Emily Peacock Rises To Senior Creative Director At Tree Vibez Music

Emily Peacock

Music publishing company Tree Vibez Music, which was founded by FGL‘s Tyler Hubbard and Brian Kelley, have elevated main staff member Emily Peacock to Senior Creative Director.

First joining TVM in 2018, Peacock plays a pivotal role in leading the company’s songwriters, including Kelley, Hubbard, Jordan Schmidt, Corey Crowder, RaeLynn, Canaan Smith, Blake Redferrin, and Chris Loocke. For the third consecutive year, Peacock is featured in MusicRow’s N.B.T. Industry Directory among rising Nashville music business professionals who are having a major impact on the industry.

The Belmont University graduate first launched her professional career alongside BMI’s Bob DiPiero at Love Monkey Music. For over a decade, she’s worked hand-in-hand with veteran publisher Leslie T. DiPiero at Tom-Leis Music and Advanced Alternative Media (AAM). Peacock is a member of the ACM, CMA, Recording Academy, and AIMP, and participates in NSAI programs such as “R.I.S.E.,” Pitch to Publisher, plus judging their annual song contest. She’s also served in various volunteer and leadership roles with the Musicians On Call organization since 2013.

“Emily’s dedication to our roster and attention to detail is unsurpassed,” shares TVM General Manager Leslie T. DiPiero. “We are grateful for her enviable work ethic and air traffic control skills. Our entire Tree Vibez Music family extends our heartfelt congratulations to Emily Peacock!”

Peacock can be reached at emily@treevibezmusic.com.

Jeff Krones Promoted To Co-Head Of CAA’s Nashville Music Office

Jeff Krones

Creative Artists Agency (CAA) has announced that veteran agent Jeff Krones has been promoted to Co-Head of CAA Nashville Music.

Krones works with some of CAA’s high-profile clients such as Dan + Shay, Twenty One Pilots, Brett Young, Needtobreathe, and NF, among many others. He has helped build out the agency’s broader country music roster, in addition to other areas. He joins Nashville Music Co-Heads Marc Dennis, Brian Manning, and Darin Murphy in his new role.

Krones began his career as an intern at CAA in 2004 and was promoted to Agent in 2007. He was elected to the Board of the Academy of Country Music in 2017, and has been featured in many distinguished lists from Pollstar and Billboard. Krones lended his expertise in a story about his client Dan + Shay’s return to the road for MusicRow‘s recently released Touring & Next Big Thing Issue.

“I’m honored to join my fellow Co-Heads in helping to build on our success in Nashville. As a team, we’re passionate about discovering, developing, and serving a wide range of artists that touch many different genres and cultures,” says Krones. “I’m fortunate to have spent my entire career at CAA, surrounded by the best agents, and I’m excited by the opportunity to help shape our future.”

Additionally, CAA announced that Bruno Del Granado has been promoted to Head of the agency’s global Latin Music touring group. Based in Miami, Del Granado joined the agency in 2013 from RM Entertainment Group, which he formed in partnership with Ricky Martin. Previously, he founded Entertainment Media Factory, Inc. a music, television, and film production and programming company specializing in content for Latin America, Europe, and Asia.

“Today’s appointments of two superbly talented new leaders attest to the tremendous momentum CAA is experiencing across our touring business,” shares CAA’s Head of Music, Rob Light. “Jeff and Bruno’s individual instincts, taste, and experience have made them world-class agents, and we look forward to them expanding their impact for clients and CAA in their new leadership roles.”

In This Issue: Dan + Shay’s Return To The Road, The Transition From Cyberspace To Center Stage, More

Nashville’s leading music industry publication MusicRow Magazine has released its 2022 Touring & Next Big Thing Print Issue, featuring Warner Music Nashville’s Brett Eldredge on the cover.

Included in this issue is a discussion surrounding the return to the road as Dan + Shay embarked on their relaunched “The (Arena) Tour.” After being forced to postpone their first headlining arena tour after only four shows, members from the award-winning duo’s team—including CAA’s Jeff Krones and Sandbox Entertainment’s Leslie Cohea—explain what the last eighteen months looked like for their camp, including rescheduling, changing production, and keeping up with COVID-19 protocols across the country. The Touring & Next Big Thing issue also tackles some of the challenges involved in the transition from success on TikTok to becoming a viable touring act for the many artists that were discovered on the platform during the pandemic. “For an artist that is used to performing within the confines of a vertical screen, it’s massive,” offers WME Music Agent, Lindsey Dodge. “It’s exciting for them to get to play on a real stage, but it’s a big change.”

Additionally, MusicRow catches up with Executive Vice President of Entertainment and Venues for Bridgestone Arena David Kells, who pulls back the curtain on some of the hardships the Nashville arena faced over the last eighteen months. The 2022 Touring & Next Big Thing Print Issue also features a Q&A with WME’s Nate Towne about his evolution from the company’s mailroom to becoming a Partner. This edition also breaks down the Nashville Number System, chronicles its beginnings from the late 1950s, and explains how it is used in modern day recording and performing.

