Shelby Paul Establishes Evolvance PR

Shelby Paul. Photo: House of Jenks

Entertainment publicist veteran Shelby Paul has launched her own public relations firm, Evolvance PR. The company will specialize in strategic communications, media relations, story development, comprehensive strategy and award submissions.

“I’ve been blessed to work alongside exceptional talent and visionary executives as they’ve pursued and achieved their lifelong dreams,” shares Paul. “Whether it’s building something from the ground up, catching a rocket mid-ascent or revitalizing a strong foundation, I’m passionate about developing stories and amplifying voices. I’m excited to step into this next chapter and support my partners as they grow in this ever-evolving industry.”

Paul launches the firm after her time as Director, Communications at Big Machine Label Group where she lead media strategies for the label’s roster as well as publishing arm Big Machine Music’s songwriters. During her 10 years there, she was essential in the media development of Carly Pearce and Conner Smith, and contributed to the bolstering careers of Thomas Rhett, Lady A, Brantley Gilbert, Rascal Flatts, Brian Kelley and Jennifer Nettles. She also helped develop new talents Tiera Kennedy, Josh Phillips, Danielle Bradbery, Greylan James and Avenue Beat. Paul also launched the publicity campaigns of Laura Veltz and Jessie Jo Dillon, who won ACM Awards Songwriter of the Year in 2024.

Paul’s career has also included roles in sports, TV, film, live events and philanthropy, including time at Academy of Country Music, Detroit Pistons and Allied Global Marketing, among others. In 2023, the Central Michigan University graduate was named to MusicRow Magazine’s “Next Big Thing” 2023 directory, and she has also served as a GRAMMY U mentor.

Paul can be reached at shelby@evolvancepr.com.

Anne Wilson Wraps ‘Rebel’ Era With New ‘Rebel (Revisited)’ Deluxe Edition

Anne Wilson is marking the one-year anniversary of her Christian country album Rebel with Rebel (Revisited), out now.

First released on April 21, 2024, Rebel marked a turning point in Wilson’s career, meshing faith-filled messages and country soul. With Rebel (Revisited), Wilson offers listeners five new takes of fan-favorite tracks, closing the chapter on the project. The new deluxe version features a reimagined acoustic take of “Rain In The Rearview,” which earned Wilson her first CMT Music Award nomination for Breakthrough Female Video of the Year, as well as acoustic and stripped-down collabs including “Praying Woman” (with Lainey Wilson) (Acoustic),” “Country Gold (with Jordan Davis) (Acoustic)” and her No. 1 hit at Christian radio “Strong (Acoustic).” The album also includes the Church Session version of her latest single, “The Cross (Church Session),” currently in the Top 10 and climbing at Christian radio.

“I am so excited to release this special edition of Rebel on the one year anniversary of this album that means so much to me,” shares Wilson. “Since releasing Rebel, life has been such a whirlwind filled with one incredible moment after another. Seeing these songs go from the writing room to the studio, from the studio to the radio and finally to the stage has brought me so much joy! I hope these songs have encouraged people to remember that sometimes being a rebel ain’t such a bad thing. After all, the one I follow was a rebel like me!”

Wilson will bring her live show to audiences this summer at select Christian and country festivals before joining Morgan Wallen’s “I’m The Problem Tour” for select dates.

Entertainment Attorney Steve Weaver Passes

Steve Weaver

Entertainment attorney Steve Weaver passed away April 12 following a battle with Posterior Cortical Atrophy, a rare form of Alzheimer’s disease. He was 76.

Weaver had a 40-year career as an entertainment attorney in Memphis and Nashville. In his early years, he was also a musician, songwriter, guitar instructor and entertainment agent. After graduating from law school, Weaver relocated to Atlanta and was employed as an Assistant Professor and Director of the Commercial Music/Recording Program at Georgia State University. He later began his private practice, the Law Office of C. Stephen Weaver, in 1983, with offices in Memphis and Nashville. In 1995 he moved all offices to Nashville’s Music Row. He was a partner in artist management firm Streetlight Management from 2008-2010.

