
Pictured (L-R): Dave Pittenger (SESAC), Gayle (BMI) and Sara Davis (BMI) celebrate their No. 1 hit, “abcdefu.” Photo: Acacia Evans
Three Nashville songwriters, Gayle, Sara Davis, and Dave Pittenger, recently came together with their teams to celebrate their massive pop hit, “abcdefu.”
BMI and SESAC’s Nashville teams helped the trio celebrate, throwing a party at Hurry Back before 17-year-old Gayle took the stage next door at Exit/In. “abcdefu” marks all three songwriter’s first No. 1 song. The certified Platinum track has amassed over 1.1 billion streams globally, and will be included on Gayle’s debut EP A Study Of The Human Experience Volume One, due out March 18.
The party started with a rousing singalong of the in-your-face breakup anthem. BMI’s Clay Bradley took the stage to get things started. “Man, is this a cultural moment or what?” he said. “This is a song that defines a generation. I like to say it’s built as a classic Nashville-style song. The art of storytelling, this time through the eyes of a 17-year-old.”

Pictured (L-R, top row): Big Machine’s Alex Heddle, Atlantic Records’ Kelly Sayer, SESAC’s Shannan Hatch, UMPG’s Zach Lund, Atlantic Records’ Pete Ganbarg, Arthouse Entertainment’s Kara DioGuardi, Big Yellow Dog’s Carla Wallace, Big Machine’s Mike Molinar, BMI’s Clay Bradley, and Kristina Russo; (L-R, bottom row): Dave Pittenger, Gayle, Sara Davis. Photo: Acacia Evans
In typical Nashville fashion, respected publishers and label executives were on hand to talk about the monumental achievement.
Bradley first invited SESAC’s Shannan Hatch to speak about her affiliate, Pittenger. “I really thought I would be up here doing this for Dave with a country song,” Hatch said of the multi-genre writer. “So this is fun!”
Big Yellow Dog’s Carla Wallace also spoke on Pittenger’s behalf. Wallace eloquently recalled the events of the writing of “abcdefu” during the pandemic. “Armed with vodka disinfectant, and a strong middle finger, Dave, Galye and Sara sat inside the Big Yellow Dog office’s empty halls to write the ultimate break up song,” she said. “‘abcdefu’ is the ultimate anthem.”
Big Machine’s Mike Molinar stepped up to speak on 20-year-old writer Davis. “You may have beaten the Nashville 10-year-town rule, just by a smidge,” Molinar joked before telling Davis’ story of moving to Nashville to write songs at the age of 14. “You may have beat the 10 year rule, but you’ve put in your 10,000 hours already.”
Molinar also pointed out that, now with a pop hit under their belt, they can continue building onto that success at “Big Machine West”—the indie music publisher’s recently opened Los Angeles office. “Thank you for making us look like geniuses two months ofter opening our LA office!” he said.
UMPG’s Zach Lund stepped up to speak on Gayle. “Gayle is someone who, to the deepest level, knows who she is and has a vision,” he said. “The exciting thing about tonight is not just that we’re celebrating this massive song, but also that this moment will serve as a catalyst for an artist who knows who she is and is going to take this opportunity to its fullest.”
Arthouse’s Kara DioGuardi, who discovered the young talent, highlighted that when it comes to success, age is but a number. “This song sends a really important message to the industry because it doesn’t matter who you are, it doesn’t matter how established you are,” she said. “Forget metrics, just look at pure talent.”
Atlantic Record’s Pete Ganbarg closed the executive presentations with a list of some the song’s stats. “The fact that we are sitting here with three growing songwriters, who have written a No. 1 pop record out of Nashville that is right now streaming cumulatively over 1.1 billion streams, make this even more enjoyable,” he said.
When the co-writers spoke, they each told a story about the creation and meteoric rise of the fun song.
