Florida Georgia Line Reaches “Cruising” Altitude

It’s October and the temperature is falling, but Florida Georgia Line’s “Cruise” remains a sunny island of summer warmth on country radio. Considering the song was recently certified Gold for over 500k downloads and the duo has now been added to CMT On Tour: Jake Owen, this particular island should stay hot through the even the coldest days of winter.

Amazingly, this has all happened in advance of hitting critical mass on the monitored airplay country charts. How, you ask? Through a combination of aggressive touring and grassroots fan building in secondary/small radio markets. And of course, having a killer song is pretty critical as well.

For the uninitiated, Florida Georgia Line (FGL) is Tyler Hubbard and Brian Kelley, who (you might have guessed) hail from Florida (Kelley) and Georgia (Hubbard). The pair met while studying at Belmont University and began writing songs together, playing local clubs when they could.

Kelley had been working on “Cruise” with his friends, Chase Rice and Jesse Rice (no relation), when he took a demo version to Hubbard and producer Joey Moi. The ensemble finished the tune and with Moi’s experienced hand guiding the recording, a hit-in-waiting was born.

“It was one of those songs that just happened—and we’re glad it did,” says FGL’s Kelley. “We knew we had something we loved but could never imagined it would be something like this.”

At the time, FGL was essentially operating as an independent through Big Loud Mountain, a partnership between Craig Wiseman’s Big Loud Shirt publishing enclave, manager Kevin “Chief” Zaruk, and Moi. Not having the major entertainment finances behind FGL meant the typical high dollar radio promotion push wasn’t in the cards, at least in the beginning. FGL’s day to day manager Seth England felt building from the ground up would be the right approach, citing as justification the massive costs and unrealistic expectations created by treating brand new artists like superstars.

“The problem with that is it leaves little room for natural growth with fans,” explains England.

The duo had already begun building a fan base through their busy touring schedule and wanted to continue the work they had started. That included visiting friends in radio and refining their stage performances.

“They wouldn’t take no for an answer,” recalls England. “We recognized that secondary radio was the perfect place to begin since we were independent. We made it a very serious focus and followed up in many markets with club shows, and treated those stations just like we treat major markets now. It was really intriguing what can be built in some of these secondary markets. In a way, we had some of these major markets surrounded with radio support, and hardcore fans, before we ever approached them with Republic Nashville.”

Helping to surround those markets with secondary airplay were veteran promotion representatives Rick Kelly, of Marco Promotions, and Jerry Duncan, of Jerry Duncan Promotions. Kelly says he and Duncan heard the music in demo form before its official release, and were immediately excited about the project. “They already seemed like a fully formed act,” says Kelly.

“I distinctly remember thinking they were an independent act with all the key ingredients: great songs, great singers, hard working, good looking, personable, and already touring,” adds Duncan. “All they needed was radio support.”

Kelly and Duncan sent the music out, and the early feedback from radio was very encouraging, with support from WXMM/Appleton, WI; SiriusXM; KBXB/Sikeston, MO; and more. FGL was also added to the lineup on the popular summer Country Throwdown Tour with Gary Allan, Rodney Atkins, and others.

“We did as many radio visits as we could possibly squeeze in during the Throwdown tour, and were able to impact a good cohort of stations in tour markets, and in transit to other dates,” says Kelly. “The song was really reactive for our stations. It was during this time that SiriusXM came on and started really supporting the record, which seemed to move the needle considerably.”

Touring has been the other critical component of the FGL success story. England and the Big Loud Mountain team approached Buddy Lee’s Kevin Neal, who helped build Jason Aldean’s career as well as that of touring warrior Colt Ford. FGL, England figured, had a lot in common with these artists.

“We felt like they had obvious commercial appeal but had an edge that these small clubs would eat up early on,” says England.

Thankfully, touring isn’t a chore for the duo, who love to be on the road and in front of enthusiastic crowds. “We get to make new friends, see new places and watch the effect music can have on people,” says FGL’s Kelley. “We also have a real brotherhood within our band and that makes it a blast.”

Wisely, FGL’s team recognized the importance of giving concert-going fans an opportunity to purchase the duo’s music at live dates. FGL released its debut EP, It’z Just What We Do, in May and had it ready to roll for the summer concert season.

“We wanted to have more music out than just ‘Cruise,’” notes England. “That can be a bit of a misstep with new artists just getting a record deal. You’ll see artists release a single and not have any physical music for fans to buy live.”

In July, FGL signed with Big Machine Label Group’s Republic Nashville. The label immediately ramped up the promotion efforts for “Cruise,” which had already sold 100,000 downloads independently.

“By the time the record hit major market radio in August, we were on about 80% of MusicRow stations, with about 14,000 spins to date on the single at that panel, and about 116,000 singles sold,” says Marco’s Rick Kelly.

