Rhett Akins Earns Multiple BMI Millionaire Certificates During Grand Ole Opry Performance

Pictured (L-R): Warner Chappell Music’s Bryce Sherlow, Warner Chappell Music’s Jessi Stevenson, Rhett Akins, Warner Chappell Music’s Ben Vaughn and BMI’s Leslie Roberts. Photo: Chris Hollo for Grand Ole Opry

Prolific songwriter Rhett Akins performed on the Grand Ole Opry stage last week. To show off the magic of Nashville, Akins was joined by other hitmakers Jessi Alexander and Brad and Brett Warren in a special songwriter round on stage.

Before the performance, Akins was celebrated by BMI’s Leslie Roberts alongside Warner Chappell Music’s Ben Vaughn for his 35 chart-topping hits.

Throughout his career, the Nashville Songwriters Hall of Fame (NaSHOF) member and two-time BMI Songwriter of the Year has garnered more than 68 million spins at radio for artists such as Blake Shelton, Luke Bryan, Thomas Rhett and Parker McCollum.

The impressive list of millionaire certificates behind ACM’s Songwriter of the Year and Songwriter of the Decade includes:

One Million Airplays
“What Happens In A Small Town”
“Look What God Gave Her”
“Tequila Little Time”
“I Lived It”
“To Be Loved By You”
“Slow Down Summer”
“Half Of Me”
“A Girl Like You”

Two Million Airplays
“Life Changes”
“All Over Me”
“Ready Set Roll”
“Young And Crazy”
“Tonight Looks Good On You”
“Mind Reader”
“Huntin’ Fishin’ Lovin’ Every Day”

Three Million Airplays
“What’s Your Country Song”
“Farmer’s Daughter”
“It Goes Like This”
“Get Me Some Of That”

Four Million Airplays
“When She Says Baby”
“Gimme That Girl”
“Boys ‘Round Here”
“Take A Back Road”
“That Ain’t My Truck”
“I Don’t Want This Night To End”

Five Million Airplays
“Dirt On My Boots”
“Honeybee”

Endurance Music Group Acquires Kina Grannis & Imaginary Future’s Catalog

Endurance Music Group (EMG) has acquired Los Angeles-based indie singer-songwriters and writing partners Kina Grannis and Imaginary Future (Jesse Epstein)’s music catalog.

The deal includes songs from Grannis’ breakthrough album Stairwells and sophomore album Elements, which debuted on the Billboard 200 and hit the top five on the Billboard Folk chart. The news also comes alongside the release of I Found You, a compilation of duets recorded by the high school sweethearts which marks their first official release together. The intimate 18-song collection was personally curated by Grannis and Epstein, and includes an all-new recording of the hit song “Heavy” from Nashville folk-pop band Birdtalker as well as Vance Joy’s “Riptide” and the duo’s own “I Will Spend My Whole Life Loving You.” The compilation is the first in a series of quarterly albums by both Grannis and Epstein that will be released by EMG in the coming year.

Grannis discovered her love of songwriting at a young age, but as a shy and reserved kid, she kept that part of her life private until she played her first show at a coffee shop after graduating high school. Everything changed in 2008, when Grannis won the Doritos “Crash the Super Bowl” contest and earned a major label deal with Interscope Records. In 2017, she created one of the first fan-supported record labels on Patreon, which aided in the release of her most recent albums, In the Waiting and It’s Hard to Be Human. In 2018, Grannis appeared as herself in the worldwide hit film Crazy Rich Asians, singing a cover of “Can’t Help Falling in Love” during the pivotal wedding scene. With hundreds of millions of streams across all platforms, Grannis has cemented herself as an artist with incredible power over her 16-year career.

Epstein’s music pairs his intimate vocals with acoustic guitar and harmonies from Grannis. Since his debut album, Fire Escape, was released in 2013, the pair have toured the world and gained a loyal fanbase. Epstein’s songs have been featured in over 80 television shows, commercials, promos and trailers as well as the film Call of the Wild. He also won a Grammy in 2018 for his contribution to Lisa Loeb’s album Feel What U Feel.

