto the hallowed stage to be introduced by Opry member Jeannie Seely and 650 WSM host Bill Cody.
Pearce told the crowd she held such a special place in her heart for the Opry and would still be just as excited to sing there for the next fifty years. The Kentucky native kicked off her set with “If My Name Was Whiskey” before launching into her No. 1 “Every Little Thing” and capping the celebration off with her new single “Hide The Wine.”
“I love country music and country music fans more than anything and the Grand Ole Opry will always be the most precious thing to me,” said Carly.
Pearce is set to head to the Radio Disney Music Awards on June 22 where she is nominated for The Freshest! – Radio Disney Country Best New Artist.
Photo: Sonni Young
Elvis Presley Drummer D.J. Fontana Passes
/by Robert K OermannDJ Fontana
Famed Elvis Presley drummer D.J. Fontana passed away in Nashville on Wednesday, June 13, at age 87.
Fontana played on more than 450 Presley records and toured with the King of Rock ‘n’ Roll for 14 years. He was the last surviving member of Presley’s original band.
Born Dominic Joseph Fontana, he was a native of the Texarkana area who served an apprenticeship drumming in strip clubs. In 1953, he became the staff drummer at The Louisiana Hayride in Shreveport, where Presley became a regular performer.
Presley (1935-1977), guitarist Scotty Moore (1931-2016) and bassist Bill Black (1926-1965) hired Fontana to join their Blue Moon Boys band in 1955. Fontana played on such seminal Elvis Presley hits as “Hound Dog,” “Don’t Be Cruel,” “Heartbreak Hotel,” “Blue Suede Shoes,” ‘Love Me Tender,” “Jailhouse Rock” and “Teddy Bear.” He, as well as Moore and Black, also appeared on Presley’s Ed Sullivan Show appearances in 1956-57.
DJ Fontana and Elvis. Photo: Elvis Presley Enterprises
He also appeared in several of Presley’s movies in the 1960s, including King Creole, G.I. Blues, Jailhouse Rock and Loving You. He continued to appear with the superstar until 1969, when he left over a pay dispute with manager Col. Tom Parker (1909-1997).
In addition to Elvis Presley, Fontana backed such artists as Paul McCartney, Keith Richards, Ringo Starr, Gene Vincent, Red Sovine, Faron Young, Steve Earle, Dolly Parton, Waylon Jennings, Charley Pride, Porter Wagoner, Johnny Cash and Webb Pierce.
Starr, Levon Helm, Max Weinberg, Charlie Watts, Stan Lynch and many other rock drummers have cited Fontana as an influence. His style was characterized by power, steadiness, accuracy and get-to-the-point directness.
In 1983, Fontana published D.J. Fontana Remembers Elvis, a pictorial volume of reminiscences.
He and Scotty Moore won a Nashville Music Award and were nominated for a Grammy in 1998 for their album All the King’s Men.
In 2009, he was inducted into the Rockabilly Hall of Fame as well as the Rock ‘n’ Roll Hall of Fame (in the sideman category).
Funeral arrangements have not been announced.
Annual Lightning 100 + Project 615 Block Party To Celebrate All Things Nashville This Friday
/by Lorie HollabaughThe free, family friendly event is being held in the West Nashville neighborhood and will feature music from Musicians on Call, over 50 vendors including food and craft beer trucks, video gaming trucks, local vendors, and non-profits.
The 2018 615 Day celebration will benefit Musicians on Call and their mission to bring live and recorded music to the bedside of patients in healthcare facilities. With Lightning 100’s continued yearly expansion of the 615 celebration and with the Project 615 partnership, the city’s local businesses and musicians have adopted the “holiday” as its own. Project 615, known for capturing the spirit of Nashville with unique graphic designs on apparel and other products, has long been a local business with a global mission. Other partners helping make the 615 Day possible include M.L. Rose Craft Beers & Burgers, Lipman Brothers, Google Fiber, Habitat Yoga, Mountain High Outfitters, Cohub, and Major Family Chiropractic.
“One of our most important initiatives as Nashville’s independent radio is to help Nashville artists. The Local Lightning Spotlight started in 2005 and was one of the first official programming features we implemented to highlight local music,” said Gary Kraen, VP Programming. “Over the last 13 years, we’ve continued to expand this initiative and now local artists make up 25-30 percent of our music playlist.
