WMN Announces Promotions and Hires

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Warner Music Nashville has announced a round of promotions and new hires.

In the publicity department, Sarah Lai has been promoted to Publicity Coordinator where she will continue to report to VP Publicity Tree Paine.

Victoria Nugent has joined the Brand Management department in the newly created position of Director of Revenue and Research. Additionally, Tyler Wall will shift from the WMN Promotions department to the role of Marketing Coordinator under VP Brand Management Kelli Cashiola.

Previous Marketing Coordinator Carden Grissom has been named the label’s Manager of E-commerce, and will work under VP Strategic Partnerships Leigh Holt.

Wall’s previous position of Promotions Coordinator has been filled with Ann Jurasek, who will work under Sr. VP of Promotion Chris Stacey and the WMN Promotions team.

Following Rebekah Sterk’s recent appointment to Director of A&R, Film/TV and Special Projects, Stephanie Haymes will take over as the new A&R Coordinator.

CMA Awards Afterparty Pics [Ongoing Updates]

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Big Machine Records, Valory Music Co., and Republic Nashville, celebrated their multiple achievements at radio, retail and the CMA Awards.

Back Row: Jimmy Chapin, Erin Burr, Justin Key, Lois Lewis, Mike Moore, Erik Powell, David Beller, Kathleen Drosey, Mike Eli, James Young, Jon Jones, Kelly Rich, Andrew Kautz, Mark Grey, Jack Purcell, Chris Thompson, John Zarling, Jake Basden. Middle: Nikki Burns, Jayme Austin, Shea Fowler, Becky Reiser, Brittney McKenna, Brantley Gilbert, Ashley Crawford, Brad Turcotte, Jackie Campbell. Front: Sandi Spika Borchetta, Scott Borchetta, Taylor Swift, Mandy McCormack

 

(L-R): Reid Perry, CEO/President of Universal Republic Monte Lipman, Republic Nashville President Jimmy Harnen, Kimberly Perry, President and CEO of Big Machine Label Group Scott Borchetta, Chairman of Universal Republic and Island Def Jam Barry Weiss, Neil Perry, Bob Doyle, and Republic VP of Business Affairs Steve Gawley.

• • • • •

Capitol Records Nashville and EMI Records Nashville celebrated the evening with a private post party at Nashville’s Sambuca restaurant. Among the causes to celebrate, Lady Antebellum‘s win of Vocal Group of the Year.

Pictured: Standing (L-R): Capitol/EMI Records Nashville SVP Marketing Cindy Mabe, COO Tom Becci, Eric Church, Eric Paslay, Lady Antebellum’s Dave Haywood, Jon Pardi, Capitol/EMI Records Nashville President and CEO Mike Dungan, EMI Group COO Leo Corbett, Walker Hayes, Dierks Bentley, Luke Bryan, Lady Antebellum’s Charles Kelley, Little Big Town’s Phillip Sweet and Jimi Westbrook. Seated (L-R): Chynna Rae Carrion and Lauren Leiter of Lighter Ray, Kelleigh Bannen, Darius Rucker, Lady Antebellum’s Hillary Scott, Little Big Town’s Kimberly Schlapman and Karen Fairchild, Mickey Guyton, Capitol/EMI Records Nashville SVP Promotion Steve Hodges.

• • • • •

UMG Nashville celebrated the Country Music Association Awards Wednesday night at Citizen in Nashville.

(L-R): Irving Azoff, Joel Katz and Luke Lewis, chairman/CEO of UMG Nashville.

Scotty McCreery and Billy Currington at the UMG post-party.

• • • • •

Warner Music Nashville hosted a packed post-party last night at its Music Row offices. The label group toasted Blake Shelton’s Male Vocalist win, and Faith Hill’s comeback performance on the show. Revelers enjoyed decadent mini-desserts, heavy hors d’oeuvres, and a top notch cover band.

Pictured (L-R): Starstruck Management Group’s Brandon Blackstock, Tim McGraw, Blake Shelton, Faith Hill, John Oates, Warner Music Nashville President & CEO, John Esposito, Red Light Management’s Will Botwin, Starstruck Management Group’s Narvel Blackstock. Photo: Brooke Kelly

• • • • •

Sony Music Nashville celebrated at the Hermitage Hotel following Wednesday’s 45th Annual CMA Awards, co-hosted by labelmates Carrie Underwood and Brad Paisley. Miranda Lambert was named Female Vocalist of the Year and Kenny Chesney took home the Music Video of the Year honor for his duet with Grace Potter, “You And Tequila.”

(L-R): Sony Music Entertainment CEO Doug Morris, Grace Potter, Kenny Chesney, Miranda Lambert, & Sony Music Nashville Chairman & CEO Gary Overton. Photo: Alan Poizner

(L-R): Top Row - Bradley Gaskin, Joanna Smith, Casey James, Kristen Kelly, Love & Theft’s Stephen Barker Lyles. Middle Row - The Henningsens , Angaleena Presley, Wade Bowen, Bush Hawg. Bottom Row - Jake Owen, Carrie Underwood, Miranda Lambert, Doug Morris (Sony Music Entertainment CEO), Gary Overton (Sony Music Nashville Chairman & CEO), Sara Evans, Kenny Chesney, Grace Potter, Chris Young, Kix Brooks. Photo: Alan Poizner

Star-Packed CMA Show Ropes In Viewers

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Aldean wins Album of the Year.

A strong performance line-up scored top ratings for last night’s (11/9) CMA Awards, making ABC the most-watched network of the night with an average of 16.3 million viewers tuning in, according to Zap2It. This comes following a 10-year contract extension between the CMA and ABC, announced yesterday. By comparison, last year the show drew about 16.45 million viewers.

First time nominees and winners The Band Perry and Jason Aldean scored multiple honors, but otherwise no act walked away with more than a single trophy, meaning more artists, and their teams are merrily basking in today’s post-CMA glow. For the audience at home and in Nashville’s Bridgestone Arena, the evening played mostly like a super-cool three-hour concert where they happened to hand out a few awards. The amazing stage set cascaded in waves of warm gold, glowing like the lights of a Las Vegas casino.

Aldean’s hard-earned and much deserved wins included Album of the Year. He shared the honor with longtime producer Michael Knox for the double platinum, envelope-pushing My Kinda Party. Accepting proudly, Aldean recalled first meeting the producer who would prove so impactful on his career: “This guy found me in a club in Atlanta, Georgia, brought me to Nashville 15 years ago and has made every record I’ve ever done.” Aldean and Kelly Clarkson’s super duet “Don’t You Wanna Stay,” was a shoo-in for Vocal Event.

His performance of “Tattoos On This Town” showcased what he does best: no frills, what-you-see-is-what-you-get, amped up country rock. Onstage he delivers a straight-ahead, full-throttle concert, in the studio he’s a little more adventurous, such as invoking country rap for the mega hit “Dirt Road Anthem.”