“We’ve been big fans of Kina and Jesse for a long time,” shares Mark Ahlberg, EMG’s Senior Vice President. “Their musical chemistry and songwriting prowess are undeniable, and we are grateful for the opportunity to work with them to help these songs reach as many people as possible. They are immensely talented and infinitely endearing, and EMG is proud to represent their music.”

“Making music has always been a sacred process for me, so to have found a partner like EMG who believes in exactly the music we’ve made, and who wants to help those songs reach more people, is really amazing,” shares Grannis.

Epstein adds, “It’s so refreshing to meet people in this industry who are genuine humans that believe in your music, and I’m so grateful we found that in EMG.”

Industry Members Unite ‘At The End Of A Bar’ For Chris Young & Mitchell Tenpenny’s Hit

Pictured (L-R): Mitchell Tenpenny, Chris Young and Chris DeStefano. Photo: Moncell Allen

When walking into Losers Bar & Grill in Nashville’s Midtown on Tuesday afternoon (Oct. 17), any heavy worries seemed to become lighter as members of the music community gathered to celebrate Chris Young and Mitchell Tenpenny‘s No. 1 hit “At the End of a Bar,” which the artists wrote alongside Chris DeStefano, who co-produced the track with Young. The happy, relaxed energy within the venue elicited a mental exhale, creating a space for everyone to finally honor the 2022 chart-topper’s contributors.

BMI’s Mason Hunter welcomed everyone and called the writers to the stage. Hunter then said a few words about BMI affiliates Young and Tenpenny, noting that they’d both been with the PRO for over a decade. Hunter shared that “At the End of a Bar” marked Young’s 13th No. 1 as an artist and Tenpenny’s third. He went on to talk about their philanthropic endeavors, detailing Young’s work with St. Jude Children’s Research Hospital and Tenpenny’s 10Penny Foundation, which recently raised over $92,000 with its annual Cornhole Tournament.

ASCAP’s Evyn Johnston took the floor next to talk about DeStefano. She shared that DeStefano has been affiliated with the PRO for over 25 years and has written multiple hits, with “At the End of a Bar” being his 20th No. 1. Johnston listed the WinSongs Music Publishing President & CEO’s numerous accolades, including his three CMA Triple Play Award wins as well as his three Grammy wins and more. She showed the party that DeStefano is a man of many talents, disclosing that he is also the active emergency back-up goaltender for the Nashville Predators.

Pictured (L-R, back row): Sony Music Publishing’s Rusty Gaston, Sony Music Nashville’s Ken Robold, ASCAP’s Evyn Johnston, BMI’s Mason Hunter, Riser House’s Brandon Perdue and RCA Nashville’s Dennis Reese; (L-R, front row): Mitchell Tenpenny, Chris Young, Chris DeStefano and Studio Bank’s Ron Cox. Photo: Moncell Allen

Next up was Riser House’s Brandon Perdue to expand on Tenpenny’s accomplishments and the birth of “At the End of a Bar.” He reminisced on the day of the writing session and stated that if you put “three of the best writers in town” in a room, you will oftentimes end up with “a melody that is radio gold.” Perdue concluded by thanking the Sony team and everyone involved in the song.

“Reverend” Rusty Gaston of Sony Music Publishing Nashville then took the mic. He started by expressing his appreciation for BMI and ASCAP. Gaston moved on to talk about how DeStefano “uses his momentum to build up other people” before diving into the Tenpenny’s family history with Sony. He talked about Tenpenny’s original approach to music, and told the artist that Sony “would always be in [his] corner.” Gaston finished by addressing Young and recognizing Universal Music Group Publishing (UMPG) Nashville’s Cyndi Forman, who first worked with the hit-maker when the song came into existence. He stated that Young “doesn’t let his emotions make his decisions for him, he really thinks about things, and he brings that into the writing room. When you hear songs like ‘At the End of a Bar,’ you hear his intention.”

Studio Bank’s Ron Cox was on deck next. He reminded us all what a gift being in the Nashville music industry is.

“Isn’t this just incredible that we get to do this? When you look around this room at the friends and the fellowship, it truly is a community,” he expressed. “The fact that we come together as a community to celebrate our great writers and our great artists is something very special and unique to Nashville.”