Throughout his career he was a member of the American Bar Association, Tennessee Bar Association, Nashville Bar Association, Country Music Association, Academy of Country Music, Gospel Music Association, Copyright Society of the South and Nashville Songwriter’s Association International.

Weaver is survived by his wife, Connie James Weaver; son, Lorne Mills of Phoenix; step-daughter, Katie Moore of Los Angeles; brother, Barton Weaver (Ella) of Bossier City, Louisiana; sister, Karen Singleton (Don) of Memphis; nephews and nieces Hayden Weaver, Kirk Weaver, Lindsey Shelton, and Becky Aston; sister-in-law, Sharon James Grubbs (Don); and his beloved dogs, Bubba and Leon.

Memorials in Weaver’s honor can be made to Alive Hospice of Nashville or Proverbs 12:10 Animal Rescue. A private memorial will be scheduled at a later time.

Tanner Usrey Slates Upcoming LP ‘These Days,’ For July

Tanner Usrey. Photo: Working Holiday

Rising country artist Tanner Usrey will release his new album, These Days, July 11 via Atlantic Records. He just released a new song, “Don’t Let Go (Hold Me Close),” in advance of the new project.

These Days was produced by Dave Cobb and recorded between Nashville’s historic RCA Studio A and Cobb’s studio in Savannah, and features Usrey’s most personal work to date. Across the 10 tracks, Usrey showcases his country-rock sound while delving into vulnerable topics like mental health struggles, relationships highs and lows, and his own self-reflections. The title track debuted alongside a video for the song earlier this year.

YouTube video

“Ever since I started recording music, I’ve wanted to make a record with Dave Cobb,” says Usrey. “He’s done some of my favorite albums by huge influences of mine like Whiskey Myers, Chris Stapleton, and of course Jason Isbell. Getting to see how Dave’s mind works and building this album with him was such a great experience, to say the least. I think this album captures the sound that I’ve been going for since I started, and really pushes my voice in a way that I haven’t before, which makes the band and I that much more excited to play it live.”

In celebration of the new music, Usrey will embark on his extensive “Bad Love Tour” this summer, which includes newly confirmed stops at New York’s Bowery Ballroom, Lexington’s The Burl, Athens’ 40 Watt Club, Charleston’s The Windjammer, Chicago’s Joe’s on Weed St., Minneapolis’ Varsity Theater, Milwaukee’s Vivarium and Pittsburgh’s Spirit Hall, among many others. He’ll also join Dylan Gossett and Cody Jinks for several dates this year.

Usrey has already amassed over 310 million streams to date, performed countless shows across the country, and had his songs featured in hit shows like Yellowstone and Landman.

These Days Track List:
1. “Do It All Myself”
2. “If You Call Me Again”
3. “Better Weather”
4. “4th of July”
5. “Smoke in the Air”
6. “Bad Love”
7. “Don’t Let Go (Hold Me Close)”
8. “These Days”
9. “With You”
10. “Gasoline and Adderall”

Tyler Childers & Chris Stapleton To Headline Healing Appalachia Festival

Tyler Childers and Chris Stapleton will headline this year’s Healing Appalachia Festival, the largest recovery-based music festival, taking place Sept. 19-20 in Ashland, Kentucky.

“Moving the festival to Eastern Kentucky and to the heart of The Country Music Highway, we could not be more excited or humbled to have two of the Commonwealth’s greatest songwriters and voices for their people – Chris Stapleton and Tyler Childers,” shares Dave Lavender, Board President for Hope in the Hills. “Not only have they both urgently and boldly shared their journeys and songs of home with the world, but both are first in line to roll up their sleeves and help folks in need. We can’t wait to leave the porch light on for them here in the hills of home at Healing Appalachia.”

Childers and his team at WhizzbangBAM! founded the event as the flagship production of Hope In The Hills. The non-profit based in West Virginia is dedicated to fighting the opioid crisis and supporting recovery. For the past five years, the festival has been held in West Virginia, but is now taking place in Childers’ home state for the first time.

“We are thrilled to host Healing Appalachia in Kentucky for 2025,” says Andrew Steele, Executive Director of Boyd County Tourism. “We are beyond excited to show off the Country Music Highway with a few of our very own! The mission behind this festival is so important to our region, and we can’t wait to help the event grow.”

