DisClaimer: What The Indies Are Offering

Cerrito

Cerrito


All hail the fine folks at CDX. Not only do these bi-monthly compilation discs keep us up to date on what the major labels are putting out (or aren’t, which seems to be the case lately), each one is also a smorgasbord of what the indies are offering. For me, that means the anticipation of hearing new voices. This week’s column is a sampling from that smorgasbord. Here to remind us that not everything needs to be serious is the durable Cerrito. His novelty tune is just silly enough to win the Disc of the Day prize. I have no idea who North 40 is/are. But among the many unknowns I listened to today, they were my favorites. Give ‘em a DisCovery Award.
DOUG NEWMAN & SOS RENEWAL/Gonna Give You Praise
Writers: Doug Newman; Producer: Robert Metzger; Publisher: Buddy & Billy/Sony-ATV Songs, BMI; Platinum Plus
-The track is slightly sloppy, old-time rock ‘n’ roll. The singer is righteously into it. Retro all the way.
JOE/Final Curtain Call
Writers: Gene Cash; Producer: Allen Cash; Publisher: Divison, BMI; Music Row (CDX)
-The cow is moaning in the barn. Somebody put it out to pasture.
BLACKJACK BILLY/The Booze Cruise
Writers: Noll Billings/Jeff Coplan/Chuck Jones; Producers: Jeff Coplan and Blackjack Billy; Publishers: 3rd Nineteen/Vandermont/City Angel/Ole Red Cape/Roots Three/Ole/No E No D/Big Spaces/Amplified Admin/Poppy Loppy, ASCAP/SOCAN/BMI; TTA (CDX)
-Energetic and merry, if rather melodically challenged.
KARI & BILLY/Play Me a Fiddle Song
Writers: Billy Arnold; Producers: Billy Arnold and Kari Arnold; Publisher: none listed; BMI; Applause (CDX)
-Earnest and well meaning, but thin sounding. Kari, by the way, can barely be heard. Despite the billing, this is essentially a Billy performance.
BURLY CLYDE/Living In America
Writers: Charlie Midnight/Dan Hartman; Producers; Mark Needham and Charlie Midnight; Publishers: Bay Parkway/Round Hill Works, BMI; MAN (CDX)
-That’s right: It’s the 1986 James Brown hit refashioned as a wailing country-rocker. Kinda different. Kinda cool.
CERRITO/Hot Pepper Doll
Writers: Cy Coben; Producers: Felipe De LaRosa, Bartley Pursely and Cerrito; Publisher: Delmore, ASCAP; Checo (CDX)
-This Latin bopper comes complete with staccato horn bursts as it praises the spicy culinary skills of his betrothed. They’ll be wed if his stomach can take the heat. Very cute.
north 40 hey girl heyNORTH 40/Hey Girl Hey
Writers: Paige Logan/Amber Rose; Producers: Leigh Reynolds and Mills Logan; Publisher: Molly Jack, BMI; Rhymetown (CDX)
-The lead singer has an attractively smokey, dramatic delivery, and she struts her way through this with moxie to spare. This is her night to rock.
JAY JOLLEY/God Save Us All From Religion
Writers: Doug Johnson, Charlie Daniels and Kim Williams; Producer: Chuck Alkazian; Publishers: Sony ATV Cross Keys/Triple Cross/Mike Curb/Sweet Radical/Wooley Swamp, BMI/ASCAP; Double J (CDX)
-“We’ve got Jews and Muslims and ten thousand flavors of Christians,” ponders the man at the bar while he watches a hypocrite preacher on TV. “We kill in God’s name.” Which leads to the title phrase.
JARED BLAKE/Countrified
Writers: Jared Blake, Skidd Mills, Carl Bell; Producer: Skidd Mills; Publishers: Hey Y’all Watch This/Skiddoo/Lucky Diamond, BMI; Skiddco (CDX)
-She’s a city sophisticate, but he’s going to change her by exposing her to honky-tonkin,’ drinking and brawling. Guess what? It works. The screaming guitar and his drawling, baritone, Southern-rock delivery must have done the trick.
LOGAN TUDEEN/Circles
Writers: Logan Tudeen/Kent Wells; Producer: Kent Wells; Publishers: Logan Tudeen/Creek Valley; BMI/ASCAP; Go Time (CDX)
-The track has a moody, bluesy tone. She has a penetrating voice, yet it sounds like she is trying a little too hard. Forceful, but not something I’d listen to again.