He continued by describing Studio Bank’s gratitude for and commitment to supporting the city’s musical talent. Cox then announced that a donation had been on behalf of the writers to St. Jude.

RCA Nashville’s Dennis Reese followed and took a moment to thank the individuals who supported the single, and explained its special timing and creation.

Finally, it was time for the talented tunesmiths to address the crowd. DeStefano went first, and seized what he described as “the perfect opportunity to thank everybody that [plays] such a big part in our lives.” He shouted out his wife and their two children, who were present, for their support as well as his Sony Music Publishing Nashville and ASCAP families, RCA Nashville and the radio promotion teams, his WinSongs crew and all the organizations that uplift songwriters. DeStefano went to thank his co-writers, sharing that he actually met Young at the end of a bar before spotlighting his collaborators individually.

“Thank you, [Chris] for being as much of a songwriter as you are a singer, and in my opinion, one of the best singers. Mitchell, you’re such an inspiration. I love working with you, you’re [also] top tier in the world in my opinion and a superstar in the making.”

Tenpenny was next and didn’t skip a beat when it came to expressing his gratitude for his teams all across the board including his wife, fellow artist Meghan Patrick, in addition to his management, Riser House, Sony Music Publishing and Sony Music Nashville. He recalled attending No. 1 parties growing up and everything he learned from his mother and grandmother, industry veterans Debbie Tenpenny and Donna Hilley. Tenpenny also recognized his co-writers and the whole room, while sharing that he, too, met Young at the end of a bar.

“You look around and there’s a million people in here that do everything every single day for us so that we can do this. Thank you for letting us write songs for a living and for letting us go on the road and perform them, I mean that from the bottom of my heart. The songwriters speak for themselves, thank you for letting me in the room with you.”

Young then brought it home by thanking his mother Becky Harris and her business partner Donna Huskins, RCA Nashville/Sony Music Nashville and all of the promotion team members involved, as well as UMPG Nashville, Sony Music Publishing Nashville and more. He shifted to praising Tenpenny and DeStefano, and highlighted their incredible ability to entertain.

“We are absolutely going to celebrate [this song] because this does not happen everyday. I refuse to let anybody downplay the fact that it’s been little a while [since it went No. 1]. We are going to celebrate this song, because it’s a big deal to me, it’s big deal to these guys on stage and it’s a big deal to everyone who has been involved.”

Randall King Readies New Sophomore Project, ‘Into The Neon,’ For January

Randall King is set to release his 18-track sophomore album, Into The Neon, on Jan. 26 via Warner Music Nashville. A new track from the project, “Hang of Hangin’ On,” is out now.

The album, which was co-produced by King with Jared Conrad,  incorporates a blend of the influences who have inspired King’s sound, from George Strait and Keith Whitley to Dierks Bentley and Gary Allan.

Showcasing his ability to travel with ease from a toe-tapping waltzer on “When My Baby’s In Boots” to the yearning of “I Could Be That Rain,” King lays it all on the line with songs that could be enjoyed while slow dancing under the night sky or line dancing at a local honky tonk. On “Hang of Hangin’ On,” King finds himself graciously holding close to the girl he loves despite keeping “a goodbye up his sleeve” in the past. Writers contributing to the project include Jon Nite, Mitchell Tenpenny, Ava Suppelsa, Corey Crowder, Jake Worthington, Brice Long and more.

“You grow wiser with age, you grow wiser while you’re working and experiencing life, and I feel like I have a deeper understanding of what my music really is,” says King reflecting of the growth since his 2022 release, Shot Glass. “We’re moving into the neon era of country music. The pendulum is swinging, and you’re watching it happen… Now I just hope people get their mind blown.”

King is gearing up for his third annual KingFest in Luckenbach, Texas on Nov. 11 with Gary P. Nunn, Jon Stork and Braxton Keith also on the bill.

