
Sierra Ferrell. Photo: Cora Wagoner
Bristol Rhythm & Roots Reunion has wrapped its 25th year, bringing another weekend of music and community to Bristol, Tennessee.
St. Paul and the Broken Bones, Sierra Ferrell and Old Crow Medicine Show were among the featured acts, joining a mix of established and emerging artists.
“This festival is yours, forever,” said Festival Director, Richard Oakley, to the crowd of fans, volunteers, and team members before Sunday’s closing performance.

St. Paul and the Broken Bones. Photo: Billie Wheeler
Day one festivities began in the late afternoon with Jim Lauderdale and Donna the Buffalo opening the State Street Stage with a special 25th anniversary jam. It marked Lauderdale’s 14th appearance at the festival. Later, fans gathered at Paramount Bristol for performances from German songwriter and producer Toby Gad and Bristol cellist and composer Dave Eggar. The pair performed songs Gad helped write, including “Big Girls Don’t Cry,” “My Immortal,” and “Viva La Vida.” As the evening continued, Los Lobos and St. Paul and The Broken Bones brought a soulful rock sound to the Piedmont Avenue Stage, while Johnny Mullenax closed out the night with an energetic set on the Country Mural Stage.
Day two featured sets from Josh Mitcham and Possum Creek Playboys before a brief rain shower moved through Bristol. While the weather caused a short delay for the outdoor stages, the music continued inside Paramount Bristol with Radio Bristol’s Farm and Fun Time. The festival favorite, inspired by the classic WCYB program, served as the official 25th anniversary celebration and featured Cruz Contreras & The Black Lillies, Trousdale and The Band Loula.

Old Crow Medicine Show. Photo: Billie Wheeler
Once the rain cleared, performances continued across the festival grounds, including sets from Acoustic Syndicate: “The Bristol Reunion,” Franklin Jonas & The Byzantines, Johnson City’s Florencia & The Feeling, and the Del McCoury Band. Ferrell headlined the Cumberland Square Park Stage, returning to the festival after making her debut at the 6th Street Stage in 2021. The night ended with energetic performances from Clay Street Unit and Braxton Keith, who brought their mix of swagger and grit to the 6th Street and Piedmont Avenue Stages.
The final day of Bristol Rhythm & Roots Reunion opened with performances from Virginia West, Logan & McKenna and Erin Lunsford. The Bristol Sessions Super Raffle also announced more than $250,000 in cash and prizes benefiting the Birthplace of Country Music Museum.
Denitia brought her Texas-rooted mix of soul and country to the 6th Street Stage, while River Shook energized the Piedmont Avenue Stage. The Band Loula drew a crowd at Cumberland Square Park, and Bristol native Aaron Dowdy led Fust through a set of indie rock and Americana at the 6th Street Stage. Maggie Antone had fans singing along with her blend of country, soul, and Southern rock, while Marty Stuart & His Fabulous Superlatives brought their cosmic-country sound to Cumberland Square Park.
Old Crow Medicine Show closed the festival with a high-energy set on State Street. The band welcomed Hannah Dasher to the stage for a performance of “Just Someone I Used To Know,” honoring Dolly Parton and Porter Wagoner. Old Crow also paid tribute to Jimmie Rodgers during the set, helping launch the Birthplace of Country Music’s year-long celebration of the 100th anniversary of the 1927 Bristol Sessions. The festival ended with “Rocky Top” and “Wagon Wheel” echoing across State Street, bringing Tennessee and Virginia together and closing out another year of music on the state line.
Bristol Rhythm & Roots Reunion will return Sept. 10-12, 2027.

Dave Eggar and Phil Paconti. Photo: Earl Neikirk

Farm and Fun Time. Photo: Heidi Holloway

Fust. Photo: Grace Carter

Photo: Earl Neikirk
Ella Langley Breaks All-Time Billboard Hot 100 Record
/by Madison HahnenElla Langley. Photo: Caylee Robillard
Ella Langley has officially broken the record for most weeks at No. 1 on the Billboard Hot 100 chart with “Choosin’ Texas,” notching its 23rd week in the top spot. The tune surpasses Mariah Carey’s “All I Want For Christmas Is You.”
