In Pictures: Inaugural Cattle Country Music Festival Takes Place Under Texas Sky

Eric Church headlining the inaugural Cattle Country Music Festival. Photo: Brian Bradley

The inaugural Cattle Country Music Festival took place in Gonzales, Texas this past weekend (April 12-14).

Tanya Tucker performing at the inaugural Cattle Country Music Festival. Photo: Sam Ehrnstein

The independent music festival was co-founded and produced by native Texan and industry veteran Bruce Kalmick through his WHY&HOW Ventures in partnership with Marcus Federman. Other festival producers include Bryan Bulte, Cutter Dykstra and Wane Lindsey also of WHY&HOW Ventures.

Friday (April 12)’s lineup included headliner Koe Wetzel as well as Sublime with Rome and Sophia Scott. Whiskey Myers headlined Saturday (April 13), with Randy Rogers Band, Kaleo, Tanya Tucker, Southall, Colbie Caillat, The War And Treaty, William Beckman, Tyler Braden, Cameron Sacky Band, The Weathered Souls, Coleman Jennings and Derek Austin also taking the stage.

Eric Church served as the headliner for Sunday (April 14), and closed out the inaugural event alongside Shane Smith & The Saints, Chase Rice, Red Clay Strays, Tracy Lawrence, Hailey Whitters, William Clark Green, Tanner Usrey, BlackHawk, Austin Snell, Angel White, The Glorious Sons, Matt Kozial, Kyler Weston and Cole Phillips.

Attendees were also able to enjoy wine, spirits and culinary experiences among more than 150 acres of pecan trees.

Koe Wetzel headlining the inaugural Cattle Country Music Festival. Photo: Deep Echo Media

Inaugural Cattle Country Music Festival

Elvie Shane Forges Stories Together To Create Sophomore Album [Interview]

Elvie Shane. Photo: Nathan Chapman

After first breaking onto the music scene in 2021 with Platinum single “My Boy,” country singer-songwriter Elvie Shane has aimed to share how he sees in the world through storytelling. His sophomore album Damascus released today (April 19), tells a little bit of his story while providing insight into the minds of blue-collar America. With lyrics about struggle, inspiration and everyday life, Shane cultivates an album that can resonate with anyone. Prior to its release, Shane took some time to speak with MusicRow about how Damascus came to be.

The artist penned all thirteen tracks on the record, with “Does Heaven Have A Creek” being a solo-written song.

“I get down to Alabama with Oscar Charles, my producer Luke Preston and Dan Couch, and then Jeremy Spillman and Ryan Tyndell show up,” shares Shane. “The first couple of songs we wrote on that trip were ‘Forgotten Man’ and ‘Baptized.’ There was a very stark contrast between songs. I was like, ‘I know I love both of these songs a lot. There’s something there, but they sound so different. How in the hell do I put them on the same project? I’ve got to have this all on the same project.'”

While trying to figure out how to fit all of the tracks onto the record, Shane plucked some inspiration from steel. “So one day I just started thinking about how Damascus is also a type of steel, and when you take all these different types of steel and you forge them together, they’ll have different carbon values or nickel values. So, all the metals kind of look different once they’ve been through the forging process and are finished out and polished. It creates a very strong type of metal and it’s got all of these designs in it that are unique to each piece.

“And I was like, ‘I’ve got all these songs that are different. ‘Baptized’ is inspired by Mac Miller, ‘Forgotten Man’ is like [Bruce] Springsteen and The Who and ‘Chicken Shit’ is The White Stripes.’ And I’m listening to all this different stuff at that time as well. I was like, ‘Well, maybe I’ll just make those my types of steel, put it all in the forge together and try to create a Damascus knife out of it.’

The album begins with “Outside Dog,” written by Shane, Charles and Jonathan Sherwood. “I started the record with ‘Outside Dog’ because it was a very ego-driven song. I was really pissed off, and I had a couple of meetings where initially I was told that we don’t need to do this. We need to look for other songs, etc. But I believed in this stuff, and I was really frustrated. While on a plane ride home, I was listening to this track that Oscar had built. I said to myself, ‘You know what? I’m just going to let the ego out,’ because as bad as ego can be, in many cases, it can also be the voice in the back of your head that’s like, ‘Hey, buddy, we got this. You know we can do this.'”

