
Jerry Chesnut
By Robert K. Oermann
Nashville Songwriters Hall of Fame member Jerry Chesnut has passed away at age 87.
The folksy, charming personality was noted for writing “T-R-O-U-B-L-E,” “It’s Four in the Morning,” “A Good Year for the Roses” and other classics.
His songs were recorded by a country who’s-who, including Johnny Cash, Loretta Lynn, Dolly Parton, Jerry Lee Lewis, Tammy Wynette, Hank Williams Jr., George Strait, Willie Nelson, Alan Jackson, Elvis Presley and George Jones.
Chesnut died on Saturday (Dec. 15). He had been suffering with a respiratory problem, but his death was unexpected, said Hall of Fame executive director Mark Ford.
Jerry Chesnut grew up in the coal camps of Eastern Kentucky. Following a stint in the Air Force during the Korean War, he settled in St. Augustine, Florida. He was a railroad conductor by day and a country entertainer in area honky-tonks at night for seven years.
He moved to Nashville in 1958, aiming to become a recording artist. Country star Webb Pierce advised him to concentrate on songwriting, rather than singing.
But Chesnut had no success with either endeavor for nine long years. He kept on writing, but sold vacuum cleaners to make a living. He worked without a publisher, doing his own song plugging on Music Row.
In 1967, Del Reeves recorded Chesnut’s “A Dime at a Time,” which rose to No. 12 on the country charts. The following year, Reeves scored an even bigger hit with “Looking at the World Through a Windshield,” cementing the songwriter’s status.
Jerry Chesnut’s “Another Place, Another Time,” launched rock pioneer Jerry Lee Lewis’s new career as a country singer in 1968. Porter Wagoner and Dolly Parton had a duet hit with Chesnut’s “Holding On to Nothing” in that year, as well.
Other early songwriting successes included “Weakness In a Man” (Roy Drusky, 1968), “Good Time Charlie’s” (Del Reeves, 1969), “If Not for You” (George Jones, 1969), “When We Tried” (Jan Howard, 1970) and “The Wonders You Perform” (Tammy Wynette, 1970).
“Woman Without Love” proved to be an evergreen. After Johnny Darrell made it a hit in 1969, it was recorded by Waylon Jennings, Bob Luman, Ray Price, Bobby Goldsboro, Brook Benton, Joe Simon and Elvis Presley.
Similarly, “A Good Year for the Roses” had staying power. George Jones had a hit with it in 1970. Elvis Costello picked it up and had a major success in the U.K. with the song in 1981. Alan Jackson revived it as a duet with Jones in 1994. Lorrie Morgan, Johnny Paycheck and others have also sung the standard.
Jerry Chesnut recorded some singles for United Artists in the early 1970s, but never had a singing hit. However, he did find success as a TV personality. His natural wit and comedic talent, as well as his musical ability, led to him being cast as a regular on Hee Haw in 1971.
But he gave up both television and recording work because he felt that they interfered with his songwriting. Chesnut established an office on Music Row and continued to pursue his career as an independent song craftsman.
In 1972, his “It’s Four in the Morning” became an international smash. Faron Young took the waltz to the top of the country charts in America, and then the song became a huge pop hit in the U.K. It was subsequently recorded by Eddy Arnold, Ernest Tubb, Kitty Wells, Hank Snow, Tom Jones, Hank Thompson, Willie Nelson and others.
Other big songwriting hits in the 1970s included “Oney” (Johnny Cash, 1972), “Don’t She Look Good” (Bill Anderson, 1972), “Pride’s Not Hard to Swallow” (Hank Williams Jr., 1972), “If It Feels Good, Do It” (Dave Dudley, 1972), “They Don’t Make ‘Em Like My Daddy” (Loretta Lynn, 1974), “It’s Midnight” (Elvis Presley, 1975) and “Best Way I Know How” (Mel Tillis, 1975).
Jerry Chesnut was named Billboard’s Country Songwriter of the Year in 1972. “Another Place, Another Time” was nominated for a Grammy Award.
