
John McBride, Martina McBride. Photo: Ed Rode for The T.J. Martell Foundation
The T.J. Martell hosted the 2026 Nashville’s Best Cellars Dinner on Tuesday (April 14).
The exclusive event, with Grand Cru Presenting Sponsor Secure Air, brought together influential and philanthropic leaders from Nashville’s music and wine industries for a celebratory charity auction and dinner dedicated to the fight against cancer. With $690,000 in total revenue, the evening set a new record for the event in Nashville.
The evening also recognized Martina and John McBride with the prestigious Billy Ray Hearn Award of Excellence. Established to carry forward the legacy of Billy Ray Hearn, the award honors industry leaders who exemplify outstanding professional achievement, extraordinary philanthropic contributions, and an unwavering commitment to Music’s Cure for Cancer.
Additionally, the event featured a spirited fundraising auction hosted by acclaimed radio personality and auctioneer Shawn Parr.

Michael Bublé, Randy Travis (seated), Lauren Alaina. Photo: Ed Rode for The T.J. Martell Foundation
Attendees included Randy Travis, Mary Travis, Michael Bublé, Dave Cobb, Frank Ski, Lauren Alaina, Jordan Davis, Karen Fairchild of Little Big Town, Brad Tursi of Old Dominion, and Kimberly Perry and Johnny Costello of The Band Perry. This year’s dinner, which was presented by Troy and Nicole Vollhoffer and Premier Global Production, was crafted by Executive Chef Freddy Money of Atlas in Atlanta.
Nashville’s Best Cellars Dinner was presided over by Steve Gawley, Executive Vice President of Business & Legal Affairs and Business Development at REPUBLIC Collective and Chairman of the Board of Trustees for the T.J. Martell Foundation, and co-hosted by Mike Harris, President and CEO Music Corporation of America (MCA) and John Esposito, Co-Founder of HEY NOW Records and 15-year veteran Chairman/CEO of Warner Music Nashville. A Dinner Committee featuring many of Nashville’s top executives included Stacy Blythe, Charlie Brusco, Dave Cobb, Derek C. Crownover, Seth England, Clint Higham, Jon Loba, Jordan Pettit, Patrick Sabatini, and John & Nataliia Sanzo. Event co-chairs in attendance also included entrepreneur, philanthropist and wine collector Tom Black, and philanthropist, wine connoisseur and active supporter of various charitable organizations Eliza Kraft Olander.
“Last year, we celebrated the 50th anniversary of the T.J. Martell Foundation. Over that half century, we — together — have raised more than $280 million to fund bold, high-risk/ high reward cancer research that has led to real breakthroughs and lifesaving treatments. This reflects not only strong stewardship, but also the trust that all of you place in this organization,” says Gawley, Chairman of the Board of Trustees for the T.J. Martell Foundation. “It also reminds us that there is still so much more to do. The work you support doesn’t happen someday — it is happening everyday in the finest cancer research institutions in the nation because of what we choose to do in rooms like this. And here in Nashville, that impact is real, not abstract — it’s right here in your own community. The marquee on the Vanderbilt-Ingram Cancer Center contains the words ‘Supported by the T.J. Martell Foundation.’ That’s not just recognition. It’s a reflection of decades of commitment from this community. And your commitment is driving real science.”

Pictured (L-R): Steve Gawley, Jordan Pettit, Stacy Blythe, Scott Borchetta, John Sanzo, John McBride, Martina McBride, John Esposito, Eliza Kraft Olander, Mike Harris, Frank Ski, Chef Freddy Money, Dave Cobb, Shawn Parr, Peter Marcum. Photo: Ed Rode for The T.J. Martell Foundation
“Now, as many of you know, I had the privilege of serving as the chair of the Nashville Board of Governors for years, and the T.J. Martell Foundation is deeply personal to me. But the story of this Foundation in Nashville did not start with me. It started with giants,” shares Esposito, Former Chairman of the Board of Trustees for the T.J. Martell Foundation. “It started with people like the legendary Frances Preston. Frances was a force of nature. She brought the T.J. Martell Foundation to Nashville because she saw the power of this community. She knew that the music industry did not just write songs; we take care of our own, and we fight for the people who need it most. Frances laid the groundwork that allowed us to build the Frances Williams Preston Labs at Vanderbilt-Ingram Cancer Center, right here in our backyard.”
