
John Prine
The abiding importance of song craftsmanship is on full display in this week’s Americana disc survey.
Darrell Scott, Marshall Chapman and Steve Forbert are here to remind us of what excellence has come before, via their new collections of cover tunes. Jason Isbell, Allison Moorer, Steve Earle and more are here to represent what troubadour excellence remains with us today.
The Disc of the Day prize goes to Lucinda Williams. One of Americana’s “founding mothers” is still creating at the top of her game.
I have previously reviewed The Marcus King Band in this column. By virtue of the fact that its leader is releasing his first solo CD, Marcus King becomes our DisCovery Award winner.
How lucky are we that ALL of these diverse talents live and/or work among us here in Music City?
LUCINDA WILLIAMS/Big Black Train
Writers: Lucinda Williams/Tom Overby; Producer Ray Kennedy & Tom Overby; Publisher: none listed; Highway 20/Thirty Tigers
– Lucinda goes dark and spooky in this stunningly beautiful meditation about a descent into mental depression. She was the first artist in Americana music to earn a Gold record. That was with 1998’s Car Wheels on a Gravel Road and the three-time Grammy Award honoree has re-teamed with producer Ray Kennedy for Good Souls Better Angels, from whence this terrific, echoey track comes.
MARSHALL CHAPMAN/Tower of Song
Writers: Leonard Cohen; Producer: Neilson Hubbard; Publisher: none listed; TallGirl
– This Nashville treasure begins her new CD with this masterpiece Leonard Cohen lyric.Her distinctive, conversational, spoke-sung delivery drawls while Will Kimbrough’s guitar twangs expressively. The starkly-produced, evocative album is called Songs I Can’s Live Without because it is a collection of covers from the likes of J.J. Cale, Cash, Carole King, Bob Seger and Elvis. Maah-shul makes them all her own. Even “He’s Got the Whole World in His Hands.”
STEVE EARLE & THE DUKES/John Henry Was A Steel Drivin’ Man
Writers: Steve Earle; Producers: Steve Earle; Publisher: none listed; New West
– One of the greatest folk singers in Nashville history returns with a classic sounding saga of the iconic John Henry. As always, he delivers it with effortless charisma. The song is drawn from Earle’s new collection Ghosts of West Virginia, which (prior to the pandemic) he performed as the “soundtrack” of Coal Country, a theater piece about a fatal 2010 mining explosion resulting from corporate corruption.
STEVE FORBERT /Good Time Charlie’s Got The Blues
Writers: Danny O’Keefe; Producer: none listed; Publisher: none listed; Blue Rose
– Forbert’s new album of covers is titled Early Morning Rain. The collection’s launching track is his whispery, lonesome, haunting version of Danny O’Keefe’s 1972 folk-pop hit. His talent endures. More power to him.
JASON ISBELL & THE 400 UNIT/What’ve I Done To Help
Writers: Jason Isbell/Michael Kiwanuka; Producer: Dave Cobb; Publisher: none listed; Southeastern
– Strings shimmer, percussion brushes nervously and guitars cry in the background as Isbell’s tenor aches and soars in a song that questions his life’s purpose amid a world in crisis. The new album is titled Reunions, and it goes without saying that it is essential.
LORI McKENNA/When You’re My Age
Writers: Lori McKenna/Hillary Lindsey/Liz Rose; Producer: Dave Cobb; Publisher: none listed; CN/Thirty Tigers
-I adore this woman. This ballad is sung from the point of view of a mother gazing backward and forward on behalf of her growing-up child. Backed by stark, sympathetic piano, percussion and cello, her direct, honest, plain-spoken, warm singing voice has striking resonance here. The song is an advance track for an album titled The Balladeer, due on July 24.
DARRELL SCOTT/My Sweet Love Ain’t Around
Writers: Hank Williams; Producer: none listed; Publisher: none listed; Full Light
– Darrell Scott Sings the Blues of Hank Williams is an album whose title perfectly describes its contents: It is not a greatest-hits repertoire, but emphasizes the Hank songs that reflect the legend’s blues influences. This swampy, deep-South, earthy, dramatic performance kicks things off with rocking, stomping force. Don’t miss Darrell’s dad Wayne Scott’s emotional rendition of “When God Comes and Gathers His Jewels” or Darrell’s delightfully yodel-embellished “When You’re Tired of Breaking Other Hearts” later in the set. His guitar, slide and piano work throughout the collection are awesome.