DisClaimer: Established Artists Keep The Music Coming

bush hawg1Established hit makers are the big news this week. Michael Martin Murphey, Joe Diffie, Kix Brooks and the new duo of Pam Tillis and Lorrie Morgan all have new music in this stack of platters. So do such well-known up-and-comers as Thompson Square, Georgette Jones and Amber Digby. Grits and Glamour is the moniker that Pam and Lorrie are using. These delightfully talented gals easily pull in the Disc of the Day prize. A six-man band called Bush Hawg is the winner of this week’s DisCovery Award. You’re coming in loud and clear, fellas. Send more.
GEORGETTE JONES/Til I Can Make It On My Own
Writers: J.D. Hicks/Bill McCorvey; Producer: Justin Trevino; Publishers: On the Mantel/Universal Songs of PolyGram, BMI; Heart of Texas
-Georgette’s new CD is a tribute to the music of her Hall of Fame mother, Tammy Wynette. This is its title tune, Tammy’s immortal 1976 smash. Let’s face it, no one can replicate the legend’s electrifying vocal delivery, but daughter does a more than respectable job on the ballad. The puzzle here is the songwriter credit. This was famously a Wynette/Billy Sherrill/George Richey collaboration. So where are their names? Elsewhere in the album, Georgette’s parents’ duets are revived with Justin Trevino and Billy Yates standing in for papa George. This is a most worthy project.
JOE DIFFIE/Girl Ridin’ Shotgun
Writers: none listed; Producer: none listed; Publishers: none listed; Bigger Picture
-It says, “featuring D-Thrash of The Jawga Boyz.” I presume that is the dull, witless rapper who is getting in the way of Diffie’s singing.
THOMPSON SQUARE/Everything I Shouldn’t Be Thinking About
Writers: none listed; Producer: none listed; Publishers: none listed; Stoney Creek
-Who feels like doing chores when your lover is near? The choppy, handclappy rhythm is a delight. Definitely a superior summer single.
KIX BROOKS/There’s The Sun
Writers: Trent Summar/Brandon Kinney; Producer: Kix Brooks; Publisher: Songs of Universal/Songs of NTN/Hits of Tom Lies/Two Cylinder, BMI, Arista (track)
-It’s a bluesy drawler praising the arrival of warm weather. The groove’s the thing.
ROBIN MEADE/Get Up
Writers: Robin Meade/Lee Brice/Victoria Shaw; Producer: Victoria Shaw; Publisher: Meade in America/Curb/Victoria Shaw/Do Write, ASCAP/BMI/SESAC; Meade In America
-This HLN anchor has previously proven herself to be a capable country vocalist. Her new single is a rousing rocker about spirit-lifting survival. Highly listenable and heartily recommended.
MICHAEL MARTIN MURPHEY/Peaceful Country
Writers: Michael Martin Murphey/Ryan Murphey/Pat Flynn; Producers: Ryan Murphey and Pat Flynn; Publisher: Rocking 3 M/Wrong Man/Mia Culpa, BMI/ASCAP; Red River (track)
-Red River Drifter was released this week as Murphey’s newest western-music collection. It kicks off with this lively ditty that pairs the star’s tenor voice with scampering, sparkling banjo, mandolin and fiddle work. Cowboy bluegrass, anyone?
Grits-and-Glamour1GRITS AND GLAMOUR/I Know What You Did Last Night
Writers: Karyn Rochelle/Al Anderson; Producer: Pam Tillis and Lorrie Morgan; Publisher: Big Yellow Dog, BMI; Red River (track)
-Saucy, sassy, rocking and a big boatload of fun. Pam Tillis and Lorrie Morgan are the perfect party girls for this rollicking toe tapper. And their personality-packed voices sound terrific together.
JASON STURGEON/Angel Eyes
Writers: Fred Koller/John Hiatt; Producer: Greg Archilla; Publisher: BMG/Bug/Lucrative/Lillybilly, BMI; Tool Pusher
-The Jeff Healey Band’s 1989 pop smash has been reincarnated as a country ballad. The pace is a little plodding, but the song is so strong that it more than survives the rearrangement.
BUSH HAWG/Crushin’
Writers: Shawn Ames/Jaron Boyer/Vicky McGehee; Producer: Michael Knox; peermusic III/Buy the Farm/Pacific Wind/4T4/February 4, BMI; RCA
-Obsessive love, to the accompaniment of throbbing electric guitars. Promising sounding.
AMBER DIGBY/One More Thing I WIsh I’d Said
Writers: Amber Digby/Vince Gill; Producer: Amber Digby, Randy Lindley and Justin Trevino; Publisher: none listed, BMI; Heart of Texas
-Digby has been a musical treasure in Texas for years. For her current CD, The World You’re Living In, she enlisted Nashvillians like Lloyd Green Pig Robbins and Pete Wade and co-wrote with Music City’s Bill Anderson, Dale Dodson and Vince Gill. The last named is her collaborator on this ballad weeper that is soaked in steel and fiddle. Hillbilly heaven.

DisClaimer: Trio Riding High

Blue Sky Riders is made up of (L-R) Kenny Loggins, Georgia Middleman and Gary Burr

Blue Sky Riders is made up of (L-R) Kenny Loggins, Georgia Middleman and Gary Burr


The guys and the gals are canceling each other out this week. Jason Cassidy and Toby Keith have the two finest new male singles, and they are equally potent. Likewise, womanly Debbie Cochran and girlish Sarah Darling both have super strong singles, although in completely different ways. That leaves room for the group Blue Sky Riders to ride to the rescue with the Disc of the Day. I know you’re probably sick of reading me rave about this trio (Kenny Loggins, Gary Burr and Georgia Middleman), but I’m not going to stop until every one of you goes out and buys the album and hears what I’m talking about. So there. Nobody wins a DisCovery Award in this edition of DisClaimer.
TRACY LAWRENCE/Footprints on the Moon
Writers: Ben Hayslip/Dallas Davidson/Rhett Akins; Producers: Flip Anderson & Tracy Lawrence; Publishers: WB/Get a Load of This/EMI Blackwood, ASCAP/BMI; LMC (CDX)
-Tempo for your summer playlist, plus an ultra-romantic lyric. Soaring sonics.
OLD CROW MEDICINE SHOW/Carry Me Back To Virginia
Writers: Secor/Haynes/Watson; Producer: Ted Hutt; Publishers: Blood Donor/Broken Banjo/Spirit One, BMI; ATO (CDX)
-This acoustic band is currently riding high as the co-writer of Darius Rucker’s “Wagon Wheel.” This just-released, fiddle-tune pep-fest is for the frisky clogger in all of us. Folk flavored and earthy, it’s a tongue-tripping performance with a built-in smile.
TOBY KEITH/Drinks After Work
Writers: Natalie Hemby/Luke Laird/Barry Dean; Producer: Toby Keith; Publishers: EMI Blackwood/Wruckestrike/Songs of Universal/Creative Nation/Country Paper/Pulse Nation/Twangin and Slangin, BMI; Show Dog
-He is propositioning in the nicest way in this scampering ditty. Hey, where’s the harm in a little conversation during Happy Hour? As usual, Toby sings with enormous charm and personality.
JASON CASSIDY/Blame It On Waylon
Writers: Rhett Akins/Josh Thompson; Producers: Greg Hunt and Jason Cassidy; Publisher: none listed; JC (track)
-The production rocks righteously, and his country baritone has just the right touch of “outlaw” swagger. Already a hit in Texas, I see no reason why this stomper couldn’t have much, much wider appeal.
SARAH DARLING/Little Umbrellas
Writers: Sarah Darling/Doug Johnson/Rob Crosby; Producer: Ilya Toshinsky; Publishers: Golden Vault/Wadmalaw/Black River/Sweet Conspiracy/Offer You Can’t Refuse/Little Darling/Want a Fresh One, BMI/ASCAP; 764
-Perky, pop-y, choppy, bopping. Her lilting delivery is sweetly girlish, but the lyric is about empowerment and getting over a guy. Extremely catchy.
DEBBIE COCHRAN/When You’re Loving Me
Writer: Debbie Cochran; Producer: Kent Wells; Publisher: DMC Anniston; BMI; Go Time (track)
-Her languid, lustrous, throaty, confident, slightly bluesy delivery is enchanting. The band locks into a steady groove behind her on this seductive, mid-tempo outing. Dreamy listening.
BLUE SKY RIDERS/Feelin’ Brave
Writers: Blue Sky Riders; Producers: Peter Asher and Blue Sky Riders; Publishers: Gnossos/Connboy/Middle Girl, ASCAP/SESAC; 3 Dream (track)
-All 15 tracks on this group’s debut CD Finally Home are so uniformly superb that choosing what to issue as a single must be insanely difficult. This throbbing, tempo-shifting, harmony-drenched choice provides moments for all three vocalists to shine. Beyond fabulous.
T.J. BROSCOFF/This Is The Moment
Writer: T.J. Broscoff; Producers: Bill Green and T.J. Broscoff; Publisher: Bill Green, BMI; BGM
-His delivery of this heartbreak toe-tapper has hillbilly soul. Punchy and potent, despite the somewhat slim production values.
ASHTON SHEPHERD/This Is America
Writer: Ashton Shepherd; Producers: Ronnie Rogers and Larry Beard; Publisher: none listed; Pickin’ Shed
-Just in time for the Fourth of July comes this patriotic number about surviving hard times. It is somewhat wordy, but she sings the fire out of it nonetheless.
AARON WOODS BAND/Hangin’ By The River
Writers: Aaron Woods/Colt Larimore; Producer: Tony Pierce; Publisher: none listed, BMI; EJP
-You can’t sing, and your song about a country party is so hackneyed it gives me a headache.