Swift receives a standing ovation from her peers. Photo: Caitlin Rantala

A monumental world tour and a gazillion album sales earned Taylor Swift her second Entertainer of the Year trophy. From the acceptance stage she thanked artists from Usher to Tim McGraw who joined her as surprise guests on the road. This entertainment mastermind doesn’t do anything halfway, so it was fitting that her extremely stripped down performance of “Ours” came with a sparse set and modest “what-I-wear-around-the-house” wardrobe. For the star it was a leap forward, showcasing the song without the distracting over-the-top theatrics that have boggled happy fans on her Speak Now tour. Still, given Swift’s M.O., I was waiting for the costume tear-away that never came.

Hot husband and wife Blake Shelton and Miranda Lambert continued their respective reigns as Male and Female Vocalists of the Year. Shelton turned the fun loose from the get-go with opening number “Footloose,” featuring the song’s original hitmaker Kenny Loggins and offering the first of many pyrotechnic spectacles.

When Lambert marched onstage to perform current single “Baggage Claim” she came off like an artist in charge, completely in command of the stage, band and crowd. And no country awards show would be complete without ‘Ran setting something on fire, so she obliged with some pyro for the finale. And for the record, her newest album Four The Record has already secured my vote for 2012 CMA Album of the Year.

The Band Perry wins Single of the Year as presenter Kellie Pickler applauds.

The Band Perry and their monster hit “If I Die Young” swept the MusicRow Awards earlier this year, and the sibling trio continued the trophy take-homes last night, winning Single and New Artist. As sole writer, Kimberly Perry also received Song of the Year. Enduringly elegant, she explained to the fans, “Thank you for bringing ‘If I Die Young’ to life…I truly believe that ‘If I Die Young’ would have been written with or without me, it was a song that was meant to be. But I was so excited to have pen and paper in hand when it was ready to come to earth.” She stunned during their performance of “All Your Life,” oozing confidence in a red-sequined floor-length sheath. It was a bold look we haven’t seen from her before, maybe she taking notes from show-stopping tourmate Reba. Word is, Mom Perry handles wardrobe for the siblings.

Wardrobe was also a key part of Lady Antebellum’s performance of “We Owned The Night.” The band led an onstage chorus in the song, with everyone dressed in striking black and white contrast.

Zac Brown Band’s take on “Georgia On My Mind” featuring Gregg Allman warmed this Georgian’s heart, but left me wondering why they chose a cover song for the second time in three years. Either way, ZBB kills it on the classics.

Fellow Georgian Luke Bryan kept the stage hot with “Country Girl (Shake It For Me).” The routine involved a crew of dancers and even had the star busting out a few dance moves of his own…oh, and more pyro.

Co-hosts Brad Paisley and Carrie Underwood kept the banter lively, exchanging Tim and Faith Barbie dolls, joking about Bradcephus with Hank Jr., and carousing with Little Jimmy Dickens dressed as Justin Bieber.

Keith Urban was the first of several great performers to pop up on a stage in the middle of the crowd. Following suit was sunny Scotty McCreery, fine voiced Chris Young, and party-hearty Eric Church. (He is one of my faves, but needs to lose the shades in the dark.) Kenny Chesney and Grace Potter offered mid-audience acoustic matrimony on “You And Tequila.” With director Shaun Silva, it won Video of the Year.

Accepting the Duo award, Sugarland’s Kristian Bush explained, “Our fans saved us this year.” Indeed, the Indiana State Fair tragedy made it a difficult year for the band and crew. They recently returned to the area for a benefit concert. Sugarland’s stage show is something of power, and they turned in a passionate set last night with pop rocker Matt Nathanson.

Fantastic pairings helped fuel the extravaganza. Lionel Richie was joined by Little Big Town, Rascal Flatts, and Darius Rucker on some of his biggest hits. The Flatts also teamed with soaring pop vocalist Natasha Bedingfield. Faith Hill looked outside of country to find her latest song, “Come Home,” which was first recorded by OneRepublic. She gave a dramatic read of the single during her first CMA Awards performance in five years. Also joining forces were Urban, Paisley and Vince Gill for a tribute to ailing Glen Campbell. And producers tapped twirling acrobats to accent Sara Evans’ performance of “Stronger.”

Fiery opening number "Footloose." Photo: Caitlin Rantala

Bobby Karl Works The CMA Press Room

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The Band Perry discuss their three wins backstage.

Photos by Alan Mayor

Chapter 384

Jason Aldean

At the 45th annual CMA Awards, they spread the love around.

The big Entertainer (Taylor Swift), Female (Miranda Lambert), Male (Blake Shelton), Duo (Sugarland), Group (Lady Antebellum) and Video (Kenny Chesney/Grace Potter & director Shaun Silva) awards were the sole ones taken home by their respective winners.

Jason Aldean, who took home Album of the Year with producer Michael Knox, also won Vocal Collaboration with Kelly Clarkson. The Band Perry won Best New Artist, plus Single of the Year. Its lead singer, Kimberly Perry won Song of the Year.

It is a measure of how popular and mainstream country music has become that the Media Room at the Bridgestone Arena was packed. We were so close to one another, we were practically sharing DNA. They ran out of food for us and had to send out for pizza. It was worth it: Every major winner came backstage to visit.

The room erupted in cheers when Taylor Swift won Entertainer of the Year. The woman’s tour did, after all, sweep triumphantly around the globe this year. So we felt like justice had been served.

“I just didn’t want to think about it,” she said of her nomination. “You don’t want to have high hopes. To have it happen twice [she also won in 2009] is just freaking me out….It’s all because of the fans. They’re the ones who decide whether you’re playing in an arena or a theater.

Taylor Swift

“The most amazing feeling is to watch a song….You write it. You play it in your living room on guitar. You record it. Then 50,000 people are singing it back to you…..The Speak Now Tour is very theatrical. And every song has its own treatment. Now as I finish [writing] songs, I can kind of picture them on stage. It’s kind of a day-dreamy job.”

By the way, her award was noted as “Act 13” on the script and show rundown, and it followed the 13th commercial break. As you know, that’s the lucky number Taylor draws on her hand each night.

“I was really surprised and humbled,” said Miranda Lambert of her win. “I was just kind of here to be a part of it. I was prepared for someone else to take this home.”

Earlier this week, she became the first country female to have her first four albums all debut at No. 1 on the charts. “It’s kind of crazy to think you’re making history,” Miranda remarked.

Lambert and Shelton

On stage, she blurted, “It’s gonna be a good night tonight, Bay-bay,” to new husband Blake Shelton. “I have no idea what I said, but apparently everybody thinks Blake is getting lucky tonight,” she said backstage. “It’s my birthday in, like, an hour [which is today], so we’re going to celebrate with our families. This is a great way to end a crazy year. I’m living in the moment, and every moment is special right now.”