“Every year, I am reminded of just how extraordinary this community is, and this year’s Nashville Best Cellars Dinner was no exception,” says Lynn-Anne Huck, CEO of the T.J. Martell Foundation. “The artists, executives, and philanthropic leaders who came together that evening didn’t just attend an event; they reaffirmed a shared belief that we can and will make a difference. Their generosity moves me deeply, and I am endlessly grateful.”

Lauren Alaina, Karen Fairchild. Photo: Ed Rode for The T.J. Martell Foundation

Brad Tursi and Roxy King. Photo: Ed Rode for The T.J. Martell Foundation

Dave Cobb, Frank Ski, Steve Gawley. Photo: Ed Rode for The T.J. Martell Foundation
T.J. Martell Hosts 2026 Nashville’s Best Cellars Dinner
/by Lauryn SinkJohn McBride, Martina McBride. Photo: Ed Rode for The T.J. Martell Foundation
The T.J. Martell hosted the 2026 Nashville’s Best Cellars Dinner on Tuesday (April 14).
The exclusive event, with Grand Cru Presenting Sponsor Secure Air, brought together influential and philanthropic leaders from Nashville’s music and wine industries for a celebratory charity auction and dinner dedicated to the fight against cancer. With $690,000 in total revenue, the evening set a new record for the event in Nashville.
The evening also recognized Martina and John McBride with the prestigious Billy Ray Hearn Award of Excellence. Established to carry forward the legacy of Billy Ray Hearn, the award honors industry leaders who exemplify outstanding professional achievement, extraordinary philanthropic contributions, and an unwavering commitment to Music’s Cure for Cancer.
Additionally, the event featured a spirited fundraising auction hosted by acclaimed radio personality and auctioneer Shawn Parr.
Michael Bublé, Randy Travis (seated), Lauren Alaina. Photo: Ed Rode for The T.J. Martell Foundation
Attendees included Randy Travis, Mary Travis, Michael Bublé, Dave Cobb, Frank Ski, Lauren Alaina, Jordan Davis, Karen Fairchild of Little Big Town, Brad Tursi of Old Dominion, and Kimberly Perry and Johnny Costello of The Band Perry. This year’s dinner, which was presented by Troy and Nicole Vollhoffer and Premier Global Production, was crafted by Executive Chef Freddy Money of Atlas in Atlanta.
Nashville’s Best Cellars Dinner was presided over by Steve Gawley, Executive Vice President of Business & Legal Affairs and Business Development at REPUBLIC Collective and Chairman of the Board of Trustees for the T.J. Martell Foundation, and co-hosted by Mike Harris, President and CEO Music Corporation of America (MCA) and John Esposito, Co-Founder of HEY NOW Records and 15-year veteran Chairman/CEO of Warner Music Nashville. A Dinner Committee featuring many of Nashville’s top executives included Stacy Blythe, Charlie Brusco, Dave Cobb, Derek C. Crownover, Seth England, Clint Higham, Jon Loba, Jordan Pettit, Patrick Sabatini, and John & Nataliia Sanzo. Event co-chairs in attendance also included entrepreneur, philanthropist and wine collector Tom Black, and philanthropist, wine connoisseur and active supporter of various charitable organizations Eliza Kraft Olander.
“Last year, we celebrated the 50th anniversary of the T.J. Martell Foundation. Over that half century, we — together — have raised more than $280 million to fund bold, high-risk/ high reward cancer research that has led to real breakthroughs and lifesaving treatments. This reflects not only strong stewardship, but also the trust that all of you place in this organization,” says Gawley, Chairman of the Board of Trustees for the T.J. Martell Foundation. “It also reminds us that there is still so much more to do. The work you support doesn’t happen someday — it is happening everyday in the finest cancer research institutions in the nation because of what we choose to do in rooms like this. And here in Nashville, that impact is real, not abstract — it’s right here in your own community. The marquee on the Vanderbilt-Ingram Cancer Center contains the words ‘Supported by the T.J. Martell Foundation.’ That’s not just recognition. It’s a reflection of decades of commitment from this community. And your commitment is driving real science.”
