Toby Keith’s “Red Solo Cup” Goes Platinum

(L–R): BMG/Chrysalis’ Sara Johnson, EMI Music Publishing’s Ben Vaughn, songwriter Brett Warren (EMI), songwriter Brad Warren (EMI), Toby Keith, songwriter Brett Beavers (BMG/Chrysalis), songwriter Jim Beavers (Sony/ATV), Sony/ATV’s Troy Tomlinson, Show Dog-Universal Music President Mark Wright

While in Vegas for the 47th Annual Academy of Country Music Awards, Toby Keith and the Warren Beavers (sibling songwriting team Brett and Brad Warren and Jim and Brett Beavers) were presented with plaques commemorating the platinum certification for Keith’s “Red Solo Cup.” The single is approaching the 1.7 million sales mark.

ACM Awards Wins Ratings Jackpot

Photo: Getty Images

The 47th Annual Academy of Country Music Awards in Las Vegas gave CBS a big ratings win on Sunday night (4/1), according to Nielsen. The three hour event, which began at 8 pm ET, won every hour during its broadcast.

With an average of 12.2 million and a 7.5 rating/12 share, CBS earned most total viewers for the evening, followed by ABC (6.97 million, 4.4/7), NBC (5.58 million, 3.6/6), and Fox (3.64 million, 2.0/3). In 2011, the ACM Awards also earned 12.2 million viewers, which was down from the previous year’s total of 13 million.

CBS also won the desirable 18-49 demographic with a 2.6 rating, followed by ABC at 2.1, Fox at 1.7, and NBC at 1.6.

Earlier this year, CBS also won with the highest viewed Grammy Awards in 30 years pulling in 41.2 million viewers, and the Super Bowl hit an all-time high of 111.3 million to become the most-watched program in U.S. history.

GAC will re-air the ACM Awards on Monday, June 4 at 8 pm/CT.

The Weekly Register: Digital Albums Rising

The growing acceptance of digital formats by consumers is a constant theme across the Nielsen SoundScan, units-based reports and the recent RIAA net sales shipments accounting. However, the focus is usually on tracks. But is the digital wave also boosting country album downloads? Answer: Yes.

As our table shows, growth in the digital album format as viewed by percentage of total country album sales, appears to be pretty consistent, growing at about 5% per year. However, based upon the actual sales numbers the increases from 2010-2012 are more dramatic—21% and then 33%, respectively.

Theses numbers are based on about the first three months of each year, YTD. As sales sleuths know, it’s the final quarter of each year when the registers ring robustly and mouses mightily move. So we’ll revisit this chart later in the year to see if the heavier sales flow affects digital percentages. My guess is we will see the current 33% increase (2011 to 2012) grow larger by year end, especially with shrinking shelf space for music which is forcing consumers online.

The Weekly Register
Like some kind of rare sales equinox, we have an unusual synchronicity this week. Country and all-genre YTD album sales are each exactly .1% ahead of last year. (Last week country sales were ahead 1.8%.)

We should savor the positive territory, because next week we will likely slide out of the plus side of the graph. Why are sales off? The economy and/or having less product in the stores isn’t helping, but probably the primary fault lies in our format’s weak release schedule YTD. There simply haven’t been enough register ringing recordings released and the results are showing.

This week’s Top 75 country currents, for example, totaled a sickly 248k total units, down from last week’s 252k. (eeeech!)

We used to see a lone debut album beat those numbers! However, before we wring our hands and begin fasting, realize that the record labels are likely plotting some monster-sized mashups for later in the year (at least we hope so). (Rascal FlattsChanged arrives April 3, a new Carrie Underwood, Blown Away will hit bins May 1 and Kenny Chesney is set to sing on June 19 with an as yet unnamed project.) Also, Lionel Richie’s duets set just hit stores and is already getting predictions of first week sales in the 150k range!

Highlights for the week include Casey James‘ No. 2 country debut with about 14k units. Luke Bryan however beat out James to grab the No. 1 position with 18k units of his Tailgates & Tanlines, on the charts now for 33 weeks. Mention must also be given to the Hunger Games Soundtrack which debuted this week at No. 1 on the Top 200 chart scanning 175k units. The soundtrack includes Nashville artists such as Taylor Swift, The Civil Wars and Miranda Lambert.