Regarding the different themes among the tracks, Shane notes, “There are things like working class struggle, which tends to be what I’m most interested because I come from that. I know those people, I know those stories. So that’s what I wanted to focus on as the bigger picture. But within all of that, you’ve got addiction. I’ve got quite a few friends from the past that are either in it, have been in it or not with us anymore. Also, there’s prison reform. “215634” is an autobiographical story of my oldest childhood friend. He’s in prison right now for shooting a man and killing him in self-defense. But he was a felon, so he couldn’t claim self-defense. I felt that was an important story to tell.”

When reflecting on his writing process, he points out that the closing track, “Does Heaven Have A Creek,” was the easiest to write. “I was sitting outside of my camper in Kentucky at the lake one day. It was a fall day and it was so beautiful outside. It felt great, and I was reminded of a day when I was a kid. My favorite person in the entire world, my great grandmother, was walking out of church with her big bouffant hairdo. The wind was blowing, there was sunshine, and she just looked over at me and said ‘It is amazing out here today.’ They were such simple words, but it was the way the sunlight was like gleaming off of her hair and face as well as the joy that she had. It’s just stuck with me for all of these years. She’s been gone for over 20  years now, I miss her every day. She taught me my first three chords on guitar, and introduced me to Roger Miller when I was a kid.

“So I’m thinking about my granny and this little swimming hole I used to go when I was a kid, where we would just hop in this creek in our blue jeans, swim and then hike back home through the woods. I just looked up at the sky and said, ‘Granny, does heaven have a creek where I can swim in my old blue jeans?’ I’d also been sitting outside watching videos from Tyler Childers‘ Can I take My Hounds To Heaven? and Brent Cobb‘s And Now Let’s Turn To Page with my daughter, and I was just immersed in spiritual, gospel music that day. So, while driving into Nashville from Kentucky to the studio to do some pre-production that afternoon, I wrote that song.”

As for the road, there’s a few songs off the project that Shane already loves performing for fans. “It’s been a lot of fun performing. We’re getting standing ovations for ‘Baptized,’ ‘Forgotten Man’ and ‘Does Heaven Have A Creek,’ in the middle of the show now. It’s so cool, and I love performing “Does Heaven Have A Creek” and “Outside Dog.”

“‘Outside Dog'” was a weird one to me because I didn’t know how people were going to respond. We played that song before we ever recorded it because I just wanted to test it out on the crowd. We were performing at a motorcycle rally and [tested it out] there. After the set, this girl walks up to me in tears and said, ‘My dad’s Black, my mom is Jewish. I grew up in central Alabama and I never felt like I had a song until I heard ‘Outside Dog.'” That was enough for me to say, ‘Okay, if it touches this person, then it could possibly touch many others.’ So it’s been cool to play that one and see the response, especially with me being on the fence about it topic wise and stylistically.”

When asking Shane what he hopes listeners will get from the album, he says he hopes people can find their own stories in these tracks. “After I’ve finished [the album], put it all together and listened to it down in sequence, I just saw a person going through it.” Shane continues, “I also want people to know that I don’t take myself too seriously, and wanted to give everybody a break from all of the heavy thinking, struggle and drive that’s in ‘Winning Horse.’ I see [Damascus] as the story of a guy that was lost in the beginning and finds his way back to God in the end in some way, form or fashion.”

CMHOFM Adds To Taylor Swift Education Center Display

Photo: Courtesy of CMHOFM.

The Country Music Hall of Fame and Museum (CMHOFM) have added several new artifacts to the Taylor Swift Education Center display case.

New items include a custom-built Taylor PSGA Koa guitar played during her acoustic set on “The Red Tour,” the Deering Boston B6 six-string acoustic-electric banjo she played while performing “Mean” at the 2012 Grammy Awards, the BCBG Max Azria silk handkerchief dress and BCBGirls metallic bronze-colored boots Swift wore in 2006 at both the ACM Awards and CMA Music Festival and a special artwork commemorating the U.S. leg of Swift’s 2023 “Taylor Swift | The Eras Tour.”

The instruments on display are connected to themes found in Thomas Hart Benton’s painting “The Sources of Country Music” located in the museum’s Hall of Fame Rotunda.

An interactive display where visitors can create different pitches with a dulcimer will also be available.

‘Glen Campbell Duets – Ghost On The Canvas Sessions’ Out Now

The collaborative album Glen Campbell Duets – Ghost on the Canvas Sessions has been released via Big Machine Records and Surfdog Records.

This unique project features duets pairing the late Glen Campbell‘s original vocals with music legends such as Brian WilsonCarole KingDolly PartonElton JohnHope SandovalLinda PerryStingBrian Setzer and more. These reimagined tracks come from Campbell’s 2011 farewell album Ghost on the Canvas, the only album written and recorded by an artist actively battling Alzheimer’s disease.