ALLISON MOORER/Nightlight
Writers: Allison Moorer; Producer: Kenny Greenberg; Publisher: none listed; Autotelic/Thirty Tigers
– Moorer’s current CD and memoir are both titled Blood. This tender, exquisite ballad is at its emotional center as an ode to love, sisterhood and courage. “You’re the first light, last light/You’re my daylight, my moonlight….my nightlight.” In sum, heart-touchingly lovely. The book is harrowing and real. The album stands on its own as a masterwork.
MARCUS KING/One Day She’s Here
Writers: none listed; Producer: Dan Auerbach; Publisher: none listed; Fantasy
– This guitar-slinging wunderkind is a talent who can veer from Southern-rock intensity to smoldering soul with amazing panache. The phenom is a funk/R&B falsetto dude in this flawless, admirably slick, groove-soaked outing about the mystery lady who got away. If I didn’t know better, I’d swear it was recorded by Gamble & Huff in Philly in the mid-70s, instead of here and now in Music City. It comes from King’s breakout debut solo CD, El Dorado.
JOHN PRINE/I Remember Everything
Writers: John Prine/Pat McLaughlin; Producer: Dave Cobb; Publisher: none listed; Oh Boy Records
– This is said to be the late Prine’s last recorded song. If so, it’s a helluva way to bow out, a fond, wistful, heartfelt farewell to a lover. We all felt like he was our dear friend, and he was, to the last note.
IBMA Foundation Establishes New Arnold Shultz Fund, Announces Benefit Concert
/by Lorie HollabaughArnold Schultz with Pen Vandiver
The International Bluegrass Music Association Foundation has established a new fund, the Arnold Shultz Fund, to support activities increasing participation of people of color in bluegrass music. Shultz (1886–1931) was an African American musician from western Kentucky who had a profound influence on Bill Monroe’s music and the development of bluegrass.
To help build awareness and support for the Arnold Shultz Fund, a group of Denver bluegrass musicians has organized a fundraising concert on June 26. The Denver Bluegrass Allstars, featuring Andy Hall and Chris Pandolfi (the Infamous Stringdusters), Paul Hoffman (Greensky Bluegrass), Greg Garrison (Leftover Salmon), and flatpicking champion Tyler Grant will perform at 7 p.m. MT, with a free livestream from Denver’s Mighty Fine Productions. Viewers are encouraged to make contributions, with a portion of the proceeds to be donated to the Arnold Shultz Fund. The livestream will be available exclusively through nugs.net. Donation info is here.
The IBMA Foundation is in the process of appointing an advisory committee to make decisions about how funds donated to the Arnold Shultz Fund may best be used, for possible scholarships, awards, or projects. Richard S. Brown, DMD, a nationally known mandolinist in the Bill Monroe style, as well as a member of the IBMA Foundation’s board of directors, will co-chair the advisory committee with noted bluegrass historian, author, banjoist, and Bluegrass Hall of Fame member, Neil V. Rosenberg.
The idea for the fund grew out of a recent online conversation among alumni of IBMA’s Leadership Bluegrass program. In only a week, before it had been formally announced, word of mouth spread awareness of the Arnold Shultz Fund internationally, generating considerable enthusiasm and $1,400 in donations.
In 2017, Grand Ole Opry member Rhiannon Giddens, in a keynote address at World of Bluegrass in Raleigh, challenged the bluegrass music community to “tear down those artificial divisions and let bluegrass and string band music be the welcoming place that it has, and can be, and, in more and more places.”
“Of course I think the Arnold Shultz Fund is a great idea,” Dr. Brown said. “Arnold Shultz is long overdue for recognition because of his influence on bluegrass music. Arnold played with Bill Monroe’s fiddling uncle Pen Vandiver as a guitarist. Shultz was also a sought-after fiddler and later hired Bill to play guitar for him at dances. Bill Monroe told me about Arnold Shultz and their dance gigs more than 50 years ago, when I was in my twenties. The stories would always end with Bill saying, ‘Now, isn’t that something?’ Yes, it’s time to take Arnold Shultz, one of our hidden legends, out of obscurity and into the mainstream.”
Asphalt Music Group Launches
/by Lorie HollabaughTim Buono
Producer and songwriter Aaron Chesling has launched a new label, Asphalt Music Group. The label has signed its first artist to a worldwide recording contract, Boston native Tim Buono.
