
Courtesy of Amazon Music.
For decades, Christian and gospel music have operated in a parallel ecosystem to the broader music marketplace, thriving within their own lanes yet rarely invited onto mainstream stages. But, the past few years have marked a measurable and widely discussed shift. Faith-based music is not only growing but breaking into mainstream conversations, streaming charts and cross-genre collaborations in ways that feel genuinely new.
Part of the shift comes from the democratizing effect of modern streaming platforms, which have reshaped how niche communities find and elevate their favorites. But a bigger part may be generations as younger listeners are engaging with music and with their chosen artists with an intensity and intentionality that would have been unusual a decade ago. 
At the center of one of the format’s biggest recent breakthroughs is Brandon Lake, who has amassed over 270 million career streams and earned a foothold on playlists and stages that traditionally sit outside the Christian category. But Lake is far from an outlier. Faith-driven content across both audio and video has surged in visibility. Prime Video’s House of David landed as a Top-10 new U.S. series debut and reached more than 40 million viewers globally, while The Chosen climbed to No. 1 on Prime Video’s U.S. charts. On the audio side, Christian artist Forrest Frank has become one of the most consistently requested musicians on Alexa, reflecting a deepening appetite for spiritually oriented music beyond traditional audiences.
“I’ve been in Christian music over 25 years. I don’t think I’ve ever experienced a time like this where there is so much natural pull from the general music marketplace for Christian and gospel music,” Holly Zabka, President, Provident Entertainment tells MusicRow. “It has always been, in my experience, us trying to push into that landscape and be accepted into the overall mainstream landscape. Now there is just a natural pull of people finding our music and being attracted to the music, attracted to the sound and artists, more than I’ve ever experienced.”
Zabka believes that much of this shift comes from changes in the distribution system. “It has leveled the playing field for Christian music. For someone to be scrolling on their phone and go from Luke Combs to Beyoncé to Brandon Lake all in one scroll has opened the door and shifted the game.”
Lauren Stellato at Amazon Music frames the moment similarly, but leans into how younger listeners drive it. “The genre is growing younger,” she tells MusicRow. “That audience is chronically online and they’re constantly sharing songs with friends and family members.” Stellato says she’s seeing more public enthusiasm with people “proudly talking about it” where previously listening to religious music might have been private. That public sharing, she adds, has translated into tangible fandom behaviors such as buying merchandise, attending multiple shows and spreading tracks across platforms.
That shift in listener behavior has also reshaped what industry support looks like. As Christian and gospel music move further into mainstream visibility, DSPs are adapting by giving these artists access to the same high-visibility tools and storytelling formats historically reserved for pop, country and alternative stars, not siloing them into their own lane.
At Amazon Music, that evolution is most clearly seen in Songline, the company’s original performance series. Songline has hosted artists like Ed Sheeran, Maren Morris and The Lumineers. Until Brandon Lake’s recent partnership, it had never featured a Christian artist.
For Stellato, the addition was both overdue and organic. “This is the first Songline we’ve done in the Christian/gospel space. It shows a different side to Lake than what most people typically get to see.”
That intimacy is built into the Songline format, but it also came from Lake himself. The series was filmed in Charleston, where he grew up, and incorporated quiet moments with his family, including his mother. “I was incredibly honored,” Lake tells MusicRow. “Being labeled as a Christian artist, I’m not going to shy away from the fact that that’s not an opportunity that a lot of us get. I was incredibly honored to get to share what God’s done in my life. For them to want to come to me, to show where I grew up and what made me. It felt like the most authentic thing I could do.”
For Zabka, the partnership was the natural continuation of years of partnership between Provident and Amazon. “Our very first project with Brandon at Provident, Lauren and the Amazon team were intentional and strategic from song releases through the album,” she explains. “[The teams] have always come to each release like ‘what else can we do?’ and ‘how else can we strategically lean into one another?’ Songline is just an extension of that creative partnership.”