DISClaimer: Sizzling Music For A Hot Summer

the henningsens11

The Henningsens


Hot enough for you? Summer weather has arrived in Middle Tennessee a little later this year, but no less muggy and oppressive than usual. Appropriately, our disc makers are turning up the heat as well. In this column, you’ll find outstanding work, tailored to the season, from Craig Morgan, Tim McGraw, Philip Claypool and Mark McKinney. The duet of Sherry Lynn and Crystal Gayle is also cooking with gas. Our Disc of the Day award goes to a non-summer themed outing, “I Miss You” by The Henningsens. These three folks sound starward bound with this dynamic single. Sidewalk Records is a Curb imprint that is introducing our DisCovery Award winner, a promising singer-songwriter named Dylan Scott. So bon voyage to him.
GRETCHEN WILSON/Crazy
Writers: Vicky McGehee/Rachel Farley/Brian Davis; Producer: Gretchen Wilson; Peermusic III/February 4/Rockin Rose/Mike Curb, BMI; Redneck (track)
-She sings so well. Why bury her performance with grinding, wailing electric guitars?
SHERRY KENNEDY/Mama, He Treats Your Daughter Mean
Writers: Lance/Singleton/Wallace; Producer: Mark Moseley; Publisher: Sony, no performance rights listed; Sheaken (CDX)
-Ruth Brown, who sang the original 1955 r&b version of this, was known as “Miss Rhythm.” This must be “Miss Anti-Rhythm.”
CRAIG MORGAN/Wake Up Lovin’ You
Writers: Josh Osborne/Matt Ramsey/Trevor Rosen; Producer: none listed; Publishers: Want a Fresh One/Black River/Music of RPM/Sonic Geo/Unfair Entertainment/Songs of Bims/Calhoun Enterprises, ASCAP; Black River
-This steady stomper begins with the sound of an alarm clock, and the production work is stellar throughout. Yet nothing detracts from his completely gripping, electrifying vocal performance. This guy gets to me every time. Play him.
TIM SWEENEY/Baby I Try For You
Writer: Tim Sweeney; Producer: Kim Copeland; Publisher: Tim Sweeney, BMI; Old House (track)
-He sings in an earnest, airy tenor. The ballad is bland.
TIM MCGRAW/Southern Girl
Writers: Jaren Johnston/Lee Thomas Miller/Rodney Clawson; Producers: Byron Gallimore and Tim McGraw; Publishers: Sony-ATV Harmony/Texa Rae/Writers of Sea Gayle/Itchy Baby/Big Red Toe/Amarillo Sky, ASCAP/BMI; Big Machine (track)
-The bouncy song name-checks New Orleans, Tupelo, Memphis, Savannah, Daytona and other Dixie spots while praising the virtues of Southern ladies. But Tim’s personable vocal and the catchy, effects-dotted production are the real stars here.
Dylan Scott

Dylan Scott


DYLAN SCOTT/Makin’ This Boy Go Crazy
Writers: Dylan Scott/Forest Glen Whitehead; Producer: Jim Ed Norman; Publishers: Curb/Want a Fresh One/Black River, ASCAP; Sidewalk
-He’s a country baritone effortlessly negotiating tongue-tripping verses and then rounding the corners into the choruses with terrific elan and confidence. Absolutely worth your spins.
PHILIP CLAYPOOL/Strong One
Writers: Philip Claypool/Jeff Silbar; Producer: Michael Lloyd; Publishers: Heyday/Silbar, BMI/ASCAP; Heyday
-This former Curb artist of the 1990s is back with a chin-up, positive-think rocker. I love his drawling phrasing on this driving, relentless production. The icing on the cake is that it is extremely well-written.
SHERRY LYNN AND CRYSTAL GAYLE/Beautiful Life
Writers: Danny Wells/Jose Luis Pagan/Sarah Lenore; Producers: Ted Hewitt & Christos Gatzimos; Publishers: Cauley Music Group/BMG Chrysalis/Songs of Universal/Money Mack/Warner-Tamerlane, BMI; Steal Heart
-Sherry and Crystal trade lines with equal fire and finesse on this dandy country-rocker. It’s a really commercial and radio-ready toe-tapper. Co-producer Gatzimos is Crystal’s grown-up son.
THE HENNINGSENS/I Miss You
Writers: none listed; Publisher: none listed; Producer: none listed; Arista (track)
-This family trio latches onto this driving, thumping slab of wistful longing with enormous energy. The vocals are simply stunning, and the backing track has superb intensity and pent-up power. The finale, three-part harmony chord will break your heart.
MARK McKINNEY/Stolen Cash
Writer: none listed; Producer: Eric McKinney and Mark McKinney; Publisher: none listed; MM
-It’s a gently rolling, easy-going, good-time thang. The catchy ditty is about falling giddy in love while summering at the beach. It goes down mighty smoothly.

DisClaimer: Newcomers, Come on down!