“Moving Healing Appalachia to Kentucky is special for a lot of reasons. It exemplifies the growth of something that started as an idea on how we could create change in a world that we were watching destroy our friends and families first hand,” adds Ian Thornton, Founder of WhizzbangBAM! “Watching it start at home in WV with 1500 people, to becoming the movement that it is today and being able to start traveling through Appalachia, it’s an honor to have Tyler and Chris headline this inaugural trip across the Big Sandy as a couple of local boys who did it right.”

Tickets to Healing Appalachia Festival are on sale now. More performers will be revealed at a later date.

Grand Ole Opry Salute The Troops Show To Honor U.S. Army’s 250th Anniversary

The Grand Ole Opry will salute and honor the U.S. Army’s 250th anniversary during its special Salute the Troops Opry performance on May 20.

Artists scheduled to perform during the event are Opry member Craig Morgan (who serves as an Army Reserve Warrant Officer), Opry members Steven Curtis Chapman and Rhonda Vincent, Tony Jackson, Scotty Hasting, Sal Gonzalez, the 100th Army Band and more.

The Opry will also welcome Major General Brett Sylvia, Commanding General of the 101st Airborne Division, as its special guest. Major General Sylvia’s distinguished military career is marked by numerous honors, including the Defense Superior Service Medal, five Legions of Merit, six Bronze Star Medals, one awarded for Valor, a Purple Heart and four Army Commendation Medals, also including one for Valor. He has also served in units recognized with the Presidential Unit Citation, three Joint Meritorious Unit Awards, three Meritorious Unit Citations and the Army Superior Unit Award.

Major General Sylvia will lead a live on-stage swearing-in ceremony for future soldiers. Ahead of the show, the Opry will host a special red carpet parade into the Opry House, featuring honored active-duty service members and veterans in attendance. Leading the procession will be Major General Sylvia, alongside retired Army Lt. Gen. Keith Huber. They will be joined by representatives from Middle Tennessee State University’s Charlie and Hazel Daniels Veterans and Military Family Center, as well as distinguished members of the Veterans of Foreign Wars, including Al Lipphardt, VFW National Commander-in-Chief, Hal Roesch, Executive Director of the VFW Foundation and Mike Figlioli, Director of the VFW National Veterans Service.

This year’s Opry Salute the Troops will be filmed to air as a special Opry Live on May 24 on the Opry Facebook and YouTube channels, streaming free on the Circle Now app or via Circle Country digital streaming partners at 8 p.m. CT. The show will air live on WSM Radio and will also be heard on SiriusXM, Channel 59 Willie’s Roadhouse.

Chely Wright’s Ongoing Legacy Of Leadership, 25 Years After ‘Single White Female’ [Interview]

Chely Wright

15 years ago, Chely Wright made history as the first mainstream country artist to come out publicly as gay—a moment that rippled through Nashville and beyond. Her brave step onto the national stage, which included appearances on Oprah and Ellen, coverage in The New York Times and People, and a memoir-documentary double release, changed the conversation around LGBTQIA+ visibility in country music. Today, Wright’s work continues to shape that conversation—from a very different kind of stage.

Now serving as Senior Vice President of Corporate Social Responsibility (CSR) and New Market Growth at ISS, a global workplace experience and facilities management company with more than 320,000 employees worldwide, Wright is bringing her lifelong advocacy into the boardroom. Her new role was officially announced this March, just as her career-defining hit “Single White Female” celebrates its 25th anniversary.

It’s a milestone worth marking—and not just for the music.

“I’ve always said I was the CEO of my own little company,” Wright tells MusicRow. “When you’re a touring artist, you’re not just showing up and singing songs. You’re running a team—your band, crew, publicist, merch, managers. You’re budgeting. You’re building community. You’re solving problems. All of that prepared me for what I’m doing now.”

Wright’s transition from the tour bus to corporate leadership wasn’t exactly planned—but it wasn’t accidental either. She began taking on corporate speaking engagements after coming out in 2010, sharing her story and helping organizations create more inclusive cultures. That “side hustle,” as she once called it, eventually grew into something more. During the pandemic, when touring paused, she found herself leaning in.