Pittenger was emotional when he got up to speak, thanking his team and co-writers for their part in the success of the song. “Everyone asks if we knew [it was going to be a hit] when we wrote it. The answer is yes,” he said “We made a pact to get tattoos when it went No. 1, so we knew.”
Davis added her own stories about “abcdefu,” pointing out that Pittenger brought in the idea for the song. “Thanks so much to everyone who has been a part of this,” she said to the crowd.
Gayle echoed her co-writers sentiments, and looked back on how far she’d come. “I played my first round seven years ago yesterday. I was just a girl with a dream and a guitar that was bigger than me,” the young writer said. “Sara and I started writing pop music in my bedroom. It was so daring. We were two Nashville girls writing pop music.”
She closed with a word of thanks to her team, family, and co-writers. “Thank you to every single person that has been with me on this music journey, especially [my co-writers]. We would not be here without you.”
Hitmakers Hold Steady On MusicRow Top Songwriter Chart
/by LB CantrellAshley Gorley
Positions one through 17 on the MusicRow Top Songwriter Chart remain in place this week.
Ashley Gorley notches his seventh consecutive week at No. 1. The songs that help him maintain his position are “New Truck” (Dylan Scott), “You Should Probably Leave” (Chris Stapleton), “Sand In My Boots” (Morgan Wallen), “Beers On Me” (Dierks Bentley, Hardy & Breland), “Slow Down Summer” (Thomas Rhett), “Give Heaven Some Hell” (Hardy), “Steal My Love” (Dan + Shay), “Take My Name” (Parmalee), and “You Didn’t” (Brett Young).
Shane McAnally stays at No. 2, and newly crowned ACM Songwriter of the Year Michael Hardy rounds out the top three this week.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
CMA Fest 2022 To Return Live & In-Person This June
/by Lydia FarthingCMA Fest will make its triumphant return to its live and in-person format this summer from June 9-12 in downtown Nashville.
After having to cancel the 2020 and 2021 editions of the four-day country music festival due to the COVID-19 pandemic, the Country Music Association, artists, and country fans will come together to celebrate the 49th year of the event.
The multi-day festival usually features nightly shows at Nissan Stadium as well as performances all day long at various stages across the city, including the Ascend Amphitheater Stage, CMA Close Up Stage and Spotlight Stage at the Music City Center, the Riverfront Stage on the bank of the Cumberland River, the Stage at Bridgestone Plaza, and stages at Ascend Park and the Walk of Fame.
The week also features a variety of daytime events and stages that are free and open to the public, including games, activities, giveaways, and more. A limited number of four-day tickets are currently available for purchase.
Performers and festivities will be announced in the coming weeks.
Landon Parker Inks With EM.Co & CAA, Shares Plans For New Music
/by Lydia FarthingPictured (L-R, bottom row): Rachael Jordan (EM.Co), James Stewart (EM.Co), Landon Parker, Scott Siman (EM.Co), Beka Bishop (EM.Co); (L-R, top row): Juli Griffith (TriScore), Kelly Clague (EM.Co), Brian Kaplan (EM.Co), Rod Essig (CAA), Blake Chancey (TriScore / Producer), Jack Purcell (EM.Co)
Management firm EM.Co has inked a deal with country singer-songwriter Landon Parker. He joins Tim McGraw, Bad Ass Records, and more on the company’s roster.
Parker signed to Free Dive, McGraw’s publishing company in partnership with TriScore Music, in 2021. He continues to build his team with EM.Co and representation from CAA’s Rod Essig.
“I’m so proud to be working with such a hard-hitting crew,” says Parker. “Everyone at EM.Co, CAA and Free Dive with our TriScore Music partnership has believed in my vision. This dream wouldn’t be possible without them. I’m grateful for their support and I’m ready for fans to hear this music!”
The North Carolina native has plans to release two new songs he co-wrote this Friday (March 18). “Good Beer Drinkin,’” penned with Cody Gregg, and “Caught Me at a Good Time,” written alongside Blake Chancey and Josh Hoge, were both produced by Chancey.
