
Kane Brown
Variety is the spice of life.
This is an adage that all country radio programmers should take to heart, because back in the day, their stations’ playlists were a lot more diverse than they are today. And everyone liked terrestrial radio a whole lot more than they do now.
So in today’s column we have everything from bluegrass to pop, from neo-rockabilly to hardcore honky tonk, from tender emotionalism to party-hearty romps. Sample them all.
The Disc of the Day goes to Kane Brown, who has the sweetest song about fatherhood that I’ve heard in ages. Give Mike Alan Ward a DisCovery Award.
STEPHANIE QUAYLE/Whatcha Drinkin’ ‘Bout
Writers: none listed; Producer: none listed; Publisher: none listed, ASCAP/BMI; Rebel Engine
-A sprightly barroom anthem, delivered with verve and abetted by some dandy guitar twanging. I’m in.
MONTGOMERY GENTRY/Outskirts
Writers: Dallas Davidson/Rodney Clawson/Ashley Gorley; Producers: Noah Gordon/Shannon Houchins; Publishers: Big Red Tow/EMI Blackwood/Round Hill Compositions/Round Hill Works/Shirt at Work/Two Chord Georgia/Copyright Control Ashley Gorley, BMI/ASCAP; Average Joes
– Nicely thumping and sung with conviction. The topic isn’t exactly news — it’s the one about partying in the countryside after work with a honey. “Heartland,” “ball cap,” “hot girl in a t-shirt,” “red dirt,” “cold beer” “simple life,” it’s all here.
MIKE ALAN WARD & DIERKS BENTLEY/No Getting Over You
Writers: Ward/Bentley; Producers: Carl Jackson/Randy Kohrs/Ken Triphan; Publishers: Colonel Rebel/Wooteeny/Blue Nugget/Big White Tracks/Sony-ATV, ASCAP; Twang-Gang
– If you ask me, every country playlist needs a splash of bluegrass. The two voices are the calling cards of this dandy toe-tapper, but the picking will dazzle you just as much. The supporting cast is a who’s-who of instrumentalists. Ward’s album is titled Whiskey, Trains and Lonesome, and it is simply stellar from top to bottom.
KANE BROWN/For My Daughter
Writers: Kane Brown/Tom Douglas/Chase McGill; Producer: none listed; Publisher: none listed; RCA
– Kane became a first-time Daddy on Oct. 29, and he’s wasted no time in celebrating the event in song. “I grew up without a dad/I’m gonna be the best one I can be.” That’s just one of the honest lyrics in this heart-tugging mini-masterpiece. A lump-in-throat performance of a song packed with truth and beauty.
DANIELLE BRADBURY/Blackout
Writers: none listed; Producer: none listed; Publisher: none listed; BMLG
– Drawn from the Charlie’s Angels soundtrack, this sounds like a big bid for pop stardom. The echoey atmosphere, stately keyboard work, crashing rhythms and layered, multi-part vocals all are very, very involving. There’s a richness of vocal tone here (reminiscent of Sia) that’s a long way from her days as a contestant on The Voice.
CLINT BLACK/This Old House
Writers: none listed; Producer: none listed; Publishers: none listed; CB
– Clint enlists eight buddies as vocal collaborators here — Trace Adkins, Dierks Bentley, Sara Evans, Cody Jinks, Michael Ray, Darius Rucker, Travis Tritt and Steve Wariner. The song is a ballad about nostalgia for a homeplace. It’s solidly country, but the tempo plods a bit. There’s an extremely effective music video that equates the “house” with the Grand Ole Opry, with memories coming alive off the photos on the walls, in visions in dressing rooms and hallways and via historic clips on the storied stage. Recommended.
ADAM DOLEAC/Famous
Writers: Adam Doleac/Andy Skib/Bobby Hamrick; Producer: none listed; Publishers: none listed; Arista Nashville
– Smooth. His gently persuasive vocal is right on the money in this pop-country slow jam. The overall vibe is a kinda bland, yet kinda pleasant.
