Parmalee Hits No. 1 On MusicRow Radio Chart

“Take My Name” by Parmalee earns a No. 1 Challenge Coin this week on the MusicRow CountryBreakout Radio Chart. This is the group’s first MusicRow No. 1.

“Take My Name” appears on the group’s third album, For You, which was released in July of 2021 via Stoney Creek Records. The single was written by Ashley Gorely, David Fanning, Ben Johnson, and the band’s vocalist Matt Thomas.

“From the jump, the fans have really latched onto this song in such an amazing, life-changing way. Our fans have been the reason for so many of our own major milestones, so it means that much more to us that folks are our song for their proposals and weddings and allowing us to be a part of those major moments in their lives,” says Thomas.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Industry Ink: Whiskey Myers, AIMP, BMI, ORiGiN Music Publishing

Whiskey Myers Makes Red Rocks Debut With A Wave Of New RIAA Certifications

Pictured (L-R, back row): Eddie Kloesel (Manager, WHY&HOW), Meredith Jones (Agent, CAA), Jamey Gleaves, Jeff Hogg, Cody Cannon, John Jeffers, Bruce Kalmick (Manager, WHY&HOW); (L-R, front row): Tony Kent, Cody Tate. Photo: Khris Poage

Whiskey Myers made their Red Rocks debut earlier this week (June 6) with a sold-out crowd of 9,525.

Delivering 19 genre-bending songs over two hours of music, the six-piece was also surprised pre-show with plaques celebrating four brand-new RIAA certifications. “Stone,” “Ballad of a Southern Man” and “Broken Window Serenade” earned Platinum distinction while “Virginia” was certified Gold.

The band takes their show to the Bonnaroo Music and Arts Festival next weekend (June 17), while continuing to make stops on their cross-country “Tornillo Tour.”

AIMP Nashville Chapter Hosts “The Evolution Of Writer Management In Nashville” Event

Pictured (L-R): ET Brown (SESAC), Chris Van Belkom (Combustion Music), LeAnn Phelan (LP Creative Management), Nate Lowery (Cornman Music), Shelby Yoder (Milk & Honey South and Top 5 Music Publishing) , Tim Hunze (Big Machine Music), Michael Martin (Endurance Music Group), Emily Boardman (AIMP Nashville Treasurer, Hipgnosis Songs), Greg Gallo (Reservoir), and Kendall Lettow (peermusic).

The AIMP Nashville Chapter recently hosted its in-person “The Evolution of Writer Management in Nashville” event on June 1 at SESAC’s Nashville offices.

The event brought together writer managers Nate Lowery (Cornman Music), LeAnn Phelan (LP Creative Management), and Shelby Yoder (Milk & Honey South and Top 5 Music Publishing) to discuss the intricacies of the ever-growing world of writer/producer management.

BMI Hosts Industry Mixer For Equal Access Participants

Indsutry Executives attend mtheory mixer hosted by BMI. Photo: John Jo

Clay Bradley and Shannan Sanders of BMI hosted a mixer at the BMI offices for participants of mtheory’s Equal Access program.

In addition to mtheory and BMI staff, attendees included those from CMT, Universal Music, Universal Publishing, Symphonic, Nashville Music Equality, The Change Agency, plus several notable songwriters and producers. The mixers serve to give the Equal Access manager and artist participants a chance to meet and work with leaders in the country music industry who want to see it evolve into a more inclusive space.

More of these events with industry partners will take place in the coming months.

Templeton Thompson & Sam Gay Sign With ORiGiN Music Publishing In Australia

Templeton Thompson & Sam Gay

Templeton Thompson and Sam Gay have inked a sub-publishing agreement with ORiGiN Music Publishing in Sydney Australia. This agreement includes their Connected at the Hit Songs and BoatPony Music catalogs.

The signing news comes on the heels of their 11 singles on the Australian country radio charts with 10 No. 1s on the iTunes Australia Country chart.