As has been the case lately, the Digital Genre Country Tracks chart seems to be where the action is. And this week it’s all about Ms. Swift who owns the No. 1 and No. 2 positions with Hunger Games tracks “Eyes Open” (176k debut) and “Safe & Sound” (93k). Nailing No. 3 is Carrie Underwood with “Good Girl” (69k).

New artists with momentum on the tracks parade include Kip Moore’s “Somethin’ Bout A Truck” (No. 7; 46k) and Lee Brice’s “A Woman Like You” (No. 5; 57k).

Until next week…

RIAA Touts First Sales Uptick Since 2004

Uplifting sales news arrived this week from the Recording Industry Association of America (RIAA). The trade organization reports that for the first time since 2004, U.S. music sales are up .2% vs. the previous year. RIAA sales data differs from Nielsen SoundScan’s accounting because it is based upon the dollar value of net shipments not units sold. RIAA, whose members are the music labels, also certifies Gold®, Platinum®, Multi-Platinum™ and Diamond sales awards.

For perspective, note that the 2011 total digital and physical sales of $7.007 billion is still less than half of the industry highpoint of over $14.584 billion in 1999. According to the just-released report, this is also the first year that digital sales edged out physical formats, moving from 46% last year to slightly over 50% for 2011.

Digital sales are growing. The RIAA digital categories include singles, albums, kiosk and music video which together increased 17.3% to represent a total of $2.6 billion. Digital album sales value jumped 25% to account for $1.1 billion of that $2.6 billion total.

Subscription services aka “access models” surged 13% to a new high in 2011 of $241 million. Users increased from 1.5 million to 1.8 million. Subscription revenue and its 1.8 million users is still an extremely small segment, but industry eyes are paying close attention to this category.

Digital performance distributions which includes payments to performers and copyright holders for webcasting, satellite radio, and other non-interactive digital music services, increased 17% to $292 million in 2011. Revenues from digital performance royalties for the first time surpassed the sales of ringtunes, ringbacks, and other mobile products, which fell 38% to $277 million in 2011.

Sync royalties are included for the first time this year. The sync category increased 4% this year to $196 million and its inclusion helped to push the overall total into the .2% positive territory.

“Hunger Games” Soundtrack Poised For Big Debut

The release of The Hunger Games movie today (3/23) is shaping up to be a huge event—like $20 million from late night shows on release day huge. The film’s companion soundtrack, titled The Hunger Games: Songs From District 12 and Beyond, hit stores 3/20 and is expected to make a big debut on the sales chart next week. That’s a great thing for Nashville.

The collection combines revered artists from several genres, a move that will no doubt bring in many different types of fans. Several Country and Americana favorites are featured prominently, including the lead single “Safe & Sound” by Taylor Swift and the Civil Wars, as well as a solo-billed Miranda Lambert featuring The Pistol Annies, The Punch Brothers, Carolina Chocolate Drops, and solo tracks from both Swift and The Civil Wars. Also included are beloved indie rockers The Arcade Fire and The Decemberists, as well as rapper Kid Cudi. Full tracklist is below.

Universal/Beladroit sibling duo The Secret Sisters performed the song “Tomorrow Will Be Kinder” last night (3/22) on The Tonight Show With Jay Leno. Check out the Sisters’ performance here, which begins at the 38:35 mark.

The Hunger Games: Songs From District 12 and Beyond tracklist:

1. The Arcade Fire – Abraham’s Daughter
2. The Secret Sisters – Tomorrow Will Be Kinder
3. Neko Case – Nothing To Remember
4. Taylor Swift feat. The Civil Wars – Safe & Sound
5. Kid Cudi – The Ruler and the Killer
6. The Punch Brothers – Dark Days
7. The Decemberists – One Engine
8. Carolina Chocolate Drops – One Engine
9. The Civil Wars – Kingdom Come
10. Glen Hansard – Take The Heartland
11. Maroon 5 feat. Rozzi Crane – Come Away To The Water
12. Miranda Lambert feat. Pistol Annies – Run Daddy Run
13. Jayme Dee – Rules
14. Taylor Swift – Eyes Open
15. The Low Anthem – Lover Is Childlike
16. Birdy – Just A Game