DisCovery Winner Rob Baird

DisCovery Winner Rob Baird


This week, it’s newcomers, “Come on down!”
Making their debuts in the column are Stephanie Quayle, Sturgill Simpson, Rob Baird, Rian Greene and Madison McKenzie. Obviously, one of them is walking off with a DisCovery Award. But which one will it be?
It will be Rob Baird of Austin, Texas. He sings with dusty authenticity and has co-written an escapist road song that puts pedal to the metal.
The Disc of the Day award goes to Robin Meade & Blue Sky Riders. TV news anchor Meade has proved in the past that she has what it takes as a country singer. Her “Here For You” collaboration with the trio of Gary Burr, Kenny Loggins & Georgia Middleman is a match made in heaven.
CNN ON AIR TALENT

Disc of the Day goes to Robin Meade and Blue Sky Riders.


ROBIN MEADE & BLUE SKY RIDERS/Here for You
Writer: Erik Dylan/Robin Meade/Victoria Shaw; Producer: Victoria Shaw; Publisher: Warner-Tamerlane/Songs of the Corn/Meade in America/Victoria Shaw/Do Write, BMI/ASCAP/SESAC; Meade in America (track) 
Count on Me is the second country CD by popular HLN Morning Express TV host Meade. The collection leads off with this stirring, passionate ode to fidelity and emotional support. Meade’s sturdy alto delivery trembles with emotion and the interwoven vocal harmonies of the Blue Sky Riders send the track into the stratosphere. The collection includes seven songs co-written by the singer, as well as covers of Tom Petty’s “I Won’t Back Down,” The Pretenders’ “I’ll Stand By You” and Garth Brooks’ “The Dance.”
Blue Sky Riders

Blue Sky Riders


ROB BAIRD/Dreams and Gasoline
Writer: Rob Baird/Rick Brantley; Producer: Scott Davis & Kevin Szymanski; Publisher: Tiltawhirl/Carnival/Scrambler, BMI/ASCAP; Carnival (CDX)  
—I like the urgency and passion in his voice. The country-rock track rumbles along splendidly. His composition has the irresistible forward momentum and sky-high optimism of all great road songs. A thrilling performance.
RACHELE LYNAE/Fishin’ for Something
Writer: Rachele Lynae/Hannah Bethel; Producer: Jamie O’Neal; Publisher: Rachele Lynae/Hamywyn, ASCAP/BMI; Momentum 
—Very cleverly written, featuring plenty of water, bait, fish and angling metaphors. The track rocks nicely with a punchy backbeat and cool banjo and dobro licks. The vocal performance has all the moxie you could ask for.
LIVEWIRE/Whiskey Sunday
Writer: Joe Romano/Jason Vanover; Producer: Justin Woods; Publisher: Carolina Basketball/Draw Four, ASCAP/BMI; Way Out West
—Heartache, performed with a lively tempo, vocal harmonies and a catchy tune. Highly listenable.
CLAYTON GARDNER/Something About You
Writer: Clayton Gardner/Mack Damon; Producer: none listed; Publisher: none listed
—He has a burnished baritone voice with a “lived in” quality that is quite attractive. The song is a romantic country-rocker that invites you dance and sing along. Well done.
STEPHANIE QUAYLE/Stand Back
Writer: Stephanie Quayle/Mindy Ellis Campbell/Mark Carson; Producer: Dale Libby; Publisher: none listed; Rebel Engine (track)
—She sings well. Not that the song is a vocal showcase of any kind. It barely has a melody. Rock energy is no substitute for craftsmanship.
STURGILL SIMPSON/Life Ain’t Fair and the World Is Mean
Writer: Sturgill Simpson; Producer: Dave Cobb; Publisher: Pan Bowl. ASCAP; High Top Mountain (track)
—This singer-songwriter has a cool, retro style that is country, country, country. This opening track of his just-released CD borrows its rolling atmosphere from the outlaw sound of Waylon Jennings. Which is a good thing, indeed. Simpson has been opening shows for Dwight Yoakam and Junior Brown, and I’ll bet he’s darn good at it.
PHILLIP THOMAS/Summer Fun
Writer: none listed; Producer: Phillip Thomas & A.J. Vallejo; Publisher: none listed; Phillip Thomas  
—He certainly no powerhouse as a vocalist on this record. But his delivery of the lightweight, harmless ditty about being a teen at a beach party goes down easily.
RIAN GREENE/The Best I’ve Ever Had
Writer: Rian Greene; Producer: none listed; Publisher: Mountainwood, BMI; Post Oak (track) 
—This Nashville singer-songwriter has a hushed, intimate vocal style. The backing is spare, featuring jingle-jangle guitar and organ notes in a bopping, bubbling, mid-tempo arrangement.
MADISON McKENZIE/This Is My Life
Writer: Madison McKenzie; Producer: Bob Bullock; Publisher: Madi M, ASCAP; Madi M (track) 
—She has a youthful, confessional songwriting style that packs vivid details into every line. Vocally, she leans toward the breathy, pop end of the spectrum. Sonically, the ditty is airy and fluffy. Kid country.

DISClaimer: Awards Show Edition

Let’s pretend this is an awards show, and give out prizes in lots of categories. Our Female Vocalist Disc of the Day honor belongs to  Miranda Lambert, with special kudos for coloring outside the lines with her song choice. The Male Vocalist Disc of the Day prize goes to Chris Stapleton. No one else even comes close. The Vocal Group Disc of the Day award, I am delighted to announce, is presented to the Eli Young Band for its outstanding audio work. I can’t say enough good things about the magnificent Chris Stapleton, who is also taking home this week’s DisCovery Award. Applause, applause.