Into the Neon Track Listing:
1.  “One Night Dance” (Randall King & Jon Nite)
2.  “Somewhere Over Us” (Randall King, Mike Walker & Joey Hyde)
3.  “When My Baby’s in Boots” (Trannie Anderson, Michael Carter and Jordan Walker)
4.  “What Doesn’t Kill You” (Mitchell Tenpenny, Michael Whitworth, Nate Smith & Zach Kale)
5.   “Hang of Hangin’ On” (Brett Sheroky & Brice Long)
6.   “Burns Like Her” (Adam James, Greylan James & Mikey Reaves)
7.   “Good Feelin’” (Michael Whitworth, Will Jones & Benjy Davis)
8.   “The One You’re Waiting On” (Adam Wright & Shannon Wright)
9.   “Into The Neon” (Randall King, Ben Stennis & Matt Rogers)
10. “Tonk ‘Til I Die” (Randall King, Dan Smalley & Benjy Davis)
11.  “But It Ain’t” (Randall King, Jared Mullins & Ben Stennis)
12.  “Coulda Been Love” (Jake Worthington, Kim Penz & Roger Springer)
13.  “Damn You Look Good” (Ava Suppelsa, Aby Gutierrez & Andrew Peebles)
14.  “Hard To Be Humble” (Ben Hayslip, Corey Crowder & Chris LaCorte)
15.  “Right Things Right” (Trannie Anderson, Chris Dubois & Jordan Walker)
16.  “As Far As We Go” (Brett Sheroky & Drew Kennedy)
17.  “I Could Be That Rain” (Brian Fuller & Mason Thornley)
18.  “I Don’t Whiskey Anymore” (Randall King & Gordie Sampson)

Gulf Coast Jam Reveals Full 2024 Lineup

The full lineup has been announced for the Gulf Coast Jam, presented by Jim Beam, taking place May 30 – June 2, 2024 in Panama City Beach, Florida.

Nearly two dozen artists will join already-announced headliners Morgan Wallen, Jelly Roll, Cody Johnson and Parker McCollum for four days of music, including Corey Kent, Russell Dickerson, Billy Currington, Nate Smith and more.

“This lineup has something for everyone,” says festival Executive Producer Rendy Lovelady. “We get feedback for 90s country, current artists at the top of the charts, young artists on the verge of exploding, and obviously the biggest headliners on the planet. So, here we go!”

May 30:
Parker McCollum
Flatland Cavalry
Corey Kent
Sadie Bass
Jim Beam Welcome Sessions Winner

May 31:
Jelly Roll
Russell Dickerson
Chase Matthew
Kidd G
Heartland
Shelby Darrall

June 1:
Cody Johnson
Billy Currington
Priscilla Block
Austin Snell
Peytan Porter
Chandler Flint

June 2:
Morgan Wallen
Nate Smith
Shane Smith & The Saints
John Morgan
Deana Carter
Jim Beam Welcome Sessions Winner

Chayce Beckham Makes Grand Ole Opry Debut

Chayce Beckham during his Grand Ole Opry debut. Photo: Chris Hollo

Singer-songwriter and American Idol winner Chayce Beckham made his Grand Ole Opry debut last week.

Beckham performed his newly-Platinum-certified single “23,” which he wrote on entirely on his own and is currently top 20 at country radio. He also performed his tender ballad “Till The Day I Die” to a packed-out audience.

Pictured (L-R): Lisa Mastrianni (Wheelhouse Records), Jenn Tressler (Opry), Justin Hill (UTA), Elissa Felman (19 Recordings), Ken Tucker (Wheelhouse Records), Chayce Beckham, Kerri Edwards (KP Entertainment), Shelley Hargis (BMG), Jennifer Shaffer (Wheelhouse Records), Katie Kerkhover (BMG), Charlie Cook (Cumulus) and Dan Rogers (Opry). Photo: Chris Hollo

After his performance, Beckham was then surprised on stage with the song’s Platinum plaque by his mom, Windie Peterson, and manager, Kerri Edwards.

“Last night, so many dreams came true because of music,” said Beckham. “It’s been a long, long road, and I’d like to thank everyone who has been on it with me. It’s hard not to be emotional when something you have been working so hard at comes to fruition, and the people who got you there can hand you the award for it on the biggest stage in country music. Because of my family, my team and my fans, I got to step foot into the Circle and sing at the Grand Ole Opry. From the bottom of my heart, thank you.”