In addition to their hits in Australia, Thompson’s and Gay’s songs have been recorded by the likes of Reba McEntire, Little Texas, Montgomery Gentry, Ricky Van Shelton, and Jo Dee Messina, among others. Individually and collectively, their songs have been used in films such as Dr. Dolittle 3 and the Lifetime Christmas movie Every Other Holiday. Gay also wrote and produced the soundtrack for the film Dogs On The Inside.

“We couldn’t be more excited about this collaboration with the team at ORiGiN!” says Gay. “We’re so grateful to legendary Australian producer Rod McCormack, Aussie country icon Gina Jeffreys, Vixens of Fall and Courtney Keil for doing such an amazing job with the songs we’ve all written! The only missing piece has been a relationship with an Australian publisher. ORiGiN Music is a perfect fit to oversee our catalogs and open the door to even more creative opportunities in that part of the world.”

“We’re so blessed to be working with the wonderful folks at ORiGiN and can’t wait to see what the future holds!” Thompson adds.

BMI Throws Massive Parking Lot Party To Celebrate Nine Luke Combs Hits

Pictured: Luke Combs performs for 8,000 fans at the BMI Parking Lot Party. Photo: Erika Goldring for BMI

BMI hosted its biggest No. 1 party ever Wednesday night (June 8) to celebrate nine hits by country superstar Luke Combs.

More than 8,000 fans and industry members flooded the BMI parking lot on Music Row on the hot summer night. Attendees participated in corn hole, sampled yummy food from local food trucks, and heard from talents Hailey Whitters and Drew Parker before Combs made his way to the stage.

Along with 11 talented songwriters, Combs celebrated nine of his latest chart-topping singles: “Beautiful Crazy,” “Beer Never Broke My Heart,” “Even Though I’m Leaving,” “Does To Me, ”Lovin’ On You,” “Better Together,” “Forever After All,” “Cold As You,” and “Doin’ This.” He performed all nine songs, joined by his co-writers Thomas Archer, Wyatt Durrette, Ray Fulcher, Dan Isbell, James McNair, Shane Minor, Randy Montana, Tyler Reeve, Jonathan Singleton and Rob Williford.

Combs ended the parking lot party with a rousing sing-along of his first hit, “Hurricane.”

Pictured: Luke Combs with fellow co-writers. Photo: Erika Goldring for BMI

Pictured: BMI President and CEO Mike O’Neill, Luke Combs, and Sirius XM’s The Highway Storme Warren at the BMI Parking Lot Party. Photo: Erika Goldring for BMI

Luke Combs, Maren Morris, Morgan Wallen Among 2022 iHeartRadio Music Fest Lineup

iHeartMedia has unveiled the lineup for the 2022 iHeartRadio Music Festival set for Sept. 23-24 at Las Vegas’ T-Mobile Arena.

This year’s star-studded two-day main stage lineup will feature performances by Luke Combs, Maren Morris, Morgan Wallen, Avril Lavigne, Black Eyed Peas, Halsey, Lionel Richie, LL Cool J feat. DJ Z-Trip, Megan Thee Stallion, Nicki Minaj, Pat Benatar & Neil Giraldo, Sam Smith, The Black Keys, and more.

Chase Rice, Carly Pearce, Ryan Hurd, and plenty more are among the lineup for the Daytime Stage on Saturday (Sept. 24) at the new immersive event and entertainment district, AREA15 in Las Vegas. Other artists performing on the Daytime Stage include Maggie Rogers, 5 Seconds of Summer, Big Time Rush, Girl in Red, Lauv, Chlöe, Willow, Latto, Gayle and Lauren Spencer-Smithwith more to be announced.

The Daytime Stage will also include fan zones and interactive experiences by iHeartRadio’s brand partners.