Stapleton

Chris Stapleton


BRANCH & DEAN/The Dash
Writers: Marlon Dean/Michael Huffman; Producers: Michael Huffman, Marlon Dean Scallan & Jeff Silvey; Publishers: Shootin Straight/Huff Stuff, BMI/ASCAP; SSM Nashville
-The “dash” is the one they place between your birth and death years. The message here is to spend that brief “dash” well, because, “There’s only so much breath you get to take….So love like you mean it, everyday.” Imaginative and emotionally valid.
CLINTON GREGORY/You Smile
Writers: Pebe Sebert/Gerald Smith; Producers: Jamie Creasy & Clinton Gregory; Publishers: Laloluka/Melody Roundup/Bluewater, BMI; Melody Roundup
-Tender and caressing. This thoughtful ode to perseverance finds its perfect voice in this fine, stone-country stylist. Songwriter Sebert, by the way, is the mother of pop star Ke$ha.
LAUREN ALAINA/Barefoot and Buckwild
Writers: Lauren Alaina/Chris DeStefano/Jon Nite; Producer: Chris DeStefano; Publishers: Lyles/EMI April/Sugar Glider/Jon Mark Nite, BMI/ASCAP; Mercury/19 (CDX)
-Just what we need, a female artist jumping onto the dirt-road-party bandwagon.
ELI YOUNG BAND/Drunk Last Night
Writers: Laura Veltz/Josh Osborne; Producers: Frank Liddell & Justin Niebank; Publishers: Warner-Tamerlane/Want a Fresh One/Black River, BMI/ASCAP; Republic Nashville
-Frothing and foamy, this is one delectable slab of country-rock. Everything works here: The morning-after lyric, the frenetic tempo, the stuttering guitars, the group harmonies and the crisp production work.
TAYLOR SWIFT/Red
Writers: Taylor Swift; Producers: Dann Huff, Nathan Chapman and Taylor Swift; Publishers: Sony-ATV Tree/Taylor Swift, BMI; Big Machine (Track)
-It’s Taylor in her twirling, swirling uptempo mode. Dizzy, bright and delirious.
CHRIS STAPLETON/What Are You Listening To
Writers: Chris Stapleton/Lee Thomas Miller; Producer: Tony Brown; Publishers: House of Sea Gayle/Small Fish/Writers of Sea Gayle/Itchy Baby, ASCAP/BMI; Mercury
-Sublimely soulful. If you never caught his performances in The SteelDrivers, welcome to the Next Great Vocalist in country music. Chris has written hits for Josh Turner, George Strait, Kenny Chesney, Steel Magnolia and more, but Nashville insiders have always known that his powerful singing has always deserved its own spotlight. Now it has it.
lambert

Miranda Lambert


JASON ALDEAN/Night Train
Writers: none listed; Producer: none listed; Publisher: none listed; Broken Bow (track)
-This restrained, subtle, gracefully shaded performance is his most accomplished vocal to date. The come-on song casts him a romantic role. An attractive change of pace.
JESSE & NOAH/Driven Back
Writers: Jesse & Noah Bellamy; Producers: Jesse and Noah Bellamy; Publisher: Skunk Ape, ASCAP; Jessandnoah
-David Bellamy’s boys head in a funky, pop direction on the title tune to their latest collection. Left of center, but definitely listenable.
MIRANDA LAMBERT/All Kinds of Kinds
Writers: Phillip Coleman/Don Henry; Producers: Frank Liddell, Chuck Ainlay & Glenn Worf; Publishers: Gravitron/Carnival/Warner-Tamerlane, SESAC/BMI; RCA (track)
-Exquisitely produced, with rolling Dobro notes, strummed acoustic guitar, rippling mandolin and shuffling percussion. Her vocal is a crystalline wonder, and the song is a pure, off-kilter delight. In a word, brilliant.
LENNY COOPER/Rodeo
Writers: L. Cooper/J. Sciullo/J. Spilner; Producers: www.PhiveStarr.com & DjKo; Publishers: Average ZJS/DJKOPhivesarr/Riley Payton, BMI/SESAC; Backroad/Average
-This guy represents the mud-people, off-road, ATV subculture, hence his album title, Mud Dynasty. Its single is packed with electronic effects and thumping beats. As a general rule, I hate country rapping. And this is no exception.

DISClaimer: Finding Songs of Substance

All the stars are twinkling, but only a few are burning brightly. By and large, this is a stack of perfectly acceptable country singles. They’re all professionally crafted and designed for radio playlists. They are also mostly lightweight. The exceptions belong to Dierks Bentley and Kellie Pickler, both of whom are performing songs of substance. They battled for Disc of the Day, with Bentley’s relentless sonic production giving him the edge. The other exceptional platter belongs to our DisCovery Award winner, Elizabeth Lyons. Her self-titled EP came out last year and has reportedly sold well as an iTunes phenomenon. With zero press, publicity or promotion, Lyons has already sold more than 30,000 songs. Now the recent Vanderbilt University graduate is releasing her first single and video from the project. Get ready to have your country-pop ears pinned back.

Elizabeth Lyons

Elizabeth Lyons


ELIZABETH LYONS/Everything Tonight
Writers: Elizabeth Lyons/Matt Nolen/Ryan Tyndell; Producer: Matt Nolen; Publishers: Elizabeth Lyons/Ole Purple Cape, BMI; Roar (Track)
-Deliriously rhythmic, this will make you feel like twirling around the room until you fall down dizzy. She sings with plenty of fizz and confidence. The lyric has loads of neat little turns of phrase that make it quite distinctive. “God is a DJ/Mixing us His way.” “Baby you’re my sky/And heaven is where you are.” “I am the rhythm/And you are the rhyme.” “I can hear your heart sing…This is the beginning of a brand new song.” I am totally into this.
SAMMY KERSHAW/The Route That I Took
Writer: Sammy Kershaw; Producers: Sammy Kershaw and Billy Lawson; Publisher: Kershaw, BMI, Big Hit (CDX)
-It is billed as his tribute to the late George Jones, to whom he bears more than a passing vocal resemblance. As usual, Kershaw sings superbly. But the production is non-existent. It’s just him and an acoustic guitar.
AARON WATSON/Summertime Girl
Writers: Aaron Watson/Jon Wolfe/Roger Springer/Tony Ramey; Producers: Sam Seifter & Wes Hightower; Publishers: Sonnet/Aaron Watson/Roger Springer/T&D/Fool Hearted, BMI/SESAC; HTK (CDX)
-I have liked just about everything he’s released so far, and he continues his winning ways with this uptempo, sunshine-y romp.
DAVID NAIL/Whatever She’s Got
Writers: Jimmy Robbins/Jon Nite; Producers: Chuck Ainlay, Frank Liddell & Glenn Worf; Publishers: Universal/Extraordinary Alien/EMI April/Jon Mark Nite, ASCAP; MCA Nashville
-Tuneful and easy on the ears. I like it when the production breaks down toward the end and he sings in a semi-vacuum. Unmistakably radio ready.
KEITH URBAN/Little Bit of Everything
Writers: Brad Warren/Brett Warren/Kevin Rudolf; Producers: Nathan Chapman & Keith Urban; Publishers: EMI Blackwood/Sagequinnjude/Farmlove/Lion Aire, BMI; Capitol Nashville
-A bopping, feel-good ditty for summertime listening. Approximately as deep as a rain puddle.
dierks bentley11DIERKS BENTLEY/Bourbon In Kentucky
Writers: Ryan Tyndell/Hillary Lindsey/Gordie Sampson; Producer: Ross Copperman; Publishers: Purple Cape/Ole/BMG Gold/Bughouse/Dash8/Bug/BMG Chrysalis, BMI/ASCAP; Capitol Nashville
-Somebody call the fire department. Throbbing and fevered, this burns with a smoldering ember of lingering desire and aching memory. A superb sounding single.
KELLIE PICKLER/Someone Somewhere Tonight
Writers: Walt Wilkins/Davis Raines; Producer: Frank Liddell & Luke Wooten; Publishers: Curb Congregation/Dennis Morgan, SESAC/BMI; Black River
-This is the finest ballad performance of Pickler’s career to date, loaded with heart and meaning and truth and beauty. Play the fire outta this, and make her the radio star she deserves to be. Can you tell I’m completely in love with her?
KENNY CHESNEY/When I See This Bar
Writers: Kenny Chesney/Keith Gattis; Producer: Buddy Cannon & Kenny Chesney; Publishers: Sony-ATV Acuff Rose/Basuare/Sony-ATV Tree/Pioneer Town, BMI; Blue
-Laid-back nostalgia with a distinct island vibe. The production starts out simple, spare and stark, but gradually builds into a fuller sonic experience.
AARON LEWIS/Granddaddy’s Gun
Writers: Rhett Akins/Dallas Davidson/Bobby Pinson; Producers: James Stroud & Aaron Lewis; Publishers: Rhettneck/EMI Blackwood/Music of Stage Three/Bobby’s Songs and Salvage/BMG Chrysalis, BMI; Blaster
-Well written and produced with panache. I particularly liked the dobro work.
FLORIDA GEORGIA LINE/Round Here
Writers: Rodney Clawson/Chris Tompkins/Thomas Rhett; Producer: Joey Moi; Publishers: Big Loud Mountain/Big Red Toe/Amarillo Sky/Big Loud Bucks/Angel River, BMI/ASCAP; Republic Nashville
-It’s official: The entire country music format is now songs about dirt-road partying. Now that that’s settled, this is fantastically well-sung, irresistibly catchy, bodaciously rhythmic and dazzlingly produced.