“Choosin’ Texas” first appeared on the Hot 100 in November 2025, marking Langley’s fifth career entry on the chart. The song reached the top 10 in January and hit No. 1 the following month, later setting several chart records.
The Hot 100 combines U.S. streaming, radio airplay and sales data across all genres. Sales include physical singles and digital tracks purchased through full-service digital retailers, while digital single sales from direct-to-consumer sites are not counted.
Langley is currently amidst her “Dandelion Tour,” with upcoming stops in Knoxville, Tulsa, Des Moines and more through October.
Garth Brooks’ The Sevens Network & TuneIn Wrap Three-Year Venture
/by Lorie HollabaughGarth Brooks
Garth Brooks‘ The Sevens Network and TuneIn have concluded their three-year partnership that provided free live radio stations including The BIG 615, Tailgate Radio, and The Garth Channel to millions of country music listeners worldwide.
The conclusion of the Sevens Network / TuneIn venture comes on the heels of TuneIn’s recent acquisition by the Stingray Group Inc. As a result of the transition, The Garth Channel and Tailgate Radio will sign off the air today (Sept. 22.) The BIG 615 will continue broadcasting through the end of 2026 under the TuneIn platform, though it will no longer feature an affiliation with Brooks or The Sevens Network.
“The Stingray family has been fantastic in the transition along with TuneIn’s people,” says Brooks. “We couldn’t be happier with the three years we have spent with them and wish them well on their future endeavors and hope we cross paths in the future.”
More information regarding Garth Brooks’ multimedia and radio broadcast initiatives will be announced in the coming months.
Melody Place Adds Kacey Flory & Kayla Smith
/by Madison HahnenKacey Flory & Kayla Smith
Melody Place is expanding its digital team with the addition of Kacey Flory as Head of Digital Marketing and Kayla Smith as Digital Marketing Coordinator.
Flory brings nearly 10 years of industry experience to the role, including more than seven years at Crowd Surf, where she worked her way from Digital Marketing Assistant to Director of Marketing & Management. During her time there, she worked on digital campaigns for artists and clients across pop, country and other genres, including Camila Cabello, New Kids on the Block, Joshua Henry, Atsuko Okatsuka and Jim Gaffigan.
She also worked with major-label clients including Interscope Records, MCA and BBR Music Group. A member of the Academy of Country Music’s Class of 2025, Flory will oversee digital marketing and social media efforts for Melody Place’s artist roster and other entertainment projects.
Smith began building her career in music four years ago by shadowing industry professionals and volunteering at shows, where she gained experience in touring merchandise. She spent three years working as an elementary school teacher while continuing to pursue opportunities in music, working shows during nights, weekends and summers. During that time, she also earned a master’s degree in marketing and analytics. This summer, Smith worked as a digital intern at The Core Entertainment before joining Melody Place.
“Kacey is such a pro, with vast knowledge and incredible instincts for how artists across a multitude of genres can connect with audiences. Kayla is incredibly bright, eager, and creative, and with Kacey leading the team, they make a dream digital duo. The unique perspective each of them brings to their work will continue to propel Melody Place to new heights. We’re so pleased to have them both on board,” says Sandy McGraw, President and GM.
Stella Lefty Notches First No. 1 At Country Radio
/by Lauryn SinkStella Lefty. Photo: Jack Balaban
Stella Lefty has earned her first No. 1 at country radio with “Boston,” topping the Country Aircheck/Mediabase Airplay chart and Billboard’s Country Airplay chart.