“I’m not sure the Republic Nashville staff sleeps,” adds England. “They have jumped on board with our vision, didn’t ask to change a thing – they just wanted to blow it up, and they have. Scott Borchetta and Jimmy Harnen have surrounded themselves with an incredible staff who deeply care about their artists.”

Blowing it up is exactly what is going on. Sales are already impressive, and yet “Cruise” still has some room to grow on the charts, considering it is only No. 12 on Billboard’s Country Airplay chart and No. 6 on the MusicRow Chart.

Beyond that, Republic Nashville will release the duo’s debut album Here’s to the Good Times just in time for the holidays on Dec. 4. Beginning in 2013, FGL will be opening Luke Bryan’s headlining Dirt Road Diaries Tour.

It’s a crazy moment in time for the guys, but for FGL’s Kelley, it’s exactly what he wants. “Needless to say, our lives are a whirlwind right now, and we love it!”

Nokia Music Sets Sights on Nashville

Pictured (L-R): Theo Gupta/Nokia, Anthony Montenegro/Nokia, Henrik Bowadt/Nokia, Lila Gerson/Billboard, Maggi Demko/MAC Presents, George Couri/Triple 8 Management, Marcie Allen/Mac Presents, Mike Eli, Ray Waddell/Billboard, Chris Thompson, Elizabeth Mitchell/Nokia, Jon Jones, James Young

Nokia hosted a luncheon in the Rotunda at the Country Music Hall of Fame and Museum Friday afternoon (10/19) celebrating the launch of Nokia Music, a mobile streaming service exclusive on Nokia Lumia 900 and 710 handsets.

Currently available through AT&T, Nokia Music offers unlimited ad-free music on over 150 multi-genre playlists maintained by “expert US based musicologists” and artists themselves including Eli Young Band, Rihanna, Lady Gaga, and Lana Del Ray, among others.

“Listeners also have the opportunity to scan personal music collections to build channels with similar and familiar tracks as well as recommendations,” said Anthony Montenegro, Nokia Music, Head of Americas. “You can cache up to four channels on the phone itself for offline listening.”

With a catalog of over 16 million tracks, the advertisement-free service requires no registration or subscription.

Friday’s event featured an acoustic set by Eli Young Band and was hosted by Billboard’s Ray Waddell. Nokia presented a $10,000 check to Musicians On Call, which is celebrating 5 years of service in Middle Tennessee.

“The support from Nokia Music will allow us to keep providing live and recorded music to the bedsides of patients in the healthcare facilities in Nashville,” said Scott Welch, Chairman of the Board at Musicians On Call. “We look forward to continuing collaborations with them.”

Consumers who already own the specific Lumia devices can download the Nokia Music app from Marketplace.

Little Big Town’s “Tornado” Storms Country Sales

Little Big Town has topped the Billboard Country Albums chart for the fifth consecutive week with its critically-acclaimed new album Tornado. The album features the two-week No. 1 smash “Pontoon,” as well as the current rapidly-rising single “Tornado.”

The vocal group is set to perform on Live! With Kelly And Michael on Oct. 24 and on ABC’s Dancing With The Stars on Oct. 29. As previously announced, the band will also perform on the 46th Annual CMA Awards on Nov. 1, where they are nominated for three awards – Vocal Group Of The Year, Single Of The Year and Video Of The Year for “Pontoon.”

For more information, visit www.littlebigtown.com.

Weekly Register: Swift Launch Delivers Non-Traditional Locations

Weekly Register TV Script

Host sings exuberantly: “Jingle bells, jingle bells, jingle all the way…oh what fun for country sales, the season’s underway…!! OH…”

[Camera goes wide]

TV Host: Welcome everyone. Why am I in a festive mood? Well, because the two biggest country albums of the season are finally going on sale—Jason Aldean’s Night Train, which hit shelves 10/16 and Taylor Swift’s Red which debuts 10/22. So fasten your seat belts because we have both artists live in our Weekly Register studio. Hey Jason, hey Taylor… s’up guys?
……

OK. This is print, not video. But I’ve been so inspired by Big Machine’s marketing strategies for the upcoming Swift album that I’m trying to think more grandiose for my own promotions. Planning the launch of an artist like Ms. Swift is daunting. Yes, she gets opportunities that are out of reach for all other country music superstars, but expectations are also much higher. Scott Borchetta, Kelly Rich and the BMLG team have truly stepped up with innovative Red launch ideas. It’s accurate to say this project is writing country music marketing history.

Marketing veteran Neal Spielberg noted the launch is, “Reminiscent of a blockbuster movie release,” and I couldn’t agree more. It also echoes the bold style with which Borchetta has steered the scrappy indie since its birth in 2005. At that time the President/CEO described his primary duties as, “Building a fighter jet for the revolution.”