DISClaimer: Summer Gets A New Soundtrack

Lady Antebellum

Lady Antebellum


The soundtrack for the summer is unfolding, starting this week. Joe Nichols, the Cody Bryan Band, Grant Langston and Andy Gibson all have new singles that have sunshine in every groove. In fact, “If I’m Going Nowhere” is strong enough to reel in a DisCovery Award for the Cody Bryan Band. But country-music people love to weep as much as they love to rejoice. So I also direct your attention to the downbeat lyrics of the new singles by Love and Theft, Sawyer Brown and, most especially, Lady Antebellum, who wins the Disc of the Day with “Goodbye Town.” Heartache has never sounded lovelier.
THE ROYS/Gypsy Runaway Train
Writers: Lee Roy/Morry Trent; Producers: The Roys and Andy Leftwich; Publishers: Mandolin Man/Cinderella Man, SESAC; Rural Rhythm
-These two continue to release singles like a country act. But their sound becomes more and more mainstream bluegrass with every release. The picking on this is dazzling.
cody bryan band11GRANT LANGSTON/Trouble Knows
Writer: Grant Langston; Producer: Paul Q. Kolderie; Publisher: Grant Langston, BMI; MSG (track)
-Sprightly and infectious, this hillbilly bopper introduces a singer-songwriter of rare originality. A ditty with a built-in smile.
CODY BRYAN BAND/If I’m Going Nowhere
Writers: RAby/Chandler/Noveskey/Bryan/Delahoussaye; Producers: Matt Noveskey and Kevin Butler; Publisher: none listed; CBB (track)
-This driving country-rocker has a forward momentum that’s pretty hard to resist. The band definitely gets its licks in as the tale unfolds of an aimless drifter. “If I’m going nowhere/I’ll get there on time” is his motto.
GWEN SEBASTIAN/Suitcase
Writers: Gwen Sebastian/Nicole Witt; Producer: Louis Newman; Publishers: Music of Open Road/Words and Music/Brentwood Benson/Quick Witt, ASCAP/BMI; Flying Island
-She’s kicking the cheater out and has packed up her heartache with his belongings. As usual, Gwen sings with loads of moxie, fire and personality. As both a performer and a writer, she’s a talent to be reckoned with.
CASSADEE POPE/Wasting All These Tears
Writers: Rollie Gaalswyk/Caitlyn Smith; Producers: Dann Huff and Nathan Chapman; Publishers: Jill the Dog/Music of Stage Three/Songs of Cornman/BMG Chrysalis, BMI; Republic Nashville
-The lyric is way too word-y. The melody is awkward and ungainly. Somebody call a song editor. Also: There’s nothing particularly “country” about it.
SAWYER BROWN/Shadows of the Heartland
Writers: Bobby Pinson/Chris Bergsnes; Producer: Mark Miller; Publisher: Stage Three, no performance rights listed; Beach Street (CDX)
-This brilliantly written, multi-textured portrait of life, love, loss and death in rural America rings with truth and authenticity.
JOE NICHOLS/Sunny and 75
Writers: Michael Dulaney/Jason Sellers/Paul Jenkins; Producers: Derek George and Mickey Jack Cones; Publishers: Warner-Tamerlane/Desert Treasure/Sony-ATV Cross Keys/Becky’s Boy/Sony-ATV Tree, BMI/ASCAP; Red Bow
-And you thought he had a voice that was born to cry. Joe proves he can soar in joy with this marvelous tempo tune, tailor-made for summertime good times. Go ahead: Get up and twirl around the room.
LOVE AND THEFT/If You Ever Get Lonely
Writers: Kyle Cook/Lisa Drew/Michael Dulaney/Steven Dale Jones/John Waite; Producer: Josh Leo; Publishers: EMI April/Ella Bella/Grand Line/Universal Z Tunes/Jersey Girl/Sony-ATV Harmony/Lights of Denver/JB Daniel/Water Bound/John Waite, ASCAP; RCA
-He can’t stop missing the one who left him for L.A. and begs for just the tiniest bit of contact from her. Fabulously melodic and radio-ready in the extreme.
ANDY GIBSON/Best Thing
Writers: Steve Moakler/Luke Laird; Producer: James Stroud; Publishers: Nam Jam/Songs of Kobalt/Universal-Careers, BMI; Curb
-Innocent, romantic, sweet and as lightweight as the froth on a soda-fountain drink.
LADY ANTEBELLUM/Goodbye Town
Writers: Dave Haywood/Charles Kelley/Hillary Scott/Josh Kear; Producers: Paul Worley and Lady Antebellum; Publishers: Beards and Bullets/30A Getaway/Kobalt/Hobbs Hill/Global Dog/Lunalight, ASCAP/SESAC; Capitol Nashville
-Led by the heartbroken, soul-shattering voice of Charles Kelley, the trio keeps you completely in its thrall throughout this pulsing, yearning, lump-in-throat performance. Supremely well written and brilliantly produced, this is the reason these folks are the stars they are.