Signings and Hirings: G7, Hearts Bluff, Bobby Roberts, Centricity

Centricity Music Publishing has signed hit Christian songwriter Sam Mizell to an exclusive contract. His songs have been recorded by Matthew West, Natalie Grant, Madisa, Francesca Battistelli, and many others. His seven No. 1 singles have resulted in a Grammy nomination, and Dove and ASCAP awards. (L-R): Sam Mizell and Centricity Music head Steve Rice

Hearts Bluff Music has expanded its Creative Services department with the addition of Greg Gallo. His background includes placing songs with Faith Hill, Blake Shelton and Lady Antebellum, as well as roles at Ash Street Music and Big Loud Shirt.

Hearts Bluff President/CEO Scott Parker leads the company which according to a press release has $20 million in private funding and has acquired over 50 No. 1 hits in recent years.

In addition, Gallo continues to provide creative services for Revelry Music Group, Extreme Writers Group, Brave Music, Silent Gate Music, Savannah Music Group, Yacht Haven Music and Beautiful Day Music.

• • •

The Bobby Roberts Company has signed Curb Records artist Morgan Frazier and Bigger Picture artist Chris Janson for exclusive booking representation. President Lance Roberts also announced the hiring of Matt Rizor as an agent.

• • •

G7 Entertainment Marketing today announced the appointment of four new executives. Lori Cloud has joined G7 as Executive Director of Client Services. She has 25 years of entertainment marketing experience and was most recently VP Brand Strategy and Digital Media at management firm Big Enterprises. Previously she was a Brand Agent at the LA headquarters of Creative Artists Agency, where she managed client relationships such as The Coca-Cola Company, P&G, Sprint, Harley-Davidson Motor Company and Starwood Hotels.

Rick Whetsel is on board as G7’s Director of Booking and Production. He has more than 20 years experience in the music industry including founding Nashville-based Great Big Shows, a top concerts promotions and productions company. Most recently he has focused on sponsor-driven events and corporate productions, working with a variety of Fortune 500 consumer brands.

Diana Garcia has joined G7 as Digital Strategist and Project Manager, specializing in data collection, viral marketing, social media and interactive storytelling. She has more than eight years of experience working with acts including Rascal Flatts, Madonna, Red Hot Chili Peppers, Brooks & Dunn, Dolly Parton and many others.

Christian Henderson has joined G7 as Project Manager. Henderson was most recently at Creative Artists Agency.

Country Sales: All That Downloads Is Not Gold

Total country digital tracks was not available at this time last year which explains the actual sales number in the grid—34.7 million. Those numbers became available last year in mid-April and we will begin using the percentages at that time.

 

In The Viewfinder
Before we dissect some of this week’s sales metrics, let’s consider some of the recent industry talk which buoyantly notes that digital sales are up for both country music and the industry overall. And that is true. A brief glance at the grid above shows increasing numbers of consumers are making the transition from physical to digital.

However, all that downloads is not gold. Witness last week’s Google Play sale which was responsible for selling about 90,000 digital units of Lady Antebellum’s album for 25¢. Yes, that’s not a typo, just two thin dimes and a nickel for the entire album—not enough to satisfy even half the mechanical royalty. But don’t blame the act or the label, this sale was a retail ploy to draw attention to a new digital store. And it made digital sales look good. The point here is that SoundScan measures units, but we also need to reflect upon pricing, revenues and profits.

While the Google sale may be a one-off event, wholesale album prices are now averaging below $7 whereas a few years ago they were $11.99 and up. That difference translates to weaker revenues and profits and ultimately fewer major labels. The RIAA’s retail sales measurements show the U.S. industry falling from over $14.6 billion in 1999 to under $6.85 billion in 2010.

No. 1 Country Track for 4 consecutive weeks.

And Now Highlights From The Previous Week…
You’d never know that Capitol Nashville was about to be swallowed up this summer, based upon its stellar chart performance, and according to Nielsen SoundScan. The scrappy label has three of the Top 5 spots on this week’s country album chart; Luke Bryan (No. 1, 17k); Lady Antebellum (No. 3, 13k) and Eric Church (No. 4, 11k). Filling in the gaps are Jason Aldean (No. 2, 14k) and The Band Perry (No. 5, 9k). Shooter Jennings’ Family Man debut landed at No. 10 with about 8k in sales.