The new label will include a recording division focusing on country and pop releases, and its synchronization department will be seeking opportunities within film, gaming, social media programming and other media.
Chesling previously worked in Logistics Coordination for Big Machine Label Group and as a Distribution Specialist for Universal Music Group. He has provided services ranging from logistical solutions, A&R, management, production, and radio promotion. Chesling has written songs for Buono and Canadian country star Gord Bamford, and did A&R work for the late Joe Diffie.
“Asphalt is a brand concept I have been thinking about and holding onto for some time now. It has taken on many different forms in my head and on paper, but now it has become clear that a new home for music has taken shape. After producing a few tracks with Tim Buono for a period, and about 25+ solid cowrites later, it became an ideal scenario to ink up. Tim is an exceptional artist and songwriter that deserves his chance to be heard. I am excited to share his music with the world. My goal is to help artists like him to ‘keep moving forward’,” said Chesling, CEO Asphalt Music Group.
Buono started his musical journey early. Brad Paisley had a major influence on his style and songwriting, and in a few short years after honing in on his craft and learning from his idols, Buono established a YouTube presence covering his favorite hits. Buono has been in Nashville working on new original music.
“I’m really excited to be joining the Asphalt team,” Buono said. “We’re gonna hit the ground running and put out music we feel good about. I can’t wait to show the world what we’ve been working on!”
Jason Isbell, Emmylou Harris, Sheryl Crow Join New Artist Rights Alliance Music Council
/by Lorie HollabaughThe 93-artist consortium will provide perspective and advisory input, as well as support for the awareness of key issues that face content creators today.
“We are so grateful to our Music Council volunteers who will join with us to advocate for our peers in building a more compassionate and enduring music economy,” said ARA Board Member Rosanne Cash. “It has never been easy for independent musicians to earn a living, and it’s indescribably harder today in the current global crisis. We must work together to defend today’s hardworking musicians, and to protect the next generation of artists.”
Today the ARA also released an Artists’ Bill of Rights to outline their fundamental principles and recommendations for today’s music economy and to keep the artistic community aware of their rights as it pertains to their work. Depicted are policy hotspots, including fair pay from streaming services, copyright law, political participation, curbing industrial-scale piracy, and reining in big technology platforms that unfairly profit from music. ARA staunchly opposes the Liberty Media / iHeartMedia merger, which would give Liberty Media an unprecedented stake in the broadcast media world.
“Even before the pandemic, the music economy was teetering on the edge,” said ARA Board Member and Founder of the alt-rock band CAKE, John McCrea. “Technology companies prosper, while musicians are paid micro-pennies per stream, not to mention the loss of funds from touring. This crisis has laid bare what a slender reed our fellow musicians were hanging onto and calls upon us to get to work building something new and more humane. ARA has always operated on an artist-to-artist model, connecting, engaging, and empowering each other built on the basic truth that no one will fight for you if you aren’t out there fighting for yourself.”
ARA’s Nashville-based educational and grassroots initiatives are led by musicians and creators Erin McAnally and Chelsea Crowell, and the ARA has set up a new website and artists’ forum to serve as an educational resource, advocacy platform, and open meeting place for songwriters and performers to exchange information and organize grassroots activities and campaigns that can be found here.
Charlie Daniels Reschedules Volunteer Jam To 2021, Adds To Lineup
/by Lorie HollabaughPhoto by Nate Shuppert
Charlie Daniels has rescheduled this year’s Volunteer Jam due to the coronavirus. The concert, originally set for Sept. 15 at Nashville’s Bridgestone Arena, will now take place Monday, Feb. 22, 2021.
38 Special, The Allman Betts Band and blues artist Cedric Burnside have been added to the previously announced lineup, which features headliners The Charlie Daniels Band, along with The Marshall Tucker Band, Chris Janson, Charley Pride, Larry, Steve & Rudy: The Gatlin Brothers, Big & Rich, Gretchen Wilson, Cowboy Troy, Delbert McClinton, Keb’ Mo’, The Outlaws, Jenny Tolman, the Atlanta Rhythm Section, Travis Denning, Mickey Gilley, Johnny Lee, Scooter Brown Band, The SteelDrivers, Pure Prairie League and comedian Dusty Slay.
“Volunteer Jam is alive and well and is moving from September 2020 to February 22, 2021,” says Daniels. “The Jam turns 46 years old this year and this could be the best one yet.”