MusicRow also remembers Randy “Baja” Fletcher, a titan of the touring industry who tragically passed away in August, with a special tribute for his journey through the live entertainment space and his vast contributions to the industry. The touring veteran had stints on the road with several entertainment giants, such as ZZ Top, Waylon Jennings, Willie Nelson, Johnny Cash, Merle Haggard, George Jones, Randy Travis, Brooks & Dunn, and Keith Urban. “His knack for engaging people of all sorts was a gift we could use more of, and he was truly an ambassador for the country music industry and humanity, in general,” says longtime tour manager for Urban, Chuck Hull, of Baja.

Celebrated in this issue is MusicRow’s eighth annual Next Big Thing class of artists, including Bexar (Warner Music Nashville), Cooper Alan (Cooped Up Records), Callista Clark (Big Machine Records), Hannah Dasher (Independent), Brooke Eden (BBR Music Group/BMG), Willie Jones (Sony Music Nashville), Ian Munsick (Warner Music Nashville), Lily Rose (Big Loud Records/ Back Blocks Music and Republic Records), Brittney Spencer (Independent), Tiera (The Valory Music Co.), and Sam Williams (Mercury Nashville).

Also featured is the N.B.T. Industry Directory Class of 2022, which spotlights rising Nashville music representatives who are having a major impact on the industry. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future. Click here to view the 70 N.B.T. members of 2022.

Additionally, the 2022 Touring Directory is included in this issue, featuring contact information for touring transportation, production and insurance companies.

Single copies of MusicRow’s 2022 Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow memberships.

Keith Urban To Embark On ‘The Speed Of Now World Tour’ In Summer 2022

Keith Urban

Four-time Grammy award winner Keith Urban will make his return to the road as he sets course on “The Speed Of Now World Tour” North American leg with special guest, three-time Grammy nominee, Ingrid Andress.

Kicking off on June 17 at Tampa’s MIDFLORIDA Credit Union Amphitheatre, Urban will also make a handful of stops in Canada before trekking across the U.S., including his first performances at Los Angeles’ The Forum and the Jacksonville Daily’s Place. Tickets will go on sale in all markets on Friday, Dec. 10 at 10 a.m. local time.

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“Every night is the first time we’ve played these songs for that audience, in that moment,” says Urban. “After two years, we’re finally gonna get the chance to play some of the new songs we haven’t done live before. We’ll throw in a bunch of the songs that everyone comes to hear, a couple of which we’ll rework a bit, and it’s really gonna be tough to get us off the stage.”

Urban continues: “I’ve always considered myself a live performer first. It’s what I’ve always done and it’s what my music needs to live and breathe. Our shows are all about living in the moment. They’re a totally interactive and immersive experience where everyone can participate in whatever way they want-sing, dance, do whatever.”

With the announcement of the North American debut of “The Speed Of Now World Tour,” Urban will embark on his first world tour in four years. The North American leg will add fifty shows to the tour’s previously announced dates in Australia, Germany, Netherlands, and the United Kingdom. For more information, click here.

“The Speed Of Now World Tour” Dates:
June 17 Tampa MIDFLORIDA Credit Union Amphitheatre
June 18 West Palm Beach iTHINK Financial Amphitheatre
July 8 Toronto Budweiser Stage
July 9 Toronto Budweiser Stage
July 10 Canandaigua CMAC
July 15 Cleveland Blossom Music Center
July 16 Cincinnati Riverbend Music Center
July 22 Mansfield Xfinity Center
July 23 Bangor Maine Savings Amphitheater
July 24 Gilford Bank of New Hampshire Pavilion
July 29 Holmdel PNC Bank Arts Center
July 30 Bristow Jiffy Lube Live
July 31 Camden BB&T Pavilion
Aug. 4 Jacksonville Daily’s Place
Aug. 5 Jacksonville Daily’s Place
Aug. 6 Orange Beach The Wharf Amphitheater
Aug. 12 Charlotte PNC Music Pavilion
Aug. 13 Raleigh Coastal Credit Union Music Park
Aug. 14 Virginia Beach Veterans United Home Loans Amphitheater
Aug. 18 Rogers Walmart AMP
Aug. 19 St. Louis Hollywood Casino Amphitheatre
Aug. 20 Des Moines Iowa State Fair
Aug. 26 Detroit DTE Energy Music Theatre
Aug. 27 Indianapolis Ruoff Music Center
Aug. 28 Milwaukee American Family Insurance Amphitheater
Sept. 1 Lake Tahoe Lake Tahoe Outdoor Arena at Harveys
Sept. 3 Mountain View Shoreline Amphitheatre
Sept. 8 Phoenix Footprint Center
Sept. 9 San Diego North Island Credit Union Amphitheatre
Sept. 10 Los Angeles The Forum
Sept. 15 Salt Lake City USANA Amphitheatre
Sept. 16 Denver Ball Arena
Sept. 17 Wichita INTRUST Bank Arena
Sept. 22 Grand Rapids Van Andel Arena
Sept. 23 Columbus Nationwide Arena
Sept. 24 Chicago Hollywood Casino Amphitheater
Sept. 29 Kansas City T-Mobile Center
Sept. 30 Oklahoma City Paycom Center
Oct. 1 Ft. Worth Dickies Arena
Oct. 6 Lexington Rupp Arena
Oct. 7 Nashville Bridgestone Arena
Oct. 8 Atlanta State Farm Arena
Oct. 13 Savannah Enmarket Arena
Oct. 14 Knoxville Thompson Boling Arena
Oct. 15 Charleston Charleston Coliseum
Oct. 21 Uncasville Mohegan Sun Arena
Oct. 22 Long Island UBS Arena at Belmont Park
Nov. 3 Madison Alliant Energy Center
Nov. 4 Peoria Peoria Civic Center
Nov. 5 St. Paul Xcel Center