“We’re thrilled to once again return to Las Vegas for a weekend full of great live music with this year’s Festival,” says Tom Poleman, Chief Programming Officer for iHeartMedia. “What makes this festival one of a kind is that we have the best artists from every genre of music that we play on our 860 iHeart stations all on one stage. It’s a once-in-a-lifetime chance to see so many legends performing together.”

Each night, the festival will broadcast live for fans via iHeartMedia radio stations throughout the country across more than 150 markets, and the CW Network will broadcast a two-night TV special this October. In addition, The CW will exclusively livestream both nights of the festival via The CW app and CWTV.com.

“This is the one music festival that celebrates the best in class in all genres of music,” adds John Sykes, President of Entertainment Enterprises for iHeartMedia. “Fans love this weekend because they discover new artists and the artists leave with new fans.”

Tickets are available to the general public on AXS.com beginning June 17.

13th Annual ‘Darius & Friends’ Benefit Raises All-Time High Of $516,000 For St. Jude

Darius Rucker. Photo: Acacia Evans

Darius Rucker held his 13th annual “Darius & Friends” Benefit on Monday night (June 6) at the Ryman Auditorium, followed by his corresponding golf tournament and silent auction on Tuesday, June 7.

This year’s event alone raised an all-time high of $516,000, bringing together a sold-out audience at the Ryman with at-home fans watching via live stream. This year’s successful show brings the total raised to over $3 million for St. Jude Children’s Research Hospital.

Darius Rucker and his band members. Photo: Austin Friedline

Reflecting on his first visit to the hospital in 2008, Rucker explained to the sold-out crowd, “I’m talking to one administrator and she said, ‘When you bring your kid to St. Jude, we fly you in, we put you up, we feed you and we never send you a bill.’ I started talking to people there and it’s true. That day I said, I want to do something to help. I’m doing this for St. Jude–thank you guys for coming out!”

The benefit concert, which serves as an unofficial kickoff to CMA Fest each summer, is famous for its surprise lineup of stars and this year’s guests included Sheryl CrowLindsay EllSara EvansCaylee Hammack and Rachel Wammack.

Prior guests have included Lauren Alaina, Jason Aldean, Brooks & Dunn, Brothers Osborne, Luke Bryan, Luke Combs, John Daly, Charles Kelley of Lady A, Ashley McBryde, A.J. McLean of the Backstreet Boys,  and Tommy Thayer of KISS, among many others.

The 13th Annual “Darius & Friends” concert benefitting St. Jude Children’s Research Hospital. Photo: Tony Vasquez

Sheryl Crow. Photo: Acacia Evans

Lindsay Ell. Photo: Acacia Evans

Jillian Jacqueline Talks ‘Honestly,’ Her Debut Album Years In The Making [Interview]

Jillian Jacqueline. Photo: Courtesy of Red Light Management

Jillian Jacqueline first rolled into Nashville 14 years ago with the dream of putting out her own album.

However, the format at the time wasn’t as conducive to longer-form projects from new artists, forcing Jacqueline to release a string of singles and EPs that have garnered her moderate success and over 100 million streams, including “Reasons,” “God Bless This Mess” which she co-wrote with Lori McKenna, and “If I Were You” featuring Keith Urban.

But this Friday (June 10), the budding singer-songwriter will finally release her debut, full-length project through Virgin Music. Aptly titled Honestly, the 11-track record finds Jacqueline at her most raw and innocent, giving listeners a peek behind the curtain into her thoughts about love and life which she’s yet to explore musically.

“I was actually talking to a friend about [the level of honesty in this album] because we shot one of the music videos for the song on the record called ‘Iconic,’ and it ended up being this visual love letter to my husband. It scared the shit out of me because I was like, ‘Can I show people all these images of our lives?’ They said, ‘That’s what your album is. You’re finally telling people your real story,'” Jacqueline explains to MusicRow. “[Honestly] feels very innocent, in a way, like the way that I sing about love, which I’ve never really done before. It feels like a very faithful, wide-eyed, hopeful version of myself that I don’t always let people see.”