Tickets are on sale now via Ticketmaster.com and the Bridgestone Arena box office. Previously purchased tickets will transfer to the new concert date.
Weekly Radio Report (6/19/20)
/by Alex ParryClick here or above to access MusicRow’s weekly CountryBreakout Radio Report.
Nashville R&B Artist Bren Joy Inks Label Deal With Warner Records
/by Jessica NicholsonBren Joy. Photo: Ryan Kanaly
Just over a year ago, Nashville-based artist Bren Joy released his breakthrough single “Henny in the Hamptons,” as well as “Sweet” (ft. Landon Sears). Together the two tracks have earned more than 5.5 million streams to date, and are featured on his independently-released project Twenties.
Today, he celebrates the release of a new single, “Freezing,” and the signing of a new label deal with Warner Records.
“‘Freezing’ is about taking the initiative. It’s about taking a leap of faith into what you want to be and achieve. I want my fans to take away that too much is never enough. I think all of my music rides the line between ‘more is more’ with a splash of nostalgia. That’s my goal.”
“When we put the album out, we started getting calls from labels and Warner felt right,” Bren Joy tells MusicRow. “I wanted to sign with a group of people that were really hungry and fresh and wanted it. Everything lined up with Warner and I took a few trips to Los Angeles and they just really showed their support.”
The 23-year-old, who is managed by Nashville-based company Big Loud/Maverick, incorporates elements of pop, R&B, jazz and more into the project’s tracks, all centered around his soothing piano/vocal.
He teamed with other producers and writers such as Caleb Lee, Anthony Perry, Landon Sears, Alaya Morris and more to create his Twenties EP.
“We made this project for like $400,” Joy says. Prior to his label signing, Bren Joy earned more than 10 million streams to date. Even more impressive, considering the first songs he ever wrote are included on the Twenties project.
“I’m a big risk taker,” he says.
Though he was raised in Nashville, Bren Joy didn’t begin singing until high school, and later enrolled as a vocal major at Belmont University.
“In college, I grew up on a lot of Black music and in college I got into alternative music, country music and more. I think that’s the cool thing about growing up in Nashville is I have so many different inspirations surrounding me that my music subconsciously incorporates all of that.”
Joy, who counts Kirk Franklin, Luther Vandross, and John Legend among his inspirations, chose Rascal Flatts’ “God Bless The Broken Road” among the songs for his audition at Belmont. “Singing just took over my life,” he said. “And I was obsessed with John Legend’s writing process. That idea of music that could fit at a jazz club or an arena was so cool.
“Making this [Twenties] project, we had no ambitions to get publishing or get signed. We just made what we found was cool. All eight of these songs I did at the piano,” he recalls.
While enrolled at Belmont, he won the school’s Urban music showcase and later performed at the school’s annual Best of the Best showcase. From there, music execs heard “Henny in the Hamptons,” which made its way to the top of Spotify’s Fresh Finds playlist.
Bren Joy is currently hard at work on a full-length project, his first for a major label.
“I want it to be a storybook from top to bottom, and I’m taking my time to make sure everything—the visuals to the artwork to the songs to the production—is gorgeous. I could put out a new album today if I wanted to, but I want people to hear the growth, just top to bottom.
“It is young, and whimsical and boy-next-door. I just want it to feel fun because these times are so dark. I think this is a time to find the best version of ourselves. Creatives are so hard on themselves but it’s more about just making sure that the growth and self-love during this period is shown.”
Trisha Yearwood, The Judds, Kelly Clarkson To Receive Stars On Hollywood Walk Of Fame
/by Jessica NicholsonTrisha Yearwood
The Judds, Trisha Yearwood and Kelly Clarkson are among the latest crop of artists set to receive stars on the Hollywood Walk of Fame, it was announced on Thursday (June 18).
The newest Class of 2021 will also include Missy Elliott, Nick Cannon, Courteney Cox, Zac Efron, Sarah Brightman and more, in categories including Motion Pictures, Television, Recording, Radio and Live Theatre/Live Performance.
A full list of honorees is below:
MOTION PICTURES: Josh Brolin, Don Cheadle, Morris Chestnut, Benedict Cumberbatch, Zac Efron, Giancarlo Giannini, Shia LaBeouf, Jimmy Smits, Naomi Watts and a double star for Ali McGraw and Ryan O’Neal.