In celebration of the new album, guests gathered at the Musicians Hall of Fame & Museum in Nashville on Thursday (Apr. 18) to view the new Glen Campbell exhibit. The event featured a panel with Campbell’s family members and friends, including Julian Raymond, Dave Kaplan, Steve Wariner, Cal Campbell and Kim Campbell.

“I just want to thank all of the incredible artists who lent their talents to this project and created such a beautiful tribute to Glen,” shares Campbell’s co-producer and co-writer Raymond. “Creating Ghost on the Canvas with Glen was such an impactful and moving experience, and it means a great deal to me that so many people came together to honor him and his reconciliation with his diagnosis. I hope this project continues to inspire hope in those faced with Alzheimer’s.”

“Over the years, Ghost On the Canvas continued to receive massive acclaim, and accolades continued to pour in for both Glen and this record from the creative community – whether from new artists or the greatest legends in music history,” says Surfdog Records’ Kaplan.

Wynonna & More Among Lineup For ‘Walkin’ After Midnight: The Music Of Patsy Cline’

“Walkin’ After Midnight: The Music of Patsy Cline” will celebrate the music of iconic country legend Patsy Cline at the Ryman Auditorium on April 22.

The event will kick off with opening remarks by First Lady Dr. Jill Biden, who will join in paying tribute to Cline’s enduring legacy. A lineup of performers including Wynonna, Ashley McBryde, Rita WilsonHome Free, Kristin Chenoweth, Mickey Guyton and more will take the stage, offering renditions of Cline’s timeless melodies in a celebration of her life.

Since 1959, Cline called Nashville her home, relocating to Music City to pursue her musical aspirations. Throughout her career, she graced the stage of the “Mother Church of Country Music” countless times, making it the perfect venue to an evening honoring her legacy.

Bailey Zimmerman Takes ‘Where It Ends’ To No. 1 On MusicRow Chart

Bailey Zimmerman’s breakup anthem “Where It Ends” claims the No. 1 spot on the MusicRow CountryBreakout Radio Chart this week, climbing from No. 2 to No. 1.

Co-written with Grant Averill and Joe London, the track appears on Zimmerman’s Leave The Light On album, which also includes No. 1 hits “Fall In Love” and “Rock and A Hard Place.”

Zimmerman has been busy on the road headlining his very own “Religiously. The Tour.” set to make it’s final stop on Aug. 31 in Durant, Oklahoma at Choctaw Casino. Along with this, he has been providing support to Morgan Wallen on his “One Night At A Time 2024 Tour.”

“Where It Ends” currently sits at No. 9 on the Billboard Country Airplay chart and No. 8 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

BMI Launches New Royalty Dashboard

BMI has launched a new Royalty Dashboard as part of a broader initiative to enhance its overall affiliate customer service experience.

The new dashboard is featured in the redesigned Online Services (OLS) Platform, and seeks to provide BMI songwriters and composers with a more streamlined and transparent way to view their statements and gain greater insights into their earnings.

This resource aims to give affiliates a fully interactive view of their royalty statements for the first time, whether it’s a broad overview of how their catalog is performing or drilling down to specific earnings around a particular song.

Through the Royalty Dashboard, creators can now view their top-performing titles and search individual works for a consolidated earnings summary. Additionally, affiliates can monitor quarterly and annual earnings trends, explore international earnings and more.

“We’re excited to introduce the first iteration of BMI’s Royalty Dashboard through the redesigned OLS Platform as part of our commitment to delivering tools that empower our music creators,” says Alison Smith, EVP, Chief Distribution & Publisher Relations Officer, BMI. “Based on the feedback from an initial focus group of our songwriters and composers, we’re thrilled to report their enthusiastic response to the dashboard’s intuitive features, particularly the ability to consolidate song performance earnings and filter by source.”

Other enhancements to the OLS Platform allow users to log in from a mobile web browser or through the new fully featured iOS mobile app that aligns with the website experience. The platform also hopes to provide additional self-service options and a publisher focused dashboard to launch as part of a later phase.

‘Opry Country Classics’ To Pay Tribute To Johnny Paycheck In May

“Opry Country Classics” will celebrate the music of singer-songwriter Johnny Paycheck on May 9.

Opry members Chris Janson, Jamey Johnson and the Gatlin Brothers as well as special guest William Michael Morgan are among those set to perform in Paycheck’s honor. Three second-generation performers: John Paycheck (son of Johnny Paycheck), Georgette Jones (daughter of George Jones and Tammy Wynette) and Jesse Keith Whitley (son of Keith Whitley and Lorrie Morgan) will also be featured during the special tribute show.