“We signed Landon to our publishing company last year, and he’s just been cranking out hits,” Em.Co President Scott Siman offers. “We’re eager to get this music out and take this to the next level.”
EM.Co VP of Artist Management, James Stewart, adds, “We’ve known Landon since he came to town. His voice and songwriting are unparalleled. To say we’re excited to have him on board is an understatement.”
Later this year, Parker is expected to release an EP via Bad Ass Records, featuring his writing credit on every track with Chancey at the production helm.
Nashville Writers Celebrate Huge Pop Hit, ‘abcdefu’
/by LB CantrellPictured (L-R): Dave Pittenger (SESAC), Gayle (BMI) and Sara Davis (BMI) celebrate their No. 1 hit, “abcdefu.” Photo: Acacia Evans
Three Nashville songwriters, Gayle, Sara Davis, and Dave Pittenger, recently came together with their teams to celebrate their massive pop hit, “abcdefu.”
BMI and SESAC’s Nashville teams helped the trio celebrate, throwing a party at Hurry Back before 17-year-old Gayle took the stage next door at Exit/In. “abcdefu” marks all three songwriter’s first No. 1 song. The certified Platinum track has amassed over 1.1 billion streams globally, and will be included on Gayle’s debut EP A Study Of The Human Experience Volume One, due out March 18.
The party started with a rousing singalong of the in-your-face breakup anthem. BMI’s Clay Bradley took the stage to get things started. “Man, is this a cultural moment or what?” he said. “This is a song that defines a generation. I like to say it’s built as a classic Nashville-style song. The art of storytelling, this time through the eyes of a 17-year-old.”
Pictured (L-R, top row): Big Machine’s Alex Heddle, Atlantic Records’ Kelly Sayer, SESAC’s Shannan Hatch, UMPG’s Zach Lund, Atlantic Records’ Pete Ganbarg, Arthouse Entertainment’s Kara DioGuardi, Big Yellow Dog’s Carla Wallace, Big Machine’s Mike Molinar, BMI’s Clay Bradley, and Kristina Russo; (L-R, bottom row): Dave Pittenger, Gayle, Sara Davis. Photo: Acacia Evans
In typical Nashville fashion, respected publishers and label executives were on hand to talk about the monumental achievement.
Bradley first invited SESAC’s Shannan Hatch to speak about her affiliate, Pittenger. “I really thought I would be up here doing this for Dave with a country song,” Hatch said of the multi-genre writer. “So this is fun!”
Big Yellow Dog’s Carla Wallace also spoke on Pittenger’s behalf. Wallace eloquently recalled the events of the writing of “abcdefu” during the pandemic. “Armed with vodka disinfectant, and a strong middle finger, Dave, Galye and Sara sat inside the Big Yellow Dog office’s empty halls to write the ultimate break up song,” she said. “‘abcdefu’ is the ultimate anthem.”
Big Machine’s Mike Molinar stepped up to speak on 20-year-old writer Davis. “You may have beaten the Nashville 10-year-town rule, just by a smidge,” Molinar joked before telling Davis’ story of moving to Nashville to write songs at the age of 14. “You may have beat the 10 year rule, but you’ve put in your 10,000 hours already.”
Molinar also pointed out that, now with a pop hit under their belt, they can continue building onto that success at “Big Machine West”—the indie music publisher’s recently opened Los Angeles office. “Thank you for making us look like geniuses two months ofter opening our LA office!” he said.
UMPG’s Zach Lund stepped up to speak on Gayle. “Gayle is someone who, to the deepest level, knows who she is and has a vision,” he said. “The exciting thing about tonight is not just that we’re celebrating this massive song, but also that this moment will serve as a catalyst for an artist who knows who she is and is going to take this opportunity to its fullest.”
Arthouse’s Kara DioGuardi, who discovered the young talent, highlighted that when it comes to success, age is but a number. “This song sends a really important message to the industry because it doesn’t matter who you are, it doesn’t matter how established you are,” she said. “Forget metrics, just look at pure talent.”