That intentionality helped the project resonate. Lake performed reimagined versions of tracks from King of Hearts, but the standout moments were the stripped-back ones. Lake points to “When a Cowboy Prays” as one of the most special performances of the series. “It wasn’t about a big sound,” he says. “Everything got quiet and intimate. I tend to love those moments the most.”
Stellato noticed it with standout catalog tracks as well. “It gives these songs an opportunity to be seen in a new light,” she says, noting that even the longtime fan-favorite “Gratitude” connected differently in the Songline environment.
But the decision to feature Lake wasn’t driven by aesthetics alone. It was backed by audience data showing that Christian listeners on Amazon were engaging at levels that surpassed expectations. Lake’s King of Hearts debuted at No. 1 across the Billboard Top Rock, Top Rock & Alternative and Top Christian Charts, and Amazon Music drove the highest share of global first-week streams compared to any other DSP.
Timing also played a big role in the decision to feature Lake. “I think this was the first time it really aligned,” Stellato noted. “We’d partnered with him around Easter, we did an Amazon Music Original, and then the album came. The Christian fan base on Amazon Music is really leaning in and looking for this kind of content. Doing it with one of the biggest artists in the space felt like the right next step.”
Zabka echoes that sense of alignment and urgency. “If we want this genre to keep growing, we have to take risks,” she says. “We have to try things we’ve never done before. Especially with an artist like Brandon, being willing to kick down doors and get that noticed is what makes me excited about the future. There’s so many other artists coming behind him creating great music that can fit in all the different lanes. Its exciting to think about where we see this genre continuing to grow.”
For Lake, Songline offered the chance to let his music and his story meet a wider audience without losing what makes them personal. “I thought it was so cool that they wanted to tell my story in that way,” he says. “We had an absolute blast creating it together.”
Above the numbers, Stellato, Zabka and Lake each stressed that the blurring of genre lines is one of authenticity taking the reins. “I’ve focused less on what people want and more on what naturally wants to come out of me,” Lake says. “Somehow that’s translated to crossing genres.”
The instinct to create from conviction rather than category mirrors the broader movement driving the momentum of faith-based music. Artists are releasing what feels true, and audiences are responding. For as long as listeners continue to champion the music that resonates with them, this softening of lines shows no signs of slowing down.
Keith Urban, Riley Green Among Country Thunder Wisconsin 2026 Headliners
/by Lorie HollabaughCountry Thunder Wisconsin is gearing up for another big year at Shadow Hill Ranch in Twin Lakes, Wisconsin, July 16-19.
For 2026, the Midwest’s premiere country music experience returns with headliners Gavin Adcock, The Red Clay Strays, Riley Green and Keith Urban atop the bill. The weekend lineup also boasts Gretchen Wilson, Ian Munsick, Nate Smith, Shaboozey and more. Tickets and premium packages are available here.
Country Thunder Wisconsin is as renowned for its camping options as it is for the music, with various packages including Tent Camping, Crown Camping, Glamping, and more, along with private port-a-potties for campsites for rent. Last year saw Country Thunder Wisconsin crown Hailey Rovetuso its “One Millionth Fan,” giving her a once-in-a-lifetime prize pack, and 2026 has plenty of things in store for 2026.
Inside Brandon Lake’s Songline & Christian Music’s Growing Reach [Interview]
/by Lauryn SinkCourtesy of Amazon Music.
For decades, Christian and gospel music have operated in a parallel ecosystem to the broader music marketplace, thriving within their own lanes yet rarely invited onto mainstream stages. But, the past few years have marked a measurable and widely discussed shift. Faith-based music is not only growing but breaking into mainstream conversations, streaming charts and cross-genre collaborations in ways that feel genuinely new.
Part of the shift comes from the democratizing effect of modern streaming platforms, which have reshaped how niche communities find and elevate their favorites. But a bigger part may be generations as younger listeners are engaging with music and with their chosen artists with an intensity and intentionality that would have been unusual a decade ago.
