Kacey Musgraves Has a Golden Grammy Night

Kacey Musgraves. Photo: Recording Academy

Kacey Musgraves was the golden girl at Sunday evening’s (Feb. 10) Grammy honors, picking up four of the coveted golden grammophones.

Most importantly, the UMG Nashville artist’s Golden Hour album bested the seven other nominees in the coveted, all-genre Album of the Year.

Musgraves swept every category she was nominated in, which also included Best Country Album (for the same project), Best Country Song (“Space Cowboy”) and Best Country Solo Performance (“Butterflies”). The trophies join the artist’s two previous Grammy wins, for her album Same Trailer, Different Park and “Merry Go ‘Round.”

“I never dreamed this record would be met with such love, such warmth, such positivity,” said Musgraves just after winning Best Country Album for Golden Hour. She shared the stage with co-producers Ian Fitchuk and Daniel Tashian. “I love country music with everything that I am and I’m very lucky to share my version of that with the world.”

Previous country albums to earn the overall Album of the Year honor have included Glen Campbell’s By The Time I Get To Phoenix (1969), Dixie Chicks’ Taking The Long Way (2007), and Taylor Swift’s Fearless (2010). Like Musgraves, the albums from Swift and the Dixie Chicks both earned Country Album of the Year and overall Album of the Year during their respective Grammy-winning ceremonies.

One year after Recording Academy president Neil Portnow advised female artists to “step up” if they wanted more industry recognition and award nominations, female artists proved they had been stepping up all along.

Musgraves’ win, along with wins for artists such as Dua Lipa (Best New Artist) and Cardi B (the first solo female to win Best Rap album), proved the pinnacle of an evening that saw numerous female artists, songwriters, producers and engineers celebrating triumphs.

Sunday evening, 31 women earned Grammy award wins, in a total of 38 categories. The number marks a wave of change from last year, when 17 of the evening’s 86 honors were awarded to female artists or female-led groups. Nashville artists, and artists who made their projects in Music City, were a big part of the evening–made even more impressive given the 21,000 music submissions that were considered for this year’s Grammy honors.

Musgraves performed early in the televised portion of the show, standing illuminated by a lone spotlight, backed by a stately piano and stage trimmed in rainbow lights as she offered a subtle, elegant rendition of Golden Hour’s uplifting “Rainbow.”

Dolly Parton and Miley Cyrus. Photo: Recording Academy

The evening featured a musical tribute to current MusiCares Person of the Year honoree Dolly Parton.

While the tribute had a slightly shaky start due to Katy Perry over-singing on a portion of Parton’s “Here You Come Again,” which was paired with Musgraves’ more subdued and accurate rendering, the tribute swiftly became glorious as Dolly appeared, with her soaring, airy soprano and charming persona.

And really, who better to pay musical tribute to Dolly Parton than Parton herself?

Parton was joined by her goddaughter Miley Cyrus for a sassy version of “Jolene,” before Maren Morris joined the two, creating a stunning rendition of “After The Gold Rush,” a track Parton first recorded with Linda Ronstadt and Emmylou Harris on the second Trio album. The comfortable, complementary harmonies from Parton, Cyrus and Morris made clear the 73-year-old Parton’s vocal influence is still going strong.

Little Big Town backed Parton with rich, nuanced harmonies on newer track “Red Shoes,” before they were joined by Perry, Cyrus, Musgraves and Morris for an all-sing on Parton’s classic “9 To 5.”

Brandi Carlile. Photo: Recording Academy

Brandi Carlile, whose critical favorite By The Way I Forgive You was recorded at Nashville’s RCA Studio A, earned three award wins before the telecast, sweeping the American Roots categories, including Best Americana Album, Best American Roots Performance (“The Joke”) and Best American Roots Song (“The Joke”).

Though Carlile was shut out of the all-genre categories for which she was nominated, she did offer a star-making, impassioned performance of “The Joke” during the telecast. She commanded the stage, wielding her guitar and leading her band with a casual confidence and blistering lead vocal. In a moment of transparent joy, Carlile concluded her performance by jumping up and down onstage as the crowd stood to its feet.