Miranda, Taylor and Kimberly Perry are all young, female singer-songwriters who won major awards. Miranda said she admires the fact that Kimberly and Taylor wrote their songs solo and aspires to be like them.

“Who runs the world? Girls. I’m proud of the female singer-songwriters,” she concluded. Blake Shelton joined her for some duo backstage photos. They are the first married couple to take home the Male and Female prizes since Tim McGraw and Faith Hill did so in 2000.

“Last year when this happened, in the back of my mind, I had the idea that I’d been doing it so long that the industry felt sorry for me, and it was a sympathy vote,” Blake recounted. “This year, I thought that was a fluke. The industry is fickle.

“I’m numb right now. When I wake up in the morning, it is going to look like this trophy is under my sheets, and it won’t be. That’s how happy I am.

“Eighteen months ago, if you had told me this was all going to happen, I’d have told you [that] you were crazy. It doesn’t seem real to me, still.”

Chesney, Potter, and Silva

“Country music is all about the song,” said Video winner Grace Potter. “What’s great about Kenny’s audience is that they’re listeners.”

“We had never met before we went into the studio to record this song [‘You and Tequila’],” Kenny Chesney reported. “I felt like I needed the other side, the female perspective. I heard her song ‘Apology’ and said, ‘That’s the voice I need.’ Shaun Silva captured that chemistry on film on a beach in California.”

Much was made, backstage, about the number of cross-genre collaborations on the show. Among the “carpetbaggers” to country, in addition to Potter, were Kenny Loggins, Natasha Bedingfield, Matt Nathanson, Greg Allman and Lionel Richie.

“I think it reflects the way that people listen to music today,” Kenny commented. “We see that here tonight.”

And you know what? The Grace Potter and Lionel Richie duets (with Little Big Town, Darius Rucker and Rascal Flatts) were more “country” than many of the performances by the country stars.

“R&B and country are REAL,” explained Lionel of his crossover. “I was wanting to do a country album. I came here to do research and found out that the country artists knew the lyrics of my songs better than I did. So I changed it into a duets album.” In fact, so many Nashville artists wanted to participate that his forthcoming CD is now “Part One,” and “Part Two” is in the works.

“I felt like with the success I had with Kelly [Clarkson], we had a decent shot [for a trophy],” said Jason Aldean. “But as far as Album goes, that wasn’t expected at all. This album has been special in a lot of ways. From the guys in my band who played on it, to producer, to record label, to management, there’s a lot of people involved in making a record. It’s a group win. It’s a big one, and this album will be here long after I’m gone.”

Between Jason, Taylor and The Band Perry, it was a big night for small labels. “It is the joy of our lives to sing this song [“If I Die Young”] with you every night,” Kimberly Perry told the cheering fans on stage. In the Media Room, she added, “The CMA’s have always been the Super Bowl in The Band Perry household. So we feel like we just won the Super Bowl.”

Sugarland

“There’s no way we should be singled out among the groups on that [nominee] list,” said Lady Antebellum’s Dave Haywood in gratitude for their win. Lady A is preparing to launch a tour to support its new CD, Own the Night. “It’s a culmination of what the past five years have been for us,” said the group’s Hillary Scott backstage. “We’ve rehearsed for three weeks. We’re really excited. We drew out the stage design on a paper plate, and now it’s come to life.”

“The fans saved our lives this year,” said Sugarland’s Kristian Bush. Backstage, Jennifer Nettles explained that after August’s fatal audience accident in Indiana, the duo’s fans helped in the healing process: “We’re thankful and counting our blessings.”

Despite this being the duo’s fifth consecutive win, she added that they do not take anything for granted: “You can’t expect anything in this industry. If you do, you’re setting yourself up.” Kristian added, “You appreciate all the work that all the other acts are putting in. You’re just happy to be here with them.”

Glen Campbell and wife

One of the most moving segments of the telecast was the tribute to Glen Campbell by Vince Gill, Keith Urban, Brad Paisley and Jimmy Webb. It was even more heartbreaking backstage when it became clear that Glen, who has Alzheimer’s Disease, did not recall meeting them. He is courageously continuing his farewell tour, which comes to the Ryman on Nov. 30 and Dec. 5. “I’ve got my three kids with me, and they’re my musicians now,” he reported. “That way, I can get them cheaper!”

As shoulder-to-shoulder as we were in the Media Room, those covering the Red Carpet arrivals were allotted practically inches to stand in. Out there, we learned that Alabama’s Mark Herndon is now drumming for Leah Seawright. The husband/wife duo Thompson Square was thrilled to be there, since this was Shawna & Kiefer Thompson’s first such experience. Shawna has ditched the zebra-striped hair look and gone with black tresses.

It was quite amusing when Tim McGraw & Faith Hill arrived. Fans shrieked, and photographers practically shoved the preceding TV star aside. Which proves that we don’t need to import award presenters from another medium. Except we love ESPN’s Erin Andrews and St. Louis Cardinals World Series MVP David Freese.

Martina McBride arrived in a purple sequined evening jacket. Ginnifer Goodwin (ABC’s Once Upon a Time) was in a flouncy, black-and-white, strapless cocktail dress. Kellie Pickler was lean and lovely in a sky-blue, body-conscious evening gown. Kimberly Williams Paisley wore a vivid red satin number with off-the-shoulder straps.

LeAnn Rimes was gorgeous in an icy white sparkling gown with cascading ruffles. Carrie Underwood was sparkling in a gold creation, one of 1,000 costume changes for her that night. Laura Bell Bundy hosted the pre-telecast ceremony in a blue-and-beige sequined top with a plunging neckline and a full, flowing, azure chiffon skirt that had a slit up to her waist revealing the top was a bathing suit.

Laura Bell announced the Video win, as well as Mac McAnally’s fourth consecutive Musician of the Year honor. “I’m not sure I belong in the same zip code with these other players,” he remarked of his competition. The Radio winners were also announced pre-tel.

Then the telecast began. Brad Paisley and Carrie Underwood were at their funniest as hosts. The recent Hank Williams Jr. football flapdoodle was mocked, and he hilariously appeared to join in the fun. The Tim & Faith Barbie dolls were a stitch. In the audience, Tim blushed beet red, while Faith howled. Miss Piggy and Little Jimmy Dickens as “Baby Justin Bieber” were also a hoot.

Four women twirled on silks overhead while Sara Evans sang. Every time the camera went to Sara, the men in the Media Room howled in protest. Martina McBride, Eric Church and Chris Young were standouts. So was Greg Allman with The Zac Brown Band. Of Lady A, all I can say is “Wow.” “Footloose” with Blake and Kenny Loggins was a pop-retread dud. The producers showed a stunning lack of imagination by employing pyro, again, for Miranda’s spot.