Why am I gushing? Here’s a few of the numerous tie-ins. Swift’s album will be available to purchase when people order a Papa John’s Pizza. Her face will be on the box. She has her own store on the pizza maker’s web site with a variety of offers and packages. There’s a Red partnership with Keds sneakers and Swift-themed merchandise will be on sale and part of special offers in Walgreens’ 7,944 nationwide locations. Oh and at the end of the month, Swift and Papa John’s will host her own radio remote in Nashville… Then there’s the mag covers, TV appearances and partnerships with retailers such as CoverGirl, Macy’s, American Greetings, Sony electronics and so much more…

But there’s also great No. 1 news ahead for Jason Aldean, who is celebrating his Night Train launch with a week-long series of high profile appearances and a “special surprise” planned for Thursday 10/18.

Interestingly, Jason and Taylor have history together—chart history that is. Swift’s Speak Now was released during the week ending 10/31/10 with 1.05 million units. The next week Aldean’s My Kinda Party splashed with 193k units. Unfortunately for Aldean, Swift’s week 2 sales of 320k units kept him out of the top country chart positions on both the country and Top 200 charts. This time however, the schedules are reversed, giving Aldean an excellent chance to claim No. 1 status on the country chart and possibly the all-genre list as well… (at least for one week)…

By The Numbers
As noted above, the big chart action begins soon, but for now, most lists are calm according to Nielsen SoundScan. Little Big Town’s Tornado earns a fifth consecutive week in the No. 1 position (23k) on the Top 75 Current Country album list and Aaron Watson debuts at No. 9 with about 6k units.

Tracks watchers will be surprised, no doubt, to learn that Swift’s latest track “I Knew You Were Trouble” has apparently been deemed not country. What? (The new track topped the all genre tracks list with almost 416k downloads.) Can anyone understand this? An artist with an upcoming country album who currently has three Top 10 Digital Genre Country tracks this week—not even counting the latest release? Nothing official on this yet, but hopefully SoundScan and/or Billboard will offer an explanation for this unexpected and seemingly miscalculated decision.

[Camera Zoom In For Charismatic Host Close Up]

TV Host: Thanks for tuning into Weekly Register… where we track the hits, measure the sales and analyze the outcomes. See you next week when our special guests will be….

[Fade to commercial]

Luke Bryan Partners With Cabela’s

Luke Bryan and Cabela’s, the popular hunting, fishing and outdoor gear outfitter, recently announced a multi-year partnership. As part of the agreement, co-branded marketing campaigns will appear in Cabela’s stores, as well as in their catalogs and e-commerce materials. Social media and content collaborations will offer fans an exclusive, behind the scenes look into Bryan’s off-stage activities as an avid outdoorsman.

“My love for the outdoors is something that has been a part of me ever since I can remember,” said Bryan. “It seems there was never a time when we weren’t hunting, fishing, farming or playing outside since I was very young. Teaming with Cabela’s is such a natural fit for me.”

The partnership will also see Cabela’s sponsorship of Bryan’s concert tours beginning with his first-ever headlining tour, the Dirt Road Diaries Tour, which launches Jan. 2013.

“Luke is the perfect partner for Cabela’s as he combines a lifelong love of the outdoors along with strong country roots. This passion comes through in everything that Luke does–from his hunting and fishing, to his music. We’re really excited to welcome Luke to the Cabela’s family,” said Scott Williams, EVP and Chief Marketing/E-Commerce Officer.

Cabela’s CLUB Visa Members will have access to pre-sale tickets and preferred seats in select markets beginning next Monday (10/22). Complete details about will be available at www.cabelas.com/lukebryan starting Oct. 22.

Microsoft Launches Xbox Music Service

Consumers have no shortage of choices when it comes to digital music, and they sometimes wind up juggling devices for different experiences. In an attempt to solve that puzzle, Microsoft is launching Xbox Music, an all-in-one music service available on Xbox 360, Windows 8, Windows RT PCs and tablets, and Windows Phone 8.

“The launch of Xbox Music is a milestone in simplifying digital music on every type of device and on a global scale,” said Don Mattrick, president of the Interactive Entertainment Business at Microsoft. “We’re breaking down the walls that fracture your music experiences today to ensure that music is better and integrated across the screens that you care about most.”

Users of Microsoft devices will have access to a 30 million song global catalog, from which they will be able to stream curated playlists, subscribe to all music, or download-to-own, integrated across all platforms. The Xbox Music services includes a free on-demand streaming, Xbox Music Pass for ad-free unlimited playback to the tune of $9.99/month, the Xbox Music Store to purchase and keep mp3 files, artist-based streaming radio Smart DJ, cloud storage for music files (including ones purchased outside Xbox), and a new social component.

Xbox Music Pass will be available tomorrow (10/16) on Xbox 360 in 22 markets worldwide; Free streaming will be offered to devices in select markets beginning Oct. 26.