Hailey Whitters Announces 2022 ‘Heartland’ Tour

Hailey Whitters

Hailey Whitters is kicking off her 2022 “Heartland” Tour on Feb. 4.

The rising singer-songwriter will make stops in Chicago, New York, Philadelphia and more, leading into a festival-filled year with performances at the C2C: Country To Country Festival, Stagecoach Festival, Tortuga Music Festival, and others.

Members of Whitters’ The Heartlanders fan club will receive an early access presale today (Nov. 30) ahead of general on-sale which begins Friday, Dec. 3.

“I’ve been dreaming about one day playing my own headlining tour since the early days of cover bar gigs and graveyard shifts in a 15-passenger van,” explains Whitters. “I’m so excited to get to now play my own headlining set for fans and give back all that they’ve given me while chasing this dream. They’re the reason I get to do this and I hope to create an experience and a night they won’t ever forget. I’m playing some of my favorite cities and looking forward to seeing a lot of familiar faces.”

Whitters recently received her first Grammy nomination for Song of the Year for “A Beautiful Noise.” She is currently in the midst of Midland’s “The Last Resort Tour,” which will make a stop at Nashville’s Ryman Auditorium on Dec. 1-2.

Hailey Whitters Upcoming Tour Dates:
12/1 – Nashville, TN – Ryman Auditorium *
12/2 – Nashville, TN – Ryman Auditorium *
12/3 – Charlotte, NC – The Fillmore *
12/4 – Asheville, NC – Thomas Wolfe Auditorium *
12/9 – Knoxville, TN – The Tennessee Theatre *
12/10 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium *
12/11 – Atlanta, GA – Coca Cola Roxy *
12/16 – Shreveport, LA – Shreveport Municipal Memorial Auditorium *
12/17 – Houston, TX – The Terminal *
12/18 – Grand Prairie, TX – The Theatre at Grand Prairie *
12/22 – Austin, TX – ACL Live at the Moody Theater *
12/23 – Austin, TX – ACL Live at the Moody Theater *
2/4 – Des Moines, IA – Wooly’s
2/5 – Kansas City, MO – recordBar
2/10 – Chicago, IL – Joe’s on Weed Street
2/11 – Omaha, NE – Barnato Lounge
2/12 – Minneapolis, MN – 7th Street Entry
2/17 – Columbus, OH – A&R Music Bar
2/18 – Detroit, MI – El Club
2/19 – Pittsburgh, PA – Thunderbird Café & Music Hall
2/22 – New York, NY – The Mercury Lounge
2/24 – Boston, MA – Brighton Music Hall
2/25 – Philadelphia, PA – The Foundry at The Fillmore
3/11 – Glasgow, United Kingdom – The SSE Hydro – C2C: Country To Country Festival
3/12 – Dublin, Ireland – 3Arena – C2C: Country To Country Festival
3/13 – London, United Kingdom – The O2 – C2C: Country To Country Festival
3/25 – Decatur, GA – Eddie’s Attic
3/26 – Birmingham, AL – Zydeco
4/10 – Fort Lauderdale, FL – Tortuga Music Festival
4/14 – Houston, TX – White Oak Music Hall-Upstairs
4/15 – New Braunfels, TX – Whitewater Amphitheatre #
4/16 – New Braunfels, TX – Whitewater Amphitheatre #
4/22 – Portland, OR – Mississippi Studios
4/23 – Seattle, WA – Tractor Tavern
4/26 – Felton, CA – Felton Music Hall
4/29 – San Francisco, CA – The Independent
5/1 – Indio, CA – Stagecoach Festival
5/6 – Swisher, IA – DanceMor Ballroom
8/4 – Oro-Medonte, CA – Boots And Hearts Country Music Festival
* – with Midland
# – with Jon Pardi and Lainey Wilson

Kiss Breast Cancer Goodbye Benefit Raises $167,000 For Susan G. Komen

Pictured (L-R): Joshua Daniel, Tara Joseph, Katie Larson, Sydni Joseph, Tim Newman

Following the success of Nashville’s inaugural Kiss Breast Cancer Goodbye Benefit Concert on Oct. 24 at the Country Music Hall of Fame, the Joseph Family Foundation recently presented a $167,000 donation to Susan G. Komen.