Originally born in the summer of 2019, Honestly is a project nearly three years in the making, which went through a few different lives before arriving at its final form. Within those three years, Jacqueline lost her first label deal with Big Loud Records, married her husband and producer Bryan Brown, and had their first child.

“[When I first started making Honestly] it was more of a panic move. It was kind of like, ‘I have to start making music because I need to prove to myself that I’m supposed to be here and this is what I’m supposed to be doing.’ A lot of insecurity went into the first batch,” Jacqueline shares. “If you look at the original track list, so many songs that we were [so excited about] actually died off. We tried iterations of them over and over again, but they just never felt right.”

Jillian Jacqueline. Photo: Courtesy of Red Light Management

In a similar sentiment from many artists during the COVID lockdown, Jacqueline credits the pandemic with the new wave of music that changed the landscape of Honestly. In March of 2020, Jacqueline and her producers—Bryan and his brother Tofer Brown, a longtime collaborator of Jacqueline’s—went back to the drawing board.

Come July, she signed a new publishing deal with Kobalt which spawned a collection of new songs, including “Honeymoon” and “Better With A Broken Heart,” both of which ended up on Honestly‘s revisited track list with its entirely new sound.

“There were a lot of come to Jesus moments with me, Bryan, and Tofer where we were all navigating our different work styles. Tofer and I have worked together for many years. He’s done all my music with me and he’s my best friend. We decided to bring Bryan in on production because he’s just an incredible guitar player and he works differently than us,” Jacqueline says. “During the whole process of making the record, we were navigating a lot of these new processes with Bryan that Tofer and I weren’t used to. We’re more like throwing spaghetti at the wall people. We’re like, ‘Oh, yeah, that stuck. That feels good. Let’s move on.’ Bryan’s like, ‘No, I think we should throw five more noodles,’” she jokes. “That drove us crazy at first and then we started to realize that his vision for the songs was even cooler, braver, wilder, and more interesting than we had even anticipated.”

With writing credits from some of Nashville’s heavy hitters, such as Shane McAnally, Lori McKenna, Hillary Lindsey, Daniel Tashian and Old Dominion’s Trevor Rosen, Honestly also sees a couple of stellar collaborations with Charlie Worsham (“The Ocean”) and Brothers Osborne’s TJ Osborne (“Better With A Broken Heart”).

YouTube video

As a long-time admirer of TJ and Brothers Osborne, Jacqueline notes the song as one of her favorites on the album.

“I really respect them and I respect him, so I went out on a limb and sent him a text saying, ‘I have this song and I can’t hear anyone else but you singing on it with me. Totally cool if you’re not into it, but I really love your voice and I would love to collaborate,’” she explains. “He was like, ‘Wow, I love the song. Let me sit with it for a while. We’ve done a lot of collaborations recently, so I don’t want to jump right in without thinking about it first.’”

After taking a few weeks of listening and playing around with melodies and harmonies that felt right to him, Osborne got on board for the project.

TJ Osborne & Jillian Jacqueline. Photo: Alexa King

“He hit me up a couple weeks later, and said, ‘I love that song. When can I sing it?,’” she continues. “He went on about how he felt like the lyrics and the way it described love was something that felt very honest to him and that he could really get behind. [With this duet], we’re singing our own versions of it, but it’s not necessarily a romantic thing which is kind of unusual. Normally, if it’s a duet, they’re singing to each other, so it was cool that we both got to have our own moment in the song without necessarily singing to one another.”

Another one of Jacqueline’s favorite tunes from Honestly is the stirring, emotional track “Iconic.” Written with Tofer and Kate York on the heels of her engagement, the song serves as a beautiful ode to committing to forever with someone, as well as love being a choice.

As an added bonus, the song is laced with an extra special layer of production that hits close to Jacqueline’s heart.