Prior to the telecast, Lauren Daigle earned two honors in the Contemporary Christian Music categories, earning Best Album for Look Up Child, and Best Contemporary Christian Music Performance/Song for “You Say.” Similarly, Tori Kelly earned Best Gospel Album for Hiding Place and Best Gospel Performance/Song for “Never Alone.”

Nashville’s female artists weren’t the only ones relishing a triumphant evening. Following earning their first Grammy win for Best Country Duo/group performance for “Tequila,” Dan + Shay offered a piano-and guitar-backed rendition of the hit during the telecast. The performance put Shay Mooney’s flawless vocals in the spotlight and undoubtedly introduced an even larger audience to the song that was already the most-streamed country song in 2018.

Numerous artists throughout the evening noted the power music has to strengthen souls in times of struggle, to comfort in times of doubt, and to provide a familiar place to revive the creative spirit in times of rejection.

Perhaps Diana Ross summed it best during her arresting performance of “Reach Out And Touch (Somebody’s Hand),” as she advised the crowd, “Learn. Dream. Unlock new doors. Everything is possible with music.”

Kacey Musgraves performs “Rainbow.” Photo: Recording Academy

Willie Nelson Wins Best Traditional Pop Vocal Album Grammy Honor

 

At age 85, Willie Nelson just added to his Grammy collection, earning his ninth honor during Sunday’s (Feb. 10) Grammys Premiere ceremony. Nelson earned Best Traditional Pop Vocal Album for My Way. The album marks Nelson’s 68th studio project and includes covers of numerous Frank Sinatra classics including “Fly Me To The Moon” and the classic title track.

Matt Rollings, a co-producer on the album alongside Buddy Cannon, accepted on Nelson’s behalf.

Nelson was also nominated this year for Best American Roots Performance, for “Last Man Standing.” The honor ultimately went to Brandi Carlile’s “The Joke.”

Nelson won his first Grammy in 1975 for Best Male Country Vocal Performance for “Blue Eyes Crying In The Rain.”

Kacey Musgraves, Dan + Shay Earn Early Country Grammy Wins

Going into the 61st annual Grammy Awards, Kacey Musgraves has already earned two top honors, including Best Country Solo Performance for “Butterflies,” and Best Country Song for “Space Cowboy.” Musgraves’ previous Grammy honors include accolades for her album Same Trailer, Different Park and “Merry Go ‘Round.”

She was not in attendance at the Premiere ceremony, but her “Space Cowboy” co-writers, Shane McAnally and Luke Laird, were in attendance to accept the Best Country Song honor.

“This is unbelievable,” said Laird, who previously earned a Grammy as co-producer on Musgraves’ 2014 album Same Trailer, Different Park. “It’s an honor for someone like me to get to work with the most talented people in the world. I’m fully convinced that without a creator there would be no creativity.

“I just got a text before I walked up here from [Musgraves’ manager] Jason Owen that said, ‘Thank me.’ So thank you,” said McAnally, who also previously earned Grammys as a co-producer on Same Trailer, Different Park and co-writer on Musgraves’ “Merry Go ‘Round.” “Honestly, Kacey is one of the greatest songwriters and artists of our generation and to sit in the same room with her is an honor and the same for Luke Laird. I’m so honored to be part of the Nashville community.”

Musgraves’ industry-favorite Golden Hour, which was named Album of the Year at the 2018 CMA Awards, is also nominated for Best Country Album at tonight’s 61st Grammy Awards, as well as the coveted overall Album of the Year.

Notably, this year also marks a change for four top general field categories, as nominees for the Album of the Year, Record of the Year, Best New Artist and Song of the Year have been expanded from five final nominees to eight final nods.

Dan + Shay earned their very first Grammy honor for “Tequila,” which earned Best Country Duo/Group Performance. The track was the most-streamed song for 2018 and a multi-week No. 1 track.

Smyers said, “We had no expectations to win this. The beautiful thing about Nashville is we are all family and we all root for each other.”

“I can’t believe this just happened,” Mooney said. “I might be about to pass out. This is an incredible honor.”

Brandi Carlile Earns Three Early Grammy Honors

Brandi Carlile dominated the American Roots categories during the Grammys Premiere Ceremony on Sunday (Feb. 10).