The event featured appearances from Dolly Parton, Dennis Quaid, Artimus Pyle, LOCASH, Captain Sandy Yawn, Collin Raye, and many others. Breast cancer survivors and the powerful songwriters behind the song, “Pink,” took the stage to educate and honor those affected by the disease, and VIP ticket holders enjoyed a silent auction and cocktail reception before the benefit concert began.

Parton was greeted by a standing ovation as she closed out the show with a once-in-a-lifetime performance featuring never before heard personal stories, jokes, and behind the scenes insight into the legend’s songwriting process.

Development Director of Tennessee for Susan G. Komen, Joshua Daniel, says: “$167,000 is so much money. You would be shocked as to how many lives $20,000 can save… Just imagine what an impact this is going to make.”

Kiss Breast Cancer Goodbye 2022 will be held on Oct. 23, 2022 at the Country Music Hall of Fame’s CMA Theater.

MusicRow Highlights Music Industry Leaders On The Rise With 2022 N.B.T. Industry Directory

Rising Nashville music industry leaders have been selected for MusicRow Magazine’s 2022 N.B.T. Industry Directory.

Now in its third year, MusicRow’s N.B.T. Industry Directory is the first and only list of its kind, showcasing Nashville music business professionals who occupy important roles at their respective companies. This class of professionals are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

All members of the N.B.T. Industry Directory are featured in MusicRow’s current 2022 Touring & Next Big Thing Issue, which releases today (Nov. 30). Single copies of MusicRow’s Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

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The 70 members of MusicRow Magazine’s 2022 N.B.T. Industry Directory are:

Melanie Ainsworth, Controller – Big Machine Label Group

Elise Anderson, Pres./Owner – Elicity Public Relations

Katie Barolak, Creative Dir. – Black River Entertainment

Elizabeth Black, VP of Operations – Musicians On Call

Shaina Botwin, Sr. Dir., A&R – Boom Music Group

Beth Brinker, Assoc. Dir. of Membership – ASCAP

AJ Burton, VP, Fluid Music Revolution – Fluid Music Revolution/Spirit Music Nashville

Justin Cahill, Music Agent – CAA

Jaclyn D. Carter, Vice President – Shore Fire Media

Julianne Cassidy, Publicist – Sweet Talk Publicity

Chase Chapman, Branch Manager & VP, Music Row Office – Regions Bank

Emily Cohen, Amazon Music’s Principal Music Curator – Amazon Music

Matt Cottingham, Associate – Ritholz Levy Fields LLP

Emily Craig, Creative Dir. – Sea Gayle Music

David DeVaul, Sr. VP Office Leader of Music, Sports, Entertainment – Pinnacle Financial Partners

Crystal Dishmon, Artist Manager – ShopKeeper Management

Nathan Drake, Associate – Loeb & Loeb

Blake Duncan, Creative Director – Combustion Music

Stevie Escoto, Managing Director – Girlilla Marketing

Chris Ferren, Manager – Fusion Music

Kenley Flynn, Sr. Dir., A&R – Sony Music Publishing Nashville

Lauren Funk, Sr. Creative Dir. – Endurance Music Group

Emily Furman, Sr. Dir. of Creative, Publishing – Creative Nation

Josh Garrett, Agent, Music – United Talent Agency (UTA)

Katie Germano, Music Agent – CAA

Melissa Goldberg, Sr. Dir., Digital and Social – CMT (ViacomCBS)

Amanda Good, Head of Marketing – AMG

Beth Hamilton, Music Agent – WME

Laura Hostelley, VP, Marketing – Triple Tigers Records

Nina Jenkins, Creative Dir. – Jody Williams Songs

Luke Jensen, VP, Promotion – Monument Records

Evyn Mustoe Johnston, Dir. of Membership – ASCAP

Jackie Jones, VP, Artist and Industry Relations – RIAA (Recording Industry Association of America)

Alison Junker, Artists & Label Partnerships, Manager – Spotify

Quinn Kaemmer, Sr. Publicity Mgr. – BBR Music Group

MaryAnn Keen, Assoc. Dir., Creative, Nashville – BMI

Jake Kennedy, Artist Manager – The Anvil

Katie Kerkhover, Sr. Creative Dir. – BMG

Erin Kidd, Creative Dir. – Play It Again Music Group

Roxy King, Dir., A&R – Universal Music Publishing Group

Lee Krabel, VP, Publishing – SMACKSongs

Olivia Laster, Dir., Marketing – Sony Music Nashville

Bailey Lathem, VP – City National Bank

Rory Levine, VP, Marketing & Digital Strategy & Engagement – Academy of Country Music