Overall, the Top Current Country Album 75 delivered one of its weakest performances in the history of SoundScan with the entire Top 75 totaling about 256k. [ouch!].

Happily, there’s more joy on the Digital Genre Country tracks chart. Carrie’s “Good Girl” remains atop the list for its fourth consecutive week with about 70k downloads and RTD total of over 360k. Rascal Flatts storms the list this week with “Changed” which scanned over 57k units to land in the No. 2 position. Making up the remainder of the Top Ten Nos. 3-10 are: Lee Brice, Eric Church, Miranda Lambert, Kip Moore, Taylor Swift, Jason Aldean, Luke Bryan and Toby Keith.

Total country track sales YTD now equals 34.691 million which equates to about 3.47 million additional TEA album units. (TEA=track equivalent albums; 10 tracks =1 album).

As always upcoming album releases can be found here. New and upcoming projects include Casey James (3/20), Lionel Richie (3/27), Rascal Flatts (4/3), Kip Moore (4/27), Carrie Underwood (5/1), Colt Ford (6/5) and Kenny Chesney (6/19).

Topspin and MTV Networks Partner For New Initiative

Nashville-based Topspin has announced a partnership to connect its direct-to-fan platform to the users of MTV’s network of television, mobile, and web properties. Participants will have multiple opportunities through MTV, VH1 and CMT to grow their fanbase and generate income.

The new initiative, Artists.MTV, gives artists direct access to their MTV presence and lets them connect directly with MTV’s millions of users. Artist pages on the website have been redesigned to allow fans to discover new music, plus buy tickets, merchandise, and more. Musicians of all levels, from famous to unknown, will have access to it.

Artists.MTV will also provide artists opportunities on MTV, VH1, and CMT for video and audio views to song placement in shows and even more. Topspin’s tools are built right in, which marks the first time at major outlet has given artists this level of control.

The program is expected to launch in June 2012, but artists will be able to check out a private beta trial starting in May. Current Topspin customers will automatically be signed up.

Southern Ground Releasing Free Compilation

Zac Brown’s Southern Ground Artists record label is serving up something special for music fans on Record Store Day 2012, which takes place April 21. The label is releasing its Southern Ground Artists Compilation, Vol. 2, which will be distributed to 350 independent record stores given away for free. It will also be available at the Zac Brown Band-hosted ACM Fan Jam in Las Vegas April 1.

The compilation includes tracks by The Wood Brothers, Blackberry Smoke, and a live version of ZBB’s current single “No Hurry.” Also included is the Barroom Radio Mix of Sonia Leigh’s new single “Bar.”

Track listing:
1. One More Day (Live) – The Wood Brothers
2. Hard Headed – Nic Cowan
3. Another Day – Dugas
4. Wherever We Break Down – Levi Lowrey
5. Bar (Barroom Radio Mix) – Sonia Leigh
6. Leavin’ – The Wheeler Boys
7. Everybody Knows She’s Mine – Blackberry Smoke
8. No Hurry (Live) – Zac Brown Band

Owen’s “Alone With You” Certified Gold

Jake Owen’s current single “Alone With You,” has been certified Gold by the RIAA for digital download sales exceeding 500,000. The song is hanging tough at No. 4 on MusicRow’s CountryBreakout Chart this week, and the music video has received nearly two million views on VEVO. Owen’s album Barefoot Blue Jean Night debuted at No. 1 on Billboard’s Top Country Albums chart.

“I’ve been out on the road touring non-stop for the past six years,” says Owen. “And my main goal has always been to try to connect with people. Now, it is just such a great feeling to know that ‘Alone with You’ and ‘Barefoot Blue Jean Night’ are songs that people are connecting to. In this day and time, I never take anything for granted. To have a gold single AND a platinum single from my album means the world to me and I’m so grateful.”

Barefoot Blue Jean Night’s lead-off single and title track previously hit No. 1 and has since earned over 1.5 million digital downloads.

This summer, Owen will participate in the “Brothers of the Sun” Tour with Kenny Chesney and Tim McGraw, along with Grace Potter and the Nocturnals. The tour launches June 2 in Tampa, FL. Dates and tickets here.