He retired from songwriting in 1980, but continued to perform from time to time. Revivals of his songs provided ongoing income. For instance, “T-R-O-U-B-L-E” became a big hit for Travis Tritt in 1993. Chesnut had originally written it for Elvis Presley, who had a big hit with the song in 1975.
Mark Chesnutt (no relation) brought back “Pride’s Not Hard to Swallow” in 1995. Son Volt recorded “Looking at the World Through a Windshield in 1996. George Strait sang “Good Time Charlie’s” in 2001, and Marty Stuart revived “Holding On to Nothing” in 2012.
Jerry Chesnut was inducted into the Nashville Songwriters Hall of Fame in 1996. In 2004, he was inducted into the Kentucky Music Hall of Fame.
In 2010, BMI certified that “T-R-O-U-B-L-E” had been performed more than four million times. The portion of Kentucky State Highway 840 that runs through Chesnut’s hometown of Loyall has been named in his honor.
To date, more than 100 artists have recorded Jerry Chesnut songs, including 30 members of the Country Music Hall of Fame.
Funeral arrangements have not been announced.
G7 Entertainment Expands Staff
/by Lorie HollabaughJessica Abel, Michael Boltzman
Save The Date: 2019 MusicRow Events
/by Eric T. ParkerMusicRow Magazine, Nashville’s leading music trade publication, is proud to announce dates for its 2019 events. More details will be sent to current MusicRow Subscribed Members in the new year.
The Country Radio Meet & Greet and CountryBreakout Awards is invitation only. MusicRow‘s 2019 Rising Women On The Row and this year’s newly expanded MusicRow Awards will be open to ticket holders. To make sure you receive invitations, ballots and advance ticket notice, subscribe now.
Country Radio Meet & Greet and CountryBreakout Awards (invite-only): Monday, Feb. 13, 2019 (morning)
Photo: Bev Moser/Moments By Moser Photography
The morning event occurs prior to Country Radio Seminar’s Warner Music Nashville luncheon. MusicRow will recognize artists who earned the most airplay on the MusicRow CountryBreakout Chart during the preceding year. Read more about last year’s exciting event at MusicRow.com
Rising Women on the Row (ticketed): March 26, 2019 at the Omni Nashville Hotel (morning)
MusicRow Awards (ticketed/invite-only): June 26, 2019 (evening)
28th Annual MusicRow Awards. Photo: Moments By Moser Photography
The invitation-only, evening event is slated to be bigger and better than ever for 2019, featuring award presentations for Breakthrough Artist of the Year, Song of the Year, Producer of the Year and Breakthrough Songwriter/Artist of the Year and the 2019 Top 10 Album All-Star Musician Awards. Priority tables will be available as an upgrade. Read more about last year’s exciting event at musicrow.com
Industry Ink: Brett Young, Chris Janson, Kane Brown, Caroline Jones
/by Haley CrowBrett Young Celebrates New Music With Spotify Fans First Album Release Party
Pictured (L-R): 377 Management’s Van Haze, Big Machine Label Group’s Laurel Kittleson, Katherine Susemichel and Dave Kelly, Brett Young, and Spotify’s Blaike Ford and Mary Catherine Kinney.
Fans, industry and friends gathered at the Spotify Fans First event at The Shrine Auditorium in Los Angeles last Wednesday night (Dec. 12) to celebrate the release of Brett Young’s new album Ticket to L.A. Young treated some of his most loyal listeners to an acoustic performance of his new songs and shared behind-the-scenes details of the making of his sophomore release.
Chris Janson Hosts First Opry Segment At Opry At The Ryman
Pictured (L-R): Chris Janson and Grand Ole Opry’s Sally Williams. Photo: Grand Ole Opry LLC/Chris Hollo, photographer
Grand Ole Opry member Chris Janson returned to the stage of the Ryman Auditorium to not only perform, but to host an Opry segment for the first time at Friday night’s (Dec. 14) Opry at the Ryman.
As part of his hosting duties, Janson performed his platinum-selling, No. 1 anthem, “Buy Me A Boat,” to open his segment. He then introduced one of his favorite bands, Sawyer Brown, who performed three songs and received a standing ovation. As Sawyer Brown member Mark Miller was leaving the stage, Janson asked him if he would join him on “Folsom Prison Blues” to close out the first-time host’s portion of the show.
