Garret Dillahunt

Directors Robert Deaton and George Flanigen are making their feature film debut with the adaptation of the Richard Dresser theatrical play Rounding Out. Oscar-winning producer Fred Roos serves as one of the executive producers of the film shooting at several locations in Nashville.

Also involved with the film are Nashville music business leaders Joe Galante, Scott Borchetta, Clarence Spalding and Clint Higham as executive producers.

Actors Garret Dillahunt and John C. McGinley play the protagonists in the story about baseball and fatherhood.

“We feel so honored and excited to be shooting our first feature with such talent as John and Garrett,” said Deaton and Flanigen. “We feel we have assembled an incredible cast and crew of seasoned and lauded professionals to make our vision become the reality it is.”

John C. McGinley

Dillahunt has a distinguished acting career on Broadway, as well as in film and television. He is noted for roles on the HBO series Deadwood, as well as E.R., and most recently on Fox TV’s Raising Hope. He has appeared in the films No Country For Old Men, The Road, Winter’s Bone and others.

McGinley is an award-winner best known for his roles as Sergeant Red O’Neill in Oliver Stone’s Platoon and Marv in Wall Street. His TV roles include Dr. Perry Cox on the popular comedy Scrubs. Aside from acting, he has also written and produced for film and television.

Connie Smith

On August 8, Connie Smith will celebrate her 50th anniversary as an Opry member.

Smith will be honored during two shows that evening featuring Alison Krauss, Del McCoury, Jeannie Seely, Smith’s husband Marty Stuart, Mel Tillis, and The Whites.

“We look forward to honoring one of the greatest voices and one of the most beautiful souls the Grand Ole Opry has ever known,” said Opry Vice President/General Manager Pete Fisher. “Connie has delivered unbelievable performances on the Opry stage for decades, and we look forward to reminding her how much her fans and fellow artists love her spirit and her music.”

Growing up as a shy girl who was the eighth in a family of 14, Smith once proclaimed at five years old that “someday I’m gonna sing on the Grand Ole Opry.” Throughout the course of her career Smith recorded and made famous hits like “Once A Day,” the chart-topper that became the first debut single by a female country act to reach No. 1 and spent eight weeks at the top.

The Opry itself celebrates a 90 year history this year.

Nashville-headquartered SESAC has settled an antitrust lawsuit from the Radio Music Licensing Committee (RMLC), for the first time subjecting itself to arbitration over the royalty rates it sets.

Unlike larger PROs BMI and ASCAP, the privately owned licensing company is not subject to regulatory agreements with the federal government over its licensing processes.

The settlement, announced by both parties Thursday (July 23) will extend for 22 years, maintaining license fees for commercial radio stations until 2016, when they will begin to be subject to further negotiated agreements. Final arbitration will be conducted in early 2017 and happen throughout the duration of the agreement.

SESAC will pay no damages outside of reimbursing approximately $3.5 million in legal expenses. 

Thousands of stations joined the RMLC, suing SESAC over “anticompetitive practices in how that group licenses music” with accusations of being “a cartel that has illegally monopolized an essential repertory of copyrighted music.”

According to a statement from SESAC, the settlement will allow its management to pursue the company’s previously announced strategy under its new leadership team of a simplified and more efficient, multi-right, multi-territory licensing model utilizing an ongoing focus on information technology and data science to meet the developing needs of music users, distributors, writers, composers, publishers and other stakeholders.

In July, SESAC announced that it was poised to acquire the Harry Fox Agency from the National Music Publishers’ Association for upwards of $20 million. The deal allows SESAC to become the only U.S. rights organization with the ability to offer singular licenses for the works of its affiliated writers and publishers, aggregating both performance and mechanical rights.

In October, SECAC agreed to pay $58.5 million to television stations as part of a settlement in a separate antitrust case, according to the New York Times, also subjecting it to arbitration if negotiations are unsuccessful.

The final round for The Nashville Connection Heroes Salute‘s talent search will be held today (July 24) from 10:00 a.m.-5:00 p.m. at the Musicians Hall of Fame.

Judged by a celebrity panel including Darryl Worley, songwriter Sam Tate, vocal coach Dave Brooks, A&R Executive and CEO/Icon Studios Stone Stafford, and producer and music director Roger Ryan, the national search will award prize money, a five-day event working with some of the industry’s top music makers, and a performance at a special concert in October supporting the troops and their families.

JB Productions and DB Artist Development along with FUTURE are sponsoring the Heroes Salute competition.