HOOTIE & THE BLOWFISH/Hold On
Writers: Jim Beavers/Chris Stapleton; Producer: Frank Rogers; Publishers: Sony-ATV Tree/Dontcallmebrett/WB/Ken Tucky, BMI/ASCAP; Capitol
– Despite the seeming hopelessness of our modern world, this jaunty ditty advises us that love will see us through. Optimistic and upbeat. The band “gang” vocals as the song reaches its finale are just the right touch.
GRANGER SMITH/That’s Why I Love Dirt Roads
Writers: Chris DeStefano/Jon Nite/Brad Rempel/Granger Smith; Producers: none listed; Publishers: none listed; Wheelhouse/BBR
– Stirring and anthemic. It’s hard to produce an up-tempo tune with this much crispness, while maintaining its rushing forward momentum. This does all that and more. Charisma on the hoof.
CHUCK MEAD/Shake
Writers: Charles Mead/Paul Cebar; Producer: Matt Ross Spang; Publishers: Pagan Idol/Groovesburg Joys, BMI; Plowboy
– The latest single from Chuck’s fine Close to Home CD is a swampy, groove-a-minute outing with dollops of blues, rockabilly and roots-rock in its countryboy DNA. This guy is a one-of-a-kind talent, and more power to that.
Apple Music Launches “Today’s Country” Global Playlist
/by Jessica NicholsonApple Music has launched Today’s Country, a global playlist featuring music from a variety of country music’s breakout artists, stars, and emerging voices. The playlist is a revamp of Apple’s former “The A-List: Country” playlist.
Topping the newly-relaunched playlist is Miranda Lambert‘s “It All Comes Out In The Wash,” from her recently-released seventh album Wildcard. Other tracks currently featured include Tyler Childers’ “Lady May,” Runaway June’s “We Were Rich,” HARDY’s “One Beer” (ft. Lauren Alaina and Devin Dawson), The Highwomen’s “Crowded Table,” Sam Hunt’s “Kinfolks,” and more.
The signature playlist art for Today’s Country will feature a different marquee artist each week.
DISClaimer: Kane Brown’s “For My Daughter” Tops New Releases
/by Robert K OermannKane Brown
Variety is the spice of life.
This is an adage that all country radio programmers should take to heart, because back in the day, their stations’ playlists were a lot more diverse than they are today. And everyone liked terrestrial radio a whole lot more than they do now.
So in today’s column we have everything from bluegrass to pop, from neo-rockabilly to hardcore honky tonk, from tender emotionalism to party-hearty romps. Sample them all.
The Disc of the Day goes to Kane Brown, who has the sweetest song about fatherhood that I’ve heard in ages. Give Mike Alan Ward a DisCovery Award.
STEPHANIE QUAYLE/Whatcha Drinkin’ ‘Bout
Writers: none listed; Producer: none listed; Publisher: none listed, ASCAP/BMI; Rebel Engine
-A sprightly barroom anthem, delivered with verve and abetted by some dandy guitar twanging. I’m in.
MONTGOMERY GENTRY/Outskirts
Writers: Dallas Davidson/Rodney Clawson/Ashley Gorley; Producers: Noah Gordon/Shannon Houchins; Publishers: Big Red Tow/EMI Blackwood/Round Hill Compositions/Round Hill Works/Shirt at Work/Two Chord Georgia/Copyright Control Ashley Gorley, BMI/ASCAP; Average Joes
– Nicely thumping and sung with conviction. The topic isn’t exactly news — it’s the one about partying in the countryside after work with a honey. “Heartland,” “ball cap,” “hot girl in a t-shirt,” “red dirt,” “cold beer” “simple life,” it’s all here.
MIKE ALAN WARD & DIERKS BENTLEY/No Getting Over You
Writers: Ward/Bentley; Producers: Carl Jackson/Randy Kohrs/Ken Triphan; Publishers: Colonel Rebel/Wooteeny/Blue Nugget/Big White Tracks/Sony-ATV, ASCAP; Twang-Gang
– If you ask me, every country playlist needs a splash of bluegrass. The two voices are the calling cards of this dandy toe-tapper, but the picking will dazzle you just as much. The supporting cast is a who’s-who of instrumentalists. Ward’s album is titled Whiskey, Trains and Lonesome, and it is simply stellar from top to bottom.