Additional Incentives Sought by ‘Nashville’ Production Team

ABC Nashville producers are reportedly seeking increased state and local incentives to continue filming Nashville in Middle Tennessee, according to the Nashville Business Journal.

In the show’s first year, incentives­ have accounted for 32 percent of Tennessee-based costs. This is all about to change, notes Brian Reisinger of the NBJ:

Going forward, instead of 32 percent, the state will reimburse up to 25 percent, but also has made the incentive available to more types of productions. Nashville wants to convince state officials to grandfather in the show for the full 32 percent in future years. Proponents also hope Haslam and Dean will use other discretionary money for a larger, multi-faceted incentive package.

Show producers argue that Music City lacks a infrastructure to support a long-term film-related market without providing government tax incentives to offset the costs. This could be an important bargaining chip for producers, as city and state officials will undoubtedly want to keep the production based here. “[Each episode is] a 43-minute advertisement, prime time, once a week [for the city],” said the show’s producer, Loucas George, who noted that the Nashville team had incurred extra costs to build infrastructure.

According to the NBJ, estimates of the show’s direct spending in Tennessee total $44 million. Seventeen percent ($7.5 million) of that spending will be covered by a reimbursable grant if the show airs all 22 episodes.

State economic and community development spokesman Clint Brewer will be making further decisions based on the show’s success. Nashville Mayor Karl Dean and Gov. Bill Haslam will make final decisions regarding additional incentives.

“It’s hard to understand how a show called Nashville could be done in an authentic way without being shot in Nashville,” said Dean.

A production of Lionsgate, ABC Studios and Ryman Hospitality, the network drama is currently filming 13 episodes in anticipation to be picked up for a full 22 episodes this season.

Read MusicRow’s recap of the pilot episode here and catch an exclusive feature about the show in our 2012 MusicRow Publisher print magazine, out next week (10/16).

Taylor Swift Partners With Sneaker Company

Taylor Swift will kick off a multiple-year sponsorship with popular sneaker company, Keds, with the release of limited edition red Champions.

“I’m so excited to be partnering with Keds,” said Swift. “I’ve been a fan for years because they have two of my favorite elements of great style – they’re classic and effortless.”

The initiative will be supported with future scholarship opportunities and limited edition product.

The Swift kicks will be available for purchase at Keds.com, TaylorSwift.com, Nordstrom.com and Journeys.com in conjunction with her forthcoming album Red, due out on October 22.

“Taylor has become an inspiration to millions and a shining example of what can happen when you set your mind to something,” said Keds Brand President Rick Blackshaw. “Keds resonates with bold, unique girls who are brave enough to be themselves. This understanding is the most important thing we share with our fans, and we’re committed to helping girls everywhere look great but feel even better.”

Artist Growth Secures New Partnerships

Music management application Artist Growth has finalized partnerships with Vector Management, ASCAP and BMI to broaden the platform’s reach.

The Nashville-based company, which launched in January 2012, has been working with Vector Management to outfit the company’s entire artist roster with AG Enterprise. The extended version of the mobile application is equipped to handle the needs of artists at all levels, from starters to arena touring acts. Furthermore, the ASCAP and BMI integration will now allow songwriters to track and report live performance royalties from their phones on the go.

AG Co-Founder/CEO Matt Urmy will speak at SF MusicTech Summit on October 9, at CMJ Festival on Oct. 17, and the Future of Music Coalition’s Summit in DC on Nov. 13.

Billboard Introduces New Chart Methodology

Billboard has revealed a new methodology for a handful of its charts, including Hot Country Songs, that will give a “major consumer-influenced facelift” to its measurement tools. Other charts undergoing the change include Hot R&B/Hip-Hop Songs and Hot Latin Songs.

Since the advent of BDS in 1990, Hot Country Songs ranked titles entirely monitored airplay data. Going forward, the chart will incorporate digital download sales (measured by Nielsen SoundScan) and streaming data (measured by Nielsen from Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music) along with the BDS monitored airplay measurement. The new chart will also incorporate data from over 1200 stations of all genres for songs receiving crossover airplay.

“The way people consume music continues to evolve and as a result so do our genre charts, which now track the many new ways fans experience, listen to and buy music,” says Silvio Pietroluongo, Billboard Director of Charts. “We’re proud to be offering updated genre charts that better reflect the current music landscape.”

Factoring in these new metrics will likely mean some big changes, week-to-week. And indeed, Taylor Swift’s “We Are Never Ever Getting Back Together” reaps the immediate benefits of dominating both the streaming and download worlds and lands at No. 1 on the new chart. Interestingly, “Never Ever” sits at No. 36 on Billboard’s Country Airplay chart, which will measure only BDS airplay and continue to appear on Mondays.

The change also coincides with the launch of a second weekly Billboard Country Update product, which will be distributed on Thursdays.