“In 2020, I said to my wife, ‘I think I’m about to make a pivot,’” Wright recalls. “COVID made me realize I had the opportunity to write a new chapter—and that didn’t scare me. I had already done something far scarier: I came out in an industry that had never seen it before.”

What followed was a full-time shift into CSR, a space where Wright could marry her lived experience with leadership. Her work at ISS now includes initiatives like increasing language access through ESL programming, partnering with veteran-owned small businesses, and championing diversity, equity, inclusion—and belonging—as good for business.

“It’s easier to say you’re against ‘DEI’ than it is to say you’re against ‘diversity, equity and inclusion,’” she says. “But when you say those three words out loud—and understand what they really mean—that’s when change can start.”

At ISS, those values are embedded into the company’s global mission to connect people and places to make the world work better. For Wright, the final piece of that equation is belonging—a word that hits especially close to home.

“When I came out, I thought I was risking everything I’d built,” she says. “But it ended up being the thing that gave me an entirely new sense of purpose. That sense of wholeness—of being seen—that’s what belonging is. And that’s what I want to create for other people.”

Wright’s corporate philosophy is deeply rooted in her personal journey—and in the understanding that real impact happens when top-down strategy and grassroots action are aligned. “My years of experience across several industries have taught me invaluable lessons about the power of community, the value of intention, and the importance of aligning top-down strategy with grassroots champions, internally and with clients too,” she shares. “Great things happen when there’s unity at every level.”

While she’s no longer walking the streets of Music Row daily, Wright remains connected to Nashville and the creative community, reflecting on her time in the spotlight with gratitude.

“I got lucky,” she says. “Every step of my career—music, advocacy, business—it all led me here.”

In a world where reinvention can feel daunting, Wright has a message for those considering a new path: “Everybody has at least one great career pivot in them. You just have to listen hard, plan well and be brave enough to believe there’s more than one version of your best life.”

And if anyone knows how to climb that next mountain, it’s her.

MusicRow Weekly (News, Charts, More…)

This week’s edition of The MusicRow Weekly brings a wave of exciting announcements, new ventures and career-defining moves across Nashville’s music industry landscape. Click here to see the full edition.

One of the most iconic labels in American music, Lost Highway Records, is entering a new chapter, now backed by Interscope Geffen A&M. The label will operate under the leadership of Robert Knotts and Jake Gear, who step into the roles of Executive Vice Presidents and Co-Heads.

Big Machine Label Group, part of HYBE America, appointed Chris Koon as Executive Vice President of Finance. Warner Music Nashville made two promotions within its Commercial Partnerships Team. Katherine Firsching has been elevated to Director, while Blair Poirier steps into the role of Manager.

Dolly Parton announced her new book, Star Of The Show: My Life on Stage, set for release on Nov. 11 through Ten Speed Press. The memoir will look into her storied career on the road and onstage.

Chris Janson returns to Warner Music Nashville, in partnership with his own label, Harpeth 60 Records.

In the publishing world, Ryan Necci signed a worldwide deal with Warner Chappell Music (WCM) Nashville and Southern Pacific Music. Jack Wharff has joined the roster at Kobalt Music.

The Country Music Association has launched the CMA Member Ambassador Program. The program seeks to empower a select group of members to further the CMA’s mission, deepening community ties and promoting the genre’s growth from within.

Several artists also made moves on the label front. Indie-pop band The Wldlfe signed with Riser House Records, while rising artist Peech. joined TAMLA Records and Capitol Christian Music Group (Capitol CMG). Emerging country artist Callum Kerr inked with ONErpm and Huff Co.

In addition, the latest MusicRow CountryBreakout Radio Chart is included. Kane Brown takes the No. 1 spot this week with “Backseat Driver.” Explore more chart data here.

MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.

Cattle Country Festival Wraps Another Successful Year

Parker McCollum. Photo: NEON JACKRABBIT

Cattle Country Festival in Gonzales, Texas wrapped a successful festival last weekend with a star-studded lineup of performers.