Keith Levy, Agent – Wasserman Music

Mark Logsdon, Executive Dir. – PLA Media

Nicole Marinake, Sr. Dir., Partnership Marketing – Sony Music Nashville

Catharine McNelly, Sr. Dir., Communications – Country Music Association

Carrie Murphy, Music Agent – WME

Matt Najdowski, Royalty Manager – Farris, Self & Moore

Emily Peacock, Creative Dir. – Tree Vibez Music

Wes Perry, Dir., Business Development – Live Nation

Vipin Reddy, Dir., Streaming Marketing – UMG Nashville

Carter Robinson, Sr. VP, Music Entertainment and Sports Group – Pinnacle Financial Partners

Sophia Sansone, Manager – Make Wake Artists

Diana Akin Scarfo, Dir. of International Digital Administration – SESAC

Dane Schmidt, Sr. Dir. of A&R – Sony Music Publishing Nashville

Ciara Shortridge, VP, Country Publishing/A&R – Curb | Word Entertainment

Breanna Sill, Dir. of Artist Development and Management – Truth Management

Bobby Simmons, Manager – Sandbox Entertainment Group

Jenni Tay, Dir., Streaming – Warner Music Nashville

Mary Lauren Teague, Assistant Professor – Belmont University / Manager – Dotted i Entertainment / Contract Attorney – Loeb & Loeb

Alina Thompson, Senior Manager, Artist Marketing & Industry Relations – SiriusXM/Pandora

Joshua Tomlinson, Dir., Creative, Nashville – BMI

Marissa Turk, Day-to-Day Manager – SMACK

Jennifer Turnbow, Chief Operating Officer – Nashville Songwriters Association International (NSAI)

Matt Turner, Sr. Dir., A&R – Concord Music Publishing

Alaina Vehec, Sr. Dir., Digital Sales and Streaming – Sony Music Nashville

Alec Vidmar, Agent, Music – United Talent Agency (UTA)

Bailey White, Manager of Promotion – Northeast – Black River Entertainment

MusicRow Unveils Next Big Thing Artists Class Of 2022

MusicRow is proud to reveal its list of artists, who in 2022, are predicted to become the Next Big Thing (NBT). The annual NBT list features 11 artists, who are each profiled in MusicRow‘s latest 2022 Touring & Next Big Thing print issue, which releases today (Nov. 1).

MusicRow‘s Next Big Thing Class of 2022 boasts a stand-out group of artists on the rise. They are diverse in sound, style, and level of success, but what they have in common is extraordinary talent and a passion for today’s ever-evolving country music format. These future stars will expand the boundaries of country music, carrying the torch of the format both to its fans and into the mainstream.

Single copies of MusicRow’s Touring & Next Big Thing print issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

MusicRow Magazine’s 2022 Next Big Thing Artists:

Bexar

Warner Music Nashville | ARTIST MGMT | CAA | Reservoir (Chris Ryan) / UMPG Nashville (Logan Turner) | BMI

Rising country band Bexar is bringing a sound all their own to country music, drawing musical inspiration from Mumford & Sons, The Avett Brothers and Avicii. Their blend of country, which incorporates the pop potential of wooden instruments and organic soul, is on full display on their breakout single, “Again.” Bandmates Chris Ryan (lead vocals/ guitar) and Logan Turner (vocals/banjo/guitar) named Bexar—which is pronounced “bear”—after Bexar County, Texas, where Ryan spent much of his childhood.

The band’s recent Warner Music Nashville EP, a six-song project playfully titled Pronounced Bear, includes more stellar, genre-blending tracks such as “Key To Life” and “One Day.” Each song on the project was co-written by at least one band member, and was produced by award-winning producers Ross Copperman and Luke Laird. Bexar’s unique sound, derived from Texas country and Kentucky bluegrass, has resulted in 40 million streams since their 2018 self-released EP.

Their distinctiveness and obvious talent set them apart from their rising counterparts in the genre.

Cooper Alan

Cooped Up Records (co-owned with Victoria Shaw) | Fabulicious Music Publishing | SESAC

If there is one country artist who has mastered the TikTok launchpad to stardom, it’s undoubtedly the deep-voiced country crooner, Cooper Alan. At the beginning of quarantine, Alan had 10,000 followers across all of his social media platforms. Thanks to his social media strategy, talent and charisma, Alan is now one of the most followed country artists on TikTok, boasting over 5 million followers. He has parlayed that success into millions of streams on songs such as “New Normal,” “Tough Ones,” and “Too Soon.” Alan also collaborated with other TikTok stars to do an “In Real Life Tour,” further exemplifying his strategic use of the platform.