Toby Keith To Headline Two Vegas Shows In December

Toby Keith will headline two shows at Dolby Live at Park MGM in Las Vegas on Dec. 10 and 11.

“Y’all been waiting a long time to hear this, I’ve been waiting a long time to do this. I’m back, come see me. You’ll have the best time, I will too. We’ll never forget it. Can’t wait to see you there. Let’s go,” says Keith.

Ticket for the new shows go on sale on Oct. 27 at LiveNation.com. For the past few months, Keith has been making public appearances with hometown shows and his recent performance on the People’s Choice Country Awards, signaling his return to touring after an 18-month break to focus on his health.

Over this summer Keith surprised Oklahomans with two pop-up concerts, where he performed for hours at the historic Hollywood Corners roadhouse in Norman. Just weeks prior to that, he hosted his annual Toby Keith & Friends Golf Classic, which raised a record $1.8 million for the families of children battling critical illness in the Oklahoma City area.

On Nov. 3, Keith will release the album 100% Songwriter, a selection of 13 of many of his solo-written songs in one package.

Chris Lane’s New EP ‘From Where I’m Sippin” Out Now

Photo: Robby Klein/Courtesy of Red Street Records/Voyager Records

Chris Lane has released a new five-song EP, From Where I’m Sippin’.

Produced by Derek Wells and Michael Lotten, the project marks another step forward for Lane, who fuses gratitude, good times and more on the collection. The lead single from the EP, “Find Another Bar” is currently climbing the country charts. First shared in August, the moody, post-breakup anthem has already surpassed more than 3.4 million global streams.

The collection includes the romantic “Mistake,” the bittersweet heartbreak of “Way to Go Girl,” the flirtatious gamble of high stakes on “Betcha” and the good-life gratitude of the open-hearted title track, ushering in a new chapter of life for the chart-topping entertainer, husband and father, marking the first studio collection on Lane’s newly announced label home – a partnership of Jay DeMarcus’ Red Street Records and Lane’s own Voyager Records.

“I cannot believe the day is finally here! I am so excited to introduce this next chapter with From Where I’m Sippin’,” shares Lane. “This set of songs is a rollercoaster journey of living and loving life, and I feel like it shows another side of me as a songwriter. Hope y’all love this project as much as I do!”

From Where I’m Sippin’ Track Listing:
  1. “Mistake” (Chris Lane, Michael Lotten, Josh Miller)
  2. “Way to Go Girl” (Casey Brown, John Byron, Ashley Gorley, Blake Pendergrass)
  3. “Betcha” (Chris Lane, Casey Brown, Travis Wood)
  4. “Find Another Bar” (Chris Lane, Justin Ebach, Josh Thompson)
  5. “From Where I’m Sippin'” (Chris Lane, Josh Miller, Jordan Minton, Mark Trussell)

Brandon Lake Among Top Winners At 54th Annual GMA Dove Awards

Brandon Lake accepting award for Artist of the Year. Photo: Terry Wyatt

Brandon Lake was the big winner of the night at the 54th Annual GMA Dove Awards in Nashville last week, taking home trophies for Artist of the Year, Songwriter of the Year – Artist, Worship Recorded Song of the Year and Rap/Hip Hop Recorded Song of the Year.

Brandon Lake, Michael W. Smith, Phil Wickham, Naomi Raine. Photo: Blue Amber Photography

Song of the Year honors went to “Goodness Of God,” from songwriters Ben Fielding, Ed Cash, Jason Ingram, Jenn Johnson and Brian Johnson. Tasha Cobbs Leonard received both Gospel Worship Album of the Year and Traditional Gospel Recorded Song of the Year, while New Artist of the Year went to Katy Nicole. Jason Crabb and Dylan Scott took home Bluegrass/Country/Roots Recorded Song of the Year honors for their song “Good Morning Mercy,” and the movie Jesus Revolution was named Feature Film of the Year at the celebration, which was hosted by Tauren Wells.