Pictured (L-R): Steve Gawley, Jordan Pettit, Stacy Blythe, Scott Borchetta, John Sanzo, John McBride, Martina McBride, John Esposito, Eliza Kraft Olander, Mike Harris, Frank Ski, Chef Freddy Money, Dave Cobb, Shawn Parr, Peter Marcum. Photo: Ed Rode for The T.J. Martell Foundation
“Now, as many of you know, I had the privilege of serving as the chair of the Nashville Board of Governors for years, and the T.J. Martell Foundation is deeply personal to me. But the story of this Foundation in Nashville did not start with me. It started with giants,” shares Esposito, Former Chairman of the Board of Trustees for the T.J. Martell Foundation. “It started with people like the legendary Frances Preston. Frances was a force of nature. She brought the T.J. Martell Foundation to Nashville because she saw the power of this community. She knew that the music industry did not just write songs; we take care of our own, and we fight for the people who need it most. Frances laid the groundwork that allowed us to build the Frances Williams Preston Labs at Vanderbilt-Ingram Cancer Center, right here in our backyard.”
“Every year, I am reminded of just how extraordinary this community is, and this year’s Nashville Best Cellars Dinner was no exception,” says Lynn-Anne Huck, CEO of the T.J. Martell Foundation. “The artists, executives, and philanthropic leaders who came together that evening didn’t just attend an event; they reaffirmed a shared belief that we can and will make a difference. Their generosity moves me deeply, and I am endlessly grateful.”
Lauren Alaina, Karen Fairchild. Photo: Ed Rode for The T.J. Martell Foundation
Brad Tursi and Roxy King. Photo: Ed Rode for The T.J. Martell Foundation
Dave Cobb, Frank Ski, Steve Gawley. Photo: Ed Rode for The T.J. Martell Foundation
Independent Songwriters & Publishers Celebrated At 2026 AIMP Awards [Recap]
/by LB CantrellBig Loud Publishing Accepts Their Award for Top Independent Music Publisher of the Year. Photo: Peyton Hoge
The Association for Independent Music Publishers (AIMP) held its 2026 AIMP Nashville Country Awards earlier this week at Analog at the Hutton Hotel. Bringing together members of Nashville’s music business in celebration, the annual event celebrated the successes of independent songwriters and publishers.
Guests snacked on sliders, mini chicken sandwiches, caprese skewers, fried pimento cheese bites, specialty popcorn and a bevy of sweet treats while visiting with each other before the program began. Radio veteran Storme Warren served as emcee for the evening.
Alex Heddle and Jessie Jo Dillon. Photo: Katie Kauss
Country newcomer Emily Ann Roberts won her first-ever industry award with the Rising Artist-Writer of the Year. She thanked her team for their support, and shared that she would work hard to “live up to who [you] believe [I] am.”
Lauren Hungate took home the 2026 Rising Songwriter of the Year award, and shared her surprise and gratitude when accepting the honor. SMACKSongs’ Lee Krabel received the 2026 AIMP Song Champion Award, bringing his signature wit and heart to his speech.
Jessie Jo Dillon was named Songwriter of the Year for the second consecutive year. She dedicated the win to her mother, who she lost a few months back. Zach Top, who was not in attendance, was recognized as Artist-Writer of the Year.
Big Loud Publishing took home Top Independent Music Publisher of the Year, with the recently-promoted Mike Giangreco shouting out Big Loud songwriters and “the best team in Nashville.”