The music and camping festival once again took place on the sprawling 400-acre ranch and featured performances by Parker McCollum, Nickelback, Midland, Tanya Tucker, Clint Black, Wyatt Flores, Chase Rice, Clay Walker, Reckless Kelly, Aaron Watson, Pecos & The Rooftops, Giovannie & The Hired Guns, 49 Winchester, Wade Bowen, Drake White, Shenandoah, Ty Myers, Ray Wylie Hubbard, Tyler Halverson, Black Pistol Fire, Logan Mize, late night sets by Ghostland Observatory, and more.

Tanya Tucker. Photo: Sam Ehrnstein

Bruce Kalmick, co-founder of Cattle Country Festival, tells MusicRow, “Cattle Country is a really special music festival, and year two was no exception. Folks came from all over the world to spend their weekend camping, swimming in the beautiful Guadalupe River, and enjoying some of the best music under the Texas Sky. One couple even flew all the way in from Ireland! We are so grateful for the artists, guests and brands alike who travel to the little town of Gonzales, Texas. It’s like friends and family coming together again, a true testament to the spirit of what this festival is all about.”

The ranch transformed into a weekend oasis, fostering camaraderie among attendees and those who camped and stayed the entire weekend, with many of the musicians joining in on the fun as well. From tailgating to swimming in the Guadalupe River, the festivities began before the first act took the stage and continued after the headliner’s final bow.

Chase Rice. Photo: NEON JACKRABBIT

Wyatt Flores. Photo: NEON JACKRABBIT

Midland. Photo: NEON JACKRABBIT

Cattle Country

Ashland Craft To Release New Album ‘Dive Bar Beauty Queen’ May 30

Leo33 artist Ashland Craft is gearing up for the release of her upcoming album, Dive Bar Beauty Queen, on May 30.

In celebration of the announcement, she’s releasing her deeply personal new single, “Momma Don’t Pray Like She Used To,” out today on all streaming platforms.

Written by Craft, Jess Grommet, Willie Morrison and Corey Elizabeth Grogan, “Momma Don’t Pray Like She Used To” reflects a softer, more introspective side of Craft as she confronts change, nostalgia and evolving faith with honesty and grit. The song is just one of 11 tracks on Dive Bar Beauty Queen, which also features previously-released singles “Lie A Little,” “Morning Person,” “Right Damn Now” and more. The album is a bold and unapologetic statement from an artist known for her fearless honesty and Southern grit.

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“This new album is the perfect blend of so many of my favorite musical influences,” says Ashland. “It’s honest, it’s rough around the edges, it’s meant to make you move and dance, and it captures exactly where I’m at in life & in music right now. The latest release, ‘Momma Don’t Pray Like She Used To’ is such a special one—it’s personal and reflective, which is  exciting territory for me, and it speaks to the growth and changes that we all face while growing up. ”

Craft is currently co-headlining “The Rollin’ Stoned Tour” with Meghan Patrick across the U.S., and this summer, will also join Luke Bryan on select dates of his “Country Song Came On Tour.”

Dive Bar Beauty Queen Track List:
1. “Dive Bar Beauty Queen” (Ashland Craft)
2. “Hangin’ Up The Honkytonk” (Ashland Craft, Ben Stennis, Erik Dylan)
3. “Lie A Little” (Bryan Simpson, Kelly Archer, Mark Irwin)
4. “Wasn’t The Chevy” (Ashland Craft, Trannie Anderson, Marla Cannon)
5. “Yard Sale” (Ashland Craft, Kasey Tyndall, Lee Starr)
6. “Kick Rocks Cowboy” (Ashland Craft, Jonathan Singleton, Shane Minor)
7. “Happy Drunk” (Ashland Craft, Kasey Tyndall, Tori Allen)
8. “Right Damn Now” (Ashland Craft, Wyatt McCubbin, Erik Dylan)
9. “Doesn’t Have To Be That Way” (Ashland Craft, Lee Starr, Marv Green)
10. “Momma Don’t Pray Like She Used To” (Ashland Craft, Jess Grommet, Willie Morrison, Corey Elizabeth Grogan)
11. “Morning Person” (Ashland Craft, Faren Rachels, Dallas Wilson, Trannie Anderson)