Although the audience seemed lukewarm about it, I thought Sugarland’s collaboration with Matt Nathanson was stunning. After I get done writing this, I’m seeking out his debut pop CD. The press room was divided as to whether Natasha Bedingfield was wearing a Muppet or a discarded 70’s shag carpet during her duet with Rascal Flatts.

Here are some moments to remember from the lower levels of the Bridgestone Arena. Kris Wilkinson wrote the arrangements for the Glen Campbell tribute, but was still starstruck to see him backstage. Glen sweetly talked in “Donald Duck” voice to Luke Lewis’s little daughter Georgia when they were introduced. Rac Clark (Dick’s son) is a newlywed. “Third time’s the charm,” he said. I can’t wait to call my brother in Pittsburgh to tell him I pee’d in the men’s room next to Steelers legend Terry Bradshaw. “Just tell him we hung out together,” Terry suggested. I urged him to make a new country record. “A comeback at age 63?” he responded. “Just look at Loretta,” I replied.

Mingling in the madness were Ray Sells, Vanessa Sellers, Becca Walls, Colt Ford, Peter Cooper, Kay West, Mark Humphrey, Tom Roland, Dan Vandandingham (who pointed out to Taylor that his last name has 13 letters), Jake Owen, Reese Witherspoon, Deborah Evans Price, Ken Tucker, Hunter Hayes, Tony Brown, Teddy Gentry, Storme Warren, Greg Travis, George Walker IV, John Dwyer, Holly Gleason, our Media Room hosts Wendy Pearl and Gary Voorhies, Chuck Aly, Phyllis Stark, Wes Vause, Vernell Hackett, Paula Erickson, Brad Schmitt, Brian Mansfield, Beverly Keel, Tree Paine and Lucas Hendrickson.

We celebrated our own when Jessie Schmidt announced that Fox News’s Ashley Dvorkin was this year’s CMA Media Achievement award winner, and when Bob Doerschuk gave the CMA Close Up Award of Merit to student photographer Bennett Farkas.

FOX News Channel entertainment producer Ashley Dvorkin was presented the 2011 CMA Media Achievement Award backstage in the media center during the "The 45th Annual CMA Awards." Pictured (l-r): Wendy Pearl, CMA VP of Corporate Communications; Dvorkin: and Jessie Schmidt, CMA Board member. Photo: Alexa Sullivant / CMA

CMA Awards—And The Winners Are…

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The 45th Annual CMA Awards airing live last night (Nov. 9) on ABC awarded the following winners. (Winners noted in bold red.)

Entertainer of the Year
Jason Aldean
Brad Paisley
Blake Shelton
Taylor Swift
Keith Urban

Female Vocalist of the Year
Sara Evans
Miranda Lambert
Martina McBride
Carrie Underwood
Taylor Swift

Male Vocalist of the Year
Jason Aldean
Kenny Chesney
Brad Paisley
Blake Shelton
Keith Urban

New Artist of the Year
The Band Perry
Luke Bryan
Eric Church
Thompson Square
Chris Young

Music Video of the Year
“Honey Bee” Blake Shelton, Directed by Trey Fanjoy
“If I Die Young” The Band Perry, Directed by David McClister
“Mean” Taylor Swift, Directed by Declan Whitebloom
“Old Alabama” Brad Paisley featuring Alabama, Directed by Jim Shea
“You and Tequila” Kenny Chesney featuring Grace Potter, Directed by Shaun Silva

 

Musical Event of the Year
“As She’s Walking Away” Zac Brown Band featuring Alan Jackson, Southern Ground Artists/Atlantic Records
“Coal Miner’s Daughter” Loretta Lynn, Sheryl Crow, and Miranda Lambert, Columbia Records Nashville
“Don’t You Wanna Stay” Jason Aldean with Kelly Clarkson, Broken Bow Records
“Old Alabama” Brad Paisley featuring Alabama, Arista Nashville
“You and Tequila” Kenny Chesney featuring Grace Potter, BNA Records

Vocal Group of the Year
The Band Perry
Lady Antebellum
Little Big Town
Rascal Flatts
Zac Brown Band

Album of the Year (Award to Artist and Producer(s))
All About Tonight, Blake Shelton, Produced by Scott Hendricks, Warner Bros. Nashville
My Kinda Party, Jason Aldean, Produced by Michael Knox, Broken Bow Records
Speak Now, Taylor Swift, Produced by Nathan Chapman and Taylor Swift, Big Machine Records
This Is Country Music, Brad Paisley, Produced by Frank Rogers, Arista Nashville
You Get What You Give, Zac Brown Band, Produced by Keith Stegall and Zac Brown, Southern Ground Artists/Atlantic Records

Vocal Duo of the Year
Civil Wars
Montgomery Gentry
Steel Magnolia
Sugarland
Thompson Square

Song of the Year
“Colder Weather,” Zac Brown, Wyatt Durrette, Levi Lowrey, and Coy Bowles
“Dirt Road Anthem,” Brantley Gilbert and Colt Ford
“If I Die Young,” Kimberly Perry
“Mean,” Taylor Swift
“You and Tequila,” Matraca Berg and Deana Carter

Single of the Year (Award goes to Artist and Producer(s))
“A Little Bit Stronger” Sara Evans, Produced by Tony Brown, RCA Nashville
“Colder Weather” Zac Brown Band, Produced by Keith Stegall and Zac Brown,
Southern Ground Artists/Atlantic Records
“Don’t You Wanna Stay” Jason Aldean with Kelly Clarkson, Produced by Michael Knox, Broken Bow Records
“Honey Bee” Blake Shelton, Produced by Scott Hendricks, Warner Bros. Nashville
“If I Die Young” The Band Perry, Produced by Paul Worley, Republic Nashville

Musician of the Year
Sam Bush – Mandolin
Jerry Douglas – Dobro
Paul Franklin – Steel Guitar
Dann Huff – Guitar
Mac McAnally – Guitar

CMA Broadcast Award winners were revealed in October, and the winners are here and here.

Bobby Karl Works The BMI Awards

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Dallas Davidson and Rhett Akins were named Songwriters of the Year and co-wrote Song of the Year "All Over Me," recorded by Josh Turner. Pictured are (l-r): BMI’s Clay Bradley, Davidson, BMI President & CEO Del Bryant, EMI Music Publishing’s John Platt and Ben Vaughn, Turner, Akins, EMI Music Publishing’s Tom Luteran, and BMI’s Jody Williams. Photo: John Russell

Chapter 383

More Stars Than There Are in the Heavens.

Underwood on the red carpet.