Reaching the peak of the Country Airplay chart just 22 weeks after impacting radio, “Boston” is the fastest chart debut by a solo female artist to ascend to No. 1 in more than 20 years, since Gretchen Wilson’s “Redneck Woman” in 2004 on Billboard and Carrie Underwood’s “Jesus, Take the Wheel” in 2006 on Mediabase. The track also marks the third-fastest debut single by a solo female country artist to land at No. 1 in the Mediabase era, and is the fifth fastest by any solo debut country artist to hit No. 1 in the Mediabase era. The milestone marks the first country radio No. 1 released by Atlantic Outpost.
The track has amassed more than 486 million streams worldwide and earned nominations for Best Country and Song of Summer at the 2026 MTV Video Music Awards.
Earlier this month, Lefty made her Grand Ole Opry debut. She is set to take the stage at Bourbon & Beyond next week with additional upcoming dates at Austin City Limits and Australia’s Strummingbird Festival. She will embark on her headlining “Long Way Home Tour” in November.
Mitchell Tenpenny & Flo Rida Join Forces For New ‘Whiskey & Whistle Tour’ In February
/by Lorie HollabaughMitchell Tenpenny and Flo Rida are teaming up for their new “Whistle & Whiskey Tour” beginning Feb. 3, with Jay Webb kicking off the party each night.
The first four shows will feature stops in Duluth, Sioux City, Grand Forks, and Rochester, with additional cities to be announced soon. “Whistle & Whiskey” will feature country favorites and some of the biggest party anthems of the past two decades, bringing three distinct sounds together on one stage. Tickets for the new tour go on sale on Friday (Sept. 25).
Flo Rida exploded onto the scene with the 7x Platinum “Low” featuring T-Pain, which spent 10 consecutive weeks at No. 1 on the Billboard Hot 100, and has released hits including “RightRound,” “Club Can’t Handle Me,” “Good Feeling,” “Wild Ones,” “Whistle” and “My House.” With over 100 million singles sold worldwide, his catalog has become the soundtrack to parties around the world.
Tenpenny has already amassed more than 2.6 billion global streams, and his breakout No. 1 “Drunk Me” has been certified quadruple Platinum. His hit-filled catalog also includes additional No. 1s “Truth About You” and “At The End Of A Bar” with Chris Young. Along with his own successful headlining tours, he has toured with Jason Aldean, Luke Combs and Jordan Davis.
“Whistle & Whiskey Tour” Dates:
Feb. 3 — Duluth, MN — DECC
Feb. 4 — Sioux City, IA — Tyson Events Center
Feb. 6 — Grand Forks, ND — Alerus Center
Feb. 7 — Rochester, MN — Mayo Civic Center
Owen Waidley Inks With SMACKSongs
/by Madison HahnenOwen Waidley has signed a publishing deal with SMACKSongs.
Inspired by artists including The Rolling Stones, The Lumineers and Joshua Slone, the California native brings real-life experiences into his songwriting. His songs reflect lessons he has learned firsthand, giving them an honest and personal feel. His creativity, work ethic, and natural ability in the writing room quickly caught the attention of SMACK, making him a strong fit for the team.
“The moment I heard Owen’s songs and voice, I was in,” says Jeremy Groves at SMACKSongs. “The more I’ve gotten to know him, see how hard he works, and how he carries himself, the prouder I am for SMACK to be a part of this next chapter of his story. I can’t wait to see what we build together.”
“There’s something special about having a team that feels like family, and not only is SMACK an unbelievable team but it is truly a family that I am deeply proud to be a part of,” adds Waidley.
Bristol Rhythm & Roots Reunion Celebrates 25th Anniversary
/by Madison HahnenSierra Ferrell. Photo: Cora Wagoner
Bristol Rhythm & Roots Reunion has wrapped its 25th year, bringing another weekend of music and community to Bristol, Tennessee.
St. Paul and the Broken Bones, Sierra Ferrell and Old Crow Medicine Show were among the featured acts, joining a mix of established and emerging artists.