Hosted by Opry member Larry Gatlin, “Opry Country Classics” takes place on  Thursdays at 7 p.m. at the Grand Ole Opry House. Each  event features a number of special guests, including a Spotlight Artist sharing several greatest hits and country classics. Those slated for upcoming shows include Avery Anna, The Bellamy Brothers, Suzy Bogguss, T. Graham Brown, Mae Estes, Don Schlitz, Marty Stuart and Twitty and Lynn.

For more information, click here.

Jelly Roll Opens Studio In Nashville’s Juvenile Detention Center

Jelly Roll opens studio in Nashville’s Juvenile Detention Center

Jelly Roll has officially opened a music studio in Nashville’s Juvenile Detention Center.

After dedicating a portion of the proceeds from his Bridgestone Arena headlining show last December, he opened the studio during a “Redemption Songs” event hosted by the Beat of Life Organization.

Jelly Roll and fellow Nashville native Ernest both performed at the new studio for those currently incarcerated, along with other artists, volunteers and songwriters. Also in attendance were Nashville Mayor Freddie O’Connell, who introduced Jelly Roll, as well as Juvenile Court Judge Sheila Calloway and a handful of music industry members in addition to local and national correctional leaders. The studio seeks to be a lasting resource for aspiring musicians to create in the very place Jelly Roll was once housed as a youth.

UMe To Release Remastered Jimmy Buffett Collections On Vinyl This Summer

UMe is commemorating Jimmy Buffett‘s musical legacy by releasing remastered classic collections from his storied career on vinyl this summer.

10 albums will be released throughout the summer that stretch over three decades of Buffett’s career, including three of his ’90s albums making their debut on vinyl for the first time, and many of his ’70s and ’80s records returning to vinyl for the first time in more than four decades. Each release will be available on standard black vinyl and limited edition colored vinyl.

The first trio will be released on June 7, and consists of Living And Dying In 3/4 Time (1973), One Particular Harbour (1983) and Fruitcakes (1994). Living And Dying In 3/4 Time marked Buffett’s fourth album and debut on the charts, giving him his first top 40 single, “Come Monday,” breaking into Billboards Hot 100 chart. One Particular Harbour features a few fans favorites he played the most at his concerts, including “Stars On The Water” and the crowd-pleasing title track. Platinum-certified Fruitcakes, which will celebrate its 30th anniversary this year, was the first of Buffett’s album to break the top five on Billboard’s 200 chart.

A sea breeze vinyl design is set for Living And Dying In 3/4 Time, while One Particular Harbour will have a daydream-colored design. The double LP Fruitcakes will have one album in sunshine ray color and the other in apricot.

Arriving July 12 is the second trio of vinyl releases,  A White Sport Coat and A Pink Crustacean (1973), Havana Daydreamin’ (1976) and Banana Wind (1996). Featuring singles “Grapefruit – Juicy Fruit” and “Why Don’t We Get Drunk,” A White Sport Coat and A Pink Crustacean helped introduce Buffett to a national audience. Havana Daydreamin’ became a real breakout album for the artist, reaching No. 65 on Billboard‘s 200 chart and No. 21 on Billboard’s Top Country Albums. Banana Wind debuted at No. 4 on Billboard‘s Top 200, and contains “Jamaica Mistaica,” a tune inspired by a real-life incident where Jamaican authorities mistakenly shot at his seaplane with Bono, his family and Chris Blackwell on board.

A White Sport Coat and A Pink Crustacean will be released in transparent pumpkin spice orange, and  Havana Daydreamin’ will be in opaque carmine red. The double LP Banana Wind will pair a light blue album with an opaque white one.

The four releases set for Aug. 16 are Changes In Latitudes, Changes In Attitudes (1977), Son Of A Son Of A Sailor (1978), Volcano (1979) and Barometer Soup (1995). Platinum-certified Changes In Latitudes, Changes In Altitudes is his best-selling album with signature smash “Margaritaville.” Also certified Platinum, Son Of A Son Of A Sailor boasts the title track and the beloved tune “Cheeseburger In Paradise.” Peaking at No. 14 on Billboard‘s 200 chart as well as No. 13 on Billboard‘s Top Country Albums, Gold-certified Volcano features the hit singles “Fins,” “Volcano” and “Survive.” The single “Mexico” highlights Barometer Soup, another Platinum album which reached No. 6 on Billboard‘s 200 chart.