That was the slogan at MGM Studios during Hollywood’s golden age, but for country lovers, it was also true at the BMI Awards on Tuesday evening (11/8). Get this:

Jason Aldean, Gary Allan, Bill Anderson, John Anderson, Rodney Atkins, Hall of Fame Steelers quarterback and country songwriter Terry Bradshaw (!), Kix Brooks, Luke Bryan, Kristian Bush of Sugarland, Kenny Chesney, Billy Currington, Jay DeMarcus of Rascal Flatts, Ralph Emery, Vince Gill & Amy Grant, Lady Antebellum, Miranda Lambert, Little Big Town, Martina McBride, Craig Morgan, Jerrod Niemann, pop star John Oates, Paul Overstreet, Jake Owen, Randy Owen of Alabama, Blake Shelton, Ray Stevens, Taylor Swift, Carrie Underwood, Keith Urban & Nicole Kidman, Clay Walker, Lee Ann Womack and Chris Young.

And that’s just scratching the surface. I’ll tell you more in a moment.

Georgia Peach Pickers band mates Dallas Davidson and Rhett Akins, who are frequent songwriting collaborators, tied for BMI Country Songwriter of the Year. They held their twin trophies high and were presented with custom Martin guitars.

“Wow, it really actually happened,” said a beaming Dallas. “This is a Big Deal. I thank the writers in this room for teaching me about craftsmanship. This is the best night: I was the worst waiter that Nashville, TN has ever seen. I accept this award representing the State of Georgia. God bless country music.”

“This is unbelievable,” Rhett exclaimed. “I’m a singer and a songwriter, but I’m a fan first of all. I want to thank Joe Nichols, Blake Shelton, Josh Turner, Rodney Atkins and Luke Bryan for recording our songs. Wherever Hank Williams Jr. and George Strait are tonight, you’re the reason I’m standing up here. I love Nashville!”

Sony/ATV Music Publishing was named Publisher of the Year. This is the company’s 10th consecutive win and its 35th time to win through BMI history overall.

The BMI Country Song of the Year was presented for the first time as the Frances W. Preston Award. Frances received a standing ovation when she was introduced as, “the best friend a song ever had.”

Braddock accepts his BMI Icon award.

The trophy went to “All Over Me,” the Josh Turner hit co-written by Rhett and Dallas. Their other winning songs were “Farmer’s Daughter” (Dallas), “Rain Is a Good Thing” (Rhett) and (together) “All About Tonight,” “Gimmie That Girl” and “The Shape I’m In,” as well as “All Over Me.”

The biggest award of the evening went to new Country Music Hall of Fame member Bobby Braddock, to whom the evening was effectively dedicated. He is the 2011 BMI Icon.

“We will not stop loving him today, or any other day,” said Del Bryant.

“When I was a teenager, I would read Billboard magazine every week and memorize the charts,” Bobby reminisced. “I noticed that all my favorite country and rock ‘n’ roll records were with BMI. I wanted to become a BMI writer. That’s the truth….We are so lucky. We get to earn a living doing something we love, writing songs.”

Throughout the awards show, the certificate presentations paused for performances of Bobby’s gems. Pistol Annies did a super countrified “D-I-V-O-R-C-E.” Blake Shelton, who was discovered and first produced by Bobby, chose a humorous and obscure title, “Same Old Song.”

John Anderson delighted the crowd with “Would You Catch a Falling Star.” LeAnn Rimes and Vince Gill teamed up for the iconic “He Stopped Loving Her Today.” Singing a torchy lead, LeAnn reached down into her lower register and totally nailed it. Martina led the standing ovation.

Gill and Rimes salute Braddock with a splendid rendition of "He Stopped Loving Her Today."

“To hear these new interpretations of these old songs just thrills me,” said Bobby.

The musical interludes helped the evening move along smoothly. When you’re giving out 50 awards, things can get a mite tedious. Musical punctuations made the extravaganza seem much livelier.

As usual, the BMI garage was utterly transformed for the occasion. Now it can be told: The mastermind behind the opulent décor is BMI’s own Bucky Farnor.

The garage columns were covered in mirrors with glowing, fabric shaded lights clustered above each. Masses of violet hydrangeas, green anthurium blossoms, lime mums, purple winter cabbage heads, greenery and tall peacock feathers were arranged at the bases. The center stage was ringed with amber light strands and greenery. Two giant floral towers topped with tall stuffed peacocks flanked the band stage.

“We’re proud as peacocks,” explained Del. “There’s a theme here. We are proud to represent your works and proud to be your family and your friends.”

Urban and Kidman arrive at the BMI Country Awards.

Lime green tablecloths held silver candelabras dripping with crystals on elegant beaded chargers as the centerpieces, surrounded by pale blue glass votives. Dazzling guitarist Guthrie Trapp played as we took our seats. He was ear ecstasy.

I promised I’d drop more stellar names. Among those seated at those tables were The Band Perry, Big Kenny, Josh Thompson, James Otto, Mark Collie, Lauren Alaina (it was her 17th birthday, what a party), Brantley Gilbert, Dailey & Vincent, Eden’s Edge, Kip Moore, Scotty Emerick, members of the Zac Brown Band, Sarah Buxton, Jennifer Hanson & Mark Nesler, Gerry House, Terry McBride, Jack Ingram, American Idol alumnus Casey James, Keith Stegall, Hunter Hayes, Del McCoury & Ronnie McCoury, Brett Eldredge, Lee Roy Parnell, Sam Bush, new Nashville Songwriters Hall of Fame inductee Thom Schuyler, Deborah Allen, Dickey Lee, Al Anderson, Sandra Lee and The Warren Brothers.

“Welcome to the 59th BMI Country Awards,” Del proclaimed. “This room is beautiful, and you are beautiful in it.”

BMI awards host Jody Williams proposed a toast to all the wives, husbands, girlfriends, boyfriends, parents and pas who support struggling songwriters.

“Welcome to the greatest cocktail party in country music,” said Clay Bradley. He pointed out that 16 writers were winning their first BMI country awards this year: “There is nothing like being embraced by the Nashville songwriting community.”

That night, the community included Michael Kosser, Mike Hollandsworth, Mike Vaden, Mike Milom, Tom Shapiro, Tom Collins, Bob Montgomery, Bob Doyle, Bob Schieffer (yes, the Face the Nation TV star is a BMI country songwriter, too), Bob Beckham, Red Lane, Lane Brody & Eddie Bayers, Scott Hendricks, Sandi & Scott Borchetta (who just won a T.J. Martell Award in New York), Norro Wilson, Wally Wilson and his fellow double-initials Luke Laird, Luke Lewis, Fletcher Foster and Dean Dillon.

Also attending the gala were Mark Bright, Mark Wright, Jim Foglesong, James Stroud, John Wiggins, Jerry Crutchfield, Jeff Stevens, Even Stevens, Frank Liddell, Dick Frank (did you know he is the king of daffodil growers?), Dennis Morgan, Don Henry, Rod Essig, Ron & Regina Stuve, Roy Wunsch & Mary Ann McCready, Lewis Anderson, Sherod Robertson, Cindy Heath, Joe Galante, Jo Walker-Meador, Tim Nichols, Jerry Bradley, Anastasia Brown, Clint Higham, Greg Fowler and the mono monikered Angelo and Busbee.