“This festival is yours, forever,” said Festival Director, Richard Oakley, to the crowd of fans, volunteers, and team members before Sunday’s closing performance.
St. Paul and the Broken Bones. Photo: Billie Wheeler
Day one festivities began in the late afternoon with Jim Lauderdale and Donna the Buffalo opening the State Street Stage with a special 25th anniversary jam. It marked Lauderdale’s 14th appearance at the festival. Later, fans gathered at Paramount Bristol for performances from German songwriter and producer Toby Gad and Bristol cellist and composer Dave Eggar. The pair performed songs Gad helped write, including “Big Girls Don’t Cry,” “My Immortal,” and “Viva La Vida.” As the evening continued, Los Lobos and St. Paul and The Broken Bones brought a soulful rock sound to the Piedmont Avenue Stage, while Johnny Mullenax closed out the night with an energetic set on the Country Mural Stage.
Day two featured sets from Josh Mitcham and Possum Creek Playboys before a brief rain shower moved through Bristol. While the weather caused a short delay for the outdoor stages, the music continued inside Paramount Bristol with Radio Bristol’s Farm and Fun Time. The festival favorite, inspired by the classic WCYB program, served as the official 25th anniversary celebration and featured Cruz Contreras & The Black Lillies, Trousdale and The Band Loula.
Old Crow Medicine Show. Photo: Billie Wheeler
Once the rain cleared, performances continued across the festival grounds, including sets from Acoustic Syndicate: “The Bristol Reunion,” Franklin Jonas & The Byzantines, Johnson City’s Florencia & The Feeling, and the Del McCoury Band. Ferrell headlined the Cumberland Square Park Stage, returning to the festival after making her debut at the 6th Street Stage in 2021. The night ended with energetic performances from Clay Street Unit and Braxton Keith, who brought their mix of swagger and grit to the 6th Street and Piedmont Avenue Stages.
The final day of Bristol Rhythm & Roots Reunion opened with performances from Virginia West, Logan & McKenna and Erin Lunsford. The Bristol Sessions Super Raffle also announced more than $250,000 in cash and prizes benefiting the Birthplace of Country Music Museum.
Denitia brought her Texas-rooted mix of soul and country to the 6th Street Stage, while River Shook energized the Piedmont Avenue Stage. The Band Loula drew a crowd at Cumberland Square Park, and Bristol native Aaron Dowdy led Fust through a set of indie rock and Americana at the 6th Street Stage. Maggie Antone had fans singing along with her blend of country, soul, and Southern rock, while Marty Stuart & His Fabulous Superlatives brought their cosmic-country sound to Cumberland Square Park.
Old Crow Medicine Show closed the festival with a high-energy set on State Street. The band welcomed Hannah Dasher to the stage for a performance of “Just Someone I Used To Know,” honoring Dolly Parton and Porter Wagoner. Old Crow also paid tribute to Jimmie Rodgers during the set, helping launch the Birthplace of Country Music’s year-long celebration of the 100th anniversary of the 1927 Bristol Sessions. The festival ended with “Rocky Top” and “Wagon Wheel” echoing across State Street, bringing Tennessee and Virginia together and closing out another year of music on the state line.
Bristol Rhythm & Roots Reunion will return Sept. 10-12, 2027.
Dave Eggar and Phil Paconti. Photo: Earl Neikirk
Farm and Fun Time. Photo: Heidi Holloway
Fust. Photo: Grace Carter
Photo: Earl Neikirk
Matt Dragstrem Enters Top 20 On MusicRow Top Songwriter Chart
/by Madison HahnenMatt Dragstrem
Matt Dragstrem has moved into the top 20 on the MusicRow Top Songwriter Chart. Luke Bryan’s “Country And She Knows It” and Greylan James’ “Water At A Wedding” put the songwriter at No. 17 this week.
Ella Langley moves up to No 1 with “Be Her,” “Choosin’ Texas,” “I Can’t Love You Anymore,” “Jaded” and “Loving Life Again.” Dolly Parton sits at No. 2 with “9 to 5,” “Jolene” and “Son Of Jolene.”