Atlantic Record’s Pete Ganbarg closed the executive presentations with a list of some the song’s stats. “The fact that we are sitting here with three growing songwriters, who have written a No. 1 pop record out of Nashville that is right now streaming cumulatively over 1.1 billion streams, make this even more enjoyable,” he said.
When the co-writers spoke, they each told a story about the creation and meteoric rise of the fun song.
Pittenger was emotional when he got up to speak, thanking his team and co-writers for their part in the success of the song. “Everyone asks if we knew [it was going to be a hit] when we wrote it. The answer is yes,” he said “We made a pact to get tattoos when it went No. 1, so we knew.”
Davis added her own stories about “abcdefu,” pointing out that Pittenger brought in the idea for the song. “Thanks so much to everyone who has been a part of this,” she said to the crowd.
Gayle echoed her co-writers sentiments, and looked back on how far she’d come. “I played my first round seven years ago yesterday. I was just a girl with a dream and a guitar that was bigger than me,” the young writer said. “Sara and I started writing pop music in my bedroom. It was so daring. We were two Nashville girls writing pop music.”
She closed with a word of thanks to her team, family, and co-writers. “Thank you to every single person that has been with me on this music journey, especially [my co-writers]. We would not be here without you.”
Weekly Register: Dolly Parton Makes Top 5 On The Country Albums Chart
/by Lydia FarthingCountry icon Dolly Parton explodes onto the top country albums chart this week with the release of her newest record Run, Rose, Run. The album, which serves as a companion album to her book of the same name that she co-wrote with award-winning author James Patterson, debuts at No. 4 on the country charts and No. 34 overall with 17K in total consumption (15.5K album only/1.1 million song streams).
Morgan Wallen continues his reign at the top of the country albums chart as Dangerous: The Double Album earns 45K in total consumption (2K album only/54 million song streams), according to MRC data. Taylor Swift also maintains her spot at No. 2 with Red (Taylor’s Version) gaining 19K in total consumption. Luke Combs nabs the remaining spots with What You See Is What You Get coming in at No. 3 and This One’s For You at No. 5 with 18K and 16K, respectively.
On the songs front, “Buy Dirt” (Jordan Davis & Luke Bryan) keeps its spot at No. 1, gaining 6.3 million streams this week. Walker Hayes follows in the second spot as “Fancy Like” adds 5.9 million streams. Hayes also takes the fifth spot with “AA” earning 5.6 million streams. Combs’ “Doin’ This” falls to No. 3 with 5.7 million streams, and Cody Johnson‘s “Til You Can’t” falls to No. 4 with 5.6 million streams.
A Look Inside The New 320,000+ Square Foot Production Campus, Worldwide Stages
/by LB CantrellPhoto: Courtesy of Worldwide Stages
A little over 30 miles out from downtown Nashville sits a new production campus serving the entertainment industry, Worldwide Stages. With 320,000+ square feet of facilities on 38 acres, the expansive campus was settled in the former Saturn headquarters in Spring Hill, Tennessee.
Of its many amenities, Worldwide Stages contains four sound stages ranging from 3,000 to 21,000 square feet that can be used by musicians to rehearse their performances before they go on tour, or film/TV professionals to produce movies and TV series.
Pictured: Worldwide Stages CEO, Kelly Frey. Photo: Courtesy of Worldwide Stages
But Worldwide Stages aims to be more than just another sound stage. They want to be a gathering place for creatives that provides concierge services and amenities to the guests using their space.
In addition to their expansive sound stages, Worldwide Stages offers on-site food and beverage service, event spaces, parking for hundreds of vehicles, on-site industry vendors, and even laundry and shower facilities. Within its massive square footage are areas dedicated to meeting spaces, production offices, a theater for viewing rehearsal footage, and on-site dining areas. They are even designing a speakeasy where artists can relax while on campus.