Former BMI honcho Roger Sovine attended, arriving from L.A. (Lower Alabama, where he is retired). Dale Morris talked about his talented new bi-lingual management client, Andy Gibson. Josh Leo had his new production client with him, singer Morgan Tobias. Kent Blazy, Larry Henley, Walter Campbell, Bruce Hinton (also retired, to both Sun Valley and Mexico), Kyle Young, Ansel Davis, David Wykoff, Becky Harris and Sherman Halsey worked the room.

Looks we liked: Allison Jones wore a ruched eggplant-hued, body-conscious cocktail dress with a plunging bodice. Red-haired Phran Galante donned an eye-popping, red-orange creation with slashed sleeves. Leggy Nicole Kidman was breathtaking in a figure-hugging, floor-length red & white gown with a dramatic, asymmetrical neckline. Ashley Monroe chose a beige mini dress with starburst, silver-sequined designs and long fringe dripping from the hem.

Taylor Swift accepts for "Back To December."

Natalie Hemby looked great in a floor-length, draped evening gown with dramatic alternating red and black panels. Miranda Lambert was in a black ruched cocktail dress with lace bodice, sleeves and back. Carrie Underwood glowed in silver-and-black shiny tiger stripes on a tight mini dress. Butch Baker dusted off his dad’s 60-year-old gold brocade tux jacket. Tall Taylor Swift showed off a plum-purple, patterned, long-sleeved, glittering, sequined mini dress. She’ll be named Billboard’s Woman of the Year in December. Blake Shelton was in a crisp white shirt with rolled sleeves, a red tie, a navy vest and blue jeans. Eternally young Connie Bradley wore a vivid red evening jacket.

Ree Guyer Buchanan was in a clingy, floor-length ebony jersey gown and extra-long, sparkling earrings. Martina McBride was a knockout with her upswept hair and halter-necked, flowing evening gown in autumn tones of umber and ochre. The chiffon creation had a wafting train and was gathered with a jewel clasp at the waist. Hubby John McBride wore a dark velvet corduroy jacket.

The salad was a meal in itself – artichoke, roasted red pepper, Portobello mushroom, baby greens, goat cheese, pumpkin seeds, roasted yellow pepper and zucchini. We dined on beef medallions over mashed potato and excellent crab cake plus asparagus spears, baby carrots and roasted cherry tomatoes.

Desserts were served downstairs in the BMI lobby. We were serenaded there by Hall of Famer Harold Bradley & The All Star Band. The repertoire? Why, BMI country classics, of course. Singer Chuck Mead did the chestnuts proud.

Fun facts to know and tell: With 500-some workers, BMI is the largest employer on Music Row. In 1953, BMI became the first-ever organization to give awards to country writers and publishers.

 

ABC, CMA Renew Broadcast Agreement

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The ABC Television Network and the Country Music Association have extended their broadcast agreement through 2021. This morning’s announcement on the day of the CMA Awards (11/9), was made by ABC Entertainment Group President Paul Lee and CMA Chief Executive Officer Steve Moore. The new agreement assures broadcasts of the CMA franchises including the CMA Awards, the CMA Festival: Country’s Night to Rock, and the CMA Country Christmas for another decade.

This follows a bidding war between the major networks.

The 45th Annual CMA Awards, hosted by Brad Paisley and Carrie Underwood, will air live tonight on ABC from Nashville’s Bridgestone Arena.

CMA Country Christmas, hosted by Jennifer Nettles of Sugarland is scheduled to air Thursday, Dec. 1 (9:00-11:00 PM/ET) on ABC. The two-hour television special will tape in front of a live audience tomorrow (11/10) at 7:30 PM/CT at the Bridgestone.

Nashville For Sale: Albums, Labels and Publishers

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Usually when reporting the weekly Nielsen SoundScan results we deal in facts, data, calculations and tabulations. However, this week the verifiable facts are only a small fraction of the equation. “What ifs” are flooding the horizon like a tsunami of change headed for the music industry overall and therefore Nashville…. But first let’s look at what we know: the Wednesday morning facts.

According to the numbers, and as shown on the above chart, YTD country music album sales continue to lose ground dropping from last week’s 5.6% ahead to 4.2% this week. Country is starting to come into parity with the industry overall which is ahead 3.4%. Readers of this column likely know why and expected to see this downward drop because last year at this time Taylor Swift released Speak Now which sold over one million units and there is nothing on this year’s list to challenge that, so far. Miranda Lambert’s creative tour de force Four The Record debuted this week with slightly over 133k units, more than double her last outing, but a far cry from offsetting our growing units deficit. Overall country album sales for the week were about 855k.

As we prepare for tonight’s CMA Awards and on the heels of celebrating the songs and songwriters responsible for driving the sales of our industry at SESAC, ASCAP and BMI over the past three evenings, news continues to surface that could/would reshape the country music landscape and conceivably have far reaching effects…

According to Bloomberg.com’s Andy Fixmer (11/8), Sony is actively negotiating to purchase Big Machine Records, founded by Scott Borchetta in 2005 and home to Taylor Swift. Valuations discussed in the article place the label group at around $200 million.

According to the article, “Negotiations are at an early stage and an agreement may not be completed. Universal Music Group also may enter the bidding, one of the people said. Borchetta, with a roster of the biggest country acts, would run Sony’s Nashville, Tennessee- based operation as part of the sale, the people said.”

The New York Times reported (11/7) on new Sony leader and 72-year-old industry vet, Doug Morris. In its article it notes that Morris in aggressively trying to dominate the industry. “My plan here is very simple,” Morris says. “To help create the pre-eminent record company in the world.” Last week Morris signed producer Dr. Luke to Sony and created a new record label Luke will run, Kemosabe Records. (Luke will no longer be able to work with EMI’s Katy Perry under the new deal.) The article also states, “Late last year, Mr. Morris stunned the industry when it emerged that he would take over Universal’s biggest competitor, going head-to-head against his former protégé, Lucian Grainge, Universal’s new chairman. The two are expected to bid aggressively for artists and for Cash Money and Big Machine, two independent labels whose distribution deals with Universal are expiring soon.”

Meanwhile EMI Records and EMI Music Publishing remain in play. Unconfirmed reports place the publishing company moving to Sony ATV as the result of a late night, last night deal. Sony ATV’s Marty Bandier reportedly was scheduled to be at the BMI awards where his company was named Publisher of the Year, but cancelled his trip at the last minute to firm the deal.

Analysis: Speculation does not create a good basis for informed analysis. However, the EMI publishing offering has been quite public, and seems destined to happen soon, even if the buyer remains unconfirmed. The consolidation of two top dog publishers is certain to realign the creative community in Music City. On the label side, the impending absorption of EMI Records and possibly Big Machine is also sure to involve a game of musical chairs.