Two of the night’s highlights came with the performances of award-winning songs. Tigirlily Gold did an excellent job covering the AIMP Publisher’s Pick of the Year winner, “Come Home To You,” written by Jim McCormick, Makayla Lynn and Michael Wayne Wilkes, and performed by Emily Ann Roberts. Carly Pearce brought her classic country vocals to the night’s Song of the Year, “Weren’t For The Wind” written by Johnny Clawson, Ella Langley and Joybeth Taylor, and performed by Langley.
HARDY poses with Independent Spirit Award. Photo: Katie Kauss
Another highlight came when HARDY was presented with the Independent Spirit Award. A video montage with messages of admiration for the singer-songwriter played before his wife, Caleigh Hardy, gave a speech about HARDY’s steadfastness to being himself, and how that has impacted his career, the Music Row community and their family.
HARDY spoke about how honored he was, and thanked his team and the community for celebrating his commitment to authenticity.
“Congratulations to all of this year’s AIMP award winners. Our event truly highlights just how special and supportive the Nashville independent community is,” shared Ree Guyer and Courtney Crist, this year’s AIMP co-chairs. “Presenting the Independent Spirit Award to Michael Hardy—who genuinely embodies its meaning—was a magical moment. We’re also deeply grateful to our sponsors, our dedicated awards committee—Megan Pekar, Alex Heddle, Shannan Hatch, Janine Ebach, and Tim Fink—and our incredible coordinator, Haily Harris, for making this event possible.”
Emily Ann Roberts, this year’s Rising Artist Writer of the Year, along with her publishing team from Jody Williams Songs. Photo Credit: Katie Kauss
Carly Pearce performs the Song of the Year, “Weren’t For The Wind.” Photo: Peyton Hoge
The SMACKSongs publishing team poses with winners Lee Krabel and Johnny Clawson (co-writer of “Weren’t For The Wind.” Photo: Katie Kauss
KMM Sports Joins Forces With Borchetta Entertainment Group
/by Lorie HollabaughKelli Masters‘ boutique agency KMM Sports has formed a strategic partnership with Borchetta Entertainment Group, the multi-platform company founded by industry titan Scott Borchetta, and veteran media executive Erik Logan, former President of the Oprah Winfrey Network and current CEO of Tony Robbins’ conglomerate, Robbins Research International.
The new partnership gives KMM Sports the brand-building infrastructure, media relationships, and business management capabilities of a world-class entertainment organization while preserving the personal, relationship-driven representation that has defined KMM for two decades. KMM Sports has represented players in every NFL Draft since 2006, and the move positions KMM Sports as one of the only agencies in professional sports to combine NFLPA-certified contract negotiation with entertainment-grade brand management, strategic financial planning, and full-service legal counsel under one roof — from the first college offer through professional career, retirement and into life after the game.
In 2010, Masters became the first woman in history to represent a Top 5 pick in the NFL Draft when Gerald McCoy was selected No. 3 overall by the Tampa Bay Buccaneers, and in the 16 years since, she has represented more athletes than any woman in the industry, negotiated hundreds of millions of dollars in NFL contracts, and built KMM Sports into one of the most respected boutique agencies in professional sports. Masters, a member of the Cherokee Nation and former Miss Oklahoma, earned her Juris Doctorate with honors from the University of Oklahoma and was named one of Bleacher Report’s 25 Most Influential Women in Sports.
“For twenty years, I’ve built KMM on a simple belief: represent the whole person, not just the player,” says Masters. “We’ve done that with heart, with hustle, and with relationships that last longer than any contract. This partnership doesn’t change who we are — it amplifies what we can do. Our athletes now walk into any room with the credibility and infrastructure of an organization that has built some of the biggest names in entertainment. We’re ready to go up against anybody.”
“I built Big Machine Records from nothing — thirteen people, three artists, and a belief that the independents could outwork the majors. We proved that. The same playbook applies here,” says Borchetta. “Kelli has something that no mega-agency can replicate: twenty years of trust, built one athlete at a time. What Erik and I bring is scale — the brand-building infrastructure, the media relationships, and the business management capabilities that turn a great agent into an industry-defining platform. When the world sees the full picture of what we’re building, they’re going to understand why every athlete should be paying attention.”