All of these amenities speak to Worldwide Stages’ plan to create an environment where the artists concentrate on performance and creation—rather than logistics.
Worldwide Stages was originated by two music industry veterans, Shane Ellis and Mark Long. CEO Kelly Frey, whose background includes executive production and technology projects, runs the operation.
“What we saw was an industry that was underserved,” Frey tells MusicRow. “We wanted to create a safe, secure environment where the artists can come in, do the hard work that’s required for tour prep, and do it in the proximity of their home.
“We’re very service oriented,” he adds. “It’s not only the visual space, but it’s the support structure as well. We have gigabyte-level internet speed, 400 amp 3-phase power with distros coming off the power at the places where you need them. We’ve got [approximately] a quarter of a million dollars in backline equipment. If somebody forgot something, we can come in and provide speakers, microphones, drum sets, or whatever is required. We’re just trying to make it easier, this industry is tough enough.”
On the film and TV side, the sound stages at Worldwide Stages are readily adaptable for whatever a film crew may need. “Having those capabilities provides an advantage over just a big black box that [crews] sometimes find themselves in.”
Security is also top priority for Worldwide Stages. The campus is surrounded on three sides by four-lane highway with interstate highway style fencing, and employs 24/7 security personnel with video surveillance technology. “When you drive up, it looks like another industrial building. That’s by design. We don’t want to stick out,” Frey says.
Worldwide Stages opened for business in September of 2021, and has already hosted many award-winning acts. They will hold a grand opening on a to-be-determined date at the end of May to coincide with the one year anniversary of closing on the real estate.
“I love it when I hear that a tour manager has told another tour manager, ‘You’ll never go anywhere else,'” Frey sums. “We credit that to our people. We have a staff that goes above and beyond.”
Photo: Courtesy of Worldwide Stages
Photo: Courtesy of Worldwide Stages
A dining area. Photo: Courtesy of Worldwide Stages
The lobby at Worldwide Stages. Photo: Courtesy of Worldwide Stages
Sitting area. Photo: Courtesy of Worldwide Stages
The Shires Commemorate Journey On New Album ’10 Year Plan’
/by Lorie HollabaughThe Shires. Photo: JBK Photography
The Shires, the UK country duo comprised of Crissie Rhodes and Ben Earle, have released their new album, 10 Year Plan.
The 13-track project, produced by Lindsay Rimes, reminisces about the duo’s big city hopes and dreams when their career was just starting in 2012. Opening with“Cut Me Loose,” the Shires bring their harmonies together on tracks such as “Sparks Fly” and “A Bar Without You,” as well as on the closing, pedal steel guitar-tinged “When It Hurts.” Writers contributing to the project include Eric Paslay, Justin Ebach, and Lizzy McAvoy.
“We are so excited to finally have our new album 10 Year Plan out,” The Shires share. “We celebrate 10 years together as duo next year, and this album looks back at every point on that journey–all the milestones we have had. Our hope is that this album can be the soundtrack to uplift spirits and enable us all to create new happy memories. We hope you enjoy it.”
The Shires’ achievements were recently celebrated when they were presented with the CMA’s Jeff Walker Global Country Artist Award for furthering the popularity of country music throughout the UK.
The duo’s 2015 debut album, Brave, became the first-ever Top 10 album by a UK country music duo. In the years since, they have achieved three consecutive UK Top 3 albums, four No. 1 UK country albums, over 100 million streams, two Gold certified records, and played countless sold-out headlining shows.