At the center of one of the format’s biggest recent breakthroughs is Brandon Lake, who has amassed over 270 million career streams and earned a foothold on playlists and stages that traditionally sit outside the Christian category. But Lake is far from an outlier. Faith-driven content across both audio and video has surged in visibility. Prime Video’s House of David landed as a Top-10 new U.S. series debut and reached more than 40 million viewers globally, while The Chosen climbed to No. 1 on Prime Video’s U.S. charts. On the audio side, Christian artist Forrest Frank has become one of the most consistently requested musicians on Alexa, reflecting a deepening appetite for spiritually oriented music beyond traditional audiences.
“I’ve been in Christian music over 25 years. I don’t think I’ve ever experienced a time like this where there is so much natural pull from the general music marketplace for Christian and gospel music,” Holly Zabka, President, Provident Entertainment tells MusicRow. “It has always been, in my experience, us trying to push into that landscape and be accepted into the overall mainstream landscape. Now there is just a natural pull of people finding our music and being attracted to the music, attracted to the sound and artists, more than I’ve ever experienced.”
Zabka believes that much of this shift comes from changes in the distribution system. “It has leveled the playing field for Christian music. For someone to be scrolling on their phone and go from Luke Combs to Beyoncé to Brandon Lake all in one scroll has opened the door and shifted the game.”
Lauren Stellato at Amazon Music frames the moment similarly, but leans into how younger listeners drive it. “The genre is growing younger,” she tells MusicRow. “That audience is chronically online and they’re constantly sharing songs with friends and family members.” Stellato says she’s seeing more public enthusiasm with people “proudly talking about it” where previously listening to religious music might have been private. That public sharing, she adds, has translated into tangible fandom behaviors such as buying merchandise, attending multiple shows and spreading tracks across platforms.
That shift in listener behavior has also reshaped what industry support looks like. As Christian and gospel music move further into mainstream visibility, DSPs are adapting by giving these artists access to the same high-visibility tools and storytelling formats historically reserved for pop, country and alternative stars, not siloing them into their own lane.
At Amazon Music, that evolution is most clearly seen in Songline, the company’s original performance series. Songline has hosted artists like Ed Sheeran, Maren Morris and The Lumineers. Until Brandon Lake’s recent partnership, it had never featured a Christian artist.
For Stellato, the addition was both overdue and organic. “This is the first Songline we’ve done in the Christian/gospel space. It shows a different side to Lake than what most people typically get to see.”
That intimacy is built into the Songline format, but it also came from Lake himself. The series was filmed in Charleston, where he grew up, and incorporated quiet moments with his family, including his mother. “I was incredibly honored,” Lake tells MusicRow. “Being labeled as a Christian artist, I’m not going to shy away from the fact that that’s not an opportunity that a lot of us get. I was incredibly honored to get to share what God’s done in my life. For them to want to come to me, to show where I grew up and what made me. It felt like the most authentic thing I could do.”
For Zabka, the partnership was the natural continuation of years of partnership between Provident and Amazon. “Our very first project with Brandon at Provident, Lauren and the Amazon team were intentional and strategic from song releases through the album,” she explains. “[The teams] have always come to each release like ‘what else can we do?’ and ‘how else can we strategically lean into one another?’ Songline is just an extension of that creative partnership.”
That intentionality helped the project resonate. Lake performed reimagined versions of tracks from King of Hearts, but the standout moments were the stripped-back ones. Lake points to “When a Cowboy Prays” as one of the most special performances of the series. “It wasn’t about a big sound,” he says. “Everything got quiet and intimate. I tend to love those moments the most.”
Stellato noticed it with standout catalog tracks as well. “It gives these songs an opportunity to be seen in a new light,” she says, noting that even the longtime fan-favorite “Gratitude” connected differently in the Songline environment.