DISClaimer: The Other Sides of Music City

paramorenewalbum

Paramore


Not one song mentions pickup trucks or beer this week. That’s because I took a break from country music and concentrated on the other side of Music City. Or should I say “sides?” In this stack of platters we find the rock of Paramore and The Features, the r&b of Lo Carter and Jonathan Winstead and the pop of Amy Grant and Courtney Jaye, among other styles.
The aforementioned Jonathan Winstead walks off with this week’s DisCovery Award. Who knew there was a quiet-storm crooner this soulful in our midst?
Because of the musical diversity, it’s apples and oranges I’m trying to compare. So there are two Disc of the Day winners. From the pop-rock column, it’s Paramore. From the gospel tradition come The McCrary Sisters, who also won with their previous disc.
MARY GAUTHIER/You Don’t Know Me
Writers: Eddy Arnold/Cindy Walker; Producer: Cheetah Chrome; Publisher: Sony-ATV/Mijac, BMI; Plowboy (track)
-Alt-folkie Gauthier has the title tune of the new Eddy Arnold tribute CD. Her drawled, behind-the-beat phrasing is accompanied by slow, shuffled drumming and a jazz clarinet solo. It has a vaguely New Orleans funeral vibe. Other participants on the eclectic collection include such non-country Nashvillians as The Bluefields, Jason Ringenberg, Melinda Doolittle, Lambchop, Bobby Bare Jr. and co-producer Cheetah Chrome, in addition to the solidly country Chuck Mead, Mandy Barnett and Chris Scruggs. Imported to Music City for the project are such rockers as Sylvain Sylvain, Drivin’ n’ Cryin’ and Frank Black. Whether you like the resulting re-imaginings that this motley crew bring to Arnold’s classics or not, I promise you’ll listen, fascinated.
Jonathan Winstead

Jonathan Winstead


COURTNEY JAYE/One Way Conversation
Writers: none listed; Producer: Mike Wrucke; Publisher: none listed; CJ (track)
-This new Nashville pop princess has been showcasing the tunes from her debut CD in clubs around town during the past few weeks. Titled Love and Forgiveness, the album’s emphasis track is this stylish lament featuring her soaring, double-tracked soprano riding atop a groovy, tempo-shifting track. Tuneful and catchy.
THE FEATURES/This Disorder
Writers: Matthew Pelham; Producer: The Features; Publisher: Bug/Bughouse/Silent But Violent/This Is Daiglenetics/Ghost Riding, BMI/ASCAP; Serpents and Snakes
-This durable Nashville institution spotlights this steadily driving pop rocker on its self-titled new album. Characterized by bleating tenor singing, stomping rhythm and bright guitar bursts, it commands you to get out on the floor and shake your money maker. Hard to believe that these always-entertaining psych-rockers first appeared on our radar screens 16 years ago.
AMY GRANT/Don’t Try So Hard
Writers: Ben Glover/Amy Grant; Producer: Marshall Altman; Publisher:none listed; Capitol/Sparrow
How Mercy Looks From Here, Grant’s first studio album in 10 years, contains a number of collaborations. Stellar guests include Carole King, Sheryl Crow, Eric Paslay, Will Hoge and Vince Gill. On this gentle, breathy, graceful pop performance, she is joined by James Taylor on a soft harmony vocal. Airy, whispered magic.
PARAMORE/Still Into You
Writers: Hayley Williams/Taylor York; Producer: Justin Meldal-Johnsen; Publisher: WB/But Father I Just Want to Sing/FBR/Hunterboro, ASCAP; Atlantic/Fueled By Ramen (track)
-The reconfigured, new edition of Paramore rocks as righteously as the old one did. Lead vocalist Hayley Williams adopts an ‘80s punk-rocking, new-wave attitude on this frothing rocker, the collection’s second single. Also check out the first one, the wildly slamming “Now.” The band remains one of Music City’s finest pop/rock ambassadors.
MARSHALL CHAPMAN/Blaze of Glory
Writers: Marshall Chapman; Producer: Michael Utley and Marshall Chapman; Publisher: none listed; TallGirl (track)
-Chapman concludes her new album with its title tune. “I never intended to make it this far….I always thought I’d go in a blaze of glory….playing rock ‘n’ roll music with my hair on fire,” she meditates over the simmering track. Don’t let her kid you with this slow-burn number, she’s still a rockin’ blueswoman at heart. In addition to her own fine tunes, the CD includes covers of “Blues Stay Away from Me” and “The Nearness of You.”
KEB MO & B.J. THOMAS/Most of All
Writers: Buddy Bule/James B. Cobb, Jr.; Producer: Kyle Lehning; Publisher: Sony-ATV, BMI; Wrinkled (track)
-Nashville’s most prominent bluesman doesn’t have a CD of his own this year. But you can hear him loud and clear on B.J. Thomas’s new collection of duets, The Living Room Sessions. The two men are soul brothers harmonizing on this lightly bopping classic. Keb Mo is especially riveting when he ad libs asides during B.J.’s vocal lines.
The McCrary Sisters