“My husband did this wildly romantic thing where on the day that he knew he was going to propose to me, we were in Paris and he took his phone out and started recording a voice memo of the sounds of the city,” Jacqueline shares. “Months and months later, I wrote the song and we were starting to hash out the production. He was working on it one day in the studio and he told me about this voice memo in Paris. He put it at the beginning of the song to commemorate what the lyrics are. You can just hear the streets of Paris and then the piano starts in.”

On the cusp of the release of her debut record, Jacqueline has her eyes set on returning to the road this year, as well as dreams of a billboard in Times Square.

“I’ve always said I wanted a billboard and we got the billboard here in Nashville, which was so freaking cool. In my head, though, with the way I work now, I need to get one in Times Square,” she says with a laugh. “I have this issue with nothing ever being enough. I’m restless and I’m always wanting the next thing. As much as I am excited for all the things coming up, my biggest challenge is just to be present with where I am and be so grateful that I actually finished this record. It’s something that I truly believe in and want to share with the world.”

Jacqueline’s debut, full-length album Honestly will be available everywhere this Friday (June 10).

CRS360 Webinar Series For June Dives Deep Into Music Preference

The latest installment of CRS360’s webinar series, “If The Song Fits, Play it!,” is set for Wednesday, June 15 at 1 p.m. CT. Carolyn Gilbert and Leigh Jacobs of Nuvoodoo will serve as panelists on the episode with Clay Hunnicutt as moderator.

The music and song-focused episode is Part II of a follow-up to the research project originally presented at CRS 2022 in February by NuVoodoo. Various song titles will be shared, setting out to answer one primary question: Whether listeners think they should be played on country radio or included in a country playlist. Results are based on a sample of adults 25-54 nationwide, who are all regular listeners to country radio.

“NuVoodoo has prepared an important and comprehensive look into what songs fit for country radio or are more suited to a playlist,” shares CRS Executive Director RJ Curtis. “We touched on this at CRS in February, and Clay Hunnicutt, Carolyn Gilbert, and Leigh Jacobs return with a deeper dive that programmers will eat up. This session is a must if you care about playing the right music. If you don’t care about playing the right music, well… good luck with that.”

Those wanting to attend the June edition of the CRS360 webinar series can sign up here. Only a limited number of slots are available and are based on a first-come, first-served basis.

Kylie Morgan Slates New ‘P.S.’ EP For July

Kylie Morgan. Photo: Katie Kauss

Kylie Morgan is gearing up for the release of her upcoming EP, P.S., on July 1.

The new collection will feature her recent tracks “Independent With You” and good-time anthem “Love Like We’re Drunk,” along with her upcoming debut single “If He Wanted To He Would,” which ships to country radio on release day.

P.S. is the follow-up to Kylie’s 2021 EP Love, Kylie, which helped score Morgan a spot as one of CMT’s Next Women of Country and VEVO’s 2021 DSCVR Artists to Watch, while also being selected for CMA’s coveted KixStart program.

“With my debut EP, Love, Kylie, I finally got to tell the world over a decade’s worth of stories I had only told my guitar, in six songs,” Morgan shares. “But that was just the first few chapters. I am so excited to finish sharing this book of love letters from me to my fans with my new EP, P.S.” 

Morgan will share some of the tracks from the upcoming EP during CMA Fest as she performs this Sunday night (June 12) at Nissan Stadium, after taking the Dr Pepper Amp Stage that afternoon at 2:45 p.m.

“I’ve been so blessed to have a lot of answered prayers and pinch me moments in my career, but getting to play my first stadium this weekend–and debut my next single off this project–in my current home of Nashville will be hard to beat,” adds Morgan. “I’ve been coming to CMA Fest as a fan since I was 15, and now I’m playing the stage I waited in line for and sat in the nose bleeds so I could see my favorite artists. God is so dang good.”