But the decision to feature Lake wasn’t driven by aesthetics alone. It was backed by audience data showing that Christian listeners on Amazon were engaging at levels that surpassed expectations. Lake’s King of Hearts debuted at No. 1 across the Billboard Top Rock, Top Rock & Alternative and Top Christian Charts, and Amazon Music drove the highest share of global first-week streams compared to any other DSP.
Timing also played a big role in the decision to feature Lake. “I think this was the first time it really aligned,” Stellato noted. “We’d partnered with him around Easter, we did an Amazon Music Original, and then the album came. The Christian fan base on Amazon Music is really leaning in and looking for this kind of content. Doing it with one of the biggest artists in the space felt like the right next step.”
Zabka echoes that sense of alignment and urgency. “If we want this genre to keep growing, we have to take risks,” she says. “We have to try things we’ve never done before. Especially with an artist like Brandon, being willing to kick down doors and get that noticed is what makes me excited about the future. There’s so many other artists coming behind him creating great music that can fit in all the different lanes. Its exciting to think about where we see this genre continuing to grow.”
For Lake, Songline offered the chance to let his music and his story meet a wider audience without losing what makes them personal. “I thought it was so cool that they wanted to tell my story in that way,” he says. “We had an absolute blast creating it together.”
Above the numbers, Stellato, Zabka and Lake each stressed that the blurring of genre lines is one of authenticity taking the reins. “I’ve focused less on what people want and more on what naturally wants to come out of me,” Lake says. “Somehow that’s translated to crossing genres.”
The instinct to create from conviction rather than category mirrors the broader movement driving the momentum of faith-based music. Artists are releasing what feels true, and audiences are responding. For as long as listeners continue to champion the music that resonates with them, this softening of lines shows no signs of slowing down.
Hunter Hayes Sees The Glass Half Full On Upcoming New Project ‘Evergreen’
/by Lorie HollabaughHunter Hayes will release his upcoming new album Evergreen on March 6.
The hopeful new project meshes elements of pop, country, R&B and indie rock, and explores themes of growth, connection and joy. From the buoyant optimism of “Around the Sun,” to the playful vulnerability of “Every Piece,” and the infectious tension of “Wait,” the tracks reveal Hayes as a songwriter in constant evolution, whose heart-forward storytelling continues to resonate across generations. The album examines the core value that love, presence, and compassion begin with the self, and across its songs, Hayes questions long-held beliefs about performance, worthiness, love, and masculinity, embracing a definition of strength that is soft and evolving.
“Evergreen started as a series of letters from my future self,” says Hayes. “In some ways a prayer, and in some ways manifestation. I wanted to make a project from the future. It’s full of hope, optimism, light and love. It’s an escape from reality as well as a new way to appreciate the good things in our everyday life, and how every experience shapes us to better and brighter versions of ourselves as we create a better version of our future.”
Alongside the forthcoming album, Hayes revealed details for his 2026 headlining tour, “The Evergreen Tour,” set to kick off March 25 in Hopewell, Virginia. BLÜ EYES and Franklin Jonas & The Byzantines will support as special guests on the new dates.
Evergreen Track List:
1. “Evergreen”
2. “Until She Comes Along”
3. “Wait”
4. “Dream About”
5. “Fragile”
6. “Every Piece”
7. “Too Late”
8. “The Ones You Love”
9. “Human Again”
10. “Around The Sun”
MusicRow Weekly (News, Charts, More…)
/by Madison HahnenThis week’s edition of The MusicRow Weekly brings a slate of major announcements spanning awards news, executive shifts, management updates and new creative ventures. Click here to see the full edition.
The Academy of Country Music revealed that the ACM Awards will return to Las Vegas for its 61st annual ceremony, set for May 17 at the MGM Grand Garden Arena. The show will once again stream live on Prime Video, with an additional livestream available through the Amazon Music channel on Twitch. Festivities will begin early as ACM Awards Week kicks off in Las Vegas on May 15.