“Our job is to build the infrastructure around the agency so athletes get the same caliber of brand management, financial guidance, and career strategy that the biggest names in entertainment and music have relied on for decades. This is about giving the athletes a partner for every chapter of their life — not just the seasons they play,” adds Logan.
KMM Sports will now offer athletes a fully integrated platform that spans every stage of their career, including Contract Negotiation & Legal Representation; End-to-End Brand Management; Financial Advisory & Wealth Strategy; Media, Content & Digital Strategy; NIL & College-to-Pro Transition; and Post-Career Transition & Life Planning. The announcement comes as Borchetta Entertainment Group rapidly expands its management division, which now includes artists Carly Pearce, The Band Perry, and a roster of developing artists across country, Americana, and the broader music landscape, giving KMM Sports clients access to an entertainment ecosystem that spans music, media, content creation, and brand partnerships.
Jake Saghi Inks With Sony Music Publishing & Ace High Music
/by Lauryn SinkPictured (Back Row, L-R): Travis Chaney (Ace High Music), Jackson Kiger (SMP), Tom Luteran (SMP), Cam Caldwell (SMP) and Chelsea Kent (SMP). (Front Row, L-R): Chris Poole (Ace High Music), Abigail Wate Ayala (Ace High Music), Jake Saghi and Rusty Gaston (SMP).
Jake Saghi has inked with Sony Music Publishing and Ace High Music.
“Chris and Abigail [Wate Ayala] are fighters and I’m stoked to have them by my side,” he shares. “This is the start of an exciting new chapter with Ace High and Sony, and I can’t wait to see how far we take it!”
A Colorado native, Saghi has worked with Kidd G, Redferrin, Dom Ellis, Cassadee Pope, Abby Anderson, Rodney Atkins, Lakeview, Sacha and more. His recent cuts include “If I Was California,” by Redferrin, “Circa 17’” by Jon Langston, and Kidd G’s “Probably Shouldn’t Drive,” among others.
“Jake is an incredibly talented songwriter and producer with a natural gift for crafting hits,” says Rusty Gaston, Sony Music Publishing Nashville CEO. “We’re excited to welcome him to SMP and partner with the Ace High team to support his growing career.”
“Jake is the kind of writer and producer we’re always searching for – authentic, disciplined, and creatively fearless,” adds Chris Poole, Ace High Music Vice President & Partner. “From the first conversation, it was clear he understood who he is and where he’s headed. We’re excited to help amplify that vision alongside Sony Music Publishing and build something incredible together.”
Luke Combs Honored With ‘TIME100’ Cover
/by Lauryn SinkPhoto: Robby Klein
Luke Combs was honored earlier this week with a TIME100 cover story, highlighting him as one of the world’s most influential people..
Combs’ full feature is available here, and a tribute written by Ed Sheeran can be found here.
Combs recently kicked off his “My Kinda Saturday Night Tour” with a sold-out show at Las Vegas’ Allegiant Stadium, which broke the venue’s attendance record. Additional tour stops will include three nights at London’s Wembley Stadium, two nights at Edinburgh’s Scottish Gas Murrayfield, two nights at Ireland’s Slane Castle, two nights at Green Bay’s Lambeau Field and stops at South Bend’s Notre Dame Stadium, Knoxville’s Neyland Stadium, Columbus’ Ohio Stadium, Paris’ Accor Arena and Sweden’s Ullevi, among others.
The tour celebrates Combs’ new album, The Way I Am, which he released on March 20 via Sony Music Nashville. Produced by Combs, Jonathan Singleton and Chip Matthews, the 22-track album includes a collaboration with Alison Krauss as well as previously released songs “Sleepless in a Hotel Room,” “My Kinda Saturday Night,” “Days Like These,” “15 Minutes,” “Giving Her Away” and “Back in the Saddle.”