KANE BROWN/For My Daughter
Writers: Kane Brown/Tom Douglas/Chase McGill; Producer: none listed; Publisher: none listed; RCA
– Kane became a first-time Daddy on Oct. 29, and he’s wasted no time in celebrating the event in song. “I grew up without a dad/I’m gonna be the best one I can be.” That’s just one of the honest lyrics in this heart-tugging mini-masterpiece. A lump-in-throat performance of a song packed with truth and beauty.
DANIELLE BRADBURY/Blackout
Writers: none listed; Producer: none listed; Publisher: none listed; BMLG
– Drawn from the Charlie’s Angels soundtrack, this sounds like a big bid for pop stardom. The echoey atmosphere, stately keyboard work, crashing rhythms and layered, multi-part vocals all are very, very involving. There’s a richness of vocal tone here (reminiscent of Sia) that’s a long way from her days as a contestant on The Voice.
CLINT BLACK/This Old House
Writers: none listed; Producer: none listed; Publishers: none listed; CB
– Clint enlists eight buddies as vocal collaborators here — Trace Adkins, Dierks Bentley, Sara Evans, Cody Jinks, Michael Ray, Darius Rucker, Travis Tritt and Steve Wariner. The song is a ballad about nostalgia for a homeplace. It’s solidly country, but the tempo plods a bit. There’s an extremely effective music video that equates the “house” with the Grand Ole Opry, with memories coming alive off the photos on the walls, in visions in dressing rooms and hallways and via historic clips on the storied stage. Recommended.
ADAM DOLEAC/Famous
Writers: Adam Doleac/Andy Skib/Bobby Hamrick; Producer: none listed; Publishers: none listed; Arista Nashville
– Smooth. His gently persuasive vocal is right on the money in this pop-country slow jam. The overall vibe is a kinda bland, yet kinda pleasant.
HOOTIE & THE BLOWFISH/Hold On
Writers: Jim Beavers/Chris Stapleton; Producer: Frank Rogers; Publishers: Sony-ATV Tree/Dontcallmebrett/WB/Ken Tucky, BMI/ASCAP; Capitol
– Despite the seeming hopelessness of our modern world, this jaunty ditty advises us that love will see us through. Optimistic and upbeat. The band “gang” vocals as the song reaches its finale are just the right touch.
GRANGER SMITH/That’s Why I Love Dirt Roads
Writers: Chris DeStefano/Jon Nite/Brad Rempel/Granger Smith; Producers: none listed; Publishers: none listed; Wheelhouse/BBR
– Stirring and anthemic. It’s hard to produce an up-tempo tune with this much crispness, while maintaining its rushing forward momentum. This does all that and more. Charisma on the hoof.
CHUCK MEAD/Shake
Writers: Charles Mead/Paul Cebar; Producer: Matt Ross Spang; Publishers: Pagan Idol/Groovesburg Joys, BMI; Plowboy
– The latest single from Chuck’s fine Close to Home CD is a swampy, groove-a-minute outing with dollops of blues, rockabilly and roots-rock in its countryboy DNA. This guy is a one-of-a-kind talent, and more power to that.
R.J. Romeo Promoted To President, Romeo Entertainment Group
/by Jessica NicholsonTalent buying agency Romeo Entertainment Group has announced a round of promotions. R.J. Romeo has been promoted to President, while Michelle Romeo has been promoted to Vice President and Harlan Burggraaf has been promoted to Controller/Director of Operations.
Bob Romeo will remain with the company as Chairman of the Board. Fran Romeo recently left the company to pursue other interests.
The company celebrates its 65th anniversary this year, and represents 120 annual multi-day events in 36 states. In 2019, REG produced nearly 500 concerts throughout the United States and Canada.