“Cut Me Loose” (Justin Ebach, Lizzy McAvoy)
“Sparks Fly” (Ben Earle)
“Side By Side” (Ben Earle, Katya Edwards)
“Plot Twist” (Ben Earle, Beth McCarthy)
“10 Year Plan” (Ben Earle, Sarah Sheldrake)
“I See Stars” (Ben Earle, Jeff Cohen)
“A Bar Without You” (Ben Earle, Eric Paslay, Jennifer Wayne)
“Baby We’re Rich” (Ben Earle, Lindsay Rimes)
“Skydive” (Ben Earle)
“Wild Hearts” (Ben Earle)
“Forever Tonight” (Ben Earle, Sarah Sheldrake)
“Peggy I’m Sorry” (Ben Earle)
“When It Hurts” (Ben Earle)
Dolly Parton Bows Out Of Rock & Roll Hall Of Fame Race
/by LB CantrellDolly Parton. Photo: Rob Hoffman
Dolly Parton announced on Monday (March 14) via social media that she is bowing out as a nominee for the Rock & Roll Hall of Fame Class of 2022.
Parton was announced as a nominee earlier this year alongside Pat Benatar, Eminem, Carly Simon, Lionel Richie, and more. According to her post, she does not feel that she has “earned that right” to be inducted.
“I hope that the Rock & Roll Hall of Fame will understand and be willing to consider me again—if I’m ever worthy,” Parton writes. She goes on to say that this opportunity has inspired her to release a rock & roll album in the future.
“I wish all of the nominees good luck and thank you again for the compliment. Rock on!” Parton says.
Voting for the Rock & Roll Hall of Fame inductees ends April 29. The class of 2022 will be announced in May.
Panel Session Videos From CRS 2022 Available To Stream Now
/by Lorie HollabaughCountry Radio Seminar has made the panel session videos from last month’s CRS 2022 event available for streaming.
Session handouts and educational takeaways are also available to download, and a comprehensive photo gallery chronicling the three-day industry event can also be found at CountryRadioSeminar.com.
Some agenda highlights available for streaming include:
Country Radio Seminar 2022 was held in-person Feb. 23-25 at the Omni Nashville Hotel. CRS 2023 dates are set for March 13-15, 2023.
River House Artists Enters Co-Venture With Warner Music Nashville, Elektra Music Group
/by Lydia FarthingPictured (L-R): Lynn Oliver-Cline (River House Artists), Cris Lacy (Warner Music Nashville), Zebb Luster (River House Artists). Photo: Mick Bodie
River House Artists (RHA), an independent label, publishing and artist development hub, has announced a partnership with Warner Music Nashville (WMG) and Elektra Music Group (EMG). The joint venture is designed to capitalize on each company’s like-minded approach to artist development.
“I am beyond thrilled to finally announce this new venture. The executive and creative teams at Warner Music Nashville and Elektra Music Group are challenging the marketplace and we are a perfect fit to help keep pushing those boundaries. I have been very fortunate to have amazing partners on my journey to here, but this is home,” shares Lynn Oliver-Cline, founder of River House Artists. “I can’t thank [John Esposito], Cris Lacy, Ben Kline, Gregg Nadel and Patrick Sabatini enough for believing in what we are continuing to build. They treat everyone with the utmost respect. It truly feels like family.”
River House Artists was founded in 2016 by Oliver-Cline with country superstar Luke Combs as its flagship artist. Since its inception, RHA has established itself as a leading force for developing artists and boasts a roster consisting of Jameson Rodgers, Billy Strings, Stephen Wilson Jr., Ray Fulcher, Drew Parker, Georgia Webster, Jordan Rowe, Kasey Tyndall, Southerland, Grant Gilbert and more.
“Our partnership is the culmination of years of shared history, mutual admiration and respect. RHA’s track record of finding and nurturing integrous giants in our format speaks for itself. When we talk about artists who make long term impact and shift culture in the country space and beyond, we’re talking about icons that found their first champion in Lynn Oliver-Cline,” shares Lacy, EVP A&R of Warner Music Nashville.
Nadel, co-president of Elektra Music Group, adds, “I am so excited to have Elektra Music Group partner with River House Artists and Warner Music Nashville. I’ve known Lynn for well over a decade, and have long admired her commitment to artist development. RHA is perfectly aligned with Elektra in our creative approach and unparalleled dedication to building long term careers from the ground up.”