Capitol Christian Music Group announced several promotions and a new hire. Carlos Monnaco has been elevated to Executive Vice President of Finance, while Garrett Davis rises to Senior Vice President of A&R. Elizabeth Brock steps into the role of Vice President of National Promotions. Rounding out the leadership additions, Michael Fogarty joins the company as Vice President of Digital Marketing.
Jody Williams has expanded his role with Vince Gill. Williams will now oversee management duties for Gill through his new venture, Little Guitar Management. Longtime manager Larry Fitzgerald will continue supporting the team as a consultant, while Jennifer Templeton remains Gill’s day-to-day manager.
Other notable leadership updates include Lisa Hresko’s promotion to Chief Operating Officer at A2IM, accompanied by her appointment as the inaugural President of the Foundation of Independent Music. Sony Music Publishing elevated Jeff Smarr to Senior Vice President, Global Copyright. Additionally, Luma Business Management revealed that Mallori Kirchenschlager has been named Partner.
Timmy McKeever has entered a new management agreement with The Familie, where he will be co-managed by Steve Astephen, Chase Berlin and Royce Risser, alongside Jason McKeever. Emily Peacock has launched Peacock Publishing and Creative Consulting, while Dustin Boyer, Bobby Dirienzo and Olivia Pierce have teamed up to form Industry Plant, a new creative marketing agency. Josiah Siska has secured new representation under Walk Off Entertainment. Singer-songwriter Madison Kozak has signed a co-publishing agreement with Warner Chappell Music Nashville in partnership with The Core Entertainment.
In addition, the latest MusicRow CountryBreakout Radio Chart is included. Blake Shelton remains in the No. 1 spot with “Stay Country or Die Tryin’.” Explore more chart data here.
The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.
Kane Brown Plots ‘Miles On It Tour: The Ultimate Automotive Experience’
/by Madison HahnenKane Brown.
Kane Brown will launch his “Miles On It Tour: The Ultimate Automotive Experience” at Nashville Superspeedway April 10–11.
The two-day event will bring together fans, builders and top brands for an automotive lifestyle experience, featuring custom builds, drift and burnout exhibitions, drag demos, dyno and audio competitions, and a celebration of car and truck culture.
Tickets are on-sale now. A portion of proceeds will be donated to charitable causes benefiting youth and community initiatives across Middle Tennessee.
The Experience Includes:
• Massive show fields for lifted trucks, imports, exotics, classics, and performance builds
• Live drift and burnout exhibitions
• Dyno and audio competitions
• Awards and cash prizes presented by Kane Brown to top builds and teams
• Lifestyle and vendor showcase featuring top automotive brands
• Creator and celebrity appearances throughout the weekend
Industry Ink: Dustin Lynch, Chandler Walters, OVATION by Onoleigh, Leslie Perez
/by Lauryn SinkDustin Lynch Raises Over $32K For Bel Aire PTO Inclusive Playground & Isaiah 117 House
Pictured (L-R): Tullahoma Fire Department’s Joseph Hale, Rylee Rackley, Gage Morrison, Dustin Lynch. Photo: Kai Gorowsky.
Dustin Lynch recently hosted “Dustin Lynch And Friends Benefit Concert” at his former high school, Tullahoma High School, for the tenth year. The night featured special guests Ben Johnson, Josh Thompson and Austin Shawn.
The show raised over $32K for Bel Aire PTO Inclusive Playground, which is raising funds to build the school’s first inclusive playground for special needs children, and Isaiah 117 House, which provides a safe, comforting home environment for children awaiting foster placement. Additionally, toys were collected for Toys for Tots for the area.
Chandler Walters To Host Nashville Benefit Show
Chandler Walters. Photo: Devin Flanagan
Chandler Walters will host the “First Annual Walters Western Christmas” in partnership with Barstool Nashville on Dec. 11. All proceeds will benefit the USO and The Independence Fund.