In 2014, REG won the IEBA Industry Achievement Award. Last year, R.J. Romeo was honored with the “Don Romeo” ACM Talent Buyer of the Year Award and the IEBA Fair Buyer of the Year Award.
“Fran was an integral part of leading Romeo Entertainment Group over the last 20 years,” said Michelle Romeo. “She did so much for us as a company as well as for our team. We wish her nothing but the best on her next endeavor.”
“I am grateful for the solid foundation that Don, Bob, and Fran have created for REG over their decades of leadership,” said R.J. Romeo. “I am honored and excited to implement our vision and lead REG into the future and with the help of the leadership team, continue to grow REG’s roster of amazing events. Celebrating 65 years is an indescribable feeling of pride. For an independent, family-owned company to survive and thrive for three generations is a testament to the integrity driven and relationship based business we have built.”
“I’m so thrilled to be a part of the 65th anniversary of Romeo Entertainment Group!” said Michelle Romeo. “R.J. and I look forward to carrying our legacy into the third generation and are so grateful to be surrounded by such an amazing team who we consider to be our extended family.”
“I’m so appreciative that my father was able to pass the business on to me and 25 years later as the company celebrates 65 years, I’m able to pass it on to my son and daughter,” said Bob Romeo. “I’m looking forward to mentoring R.J. and Michelle and supporting their vision in bringing Romeo Entertainment into the future.”
REG is headquartered in Omaha, Nebraska, while leadership operates out of the company’s Nashville office.
Billie Eilish, Finneas Perform Set At Third Man Records
/by Jessica NicholsonPhoto: Emily Quirk
“Bad Guy” singer Billie Eilish was joined by her brother and chief collaborator Finneas for a performance yesterday (Nov. 6) in The Blue Room at Nashville’s Third Man Records.
The set, which included “All The Good Girls Go To Hell,” “Ocean Eyes” and more, was recorded live before an audience made of both industry insiders and fans. The performance was recorded on Third Man’s direct-to-acetate system. A vinyl version will be available in December, only at Third Man retail outlets in Nashville and Detroit.
Among those in attendance for the performance were Jason Isbell, Michelle Branch, and Vanessa Carlton. Eilish was introduced by Jack White, who said Billie is “someone we really love, and we think is really innovative and inspiring.” Before playing her final song of the night (“when the party’s over”), Eilish praised Jack for “inspiring a whole generation of people to do what they want.”
Eilish debuted at No. 1 on the all-genre Top 200 charts with her album When We All Fall Asleep, Where Do We Go?. “Bad Guy” brought her first No. 1 single, and earned more than 3 billion global audio streams. Her debut project is the second-highest selling album of 2019. Her 2020 Where Do We Go? World Arena Tour begins March 9, 2020, and includes a stop at Nashville’s Bridgestone Arena in March.
Reba McEntire, Dolly Parton, Carrie Underwood, The Highwomen, Tanya Tucker And More To Open CMA Awards
/by Lorie HollabaughFemales will be in full force in a united, historic, not-to-be-missed opening performance at the upcoming 53rd Annual CMA Awards. The performance, led by Carrie Underwood, Reba McEntire and Dolly Parton, will also feature Terri Clark, Sara Evans, Crystal Gayle, The Highwomen (comprised of Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires), Martina McBride, Jennifer Nettles, Tanya Tucker and Gretchen Wilson, each performing iconic country songs for a decades-spanning medley.
Country Music’s Biggest Night will also feature an additional performance from Kelsea Ballerini, joined by fellow breakthrough artists Lindsay Ell, Maddie & Tae, Ashley McBryde, Carly Pearce and Runaway June. Coming together for an epic performance of an iconic CMA Song of the Year and CMA Single of the Year featuring a special appearance by Little Big Town, this will be one of the night’s most talked-about performances.
The 53rd Annual CMA Awards, hosted by Carrie Underwood with special guest hosts Reba McEntire and Dolly Parton, celebrates legendary women in country throughout the broadcast, which airs live from Bridgestone Arena in Nashville Wednesday, Nov. 13 at 8/7c on ABC.