Despite a cheery upbeat article in the Tennessean last Sunday stating that country music sales are ahead and quite healthy, insiders know that is is not the case. “Flat” is the very best one could say at this time, and if you get label heads together, off the record, they will get quite a bit less enthusiastic. While the SoundScan numbers appear flat, one must remember that album prices have fallen, margins have shrunk and costs of doing business continue to rise. Squeeze

However, despite the possible impending changes, if the previous three nights in Nashville have shown us anything, it’s that our town’s creative voices are strong and vibrant. Writers, artists and producers continue to make meaningful emotion-packed music. As long as that force remains intact, Nashville’s future will be just fine.

DISClaimer Single Reviews (11/9/11)

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Considering that this is Country Music Week, you’d think some big-time stars would be shooting across the sky with new music.

Instead, it’s the indie community that is bringing its A-game. Canadians Aaron Lines, Deric Ruttan and Charlie Major are all here with dandy, up-tempo tunes.

Nashville’s own Kelly Lang & T.G. Sheppard are even better. Drawn from Kelly’s new 11:11 CD, their powerful duet is the Disc of the Day.

There are two promising newcomers to report to you. Barry Michael and Jared Ashley both bow in the column this week. Jared Ashley wins the DisCovery Award. Someone in Becky Harris’s office sent his CD to me, and I always like what Chris Young’s mom likes.

BARRY MICHAEL/Uncountrify Me
Writer: Barry Michael/Corey Barker; Producer: Kimo Forrest; Publisher: BS Works/Corey Lee/Myohana, ASCAP/BMI; Stockbridge (www.stockbridgerecords.com)
—He sings with clarity and sincerity. Kimo’s production, as usual, is exemplary. The song is listenable and decent enough, but is hardly undeniable. Find a hit.

KATIE ARMIGER/Scream
Writer: Katie Armiger/Sarah Buxton/Blair Daly; Producer: Blair Daly; Publisher: Purple Monkeys/We’re Going to Maui/Internal Combustion/Southside Independent/Kickin Grids, SESAC/BMI; Cold River
—She keeps it together in public, but when she’s alone, she lets it all out. Katie is in peak form vocally on this range-y power ballad. Solid work.

JARED ASHLEY/Stained
Writer: Jared Ashley/Nick Sturms; Producer: Bobby Terry & Jared Ashley; Publisher: none listed; 615 Entertainment (track) (www.jaredashley.com)
—Jared is a Georgia boy who has evidently garnered a good following in his home state. His disc debut features this moody mid-tempo outing. She feels like damaged goods, but he assures her that she is stained beautifully, like a church window. His performance is nicely shaded, varying from almost whispered passages to near shouts of passion.

GLEN CAMPBELL/Ghost On The Canvas
Writer: Paul Westerberg; Producer: Julian Raymond & Howard Willing; Publisher: Dry Wood/Bug, ASCAP; Surfdog (track) (www.glencampbellmusic.com)
—Glen’s new video is for the title tune of his superb finale as a recording artist. Like his classic hits, the song has a soaring, catchy melody and an instantly memorable chorus embellished with sky-high strings and prominent guitar. Awesome stuff. Did I mention that I am a lifelong fan?

JULIE ROBERTS/NASCAR Party
Writer: Julie Roberts/Thom Hardwell/Nick Trevisick; Producer: none listed; Publisher: Aint Skeerd/Sweet Ruby Reid/Lilolam, SESAC/ASCAP; JR (track) (www.julieroberts.com)
—Julie’s new Alive CD concludes with this rousing stomper. Do I hear a national sports anthem, here? Heck, she even name-checks all the tracks.

JULIE INGRAM/Thank God
Writer: Julie Ingram/Frances Wainwright; Producer: Jay Vern & Julie Ingram; Publisher: Summit Partners/INXS, BMI/ASCAP; LongShot (track) (www.julieingram.com)
—The rest of the title is, or should be, “for Mom and Dad.” It’s a slo-o-o-w piano ballad about all the good advice she got from her parents. I nodded off.

KELLY LANG & T.G. SHEPPARD/Dead Girl Walking
Writer: Kelly Lang; Producer: Kelly Lang; Publisher: Kelly Lang, BMI; Leopard Entertainment (track) (www.kellylang.net)
—Considering the cancer battle Kelly and husband T.G. have been through, the title is a little unnerving. But the lyric is about romantic abandonment, not her physical condition. Kelly’s melody for it is absolutely sumptuous, and both of them sing the fire out of this swirling, fevered festival of emotion. Hang on for the bridge, when the production really starts to build. Heart gripping.

CHARLIE MAJOR/Keep On Livin’
Writer: none listed; Producer: none listed; Publisher: none listed; MDM (ERG)
—Charlie is a big star in Canada. I don’t see any reason why this friendly, upbeat, good-advice rocker couldn’t translate to audiences south of the border.

AARON LINES/Sunday Afternoon
Writer: none listed; Producer: none listed; Publisher: none listed; On Ramp (ERG)
—Aaron returns with this smile-a-minute, romantic bopper performed with hearty positivity. I like his slips up into falsetto notes on the choruses and urgent breathiness in the verses. Loaded with hooks.

DERIC RUTTAN /She’s Like A Song
Writer: none listed; Producer: none listed; Publisher: none listed; Black T (ERG)
—Ruttan is a successful Music Row songwriter who dips his toes into the artists’ pond once again with this well-produced romper. I like the thumping percussion and the guitar riffs. His voice isn’t all that memorable, but he sells this just fine.

Bobby Karl Works The SESAC Awards

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(L-R): SESAC's Trevor Gale, Anthony Smith, Hillary Scott, SESAC's Pat Collins and Tim Fink. Photo: Ed Rode

Chapter 382

On Monday night (11/7), the word of the day was glamour.

In recent years, the annual SESAC Nashville awards gala has been steadily gaining on its larger PRO competitors in terms of elegance and sophistication. That evening, the organization took flight from its previous Music Row headquarters tent, soaring upward to the 21st floor of The Pinnacle office tower downtown. Every sense was stimulated as a result – the look, the sound, the taste and the feel were all first class.

To no one’s surprise, Lady Antebellum’s Hillary Scott was named SESAC’s country Songwriter of the Year. She not only co-wrote her million-selling group’s “Just a Kiss,” “Our Kind of Love” and “Need You Now,” but also the Sara Evans smash “A Little Bit Stronger.”

“This award goes to someone near and dear to my heart,” said SESAC’s Tim Fink. “She’s not only a great artist, a superb vocalist and a consummate entertainer; she’s also a superb human being. She’s one of the sweetest and most genuine individuals you could ever hope to know.”

Hillary works for the charity MyLife Speaks, which aids the devastated children of Haiti. Tim announced that SESAC is donating to it in her name.