Toy donations can be dropped off now through Dec. 11. All toys will be donated to military families through the USO’s Holly Jolly Holiday Program. Additionally, Barstool Nashville will donate $1 of all “Cranberry Kringle” (speciality drink) sales for the month of December.
Ovation By Onoleigh Hosts Special Holiday Show Benefiting Musicians On Call
Pictured (L-R): JP Burr, Noah Guthrie, Onoleigh, Peytan Porter, Abigail Rose, Madison Hughes. Photo: Jessica Hood
OVATION by Onoleigh brought its full-band showcase series to The Station Inn on Dec. 1 for a special holiday edition benefiting Musicians On Call. Hosted by Onoleigh, the night also featured J.P. Burr, Noah Guthrie, Abigail Rose, Madison Hughes and Peytan Porter.
“Some nights remind you why you chose this path,” says Onoleigh. “Being surrounded by that level of artistry and community at The Station Inn was incredibly meaningful.”
Leslie Perez Signs With Gotee Records
Pictured (L-R): TobyMac, Leslie Perez, Jess Loper, Tyrus Morgan and Joey Elwood.
Leslie Perez has signed with Gotee Records. The Minnesota-born singer-songwriter has garnered millions of independent streams, opened for Madison Ryann Ward, performed in London, and successfully crowdfunded her most recent EP.
“What an honor to partner with someone who not only has a world-class voice but also has a world-class work ethic,” shares VP A&R and Publishing of Gotee Records, Tyrus Morgan. “It’s really exciting to start this journey with Leslie and have a front row seat to where her music and songwriting will take us!”
“I want people to feel something when they hear my music, to truly love what they’re hearing and make each song their own,” says Perez.
Lainey Wilson, Kane Brown & Red Clay Strays To Headline Country Thunder Alberta
/by Lorie HollabaughThe Red Clay Strays, Kane Brown and Lainey Wilson are set to headline Calgary’s main stage in 2026 when Country Thunder Alberta returns to The Confluence Historic Site & Parkland June 26-28 to celebrate its 10th anniversary.
Previously held in August, the 2026 event shifts to June, creating an early summer kickoff that will showcase some of country music’s biggest and brightest names.The dynamic lineup of country favorites and emerging talent includes Tyler Hubbard, Ian Munsick, Mark Chestnutt, Noeline Hofmann, Elizabeth Nichols, Logan Layman, Tony Stevens, Adrien Nunez, Chevy Beaulieu, Alee, the winner of this year’s Ranchman’s Rising Star competition Jaiden Riley, and many more, with homegrown Alberta talent soon to be announced.
“We couldn’t think of a better way to celebrate 10 years in Calgary than kicking the party off earlier in the year,” says Troy Vollhoffer, CEO, Country Thunder. “Kane, Lainey and The Red Clay Strays represent everything that makes country music so exciting right now; fresh energy, incredible talent and true connection with their fans. This anniversary year is all about celebrating where we’ve been and where we’re going, and we can’t wait to spend an unforgettable weekend in Calgary this June.”
Fans can purchase tickets at countrythunder.com/ab, where they can pay just $20 to lock in their summer plans with equal monthly payments.
Zach Bryan Adds Dates To Upcoming ‘With Heaven On Tour’
/by Lorie HollabaughZach Bryan. Photo: Trevor Pavlik
Zach Bryan has added some dates to his “With Heaven On Tour” in 2026.
The tour kicks off March 7 in St. Louis, and new dates on the upcoming trek include April 3- 4 in Tulsa, July 25 in Eugene, Oregon, and Sept. 21-22 in Toronto. The international tour will visit Spain, Germany, Norway, Denmark, Ireland and the UK along with plenty of stateside shows as well. Tickets are on sale today (Dec. 5) here.
Bryan is coming off a massive fall run with sold-out shows at major college football stadiums in the U.S., highlighted by a September concert at Michigan Stadium in Ann Arbor, Michigan, which was the first concert ever held at the largest football stadium in the Northern Hemisphere, and set a record for largest single ticketed concert in U.S. history. He’s set to release his upcoming album With Heaven on Top on Jan. 9.