ACM Lifting Lives Announces 2019-20 Board
/by Lorie HollabaughThe ACM Lifting Lives Board of Directors is made up of an equal number of ACM Board Members, referred to as representative directors, as well as leaders in non-profit and corporate affairs that aren’t ACM Board Members, referred to as public directors. This year, there were six representative director positions elected, five public director positions elected, and one public director position appointed by the ACM Lifting Lives Board of Directors:
Newly elected REPRESENTATIVE directors include:
Newly elected PUBLIC directors include:
Newly appointed PUBLIC director includes:
“I am thrilled to be a part of this compelling organization, that supports the influence of music to lift the spirits of our community and friends in a time of need. We’re fortunate to have such generous artists and an incredible board ready and willing to continue to join us in improving lives though the power of music,” said ACM Lifting Lives Chairman Barnabee.
CMT Next Women of Country To Honor Brandi Carlile
/by Jessica NicholsonEarlier this year, Brandi Carlile became a Grammys darling when she picked up three awards, including Best Americana Album, for By The Way, I Forgive You. She then teamed with Maren Morris, Natalie Hemby and Amanda Shires to form the country supergroup The Highwomen and took on production duties for Tanya Tucker’s album While I’m Livin’.
At the upcoming CMT Next Women of Country event, set for Nov. 12 at the CMA Theater at Nashville’s Country Music Hall of Fame and Museum, Carlile will pick up another accolade, as she is honored with the 2019 CMT Next Women of Country Impact Award.
The Impact Award is presented to a female artist for outstanding achievements and contributions to women in the industry, while impacting songwriting, recording, radio airplay, record sales, streams, media impressions, awards and touring in country music over the past year. The honor will be presented by singer-songwriter Lucie Silvas and Change the Conversation co-founder, Tracy Gershon. Carlile will be the fourth recipient of the honor, following her The Highwomen bandmate Maren Morris, who earned the honor in 2018, as well as Kelsea Ballerini (2017) and Brandy Clark (2016).
Martina McBride and CMT’s Leslie Fram will co-host the seventh annual celebration.
“Not only is she one of the greatest performers of our time, she’s an incredible advocate and champion for her fellow female artists, lending her support and starpower to up-and-coming artists in the genre,” said Fram, Senior Vice President, Music Strategy & Talent. “We are truly thrilled to celebrate her monumental achievements, both as a solo artist, producer, and as a member of the groundbreaking group The Highwomen, with this Impact Award.”
Bonnie Sugarman Joins Outback Presents As Community Outreach Coordinator
/by Lorie HollabaughBonnie Sugarman
Bonnie Sugarman has joined Outback Presents as the company’s newly-appointed Community Outreach Coordinator.
In her new role, Sugarman will be responsible for managing and coordinating the numerous charitable events/donations in which Outback Presents regularly participates.
Sugarman began her career in Chicago at International Creative Management and was eventually transferred to Los Angeles where she became an agent for fairs, festivals and corporate events. After joining Agency for the Performing Arts in 1983 as Head of Fairs and Festivals, Sugarman worked with artists including Johnny and June Cash, Red Skelton, Tony Bennett, the Gatlin Brothers, Dottie West, Rosemary Clooney, Kenny Rogers, Tennessee Ernie Ford, Bob Hope, and Dolly Parton. She transferred to Music City in the early 1990s to help oversee APA’s then-new Nashville office, and eventually rose to Senior Vice President at the company. Sugarman called APA home for 35 years before departing the company in December of last year.
In 1995, Sugarman made Nashville Association of Talent Directors history when she was the first woman awarded the organization’s Agent of the Year Award. The following year, she made history again as the first agent to win the award for two consecutive years. A graduate of the 2010 class of Leadership Music, Sugarman was honored with the NATD Hubert Long Award in 2005, and currently serves as the first VP of NATD.
“We are very lucky to have Bonnie join our team,” says Outback Presents President Mike Smardak. “Her integrity and leadership will help us expand our initiatives in the community. I could not imagine a better choice than Bonnie.”