Janson will return for Opry at the Ryman on Dec. 22.
Kane Brown Celebrates New Album With Fans At Spotify Event
Pictured (L-R): Aaron Melaragno (Spotify), Eric Swenson (Spotify), Kane Brown, Blaike Ford (Spotify), Brittany Schaffer (Spotify), Laura Ohls (Spotify), and Ryan Lassi (Spotify).
Kane Brown celebrated the release of his latest album, Experiment, with a Spotify Fans First event at Moonlight Studios in Chicago last Thursday night (Dec. 13). Two hundred of Brown’s top fans were treated to an intimate performance, a photo op recreating his video for “Lose It,” temporary tattoos inspired by Brown’s actual tattoos, and an “Experiment” cocktail bar featuring experimental cocktails named after songs from the album.
Caroline Jones Inks Deal With Social Family Records
Caroline Jones
Singer-songwriter and multi-instrumentalist, Caroline Jones, has signed a deal with Social Family Records for the Australian and UK release of her album, Bare Feet, which she co-produced with Grammy and Academy Award-winning producer Ric Wake (Mariah Carey, Celine Dion, Whitney Houston, Trisha Yearwood). Jones is the first international signing for the Aussie indie record label.
Jones was recently tapped to open for Kenny Chesney’s upcoming Songs for the Saints Tour in 2019.
Zach Kale Signs With Sony/ATV Music Publishing, Jon Nite
/by Lorie HollabaughPictured (L-R): Troy Tomlinson, Sony/ATV; Dane Schmidt, Sony/ATV; Zach Kale; Jon Nite; Josh Van Valkenburg, Sony/ATV
Zach Kale has signed a worldwide publishing agreement with Sony/ATV Music Publishing and songwriter Jon Nite.
Kale’s songs have been recorded by Florida Georgia Line and Elevation Worship Group.
“Zach truly is one of the hardest working writers in our community, and we’re honored for him to join our Sony/ATV family,” said Dane Schmidt, Creative Director at Sony/ATV.
“I can’t believe I get the opportunity to partner with someone who has the character, the drive, and the musical gifts that Zach does,” Nite adds.
Hit Country Songwriter Jerry Chesnut Passes
/by Robert K OermannJerry Chesnut
By Robert K. Oermann
Nashville Songwriters Hall of Fame member Jerry Chesnut has passed away at age 87.
The folksy, charming personality was noted for writing “T-R-O-U-B-L-E,” “It’s Four in the Morning,” “A Good Year for the Roses” and other classics.
His songs were recorded by a country who’s-who, including Johnny Cash, Loretta Lynn, Dolly Parton, Jerry Lee Lewis, Tammy Wynette, Hank Williams Jr., George Strait, Willie Nelson, Alan Jackson, Elvis Presley and George Jones.
Chesnut died on Saturday (Dec. 15). He had been suffering with a respiratory problem, but his death was unexpected, said Hall of Fame executive director Mark Ford.
Jerry Chesnut grew up in the coal camps of Eastern Kentucky. Following a stint in the Air Force during the Korean War, he settled in St. Augustine, Florida. He was a railroad conductor by day and a country entertainer in area honky-tonks at night for seven years.
He moved to Nashville in 1958, aiming to become a recording artist. Country star Webb Pierce advised him to concentrate on songwriting, rather than singing.
But Chesnut had no success with either endeavor for nine long years. He kept on writing, but sold vacuum cleaners to make a living. He worked without a publisher, doing his own song plugging on Music Row.
In 1967, Del Reeves recorded Chesnut’s “A Dime at a Time,” which rose to No. 12 on the country charts. The following year, Reeves scored an even bigger hit with “Looking at the World Through a Windshield,” cementing the songwriter’s status.
Jerry Chesnut’s “Another Place, Another Time,” launched rock pioneer Jerry Lee Lewis’s new career as a country singer in 1968. Porter Wagoner and Dolly Parton had a duet hit with Chesnut’s “Holding On to Nothing” in that year, as well.