Ian Munsick’s Cowboy Bar & Western Grill’s Grand Opening Set For September
/by Lorie HollabaughIan Munsick. Photo: Ben Christensen
The grand opening of Ian Munsick’s Cowboy Bar & Western Grill will take place the weekend of Sept. 18-20, coinciding with Munsick’s performance at Outlaw Square for Deadwood Jam on Sept. 18 with special guest Ashland Craft.
The celebration will kick off Sept. 18 with a Day Party from 11 a.m.- 8 p.m. featuring performances from Munsick’s friends and family. Munsick will be joined by Ashland Craft at Outlaw Square for Deadwood Jam and later, a VIP After Party featuring Ryan Charles will close out the night at the Cowboy Bar & Western Grill. Saturday and Sunday will each feature performances from Munsick’s band, Rocky Mountain Fever.
Built between 1894-1920, The Landmark is Deadwood’s largest historic structure at approximately 35,000 square feet. The Ian Munsick Cowboy Bar & Western Grill resides within over 2,600 square feet of the footprint and celebrates country and western music with old school country bar decor and two performance stages, one indoors and one outdoors.
The grand opening news comes as Munsick continues to tease a new chapter of upcoming music with the recent releases of “Geronimo” and “Love Is Blind”—his first songs under West To The Rest Records/Triple Tigers Records. “Love Is Blind” is set to impact country radio on April 20.
Chris Stapleton, Morgan Wallen, Lainey Wilson Among 37th Annual Pollstar Awards Winners
/by Lorie HollabaughChris Stapleton, Morgan Wallen, Lainey Wilson
Chris Stapleton and Lainey Wilson were among the evening’s big winners at the 37th Annual Pollstar Awards, held earlier this week at the Loews Hollywood Hotel as part of the Pollstar Live! gathering of global live entertainment professionals.
This year’s ceremony honored the most innovative and successful artists, tours, companies, venues and executives, and Stapleton and Wilson were recognized in a tie for Country Tour of the Year. As part of its partnership with iHeartRadio, Pollstar also introduced a new fan-voted honor this year: the inaugural iHeartRadio Pollstar Fan Favorite Award for Live Performer of the Year. The category marks a new era of audience-driven recognition, created to spotlight the artists whose live performances resonate most powerfully with fans, with this year’s inaugural award going to Morgan Wallen.
The Pinnacle in Nashville also received the award for New Concert Venue of the Year during the evening, which also recognized outstanding talent buyers, promoters, booking agents, sound companies and more. Other winners recognized during the night included Oasis, Metallica, Kendrick Lamar/SZA, The Weeknd, Benson Boone, Bad Bunny, Adam Sandler and more.
Taylor Sloane Launches Dream Big Music
/by Madison HahnenTaylor & Michael Sloane
Taylor Sloane has exited MCA after nine years to launch Dream Big Music, a new venture that helps artists and their teams grow scalable, global fanbases using modern marketing and hands-on campaign leadership. Dream Big Music works as an extension of each team it supports, going beyond typical outside help by partnering closely with artists and collaborators to navigate today’s complex releases and audience trends.
The company’s initial clients includes Jordan Davis and Riley Green, as well as strategic development client Staydium.
“Dream Big Music was built around our belief in a global fan strategy,” says Sloane, Founder of Dream Big Music. “The goal is not just to market moments, but to help artists and teams create lasting connection, sustained momentum, and real fan growth over time and beyond traditional marketing channels, into new spaces where culture, community, and attention converge. Ultimately, we recognized the need to align vision, execution, and long-term fan development on a global scale.”
During her time at MCA, Sloane played a key role in the growth and development of campaigns for Chris Stapleton, Kacey Musgraves, Keith Urban, and Davis.
Sloane is joined in the venture by her husband and strategic partner, Michael Sloane, whose entertainment industry experience spans across artist development, digital strategy, marketing, and business growth. Michael has worked with major artists, led innovative music and entertainment ventures, and helped sell Streaming Promotions to Symphonic Distribution. He now teaches full-time at Belmont University, preparing future entertainment leaders at the intersection of media, music, and technology.