Carlile, a leading nominee with six total nods going into the Grammy awards, earned her first-ever Grammy award win for Best American Roots Performance (“The Joke”). Carlile was previously nominated for a Grammy in 2015 for Best Americana Album (The Firewatcher’s Daughter).

“It’s our first Grammy!” she said in accepting her honor. “This means so much to me and Dave Cobb who brought the best out of us in this song. I never saw us standing here, but it means so much to be standing here for this song.”

She would pick up two additional honors during the Premiere ceremony.

Best Americana Album went to Carlile’s By The Way I Forgive You, which was recorded at Nashville’s RCA Studio A. The album was produced by Shooter Jennings (who also produced King of the Road: A Tribute To Roger Miller) and by Dave Cobb (who has won multiple Grammy honors for his work with Chris Stapleton and Jason Isbell).

Carlile thanked Cobb and Jennings, whom she called her “spirit animals.”

“I’m just so proud to go into the studio with such a talent and be part of this.” Cobb added.

“The Joke” also earned Best American Roots Song (the track was penned by Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth.

Carlile summed her early evening wins by thanking the Americana music community at large.

“Americana music is the island of the misfit toys. I’m such a misfit,” said Carlile. “It is this music that has shaped who I am. I came out of the closet at 15 years old and I can assure you I was never invited to any parties. To be embraced by this endearing and loving community…thank you for being my island.”

Carlile is also nominated for three general field category honors at the 61st annual Grammy Awards, including Record of the Year (“The Joke”), Album of the Year (By The Way I Forgive You), and Song of the Year (“The Joke”).

Lauren Daigle, Tori Kelly, Jason Crabb Top Grammy CCM/Gospel Winners

Lauren Daigle

Lauren Daigle, Tori Kelly and Jason Crabb took home top Grammy honors in the Contemporary Christian Music and Gospel categories during the awards’ Premiere Ceremony, held Sunday afternoon (Feb. 10).

Contemporary Christian Music Performance/Song went to Daigle’s crossover hit “You Say.” The track was penned by Daigle, Jason Ingram and Paul Mabury. This marks the first Grammy win for Daigle.

“These are the moments you dream of,” Daigle said. “I thank Paul who has been a champion of mine since the beginning.

Daigle also earned Best Contemporary Christian Album for her blockbuster offering Look Up Child. The album had the biggest debut week for a Christian album in nine years upon its release in September 2018, with 115,000 equivalent album units earned in its first week, according to Nielsen Music.

“I want to thank Jason Ingram. He has poured a lot of heart and soul into this as well. This record just came out of a season of realizing we just need to look up. I love that music gives us the opportunity to look up and spread love to the whole world.”

Tori Kelly took home the top Gospel category wins. Kelly and Kirk Franklin won Best Gospel Performance/Song for “Never Alone.” Kelly also earned Best Gospel Album for Hiding Place. Kelly was previously nominated for the all-genre Best New Artist Grammy in 2016.

“I’ve dreamed about this since I was a kid so this is insane,” said Kelly. “This is so wild. It’s going to take a minute to process this. Kirk Franklin took me under his wing and saw the passion I have for gospel. He made it happen so Kirk I love you so much. You are a legend.”

Jason Crabb

Best Roots Gospel Album went to Jason Crabb for Unexpected, which was produced by Rascal Flatts’ Jay DeMarcus.

“I had to write this down because I’m shaking so bad,” Crabb noted. “Thank you to Jay DeMarcus for producing my record, and the Recording Academy for recognizing all of music. We love the Nashville chapter.”

William Shatner Talks Upcoming Grand Ole Opry Debut, Crafting New Blues Album

At 87, William Shatner is still exploring new frontiers.

Shatner will make his Grand Ole Opry debut on Friday, Feb. 15 when he joins Alabama’s Jeff Cook to perform music from Why Not Me?, Shatner’s first country project which released on Heartland Records in 2018. Shatner is also set to emcee the evening.

Shatner, of course, is known for his love of country music, having made appearances in Brad Paisley’s videos for 2003’s “Celebrity” and 2007’s “Online.” Shatner also appeared at the 2015 CMA Awards for a segment with Paisley and co-host Carrie Underwood.