A variety of guest performers surprised the audience during the star-studded show, including Jordin Sparks performing “Love Me Like I Am” with For King + Country, Pastor Mike Jr. and Ricky Dillard joining forces on “Impossible” and Tauren Wells including Davies on “Take It All Back.”

Gospel Hall of Fame members Take 6 joined forces with Ernie Haase & Signature Sound for a one-of-a-kind collaboration. The show also included a special moment highlighting the impact of hip-hop across the decades featured performances from Hulvey, Social Club Misfits Grits and TobyMac taking it all the way back with a reprise of 2002’s “Ooh Aah (My Life Be Like).”

Host Tauren Wells. Photo: Terry Wyatt

Composer, recording artist and choir director Dr. Bobby Jones was honored with the Jackie Patillo Leadership Award. Jones is among the foremost pioneers in bringing Gospel music to the masses, and many of today’s best known artists look to their appearances on the Dr. Bobby Jones Show as foundational to their widespread acclaim. A fixture in the industry since 1976, he is also a member of the Gospel Music Hall of Fame. A full list of winners can be found here.

The show aired on Oct. 20 on TBN and The TBN App and simulcast on SiriusXM The Message. An encore performance will air on TBN and The TBN App on Oct. 27 at 8 p.m. and 10 p.m. ET.

Katy Nichole. Photo: Tessa Voccola

Luke Smallbone of For King + Country, Jordin Sparks, Joel Smallbone of For King + Country. Photo: Jason Davis

Photo: Blue Amber Photography

Big Loud Records Signs Multi-Genre Artist Maggie Rose

Pictured (L-R, back row): Big Loud Records’ Jeff Tanner, Stacy Blythe, Candice Watkins, Maggie Rose, Starstruck Entertainment’s Austin Marshall, Narvel Blackstock, Big Loud’s Joey Moi and Big Loud Records’ Brianne Deslippe; (L-R, front row): Big Loud’s Seth England, Big Loud Records’ Nate Yetton, Patch Culbertson, Big Loud’s Austen Adams and Big Loud Records’ Paul Logan. Photo: Brayln Kelly

Big Loud Records has signed singer-songwriter Maggie Rose.

The signing comes as the multi-genre artist preps to release new music that aligns with the label’s mission to expand their roster with talent in alternative genres such as Americana, indie, folk, alt-country and more. Big Loud Record’s VP of A&R Nate Yetton is leading the mission with support from the label team. Rose marks his first signing to the exciting new group of creators.

It was Rose’s soon-to-be-announced work that caught Yetton and Big Loud Records’ attention. Refusing to be defined by any one genre, she comfortably straddles different musical spaces and Big Loud has embraced the unique path Rose has paved for herself.

“Maggie is a world-class vocalist, performer, and songwriter,” says Yetton. “Earlier this year I was privileged enough to hear her new, unreleased album, and after one listen through, I knew that we had to find a way to partner with her and release this body of work via Big Loud Records. I truly believe it is her best, most undeniably authentic, compelling and complete work to date. This is the kind of art that transcends genre and will be playing at dinner parties and on stages across the globe for decades to come.”

“When I heard some of Maggie’s upcoming new music, I just loved the sound of it. The songs are something entirely their own; her voice speaks for itself. Happy that Big Loud is putting this music out and helping Maggie tell her story,” adds Joey Moi, Big Loud Partner/Producer/President of A&R.

Rose is already well-respected within Music City, as she was recently elected Governor of the Recording Academy’s Nashville Chapter and has played the Grand Ole Opry almost 100 times. She has shared stages with Eric Church, Kelly Clarkson, Tedeschi Trucks Band, Heart, Joan Jett, Gov’t Mule, The Mavericks, Fitz And The Tantrums, The Revivalists and more at various shows. She felt the time was right to join forces with the Big Loud Records team for this next chapter.

“Big Loud dove in headfirst and defied my preconceived notions of what I’d come to expect from a big label,” she explains. “They didn’t want me to change the music I was working on or ‘chase’ the trends. They understood the vision and believed in me from the outset.”

Additionally, Rose is set to embark on a nationwide theatre tour with St. Paul & The Broken Bones.