The North Carolina native cut his teeth as a performer in bars, honkytonks, and college parties. After graduating from UNC Chapel Hill, Alan moved to Nashville where he had the incredible luck of meeting hit songwriter/producer Victoria Shaw, who signed him to a publishing deal on the spot. Earlier this year Alan, an independent artist, announced his own Cooped Up Records, formed along with Shaw to support his music. Alan’s social media prowess and charm will assuredly propel him further into country stardom.

Callista Clark

Big Machine Label Group (Big Machine Records) | SB Projects | WME | Big Machine Music | BMI

At just 18 years old, bold singer-songwriter Callista Clark has formed a buzz around her within the Nashville music business. Clark came onto the scene with her heart on display on her debut collection, Real To Me, released via Big Machine Records.

The soulfulness in the Georgia native’s voice shines on the song “Real To Me,” while her pension for grit is highlighted on “Change My Mind” and her breakout hit “It’s Cause I Am.” Reminiscent of the confident songs of Jo Dee Messina, Clark is fully aware of her worth on “It’s Cause I Am,” singing “You want a one-dimensional woman, it’s okay, I understand / If I seem too complicated for ya, it’s ‘cause I am.” The track resonated with listeners, becoming one of country radio’s most successful new artist debuts of 2021.

Clark was discovered by Big Machine Label Group’s Scott Borchetta and Scooter Braun (SB Projects) via her inspiring videos online, which have amassed over 130 million views across all socials and YouTube. The young artist has a lot to say, and will continue to boldly lead the way for young female artists in the genre.

Hannah Dasher

WME | Sony Music Publishing Nashville | ASCAP

Hannah Dasher’s big personality, and even bigger hair, paired with her classic-country style and undeniable talent sets the H to the Damn to the D apart from the rest. Raised in Savannah, Georgia, Dasher grew up absorbing a diverse lineup of influences including Alan Jackson, Hank Williams Jr., Tom Petty, Eric Church, and Aretha Franklin.

After graduating from the University of Georgia, Dasher moved into a small attic apartment just off Music Row and began working five days a week at Bass Pro Shops, where she was eventually fired for writing songs on the job. Dasher signed a publishing deal soon-after and started opening for the likes of Bocephus, The Cadillac Three and Lynyrd Skynyrd.

She garnered an online following with her viral “Stand By Your Pan” TikTok series— named after the Tammy Wynette hit—where Dasher cooks up traditional Southern recipes with a twist. Shortly after going viral on the app, she released her collection The Half Record. Containing barn-burners such as “Leave This Bar,” funny little tunes like “Left Right,” and what ought to be her theme song, “You’re Gonna Love Me,” Dasher’s kaleidoscope personality shines on The Half Record.

Brooke Eden

BBR Music Group / BMG | Maximum Artist Group | Reservoir | BMI

Shimmery singer-songwriter Brooke Eden first signed her record deal with BBR Music Group in 2014. Though she released a few singles then, including her 2017 breakout single, “Act Like You Don’t,” Eden was not able to authentically be her true self until 2021. In early 2021, Eden reintroduced herself and offered new music after four years of finding love and acceptance that inspired her music both sonically and lyrically.

In a three-part reintroduction, styled by producer Jesse Frasure, Eden said goodbye to her painful past on “No Shade,” fell in love on “Sunroof,” and professed her love to her new partner on “Got No Choice.” All the while, Eden bravely let the world know that she was gay. Eden’s courage has been lauded and celebrated by many in the country music community.

In June, Trisha Yearwood surprised Eden on-stage at the Grand Ole Opry to perform Yearwood’s “She’s In Love With The Boy.” After Eden performed the first chorus alone, Yearwood appeared and the two did a gender flip of the song, continuing their historic duet as “She’s In Love With The Girl.” It’s no question that Eden is a torch-bearer for inclusion in country music. Her talent and authenticity will irrevocably impact country music and its future.

Willie Jones

Sony Music Nashville | The Penthouse | CAA | Warner Chappell Music Nashville | BMI

Willie Jones is on the forefront of the juncture of country and hip-hop. His catchy production paired with his country sensibilities have found fans in both genres. Born in Shreveport, Louisiana, Jones grew up singing in the church choir. He is very clearly influenced by gospel, R&B, hip-hop, and country.

Early in 2021, Jones released his debut album Right Now, containing ear-worms “Back Porch,” “Down For It,” and “Right Now,” and produced by hip-hop’s MyGuyMars and Mark Batson, as well as country  songwriter/producer Justin Ebach. The project garnered millions of streams, exemplifying the demand for his signature sound. In March, Jones signed a record deal with Sony Music Nashville.

Also on Jones’ Right Now album is “American Dream,” a song inspired by the unrest in the U.S. following the deaths of George Floyd and Breonna Taylor. Jones sings, “Proud to be a Black man livin’ in the land of the brave and the free / Yeah, I’m all-American and that American dream ain’t cheap.” Released to critical acclaim, “American Dream” illustrates Jones’ gift for packaging up deep themes in his delectable sound.