The station will also be broadcasting from Project 615’s West Nashville location mid-day and then bring their afternoon drive show with Analee to the 615 Day site at Richland Park.
Steve Moakler Celebrates ‘Born Ready’ Album, Out Friday
/by Lorie HollabaughPictured (L-R): Creative Nation’s co-founder Luke Laird, Jeff Skaggs, Christina Wighton, Kelsey Granda, Rachel Burleson, Steve Moakler, Brandon Gill, Shaina Botwin and CN co-founder Beth Laird. Photo: Sonni Young, Remedy Creative
Steve Moakler gathered with his Creative Nation family with Luke and Beth Laird at Ocean Way Studios in Nashville on Tuesday (June 12) to celebrate the soft launch of his latest album, Born Ready, set for release Friday, June 15.
“At Creative Nation, we just want to work with people we believe in,” Laird shared on the company’s mission upon launching in 2011. “I’m obviously a songwriter first, so what drew me to Steve was his songwriting. All these songs he writes are songs I wish I could write or wish that I’d have written. For me, to have the opportunity to be his producer — which really, all that means is that I’m just trying not to mess up the heart that’s in these songs he’s written…I believe in this music a lot.”
Moakler performed some songs from the album during the celebration, including the title track “Born Ready,” “Slow Down,” “Thirty,” and “One More Troubadour,” a song inspired by an early conversation in his Nashville journey.
“When I first moved [to Nashville] I ended up in the conversation with a native [of the city] and he was really nice to me” Moakler said. “He asked ‘What brought you to town?’ and I realized how typical my answer was being a singer/songwriter, so I answered insecurely with a smirk, ‘Well sir, I’m a singer/songwriter, just one of the 10,000.’ I thought he was going to laugh, but he just paused and looked at me real serious and said, ‘Well son, there’s 10,000 angels, too, you know?’ I’ve never thought of it quite the same way. I really love getting to be a songwriter, getting to be a troubadour, and that’s what really drives me to get up in the morning.”
The CN Records album is available everywhere June 15.
Dailey & Vincent’s Jamie Dailey To Keynote IBMA
/by Jessica NicholsonDailey & Vincent
The International Bluegrass Music Association (IBMA) has announced Jamie Dailey, of Dailey & Vincent, will deliver the Keynote Address at this year’s IBMA Business Conference, on Tuesday, Sept. 25, at the Raleigh Convention Center in downtown Raleigh, North Carolina. Dailey will deliver insight on this year’s conference theme, “Branding Bluegrass.”
“I’m honored to be asked to be the keynote speaker at IBMA this year,” says Dailey. “We have an incredible and legit industry, but we face a lot of challenges and uncertainty. However, there are unique and interesting opportunities available to us if we only take the time to search them out and study what could be. I’m excited to bring my perspective on branding. We need forward and unbounded leadership for our genre to grow, thrive and most importantly survive. It’s time to grow and move the music we love to the masses and keep it alive forever.”
The IBMA further outlines the “Branding Bluegrass” theme with the following description:
“We often underestimate the power of our branding decisions, or lack thereof, on professional success or failure,” says Paul Schiminger, Executive Director of the IBMA. “Jamie Dailey, along with his musical partner Darrin Vincent, has left nothing to chance. Through a conscious and methodical process, they created a brand that has catapulted their careers. We are excited to have Jamie provide important insights that can help us all rethink how we create our own success.”
Omnivore Recordings To Release Buck Owens’ ‘Country Singer’s Prayer’
/by Jessica NicholsonOmnivore Recordings, in conjunction with the Buck Owens Estate, will release Country Singer’s Prayer, Buck Owens’ final recorded Capitol album from 1975, which has remained unissued until now. The project will release Aug. 17.
By late 1975, Owens’ contract with Capitol was due to expire at the end of the year, and he and the Buckaroos readied one final album for the label in November 1975. While several of Buck’s later Capitol recordings had not been topping the charts as before, his last single for them, “Country Singer’s Prayer,” failed to even make a showing. The label shelved this final album, and assigned the selection number to what was ultimately Buck’s last Capitol release, Best of Buck Owens, Vol. 6, which did include the last two singles originally intended for Country Singer’s Prayer: “Battle of New Orleans” and the title track.