P.S. Track List:
1. “Independent With You” (Kylie Morgan, Erik Belz, Palmer Lee)*
2. “If He Wanted To He Would (Kylie Morgan, Zandi Holup, Ben Johnson)
3. “Love Like We’re Drunk” (Kylie Morgan, Jeff Garrison, Brian White)
4. “Gucci” (Kylie Morgan, Nicolette Hayford, Pete Good)
5. “Country Anyway” (feat. Walker Hayes) (Kylie Morgan, Elaina Jones, Walker Hayes)
6. “Over A Redneck” (Kylie Morgan, Nate Kenyon, Blake Bollinger)
7. “Mean Girls” (Kylie Morgan, Shane Stevens, Nash Overstreet)
*Produced by Shane McAnally, Ben Johnson and Erik Belz

Recording Academy Unveils New Award Categories, Special Merit Award & Voting Procedural Updates

As part of the Recording Academy’s commitment to evolve with the ever-changing musical landscape, several new changes have been made to the Grammy Awards process.

Five new categories will be recognized starting next year, including Songwriter Of The Year (Non-Classical) and Best Score Soundtrack For Video Games And Other Interactive Media, among others. Additionally, a new Special Merit Award will be given out for Best Song For Social Change.

The Academy has also announced changes to the Grammy Awards entry and voting processes and more (detailed below). All updates go into effect immediately for the 65th Annual Grammy Awards taking place in 2023.

“We’re so excited to honor these diverse communities of music creators through the newly established awards and amendments, and to continue cultivating an environment that inspires change, progress and collaboration,” notes Harvey Mason Jr., CEO of the Recording Academy. “The Academy’s top priority is to effectively represent the music people that we serve, and each year, that entails listening to our members and ensuring our rules and guidelines reflect our ever-evolving industry.”

“The creation of the Songwriter Of The Year Grammy Award is a huge step forward in the Songwriters & Composers Wing’s commitment to serve and amplify the music creators who pen the songs we love,” adds Susan Stewart, Managing Director of the Recording Academy’s Songwriters & Composers Wing. “This new honor presents an incredible opportunity to celebrate craft writers who bring a song to life. We remain dedicated to serving this vital profession.”

New Grammy Awards Categories Added:

Songwriter Of The Year, Non-Classical – Recognizes the written excellence, profession and art of songwriting honoring the most prolific non-performing and non-producing songwriters for their body of new work released during an eligibility year.

Best Alternative Music Performance – A track and single category that recognizes the best recordings in an alternative performance by a solo artist, collaborating artists, established duo, or established group.

Best Americana Performance – A track and single category that recognizes artistic excellence in an Americana performance by a solo artist, collaborating artists, established duo, or established group.

Best Score Soundtrack For Video Games And Other Interactive Media – Recognizes excellence in score soundtrack albums comprised predominately of original scores and created specifically for, or as a companion to, a current video game or other interactive media released within the qualification period.

Best Spoken Word Poetry Album – An album category that recognizes excellence in spoken word albums specific to the performance of poetry with or without music.

Special Merit Award Addition:

Best Song For Social Change
This Special Merit Award will be determined by a Blue Ribbon Committee and ratified by the Recording Academy Board of Trustees. Submissions must contain lyrical content that addresses a timely social issue and promotes understanding, peace-building and empathy.

Grammy Award Voting Procedural Updates:

Charging Fees For Entry Submissions
All Recording Academy members will receive five courtesy entries every year. For additional entries, members will pay $40 (Early Bird Fee); $75 (Standard Fee); or $125 (Final Deadline Fee) per additional entry. Registered media companies will pay a fee of $65 (Early Bird Fee); $95 (Standard Fee); or $125 (Final Deadline Fee) per entry. Considerations will be made for artists/members experiencing financial hardships. Any member who would be burdened by the entry fees can request the fees be waived by reaching out to the Recording Academy Awards Department.