TELEVISION: Nick Cannon, Courteney Cox, Marla Gibbs, Jenifer Lewis, Laura Linney, Judge Greg Mathis, Dr. Mehmet Oz, Sarah Paulson, Peter Roth and Christian Slater.
RECORDING: The Chi-Lites, Kelly Clarkson, Missy Elliott, Ana Gabriel, Jefferson Airplane, The Judds, Don McClean, Salt-N-Pepa, Don McLean, Trisha Yearwood and Charlie Parker (Posthumous).
LIVE THEATRE/LIVE PERFORMANCE: Sarah Brightman, Luciano Pavarotti (Posthumous) and August Wilson (Posthumous)
RADIO: Big Boy
Nashville To Enter Phase 3 Reopening On June 22
/by LB CantrellNashville Mayor John Cooper announced that Davidson County will enter Phase 3 in its “Roadmap for Reopening Nashville” on Monday, June 22.
Phase 3 of the plan now includes verbiage that says event space venues and small music venues must cap maximum event attendance or crowd size at 50% capacity, or 250 attendees, depending on venue capacity. Schools and educational facilities are allowed to open with restrictions determined by county COVID-19 metrics, and all metro parks and facilities will be open.
It maintains that restaurants and retail companies can open at 75% of capacity (while maintaining social distancing), and exercise, high-touch and close contact businesses like hair and nail salons may continue to operate at 50% capacity. Bars may now open at 50% capacity.
Phase 3 also recommends that gatherings be limited to 25 or fewer people.
Metro Public Health Department officials announced today (June 18) a total number of 7,539 confirmed cases of coronavirus disease (COVID-19) in Nashville/Davidson County.
For more information, visit http://covid19.nashville.gov.
DISClaimer Single Reviews: Jason Isbell & The 400 Unit, Lucinda Williams, John Prine
/by Robert K OermannJohn Prine
The abiding importance of song craftsmanship is on full display in this week’s Americana disc survey.
Darrell Scott, Marshall Chapman and Steve Forbert are here to remind us of what excellence has come before, via their new collections of cover tunes. Jason Isbell, Allison Moorer, Steve Earle and more are here to represent what troubadour excellence remains with us today.
The Disc of the Day prize goes to Lucinda Williams. One of Americana’s “founding mothers” is still creating at the top of her game.
I have previously reviewed The Marcus King Band in this column. By virtue of the fact that its leader is releasing his first solo CD, Marcus King becomes our DisCovery Award winner.
How lucky are we that ALL of these diverse talents live and/or work among us here in Music City?
LUCINDA WILLIAMS/Big Black Train
Writers: Lucinda Williams/Tom Overby; Producer Ray Kennedy & Tom Overby; Publisher: none listed; Highway 20/Thirty Tigers
– Lucinda goes dark and spooky in this stunningly beautiful meditation about a descent into mental depression. She was the first artist in Americana music to earn a Gold record. That was with 1998’s Car Wheels on a Gravel Road and the three-time Grammy Award honoree has re-teamed with producer Ray Kennedy for Good Souls Better Angels, from whence this terrific, echoey track comes.
MARSHALL CHAPMAN/Tower of Song
Writers: Leonard Cohen; Producer: Neilson Hubbard; Publisher: none listed; TallGirl
– This Nashville treasure begins her new CD with this masterpiece Leonard Cohen lyric.Her distinctive, conversational, spoke-sung delivery drawls while Will Kimbrough’s guitar twangs expressively. The starkly-produced, evocative album is called Songs I Can’s Live Without because it is a collection of covers from the likes of J.J. Cale, Cash, Carole King, Bob Seger and Elvis. Maah-shul makes them all her own. Even “He’s Got the Whole World in His Hands.”
STEVE EARLE & THE DUKES/John Henry Was A Steel Drivin’ Man
Writers: Steve Earle; Producers: Steve Earle; Publisher: none listed; New West
– One of the greatest folk singers in Nashville history returns with a classic sounding saga of the iconic John Henry. As always, he delivers it with effortless charisma. The song is drawn from Earle’s new collection Ghosts of West Virginia, which (prior to the pandemic) he performed as the “soundtrack” of Coal Country, a theater piece about a fatal 2010 mining explosion resulting from corporate corruption.