Other early songwriting successes included “Weakness In a Man” (Roy Drusky, 1968), “Good Time Charlie’s” (Del Reeves, 1969), “If Not for You” (George Jones, 1969), “When We Tried” (Jan Howard, 1970) and “The Wonders You Perform” (Tammy Wynette, 1970).
“Woman Without Love” proved to be an evergreen. After Johnny Darrell made it a hit in 1969, it was recorded by Waylon Jennings, Bob Luman, Ray Price, Bobby Goldsboro, Brook Benton, Joe Simon and Elvis Presley.
Similarly, “A Good Year for the Roses” had staying power. George Jones had a hit with it in 1970. Elvis Costello picked it up and had a major success in the U.K. with the song in 1981. Alan Jackson revived it as a duet with Jones in 1994. Lorrie Morgan, Johnny Paycheck and others have also sung the standard.
Jerry Chesnut recorded some singles for United Artists in the early 1970s, but never had a singing hit. However, he did find success as a TV personality. His natural wit and comedic talent, as well as his musical ability, led to him being cast as a regular on Hee Haw in 1971.
But he gave up both television and recording work because he felt that they interfered with his songwriting. Chesnut established an office on Music Row and continued to pursue his career as an independent song craftsman.
In 1972, his “It’s Four in the Morning” became an international smash. Faron Young took the waltz to the top of the country charts in America, and then the song became a huge pop hit in the U.K. It was subsequently recorded by Eddy Arnold, Ernest Tubb, Kitty Wells, Hank Snow, Tom Jones, Hank Thompson, Willie Nelson and others.
Other big songwriting hits in the 1970s included “Oney” (Johnny Cash, 1972), “Don’t She Look Good” (Bill Anderson, 1972), “Pride’s Not Hard to Swallow” (Hank Williams Jr., 1972), “If It Feels Good, Do It” (Dave Dudley, 1972), “They Don’t Make ‘Em Like My Daddy” (Loretta Lynn, 1974), “It’s Midnight” (Elvis Presley, 1975) and “Best Way I Know How” (Mel Tillis, 1975).
Jerry Chesnut was named Billboard’s Country Songwriter of the Year in 1972. “Another Place, Another Time” was nominated for a Grammy Award.
He retired from songwriting in 1980, but continued to perform from time to time. Revivals of his songs provided ongoing income. For instance, “T-R-O-U-B-L-E” became a big hit for Travis Tritt in 1993. Chesnut had originally written it for Elvis Presley, who had a big hit with the song in 1975.
Mark Chesnutt (no relation) brought back “Pride’s Not Hard to Swallow” in 1995. Son Volt recorded “Looking at the World Through a Windshield in 1996. George Strait sang “Good Time Charlie’s” in 2001, and Marty Stuart revived “Holding On to Nothing” in 2012.
Jerry Chesnut was inducted into the Nashville Songwriters Hall of Fame in 1996. In 2004, he was inducted into the Kentucky Music Hall of Fame.
In 2010, BMI certified that “T-R-O-U-B-L-E” had been performed more than four million times. The portion of Kentucky State Highway 840 that runs through Chesnut’s hometown of Loyall has been named in his honor.
To date, more than 100 artists have recorded Jerry Chesnut songs, including 30 members of the Country Music Hall of Fame.
Funeral arrangements have not been announced.
Sony Music Nashville Promotes John Johnson
/by Jessica NicholsonJohn Johnson
Sony Music Nashville Executive Vice President, A&R, Jim Catino, has announced the promotion of John Johnson to Director, A&R, effective immediately.
Johnson joined the company as assistant, A&R in 1998. During that time he has grown to oversee all master recording quality control for new releases, as well as SMN’s extensive catalog collection. He also oversaw the design and execution of a multipurpose studio/listening room within the Sony Music Nashville office, known as “13.” In his new role he will continue to manage all recorded output, as well as contribute to original content production across all departments.