He’s also no stranger to a recording studio. Though Shatner is best known as a thespian, particularly for his signature role as Captain Kirk in Star Trek, as well as his portrayal of lawyer Denny Crane on The Practice and Boston Legal, Shatner also has 10 albums to his credit. His first, The Transformed Man, came in 1968 via Decca Records.

Shatner credits Heartland’s Brian Curl, a co-producer on the project, with suggesting that Shatner and Cook collaborate.

Shatner recorded the album at Cook’s home, which Shatner describes as a “castle,” in Fort Payne, Alabama.

“I had been performing in England and I arrived late on a Sunday or Monday night to Nashville airport and Brian drove me to Jeff’s house. It had a surreal feel to it,” Shatner told MusicRow. “I remember, arriving in the middle of the night, sleeping as best I could in a strange room, and then going into his studio the next day to lay down the tracks.”

Ever the professional, Shatner thoroughly rehearsed before heading into the studio. The pre-planning paid off when Shatner’s portion of each of the album’s 12 tracks was recorded on the first day.

“We gave ourselves a week to do the album, so it left so much time to work on the nuances and begin the orchestration,” he said.

For the upcoming Opry performance, Shatner and Cook will perform the album’s title track, which was penned by Corey Lee Barker and Shawn Sackman. The album version of the song also features Neal McCoy and vocal group Home Free.

“There are so many people in the world that need help and everybody says, ‘Let somebody else do it.’” Shatner says. “But the song challenges that. It’s that concept of feeling the responsibility and the conscience to help.”

Shatner was particularly moved by the universality of one track on the album, “What Some People Throw Away.”

“I approached it as an actor, so this character is filled with regret of a dissolved relationship and getting rid of the debris. He’s looking at this picture and wishing things had been different. The last line is about things people throw away, which is not only pencils and magazines, but relationships and love.”

The album is also peppered with humorous tracks “Too Old To Be Vegan” and “I Hate To Waste Good Beer,” and “Beam Me Up,” a lyrical ode to the signature Star Trek catchphrase.

Shatner still has plenty of creative avenues he’s eager to explore.

“They’ve asked me to do a blues album, so I’ve begun work on that,” he says. “I want to make a documentary, as well as an album. I’ve talked to Joe Louis Walker, Paul Nelson, B.B.’s daughter Shirley King and Arthur Adams. They will all be in the documentary, and maybe even on the album. It’s me diving into another musical subject I’ve loved all my life. But how to perform it? That’s another thing.”

Dolly Parton To Make ‘CBS News Sunday Morning’ Appearance

Photo Credit: CBS News

Dolly Parton will appear on CBS News Sunday Morning on Sunday, Feb. 10, ahead of this year’s Grammy Awards.

Parton, who is being honored as the 2019 MusiCares Person of the Year for her charity work, spoke with Tony Dokoupil for the piece. The episode airs on CBS at 9 a.m. ET / 8 a.m. CT.

Parton will be honored during this year’s Grammy Awards with a tribute from Little Big Town, Katy Perry, Kacey Musgraves, Maren Morris and Miley Cyrus. Parton will also perform music from the soundtrack to Dumplin’.

Industry Ink: William Michael Morgan, Wortman Works Media & Marketing, John Schneider

William Michael Morgan Exits Warner

William Michael Morgan.

William Michael Morgan and Warner Music Nashville have parted ways, MusicRow has confirmed.

“WMN will continue to be fans and champions of William Michael for many years to come,” the label said via a statement.

In 2015, Morgan’s single “I Met A Girl,” reached No. 1 and was certified gold; his debut album Vinyl reached the Top 5 on the country sales chart. In November 2018, he premiered “Gone Enough.”

 

Wortman Works Adds Account Executive

Conner McKiever

Wortman Works Media & Marketing has hired Conner McKiever as an account executive. McKiever can be reached by emailing cmckiever@wortmanworks.com or by phone at 812.736.6080.

The company, led by Jules Wortman, includes clients Natalie Grant, The SteelDrivers, the Gospel Music Association, and more.