STEVE FORBERT /Good Time Charlie’s Got The Blues
Writers: Danny O’Keefe; Producer: none listed; Publisher: none listed; Blue Rose
– Forbert’s new album of covers is titled Early Morning Rain. The collection’s launching track is his whispery, lonesome, haunting version of Danny O’Keefe’s 1972 folk-pop hit. His talent endures. More power to him.
JASON ISBELL & THE 400 UNIT/What’ve I Done To Help
Writers: Jason Isbell/Michael Kiwanuka; Producer: Dave Cobb; Publisher: none listed; Southeastern
– Strings shimmer, percussion brushes nervously and guitars cry in the background as Isbell’s tenor aches and soars in a song that questions his life’s purpose amid a world in crisis. The new album is titled Reunions, and it goes without saying that it is essential.
LORI McKENNA/When You’re My Age
Writers: Lori McKenna/Hillary Lindsey/Liz Rose; Producer: Dave Cobb; Publisher: none listed; CN/Thirty Tigers
-I adore this woman. This ballad is sung from the point of view of a mother gazing backward and forward on behalf of her growing-up child. Backed by stark, sympathetic piano, percussion and cello, her direct, honest, plain-spoken, warm singing voice has striking resonance here. The song is an advance track for an album titled The Balladeer, due on July 24.
DARRELL SCOTT/My Sweet Love Ain’t Around
Writers: Hank Williams; Producer: none listed; Publisher: none listed; Full Light
– Darrell Scott Sings the Blues of Hank Williams is an album whose title perfectly describes its contents: It is not a greatest-hits repertoire, but emphasizes the Hank songs that reflect the legend’s blues influences. This swampy, deep-South, earthy, dramatic performance kicks things off with rocking, stomping force. Don’t miss Darrell’s dad Wayne Scott’s emotional rendition of “When God Comes and Gathers His Jewels” or Darrell’s delightfully yodel-embellished “When You’re Tired of Breaking Other Hearts” later in the set. His guitar, slide and piano work throughout the collection are awesome.
ALLISON MOORER/Nightlight
Writers: Allison Moorer; Producer: Kenny Greenberg; Publisher: none listed; Autotelic/Thirty Tigers
– Moorer’s current CD and memoir are both titled Blood. This tender, exquisite ballad is at its emotional center as an ode to love, sisterhood and courage. “You’re the first light, last light/You’re my daylight, my moonlight….my nightlight.” In sum, heart-touchingly lovely. The book is harrowing and real. The album stands on its own as a masterwork.
MARCUS KING/One Day She’s Here
Writers: none listed; Producer: Dan Auerbach; Publisher: none listed; Fantasy
– This guitar-slinging wunderkind is a talent who can veer from Southern-rock intensity to smoldering soul with amazing panache. The phenom is a funk/R&B falsetto dude in this flawless, admirably slick, groove-soaked outing about the mystery lady who got away. If I didn’t know better, I’d swear it was recorded by Gamble & Huff in Philly in the mid-70s, instead of here and now in Music City. It comes from King’s breakout debut solo CD, El Dorado.
JOHN PRINE/I Remember Everything
Writers: John Prine/Pat McLaughlin; Producer: Dave Cobb; Publisher: none listed; Oh Boy Records
– This is said to be the late Prine’s last recorded song. If so, it’s a helluva way to bow out, a fond, wistful, heartfelt farewell to a lover. We all felt like he was our dear friend, and he was, to the last note.
Americana Music Association Foundation Announces Thriving Roots Virtual Conference
/by Jessica NicholsonThe Americana Music Association Foundation will launch an online music industry conference, Thriving Roots: A Virtual Community Music Conference, set for Sept. 16-18,2020. The conference will feature programming with Rosanne Cash, John Leventhal, Mavis Staples as well as AMAF Board Members Jackson Browne, Rhiannon Giddens and T Bone Burnett, and more.
The event takes place the week of the originally-scheduled AmericanaFest. The conference will include more than 50 industry and artist-led panel discussions in addition to 40 immersive special events.
“As we continue to navigate these unprecedented times, we know that there is a need now more than ever to feel connected,” said Jed Hilly, executive director of the Americana Music Association Foundation and The Americana Music Association. “With Thriving Roots, we hope that our community will benefit from coming together in the comfort of their own homes to learn from each other and have timely conversations, while still having opportunities to network and enjoy great music.”
More programming information will be announced in late July. A limited number of passes at the $99 Early Bird rate are now on sale here.