Newly-Added Dates:
– Friday, April 3, 2026 — Tulsa, OK – H.A. Chapman Stadium
Main: Trampled by Turtles | Supporting: J.R. Carroll
– Saturday, April 4, 2026 — Tulsa, OK – H.A. Chapman Stadium
Main: Trampled by Turtles | Supporting: J.R. Carroll
– Saturday, July 25, 2026 — Eugene, OR – Autzen Stadium
Main: Alabama Shakes | Supporting: Fey Fili
– Monday, September 21, 2026 — Toronto, ON – Rogers Centre
Main: Tramples by Turtles | Supporting: Gabriella Rose
– Tuesday, September 22, 2026 — Toronto, ON – Rogers Centre
Main: Trampled by Turtles | Supporting: Gabriella Rose
Thomas Rhett Drops ‘Live from Fenway Park’
/by Lorie HollabaughThomas Rhett is sharing the magic from his Fenway Park show on a new album, Thomas Rhett Live from Fenway Park, featuring tracks from his headlining debut at the iconic ballpark.
Recorded infront of more than 35,000 fans, the EP showcases the heart and electric energy that sat in Fenway as Rhett delivered all the hits, including “Make Me Wanna,” “Beautiful As You” and “Somethin’ ‘Bout A Woman” featuring Teddy Swims, which has officially been certified Platinum.
“Too many memories to count. Some I remember vividly, and some are foggy, for reasons I’m sure you can imagine,” shares Rhett in his letter to Boston. “Pretty sure I’ve played most every venue that this town has to offer — from the House of Blues to my first ever tour opening for Toby Keith at the Xfinity Center, to the home of the Patriots opening for my buddy Kenny Chesney. I’ve opened in this building twice for Jason Aldean, and I also got to witness a masterpiece performance by the one and only Kid Rock. To arguably my favorite show I’ve ever played here, which was two years ago over at TD Garden. And to cap all that off, getting to headline here tonight for my very first time alongside my brother Teddy Swims is a moment that I cannot explain to you.
“I’ve drank most of your beers at a bar, most of your bars out of beer. I’ve eaten my weight in lobster rolls. Tried and failed every time to get a reservation at Neptune Oyster. Thrown my guts up on a whale-watching tour. And, attended my fair share of Red Sox games. Needless to say, this place has always been and always will be one of my favorite places to play on the planet. I have a lot of history in this city and I love y’all so much.”
During the Fenway show RIAA Chairman & CEO Mitch Glazier surprised Rhett on the pitcher’s mound of the ballpark’s diamond with multiple new certifications including a Diamond award for “Die A Happy Man,” now one of only 15 country songs in history to reach the coveted 10 million unit mark.
Thomas Rhett Live From Fenway Park Track List:
1. “Make Me Wanna”
2. “Somethin’ ‘Bout A Woman” (featuring Teddy Swims)
3. “She Had Me At Heads Carolina”
4. “Letter To Boston”
5. “Beautiful As You”
6. “T-Shirt”
7. “Die A Happy Man”
Blake Shelton Stays At No. 1 On The MusicRow Radio Chart
/by John Nix ArledgeBlake Shelton
Blake Shelton’s “Stay Country or Die Tryin’” remains the No. 1 song on the MusicRow CountryBreakout Radio Chart this week.
The track is off of his recent, 13th studio album For Recreational Use Only and was written by Sam Ellis, Graham Barham, Drew Parker and Beau Bailey.
Shelton is returning to The Colosseum at Caesar’s Palace next year for his eight-show “Blake Shelton: Live in Las Vegas” residency from Jan. 15-31.
“Stay Country or Die Tryin’” currently sits at No. 9 on the Billboard Country Airplay chart and No. 9 on the Mediabase chart.
Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.