 

John Schneider Visits MusicRow Magazine

John Schneider. Photo: Haley Crow

John Schneider recently visited the MusicRow Magazine offices, to discuss his recent project Odyssey. Schneider is best-known for portraying Bo Duke in Dukes Of Hazzard and Jonathan Kent in Smallville. He also notched several Top 10 singles on the country charts in the 1980s, as well as the No. 1 hits “Country Girls” and “You’re The Last Thing I Needed Tonight.”

On Odyssey, Schneider collected 52 sterling songs from writers including, Chuck Cannon, Bobby Tomberlin, Bill Anderson and Paul Overstreet. He has released one song each week.

“My thing has always been telling stories in a unique way. Conway Twitty said, ‘You can find a lot of exceptional songs. You can only write a few.’” he told MusicRow. “It’s all about the words, the lyrics.”

He also discussed the effect streaming has had on songwriting.

“There is no room for album cuts anymore, with streaming,” he said. “If the Eagles put out new music, everything would have to be ‘Life In the Fast Lane,’ or you’re done. How scary is that? But it’s a great time if you can tell the difference between a great song and an exceptional song.”

John Schneider with MusicRow Magazine owner/publisher Sherod Robertson.

WSM AM Hosting Inaugural Music City Mentors Networking Event

650 AM WSM is hosting Music City Mentors on March 23, an event that will pair entertainment professionals with individuals who dream of a career in the music industry. Taking place at the Factory at Franklin, this inaugural event will provide music education and professional development opportunities to aspiring music professionals ages 15 and over.

The day will feature 45-minute sessions focusing on songwriting, artist management, tour life, publicity and everything in between. SVP Artists Relations and Grand Ole Opry GM, Sally Williams, will give the keynote address. Attendees will conclude the day of unique professional development with “speed networking” opportunities from best-in-the-business professionals. Throughout the day participants will also have the opportunity to take part in a job fair featuring local venues, companies and entertainment employers. Attendees should plan to dress in business casual attire.

“It’s extremely important for us to invest in the next generation of industry professionals,” shared Chris Kulick, General Manager of 650 AM WSM. “We hope this is just the beginning of this chapter and finding new ways to mentor and engage young professionals.”

Discounted admission is available at wsmonline.com for $20.00 until Feb. 15 when ticket prices increase to $40.00. Lunch tickets will be available for purchase when registering.

“WSM has been a staple of the music community here in Franklin and there’s no better organization to connect music professionals with those aspiring to get into business,” said Ellie Westman Chin, President & CEO of Visit Franklin.

Moo TV Names New Executive Vice President, General Manager

Video and live events production company Moo TV, known for its work with artists including Garth Brooks, Brad Paisley and Dierks Bentley, has named Jason Rittenberry as Executive VP and General Manager. He will lead the company’s day-to-day operations and lead the Nashville-based team, including directing the senior leadership team. He will also be responsible for developing and overseeing implementation of all current business initiatives while assisting with the future growth of the company.

Most recently, Rittenberry served as Managing Partner of MSG Strategy, a full-service event production and strategic consulting firm. Previously, he was the President and CEO of Kentucky Venues, overseeing the operations of all state owner entertainment venues. He also had a 15-year career in venue management, during which he led Circuit of The Americas and Austin360 Amphitheater in Austin, Texas, and was President and Chief Executive Officer of IRG Sports + Entertainment, the privately held parent company of multiple sports and entertainment properties.

Moo is the eight-time Pollstar Video Company of the Year, a 2018 Nashville Business Journal Business of the Year and the reigning Parnelli Award winner for Video Production Company of the Year.

“Jason is the real deal. A straight shooter with a fantastic history of success, while at the same time being the kind of guy who will fit right in to our culture. He has that elusive combination of a stellar track record and more importantly a guy whose head and heart are in the right place,” said Scott Scovill, Founder and CEO of Moo TV. “He brings an extensive background of experience in live events, venue management, and event production and I could not be more pleased to welcome him to our Moo family. I have the utmost confidence in his ability to lead and represent Moo TV.”

“I’m excited to become a part of the Moo TV team,” said Rittenberry. “Moo is not only the best in the business, but the culture here is why our clients trust us as their partner. Scott has built an incredible company and I am honored to be leading it into the future.”

Tom Truitt, Partner with Buffkin Baker’s Nashville office, conducted the search for Moo TV.