“I’m so honored to be here and honored to be a part of this organization,” Hillary responded. “It means the world to feel so loved. I’m speechless.”

Hillary attended with her handsome fiancée Chris Tyrrell, proud parents Lang Scott & Linda Davis, her little sister Rylee Jean Davis and folks from her publishing family, EMI Foray / Hillary Dawn Songs, which was named Publisher of the Year.

Newly minted country star Chris Young introduced the Song of the Year winner, “Tomorrow,” co-written with Anthony Smith.

“This is pretty cool, because I don’t have to talk about myself,” said Chris. “I get to talk about one of my truly best friends, Mr. Anthony Smith. I really do thank God that he put me in the room that day with Anthony and Frank Myers. That song set the tone for my whole album. Every song had to measure up to it. It’s one of the songs I’m most proud of.”

The awards ceremony began with greetings from SESAC’s Pat Collins. Then Craig Campbell sang his amusing, award-winning “Fish.”

Trevor Gale pointed out the rising number of stars who are cutting SESAC songs. Tim Fink added that SESAC is the only PRO that gives recognition to the Americana genre. This year’s AMA show will be nationally televised for the first time. It airs on Nov. 19 on PBS as a special edition of Austin City Limits. The word “Americana” as a musical description is now in Webster’s Dictionary. Amy Beth Hale is SESAC’s Americana and bluegrass point person, by the way.

SESAC 2011 Americana awards will be sent to Jonathan Byrd, Hayes Carll, Seth Avett, Bob Dylan and Colin Brooks. Jim Lauderdale was there to receive his in person. He sang “I Lost You,” which was recorded and co-written by Elvis Costello.

“I feel like I’m at the Pinnacle of my career,” Jim quipped about the lofty party space. “Thank you to SESAC for putting the CAN back in AmeriCANa.”

MusicRow received a shout-out for celebrating its 30th anniversary. SESAC was the magazine’s very first advertiser when the publication began.

Shannan Hatch and John Mullins joined Tim in presenting the country awards. Superstar Ronnie Dunn sang the soulful workingman’s lament “Cost of Living,” co-written by SESAC’s Phillip Coleman.

“That’s a perfect song finding a perfect singer,” observed Tim.

Other winning SESAC country songs included “Amen,” “Til Summer Comes Around,” “Family Man,” “Beautiful Every Time” and “Gotta Get to You.”

But let’s get back to the sheer stylishness of the event. The Pinnacle’s 21st floor’s greatest feature is, of course, the views of the glittering lights of the city beneath on all sides. It is an open, industrial space that was draped with yards of white drapery, up-lit in tones of blue and green. Silver square cocktail tables were lit from within in varying hues. Upholstered white benches were placed at window views. Glowing light from votive candles and pillar candles in vases filled with white orchids infused the space.

Palm fronds backed the bar stations. Against one wall was a row of art-glass “chandeliers” dangling over large, white-on-white floral arrangements. During cocktails, the wait staff circulated with bacon-wrapped quail, mozzarella-and-pesto stuffed grape tomatoes and mini shrimp cakes.

The dining room held tables covered in silver cloths with satin spiral ribbon appliqués. Silver chargers were round on the rectangle tables and square on the round ones. The chairs were silver, too.

The centerpieces were glass cubes holding white hydrangea blossoms, white anthurium (a.k.a. “flamingo flower”), white orchids and white cabbage heads, surrounded by votives in vases filled with clear glass chips. Very classy. They didn’t have to go far for those floral embellishments – They came from Oshi, located in The Pinnacle’s lobby.

Anna Wilson, as always, was at the forefront of the fashion statements. She wore a faux fur white stole over a tiered satin short-length sheath, accented by black horizontal darts, black gloves, a black clutch and her spiffy escort, Monty Powell. Jayne Rogovin was right up there, too, wearing a vintage, taupe, Oscar de la Renta pants suit with a lace motif and an Alberta Ferretti velvet coat of many colors. Kristi Rose wore a black, cut-velvet tunic and ‘60s stiletto boots, while hubby Fats Kaplan was in a vintage russet tux jacket with a black satin shawl collar.

Caroline Davis was a dish in her one-shoulder patterned satin cocktail dress with a floral pattern. Its trim cut reminded her of Mad Men, she said. Joey Martin looked smashing in her floor-length black jersey gown with a wide, low-slung leather belt, white fringed mini shawl and overall-wearing escort, Rory Lee Feek. John Briggs was stylish in pin stripes. Debbie Carroll chose a sleek, black, lace cocktail dress. Pat Finch was in a vintage white tux jacket.

Linda Davis was radiant in an electric blue draped-silk top with cutaway sleeves. Iodine’s Susanne Mumpower was in a black vinyl mini dress, which contrasted with her ice-blonde hair and ruby lips. She was accompanied by husband Jamie Johnson of The Grascals. Her album, by the way, is essential listening, a riveting experience.

Mingling fabulons included Charlie Stefl, Charlie Monk, Jason Morris, Ed Morris, Tom Baldrica, Tom Luteran and Thomm Jutz. The latter is the co-producer of the multi-artist Civil War CD 1861. German born, he recently, proudly gained his American citizenship.

Gilles Godard, Gil Grand, Billy Block, Rocky Block (his son, growing up fast), Benita Hill, Jed Hilly, Al Moss, Arlos Smith, Ashe Underwood, Arthur Buenahora, Tinti Moffatt, Tim McFadden, Troy Tomlinson (losing weight stylishly, via a nutritionist), Blaine Larsen, Ben Vaughn and Bernie Nelson worked the room. Bernie introduced me to his latest collaborator, 14-year-old Easton Hamlin, who has moved here from western Kansas to improve his songwriting. That’s what I said, 14, and he’s already been writing for three years.

Also schmoozing: David Macias, Donna Duarte, Susan Stewart, Ron Cox, Kari Estrin, Woody Bomar, Peter Cronin, Noah Gordon, Victoria Shaw, Garth Fundis and Steve Williams, who has the new Oak Ridge Boys single, “Whatcha Gonna Do,” plus Mike Dungan, Karen Oertley, Nancy Shapiro, Jerry Salley, Lance Miller, Catt Gravitt and Hank Adam Locklin.

The City National Bank team was out in full force – Holly Bell, Diane Pearson and Lori Badgett were introducing their boss Martha Henderson to her first Country Music Week. “It’s not how much music you like, it’s how much can you stand?” I advised her.

I love it when they provide menu cards. It makes me sound so cultured. We dined on a first course of seasoned greens with feta cheese, toasted pine nuts, wild mushroom and roasted pear turnover with fig vinaigrette. The main course was red wine braised beef short rib, mahi mahi with lemon beurre blanc, aged cheddar grits and haricot verts (that’s green beans to you, Bub) with caramelized onions and toasted walnuts. The dessert was a yummy lemon mousse pot de crème with blueberry pudding cake.