Ian Munsick

Warner Music Nashville | Not A Public Figure Management / Erv Woolsey Company | UTA | UMPG Nashville | BMI

Ian Munsick is breathing fresh Rocky Mountain air into country music. The Wyoming-born singer-songwriter’s brand of country is traditional with no shortage of fiddles, but also fresh and spellbinding. Munsick introduced himself as an independent artist in 2017 with a self-titled EP, building his fan-base with songs including “Horses Are Faster” and “Weakness.”

The determined young artist then brought a fully-formed album to Warner Music Nashville in 2020, prompting the label to sign him and release his full-length debut, Coyote Cry, this spring. Raised on a ranch playing music with his family band, Munsick cares deeply about the revitalization of modern western culture in country music. That is very evident on Coyote Cry with songs like its stomping romp about confidence called “Humble,” a Fleetwood Mac cover of “Dreams,” and a slow burner, “Come Home To You,” among other unique songs. Serving as a thesis to the project is “Long Haul,” a gorgeously lush track about Munsick’s love-affair for his home.

His unique brand of country is finding more fans on the road, as Munsick plays dates opening for label-mate Cody Johnson.

Lily Rose

Big Loud Records / Back Blocks Music and Republic Records | Back Blocks Music / Fusion Music | WME | UMPG Nashville / Back Blocks Music | BMI

Lily Rose burst onto the country scene with her moody, striking truth-bomb “Villain” in late 2020. Soon after it went viral on TikTok and hit the top of the iTunes all genre chart, Rose secured a record deal with Big Loud Records, Back Blocks Music and Republic Records.

Rose didn’t waste much time after getting her record deal, hitting listeners with quality song after quality song, including her reflective “Overnight Sensation,” flirty “Know My Way Around,” and heavy-hearted “Remind Me of You.” Rose’s songs, colored by country-inspired confessional language and smooth R&B influence, highlights the singer-songwriter’s ability to balance shimmery uniqueness with intimate relatability. In October, the Georgia native released her album, Stronger Than I Am, which has already amassed over 87 million global streams.

Rose will take her relatable songs and charisma to the road in 2022 on Chris Lane’s “Fill Them Boots Tour.” Her knack for approachable lyrics and hooky production will surely take Rose into further country stardom.

Brittney Spencer

Cohencidence Projects | UTA | BMI

Brittney Spencer graced her way into the Nashville music scene with authenticity and class. The Baltimore native went to MTSU to study music business, and earned some spots as a background singer with Christopher Cross and Carrie Underwood.

When she posted a cover of The Highwomen song “Crowded Table,” it caught the attention of members Amanda Shires and Maren Morris, who reposted the video and invited her to perform with them. Since then, Spencer has left audiences enthralled at every performance, building her fan base with her gorgeously powerful voice and thought-provoking lyrics. Her “Sober & Skinny” finds Spencer being honest with a partner, singing “when you get sober, I’ll get skinny.” Her “Sorrys Don’t Work No More” further highlights her intense depth as a songwriter.

Spencer will head out on her first headlining tour in December. She will also support Brett Eldredge and Reba McEntire on select dates in 2022, and undoubtedly earn many more new fans in her wake.

Tiera

Big Machine Label Group (The Valory Music Co.) | Olivia Hanceri, OH Creative Mgmt | WME | Songs & Daughters / Big Loud / Warner Chappell | BMI

Honey-voiced singer-songwriter Tiera is bringing soulful R&B into her brand of country music. Her talent was quickly noted by the industry, and Tiera became the flagship writer for Nicolle Galyon’s Songs & Daughters publishing company. A few months later, Tiera released the romantic “Found It in You.” Fans grabbed hold, which prompted the Alabama native to independently release her self-titled debut EP.

Tiera has a full-grasp on what she wants to sound like and what she wants to say, which is evident on “Not Your Girl.” She joins harmonies with Breland, a member of MusicRow’s Next Big Thing Class of 2021, on “Miles,” a country, R&B romp. Tiera’s full command of her sound attracted Big Machine Label Group, who signed her to The Valory Music Co. in August.

In addition to making music, Tiera hosts her own Apple Music Country Radio show. On The Tiera Show, she brings her unique perspective to country, and incorporates other sounds that influence her. Tiera is in her own lane, and we will definitely be seeing more of her in 2022.

Sam Williams

UMG Nashville (Mercury Nashville) | Missi Gallimore, T.R.U.T.H. Management | UTA | Truth or Dare / Warner Chappell Music | BMI

Not many have grown up the way Sam Williams did: as grandson of country pioneer Hank Williams and the son of outlaw legend Hank Williams Jr. While growing up in that country music dynasty has impacted Williams’ style, his music is very different from that of his father and grandfather’s.