“We’re not here to just market releases,” adds Michael. “We’re here to help artists build real, lasting audiences, and to do it in a way that scales globally”
Those interested in working with Dream Big Music can find out more here. Taylor can be reached here, and Michael here.
Louie Newman Launches Saddle Up Records
/by Madison HahnenPictured (clockwise): Louie Newman, Chele Fassig, RG Jones, and Matt Galvin
Veteran record executive Louie Newman has launched Saddle Up Records, a new country label and radio promotion company. Saddle Up Records will also collaborate on select projects with Lyric Ridge Records going forward.
“Radio remains a primary driver in country music, and we understand how critical airplay is to breaking and furthering an artist’s career,” says Newman. “We’ve built a team with a long track record of credibility at country radio, while also working closely with digital and streaming partners to build momentum across all platforms. We’re excited about what’s ahead.”
Newman, who will serve as Founder and President, most recently spent 25 years at MCA Nashville. He also played a major role in the fully independent promotion effort for Drew Baldridge’s “She’s Somebody’s Daughter,” the first independent No. 1 at country radio. Newman’s team has also worked on Brandon Lake and Jelly Roll’s “Hard Fought Hallelujah,” as well as Julia Cole’s “Day Late & A Buck Short.” He was named the 2026 CRS/Country Aircheck Independent Promotion Executive of the Year. He can be reached here.
Chele Fassig has been named SVP of National Promotion & Marketing, where she will oversee national promotion and marketing strategy. She previously served as Director of Promotion at Lyric Ridge Records and brings extensive radio experience from markets including Decatur, Pittsburgh, Indianapolis, and Charlotte. She can be reached here.
Matt Galvin joins the team as VP, National Promotion & Streaming. Galvin has over 25 years of experience, including 15 years at RCA Nashville. During his time at RCA, his promotion team scored 38 No. 1 hits, working with Old Dominion, Miranda Lambert, Kane Brown, and Chris Young, among others. At Saddle Up, he’ll lead radio promotion, shape overall strategy, and manage relationships with streaming partners. He can be reached here.
RG Jones will join the team for special projects using his experience and data-driven approach to radio. He can be reached here.
The label’s first artists will be announced in the coming weeks.
Reba Celebrates 50-Year Mark Of Her Career With New Music Capsules, Curated Playlists
/by Lorie HollabaughReba McEntire is celebrating her five decade career with the release of new music capsules each month, curated specifically with songs from throughout her career paired with brand new songs that spotlight the road ahead for the legendary entertainer.
The first release, One Night In Tulsa, features songs around her home state and will be released this Friday (April 17) via MCA. On April 9, McEntire previewed the project during a special performance at her restaurant Reba’s Place, where she debuted a new song and the title track of the first capsule. Written by Neal Coty, Kylie Frey and Thom McHugh,“One Night In Tulsa” marks a return to the ’90s country ballads that cemented McEntire as one of the genre’s most definitive voices of heartbreak.
Each of the digital music capsules pairs a new song with carefully selected tracks that trace McEntire’s evolution as one of country’s most enduring and influential voices. Tailored playlists will be launched in tandem with each capsule to highlight the defining eras of McEntire’s career. Beginning May 1 with “The Making of Reba,” the first playlist captures a young McEntire finding her voice through classic country heartbreak, laying the foundation for everything to come. The playlists serve as a companion piece, offering fans a more expansive look at the moments, milestones, and music that shaped her legacy.
McEntire has racked up 60 Top 10s on the Billboard Country Airplay chart, extending her record for the most Top 10 hits among female artists. Her Top 10 success spans five straight decades, landing her in elite company with only George Jones, Willie Nelson, and Dolly Parton who have the same achievement. Her latest single “Trailblazer” featuring Lainey Wilson and Miranda Lambert garnered 2.6 million on-demand streams in its first week, marking a new personal best for Reba in the streaming era.
One Night In Tulsa Track List:
1. “One Night In Tulsa”
2. “Tulsa Time”
3. “Oklahoma Swing”
4. “Does The Wind Still Blow In Oklahoma”
5. “No U In Oklahoma”