Album Eligibility
To be eligible for Grammy Award consideration, an album must contain greater than 75 percent playing time of newly recorded (within five years of the release date), previously unreleased recordings. The previous eligibility rule was 50 percent. (Note: Best Compilation Soundtrack, Best Historical Album, Best Immersive Audio Album, Best Recording Package, Best Special Package, and Best Album Notes accept albums of recordings that are not newly recorded.)

Additional Category Amendments:

Classical Field: Creation of Craft Committees in Select Classical Categories
Three Categories within the Classical Field will now be determined by highly specialized Craft Committees: Producer Of The Year (Classical), Best Engineered Album (Classical) and Best Contemporary Classical Composition.

Classical Field: Recognition of Composers and Librettists in Best Opera Recording and Best Classical Compendium Categories
Category definitions have been updated to award composers and librettists in addition to artists, producers and engineers.

New Age, Ambient Or Chant Field: Renamed And Redefined Field and Category Name
The category formerly known as “Best New Age Album” has been renamed “Best New Age, Ambient Or Chant Album” and the Field name has also been updated to reflect that change.

Musical Theater Field: Recognition of Composers and Lyricists in Best Musical Theater Album Category
Category definition has been updated to award composers and lyricists of more than 50 percent of the score of a new recording.

Music For Visual Media Field (Includes Film, TV, Video Games, And Other Visual Media): Best Compilation Soundtrack For Visual Media
Some language in the criteria for this category which had been removed has now been restored to recognize principal artists and in-studio producers.

Production Field: Updated Definition of Best Remixed Recording Category
The newly amended definition of the Best Remixed Recording Category helps to reflect the remix craft as it currently stands in the industry: the creation of a new, full-track, unique performance created by a remixer from a previously released recording.

Spoken Word Field: Updated Category Name and Definition
The category formally known as Spoken Word Album has been renamed Best Audio Book, Narration & Storytelling Recording. This category recognizes excellence in spoken word albums (not including Spoken Word Poetry).

18th Annual Toby Keith & Friends Golf Classic Raises $1.38 Million

Denton Padgett, a former resident at OK Kids Korral, and Toby Keith. Photo: Courtesy of Shock Ink

This year’s 18th annual Toby Keith & Friends Golf Classic on May 20-21 in Oklahoma City and Norman, Oklahoma was a big success, raising nearly $1.4 million for charity.

This year’s total was the third highest ever, raising funds for the OK Kids Korral, the cost-free home for families of children being treated at The Children’s Hospital at OU Medical Center. The event has raised more than $16 million since its inception.

Winning afternoon team. Pictured (L-R): John Bochnowski, Mark Bochnowski, Toby Keith, Scott Challis, Chris Cleary and Drew Hawley. Photo: Courtesy of Shock Ink

Getaways were a big draw this year, with the top drawing live auction item being a golf getaway for eight to the luxury resort Diamante Cabo San Lucas, which earned a bid of $82,000–twice. In the silent auction, a stay at Lake of the Ozarks drew the top bid of $4,500.

John Conlee headlined Friday night’s gala dinner with support from local favorites Hypnotik. The next day’s double shotgun start Golf Classic at Keith’s Belmar Golf Club was won by the morning team of Slater Miller, Luke Switzer, Christian Johnson, Kevin Bookout and Nolan Rankin, and the afternoon team of John Bochnowski, Mark Bochnowski, Scott Challis, Chris Cleary and Drew Hawley. The closest-to-the-hole shootout winner was Mike Hearne, who took home $10,000.

Launched in 2004, the Toby Keith & Friends Golf Classic features a two-day format with a gala dinner and auction the first night followed by a shotgun start golf tourney the following day. Proceeds funded the development, building and eventual operation of OK Kids Korral, which is now in its eighth year welcoming and comforting children with cancer and their families.

Mike Hearne, winner of the $10,000 shootout, with Toby Keith. Photo: Courtesy of Shock Ink