While Buck later re-recorded some of these songs with producer Norro Wilson in Nashville after signing to Warner Bros. Records, the original recordings produced at Buck’s Bakersfield studio with the Buckaroos remained in the vault.
Taken from the original LP master tapes, in what was the intended sequence, Country Singer’s Prayer also includes the B-sides to Buck’s final two singles from the unissued album.
New liner notes were written by Scott B. Bomar, featuring interviews with longtime Buckaroos piano player Jim Shaw and Robert John Jones (a.k.a. Rocky Topp), who co-wrote “Country Singer’s Prayer.”
Track Listing:
1. John Law
2. Love Don’t Make The Bars
3. He Ain’t Been Out Bowling With The Boys
4. Drifting Away
5. The Battle Of New Orleans
6. Country Singer’s Prayer
7. California Okie
8. A Different Kind Of Sad
9. It’s Been A Long, Long Time
10. How’s Everything
11. Run Him To The Round House Nellie (You Might Corner Him There)
12. Meanwhile Back At The Ranch
Country Music Hall Of Fame Among Grammy Museum Grant Recipients
/by Lorie HollabaughThe Country Music Hall of Fame and Museum will receive $15,000 to help preserve, digitize, and ensure public access to 316 rare interviews with performers, songwriters, and music executives from one of the world’s most significant country music oral history collections. The Museum will make these singular recordings searchable and accessible via their online digital archive and via its onsite Collections’ Reading Room.
Funded research projects include a study that will examine how rhythmic cues can improve movement for older adults and people with Parkinson’s disease, and a study that will examine how neural integration through music enhances long-term memory, among others. Additional preservation and archiving initiatives will rescue and organize 400 hours of at-risk reel-to-reel tapes of Native Radio—Bay Area, and digitally restore rare kinescopes of the 1950s television series “Stars Of Jazz” (KABC-TV, 1956-58); among others.
“The Recording Academy has proudly supported our GRAMMY Museum Grant Program since its inception,” said Neil Portnow, President/CEO of the Recording Academy and Chair of the GRAMMY Museum Board. “To date, we have awarded more than $7.3 million to more than 400 grantees. The work we help fund includes an impressive array of projects that are at the forefront of exploring music’s beneficial interchange with science, and that maintain our musical legacy for future generations. The initiatives announced today exemplify the Academy’s and GRAMMY Museum’s pledge to uphold music’s value in our lives and shared culture.”
Funded by the Recording Academy, the GRAMMY Museum Grant Program provides funding annually to organizations and individuals to support efforts that advance the archiving and preservation of the recorded sound heritage of the Americas for future generations.
Ziggy Marley, Mindy Smith, Jimmy Buffett Join Kenny Chesney’s ‘Songs For The Saints’
/by Jessica NicholsonKenny Chesney‘s upcoming 17th studio album, and his first for Warner Music Nashville, titled Songs For The Saints, will feature unique collaborations with Ziggy Marley, Mindy Smith and Jimmy Buffett.
“Each one of them has a tie to my life in the islands, but also reflect some piece of what we’re trying to do. Ziggy Marley, and his family’s legacy, holds so much truth for all of the people I know down there. Mindy Smith’s Come To Jesus was an album I lived with from morning to night when I was first going down there – and her voice sounds like an angel. And Jimmy, more than the lost shaker of salt, understands the poetry of the islands beyond what tourists see, the life in a way that made a song written decades ago so current. I’m honored they also want to help.”
Songs For The Saints was recorded in Nashville and mixed in Key West. Chesney began crafting the album in response to the destruction brought upon the Virgin Islands by Hurricane Irma. Proceeds from Songs For The Saints will benefit Chesney’s Love for Love City Fund, to benefit Virgin Island relief.
“Creating like this, you don’t have a master plan, but the music will take you and teach you,” Chesney said. “I knew I wanted this album to show the spirit of the people, but I wanted it to focus on healing, on their gift to rise above such complete chaos and devastation. They had no power, no real food, nothing; they dug in, started clearing the land and rebuilding. To me, that’s inspiring.”