Chase McGill (No. 3), Jordan Schmidt (No. 4) and Ernest (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
The Crew To Host 17th Annual CMA Awards Viewing Party Benefiting Musicians on Call
/by Lorie HollabaughPictured (L-R, back row): Markus Koger (Smoking Section Podcast), Nicolette McCann (Red Light Management), Jackson Kiger (Sony Music Publishing) and Cheshire Rigler (Keller Turner Andrews & Ghanem, PLLC). (L-R, front row): Halle Bartlett (One Riot Music), Emily Baldridge (MCA), Leah Binkerd (The MLC), Julia Keefe (Edgehill Music Publishing) and Samantha Sarno (SMACKSongs). Photo: Katie Larson
The Crew, a group of music industry executives, will host its 17th annual CMA Awards viewing party on Nov. 18 at 6 p.m. CT at Tin Roof Nashville Downtown.
The benefit brings together industry professionals to support Musicians On Call while celebrating fellow artists, songwriters and colleagues during the 60th Annual CMA Awards broadcast live throughout Tin Roof. Last year, The Crew raised over $24k for Musicians On Call at the viewing party. Organizations interested in purchasing a sponsorship package this year should contact Jackson Kiger or Markus Koger.
“We are so happy to be back again this year to not only celebrate one of country music’s biggest nights, but to raise money for the incredible cause that is Musicians On Call,” shares The Crew. “Thank you so much to all of our amazing sponsors and the Nashville community without whom this night would not be possible.”
For 25 years, Musicians On Call has brought the healing power of music directly to patients, families, and caregivers in healthcare environments through bedside, virtual, and streaming programs. MOC has connected more than one million people across all 50 states with live music.
Round Top Film Festival Debuts New Music Programming In Partnership With Bluebird Cafe & Vinyll Studios
/by Lorie HollabaughShane McAnally. Photo: Robby Klein
Round Top Film Festival in Round Top, Texas is expanding its programming in 2026 with the launch of its first official music programming, presented in partnership with the Bluebird Cafe and Vinyll Studios.
On Nov. 14, festival attendees will experience a special screening of SONGWRITER, an original documentary series created and produced by Vinyll Studios featuring the episode Shane McAnally: “Merry Go Round.” SONGWRITER highlights the writers behind some of the most iconic songs across generations, celebrating the storytellers whose work has shaped the soundtrack of our lives. The featured episode follows McAnally’s journey from his hometown of Mineral Wells, Texas, through his early years as an aspiring artist to his rise as one of the most successful songwriters in country music.
Following the screening, an intimate songwriter round will feature McAnally, Josh Osborne, and an additional songwriter to be announced in the coming weeks. The collaboration marks a new chapter for the festival, bringing together the worlds of film and music through one of Nashville’s most celebrated music institutions.
“I grew up a few hours up the road from Round Top, and I spent most of my twenties trying to get out of small-town Texas,” says McAnally. “Turns out I’ve been writing about it ever since. Getting to bring this film back home – and then sit in a round with Josh and play the songs that came out of all that – is about as full circle as it gets.”
“Here at The Bluebird, we’ve known Shane since he first came to Nashville and played on our Open Mic, so it is an honor to participate in recognizing his talent and career in Round Top this year,” shares Erika Wollam-Nichols, General Manager and COO, The Bluebird Cafe. “We’re excited to join the Round Top Film Festival’s commitment to storytelling through this partnership, alongside a group of songwriters who have called The Bluebird Cafe home.”
“We created SONGWRITER to give audiences a deeper connection to the people and lived experiences behind the songs they already know,” adds Liz Rose, Songwriter, Vice Chairman of Vinyll Studios. “Bringing Shane’s film together with an intimate Bluebird Cafe songwriter round allows the story to move from screen to stage, which is exactly the kind of experience we want Vinyll to create.”