“John has been a crucial part of the A&R structure for 20 years. He has an unmatched ear for sonic quality, and has been instrumental in maintaining a high level of excellence for all of our recordings,” said Catino. “He spearheaded the development of ’13,’ which has become an invaluable resource for our artists and internal team. I’m proud to name him Director, A&R.”
“I’m excited to move into this new role at Sony,” said Johnson. “Working directly with the artists and the Sony team to develop new content, and to broaden the reach of the music, is a truly exciting endeavor. I’m extremely grateful to Randy Goodman and Jim Catino for their belief and support, and for this unique opportunity in our business.”
Johnson reports to Catino and can be reached at john.johnson@sonymusic.com.
Kevin Welch Reigns No. 1 On Last MusicRow Top Songwriter Chart Of 2018
/by LB CantrellKevin Welch finishes out 2018 on his seventh week at No. 1 on the last MusicRow Top Songwriter Chart of the year. Ashley Gorley takes the No. 2 spot with songs performed by Chase Rice, Chris Lane, Eli Young Band, Lee Brice and Luke Bryan fueling him. Shane McAnally sits at No. 3, Luke Combs at No. 4 and Josh Osborne at No. 5.
There is not a female songwriter on the chart until No. 35, with Jessi Alexander.
The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind. The MusicRow Top Songwriter Chart will resume in 2019 on January 14.
Click here to view the full MusicRow Top Songwriter Chart.
Jen Danielson Named Pandora’s Head Of Country Programming
/by Jessica NicholsonJen Danielson
Pandora has named Jen Danielson as Head of Country Programming at the company. Based in Nashville, Danielson will oversee programming for country music at Pandora, one of the most popular genres on the streaming service, which draws more than 30 million unique listeners to country music per month.
Danielson comes to Pandora after nearly a decade at CMT, where she most recently served as Director of Music Strategy. At CMT she oversaw the music video acquisition process for the network, working closely with record labels, publicists and artist managers to create and execute strategic marketing initiatives to enhance artist reach across all of the network’s platforms.
Pier30 Music Agency Partners With IV Quarter Management
/by Lorie HollabaughIV Quarter was founded by Kirk Teachout in April of 2018 and he has since been joined by managers Wade Evans and Kaylene Widdoes. This past summer IV Quarter signed five artists to its roster.
“We are thrilled to be a part of the team helping to grow these artist’s careers and we couldn’t be happier with our partnership with Kirk and the managers of IV Quarter. I am excited to see what 2019 brings and the opportunities that present themselves as we move forward. We are expecting great things from these artists – they are ones you’re going to want to keep an eye on,” says CEO of Pier30, Hannah Hoyt.
Pier30 agents Logan Schulz and Klint Ruud will be handling booking for the new artists.
CMA Launches New International Touring Series ‘Introducing Nashville’
/by Lorie HollabaughThe CMA is releasing a new international touring series, “Introducing Nashville,” which launches in March in Australia and New Zealand featuring Brandy Clark, Devin Dawson, Lindsay Ell and Tenille Townes (Australia leg only), followed by an industry event in Tokyo including Frankie Ballard.
The shows will help introduce current artists to international audiences for the first time, and each tour stop will replicate a Nashville writers round, with artists appearing together in an acoustic lineup, performing and talking about their careers and personal stories.
Since 2012, CMA has invited more than 40 songwriters and artists overseas to familiarize audiences with the breadth and heritage of the country genre. The CMA Songwriters Series will continue to present songwriters to international fans with a focus on the importance of the craft of songwriting.
“We are excited to invest in artists who are building international careers and to help place them in front of fans in multiple cities who seldom experience Nashville artists live,” said Milly Olykan, CMA Vice President, International Relations and Development. “Launching the first Introducing Nashville tour with these distinct artists, each of which occupy such different lanes musically, illustrates the broad range of sounds coming out of Nashville and the country genre.”
Introducing Nashville 2019:
March 18: Lismore, Australia – Lismore City Hall
March 19: Brisbane, Australia – The Old Museum
March 21: Sydney, Australia – The Factory Theatre
March 22: Canberra, Australia – The Abbey
March 23: Melbourne, Australia – Athenaeum Theatre
March 26: Auckland, New Zealand – Tuning Fork