“I have long been a great admirer of Mike Smardak, not only for his success and reputation as a promoter, but for his kindness and generosity in supporting countless charities and worthy causes,” adds Sugarman. “I am truly appreciative of the opportunity to join Outback Presents and will strive to use my skills and experience to be an asset to the organization.”
Reviver Entertainment Group Signs Singer-Songwriter Brooke Moriber
/by Jessica NicholsonBrooke Moriber
Reviver Entertainment Group has signed singer-songwriter Brooke Moriber for publishing and artist development.
Earlier this year, New York native Moriber released her debut single “Cry Like A Girl.” The track was also featured on Spotify’s New Music Nashville playlist for several weeks.
“I am very excited and proud to be part of the Reviver family,” Moriber says. “I love the vision that David Ross and Gator Michaels have for my music. Carole Ann-Mobley and Clay Myers have been wonderful on the A&R front and helping this native New Yorker tell her story and plant new roots in Nashville.”
Reviver CEO David Ross adds, “We couldn’t be happier to welcome a talent like Brooke Moriber. We love her spirit, her powerhouse voice and feel that she will make a big impression on people in a very short period of time. She has already accomplished so much, and we are excited to continue her musical journey with her.”
Founded in 2011 by Ross, Reviver Entertainment Group is home to label Reviver Records; the company’s roster includes David Lee Murphy, Big & Rich, Thompson Square, Michael Tyler, Tenille Arts, Aaron Goodvin, Blackjack Billy, and more.
Alan Jackson Announces 2020 Tour
/by Jessica NicholsonAlan Jackson has announced a new headlining tour, to launch Jan. 10, 2020 at Cincinnati, Ohio’s Heritage Bank Center. The trek includes stops at Atlanta’s State Farm Arena (Feb. 14), Nashville’s Bridgestone Arena (Aug. 7) and a performance at Indio, California’s Stagecoach Festival (April 26). The last time Jackson performed at Stagecoach was in the festival’s inaugural year in 2007.
Several of Jackson’s concerts will also showcase a few of his favorite aspiring performers who perform at AJ’s Good Time Bar in Nashville.
Tickets are available at alanjackson.com/tour. Jackson is again teaming up with CID Entertainment to offer fans VIP experiences at nearly all of his 2020 shows.
A list of tour dates is below, with more shows to be added.
Friday, Jan. 10: Cincinnati, OH (Heritage Bank Center) ^^
Saturday, Jan. 11: Columbia, SC (Colonial Life Arena) **
Friday, Feb. 14: Atlanta, GA (State Farm Arena) ^^
Saturday, Feb. 15: New Orleans, LA (Smoothie King Center) **
Friday, Feb. 21: El Paso, TX (UTEP Don Haskins Center) ^^
Saturday, Feb. 22: Fort Worth, TX (Dickies Arena) ^^
Thursday, March 26: Tulsa, OK (BOK Center) ++
Friday, March 27: Springfield, MO (JQH Arena) ++
Saturday, April 25: Glendale, AZ (Gila River Arena) ++
Sunday, April 26: Indio, CA (Stagecoach Festival) <>
Thursday, July 9: Ft. Loramie, OH (Country Concert) ##
Friday, Aug. 7: Nashville, TN (Bridgestone Arena) **
Friday, Aug. 14: Cleveland, OH (Rocket Mortgage Fieldhouse) ++
Saturday, Aug. 15: Detroit, MI (Little Caesars Arena) ++
Friday, Sept. 11: Des Moines, IA (Wells Fargo Arena) ++
Saturday, Sept. 12: Milwaukee, WI (Fiserv Forum) ++
Friday, Oct. 2: Salt Lake City, UT (Vivint Smart Home Arena) ++
Saturday, Oct. 3: Denver, CO (Pepsi Center) ++
** Tickets on sale Friday, November 15
^^ Tickets on sale Friday, November 22
## Tickets on sale November 25
<> Tickets available now!
++ On sale date TBD