As evidenced on his debut album, Glasshouse Children, Williams’ often profoundly country lyrics are draped in eclectic, polished production. The project offers songs about healing, growth, loss and redemption that show off Williams’ connection to country music’s roots and forward thinking approach to artistry. His sunny “Kids” invites Keith Urban to sing about wistful youth; while his reflective “Happy All The Time” features vocals from another country music icon, Dolly Parton.

In June, Williams announced he had signed a record deal with UMG’s Mercury Nashville. With the music industry deeply intrigued with his take on country music, Williams will surely be a part of the evolution of the genre.

On The Cover: Brett Eldredge Graces The Cover Of MusicRow’s 2022 Touring & Next Big Thing Issue

MusicRow Magazine has released its 2022 Touring & Next Big Thing Issue, with Warner Music Nashville’s Brett Eldredge gracing the cover with his holiday charm.

Eldredge recently released his second holiday record, Mr. Christmas, which includes two never-before-heard originals as well as many Christmas classics. The project follows the 2020 release of his original duet with Kelly Clarkson, “Under the Mistletoe,” and his acclaimed 2016 Christmas album Glow.

Since first coming onto the scene in 2014, the Platinum-selling recording artist has earned a plethora of honors, including CMA New Artist of the Year in 2014, BMI Song of the Year for “Beat of the Music” in 2015, and inclusion on a handful of top songs lists at the annual PRO music awards. From the RIAA, Eldredge has earned seven Platinum-certified singles, two Gold-certified singles, and two Gold-certified albums, as well as seen his singles hit the top of the country charts seven times.

The Touring & Next Big Thing Issue includes MusicRow’s eighth annual Next Big Thing class of artists, including Bexar (Warner Music Nashville), Cooper Alan (Cooped Up Records), Callista Clark (Big Machine Records), Hannah Dasher (Independent), Brooke Eden (BBR Music Group/BMG), Willie Jones (Sony Music Nashville), Ian Munsick (Warner Music Nashville), Lily Rose (Big Loud Records/ Back Blocks Music and Republic Records), Brittney Spencer (Independent), Tiera (The Valory Music Co.), and Sam Williams (Mercury Nashville).

This issue also features the N.B.T. Industry Directory Class of 2022, which spotlights rising Nashville music representatives who are having a major impact on the industry. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

This issue celebrates the return to the road as Dan + Shay execute their relaunched “The (Arena) Tour;” and also dives into the transition from TikTok to touring for the viral artists that were discovered during the COVID-19 pandemic. The 2022 Touring & Next Big Thing issue also catches up with Executive Vice President of Entertainment and Venues for Bridgestone Arena, David Kells, who pulls back the curtain on some of the hardships the Nashville arena faced over the last 18 months.

MusicRow also remembers Randy “Baja” Fletcher, a titan of the touring industry who tragically passed away in August, with a special tribute to his journey through the live entertainment space and his vast contributions to the industry. This issue also features a Q&A with WME’s Nate Towne about his evolution from working in the mailroom to becoming a Partner, and includes an article on the Nashville Number System and how it is used in modern day recording. Additionally, the 2022 Touring Directory is included in this issue, featuring contact information for touring transportation, production and insurance companies.

Single copies of MusicRow’s 2022 Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow memberships.

Dallas Smith Pulls Off Three-Peat As 2021 CCMA Entertainer Of The Year

Dallas Smith. Photo: Courtesy of CCMA

Dallas Smith was the big winner at the 2021 CCMA Awards, receiving the Entertainer of the Year award for the third consecutive year, as well as wins in the Single of the Year and Male Artist of the Year categories.

Tenille Townes. Photo: Courtesy of CCMA

Hosted by Canada’s Drag Race Season One winner Priyanka and 2021 CCMA Award winner Lindsay Ell, the evening included virtual appearances by Walker Hayes, Thomas Rhett and Chris Stapleton.

Tenille Townes, Brett Kissel, and The Reklaws all celebrated two wins at this year’s event. Townes held onto the title of Female Artist of the Year for the third consecutive year, and saw her album, The Lemonade Stand named Ford F150 Album of the Year.  Kissel was named Amazon Music and Alexa’s Fans’ Choice for his third consecutive year, adding to his earlier win in the PRS Guitars Video of the Year category.

Robyn Ottolini. Photo: Courtesy of CCMA

The Reklaws won Group or Duo of the Year and also took home a win for their collaboration track with Dean Brody for Top Selling Canadian Single of the Year. Up-and-comer Robyn Ottolini celebrated her first-ever CCMA Awards performance and took home a win for Rising Star during the evening’s festivities.

Official 2021 CCMA Awards Presented by TD Winners:

Entertainer of the Year – Dallas Smith
Ford F150 Album of the Year – Tenille Townes — The Lemonade Stand
Amazon Music and Alexa Fans’ Choice – Brett Kissel
Female Artist of the Year – Tenille Townes
Group or Duo of the Year – The Reklaws
Male Artist of the Year – Dallas Smith
Single of the Year – “Like A Man” — Dallas Smith
Rising Star – Robyn Ottolini