The McCrary Sisters


THE McCRARY SISTERS/Train
Writers: Ann McCrary/Tommy Sims/Calvin Smith; Producer: Tommy Sims; Publisher: none listed; BMI/ASCAP; MS (track)
-Since their last album together in 2011, the McCrarys have weathered health issues and personal woes. Their new All the Way collection contains spiritually uplifting songs like this chugging rocker that triumphs over all adversity. It practically begs you to clap hands and shout, “Hallelujah.” So do the Gary Nicholson/Tom Hambridage tune “Skin Deep,” the Bonnie Bishop/Jimmy Wallace rocker “Right Where You Are” and the sisters’ own “Hum and Moan,” “Let It Go” and “Victory.” Once again, Regina, Alfreda, Ann and Deborah prove they are Music City’s glorified, bona fide, riding-high soul sisters supreme. They’ve been hired to back everyone from Bob Dylan and Buddy Miller to Stevie Wonder and Solomon Burke. You’ll hear why on every track of this extraordinary set.
JONATHAN WINSTEAD/SexyLadyLove
Writers: none listed; Producer: Jonathan Winstead; Publisher: Winstead, SESAC; One Staj (track)
-Winstead was a winner at the last Nashville Independent Music Awards as our top male r&b vocalist. He has also developed a fan base in the U.K. His Lovestry CD includes this sensuous slow jam featuring his supple tenor riding atop a track with wah-wah guitar, throbbing bass, heartbeat drumming and “answering,” harmonizing background vocalists. Hang with him to the finale where he scat sings up into his high register. Cool in the extreme.
LO CARTER/Let Go
Writers: L. Carter/D.L. Anderson/J. Richey; Producer: Joey Richey; Publisher: Loc Over Time/Darnell Levine/Daddy’s Boy, ASCAP/BMI; Loc Over Time
-This Nashville chanteuse is a retro-soul stylist with a delectable CD titled Seasons. This lilting, jazz-inflected track has become a music video. She weaves through its melody with a feathery wafting soprano supported by a spare rhythm section and some synth work. Carter co-wrote all 10 of the collection’s tracks, including the rhythmic fan favorite, “Bill Collector.” Call her Music City’s answer to Sade.

DISClaimer: Trace Adkins Towers Above Them All

trace adkins2013slider

Disc of the Day winner Trace Adkins.


There is no shortage of “name” attractions in this stack of platters. Worthy of your attention are such familiar folks as Tracy Lawrence, Natalie Maines, B.J. Thomas & Vince Gill, Opry star Jim Ed Brown and Nashville TV diva Hayden Panettiere.
But towering above them all is tall Trace Adkins. Paired with pop princess Colbie Caillat, he delivers the unchallenged Disc of the Day. Play and believe.
It turns out that there is yet another Cyrus making records. Billy Ray and Miley have company. Hailing from Kentucky is Bobby Cyrus, who earns a DisCovery Award for his debut effort.
TRACE ADKINS & COLBIE CAILLAT/Watch the World End
Writer: none listed; Producer: none listed; Publisher: none listed; Show Dog Universal (ERG) 
—Arguably the finest vocal performance of Trace’s career. He brings so much warmth, depth of expression, soul, passion and believability to this extraordinary lyric that it feels like he’s sitting in the same room with you. Grammy-winning, million-selling pop star Colbie Caillat shadows him in harmony and breathes soft ad libs throughout the beautifully orchestrated ballad.
Bobby Cyrus

DisCovery Award winner Bobby Cyrus.


KIX BROOKS/Complete 360
Writer: Kix Brooks/Rafe Van Hoy; Producer: Kix Brooks; Publisher: Sony ATV Tree/Buffalo Prairie/Se-Lo-Tek/Zambala/Kobalt, BMI/SESAC; Arista (track)
—Loud and rocking. Despite the clever lyric, it is sonically irritating.
HAYDEN PANETTIERE/Hypnotizing
Writer: Cary Barlowe/Steve Robson/Caitlyn Smith; Producer: Ross Copperman & Buddy Miller; Publisher: Castle Bound/We Be Partying/Imagem CV/Music of Stage Three/Songs of Cornman/BMG Chrysalis, SESAC/ASCAP/BMI; Big Machine (track) 
—Sprightly, bopping and pop-y. I dig her voice.
TRACY LAWRENCE/Stop, Drop & Roll
Writer: none listed; Producer: none listed; Publisher: none listed; Lawrence Music Group/Tenacity (ERG) 
—He’s on fire because she’s so hot, hence the the title’s advice. The percolating production, cute lyric and forceful vocal performance all work.
JIM ED BROWN/In Style Again
Writer: Lance Miller/Austin Cunningham; Producer: Bobby Bare; Publisher: Sony ATV Rhythm/In Style Again/Drivers Ed/Worleyworld, SESAC/ASCAP; Century II 
—The veteran Grand Ole Opry star has always possessed one of country music’s most resonant baritones. The lyric of this fine song is about being passed over, pushed aside, made irrelevant, tossed away, replaced and forgotten in favor of someone younger and better looking. And what entertainment vet hasn’t experienced that? Very touching and poignant.
NATALIE MAINES/Take It On Faith
Writer: Natalie Maines/Ben Harper/Jason Mozersky/Jesse Ingalls; Producer: Ben Harper & Natalie Maines; Publisher: EMI Virgin/Three Chord Symphony/Iggy Brain, ASCAP; Columbia (track)
—I’m not sure whether Natalie’s solo CD has a single or not. The title tune “Mother” is drawn from Pink Floyd’s 1979 opus The Wall. Other tracks come from Pearl Jam’s Eddie Vedder, Patty Griffin, Jeff Buckley and her fellow Dixie Chicks. This soulful power ballad is the song she performed on Letterman and it is a totally gripping performance and production. No matter what genre you call this collection, she’s still singing her fanny off.
B.J. THOMAS & VINCE GILL/I Just Can’t Help Believing
Writer: Barry Mann/Cynthia Weil; Producer: Kyle Lehning; Publisher: EMI Blackwood/Screen Gems EMI, BMI; Wrinkled (track)
—I have always loved this song. Producer Lehning strips it down to a gently strummed acoustic arrangement, and stellar tenor Gill turns it into a duet while Thomas provides his trademark fluttering, embellished and ornamented vocal style. A superb listening experience.
BOBBY CYRUS/Send Me Wings
Writer: Bobby Cyrus; Producer: Don Rigsby; Publisher: Somewhere in Tennessee, BMI; BGC (track) 
—Billy Ray’s cousin has a debut CD titled Homeplace. Its single is a splendid story song about a neglected youth growing up angry and hurt. He asks to be taken to Heaven, because no one on earth will miss him when he’s gone. At the finale, his wish is granted. This guy writes as well as he sings.
LIZZIE SIDER/I Love You That Much
Writer: Joe Vulpis; Producer: Joe Vupis; Publisher: none listed; LSM 
—Ordinary in every way, from the dull lyric to the formulaic melody, from the routine production to the bland vocal.
J.J. LAWHORN/Stomping Grounds
Writer: none listed; Producer: Jeremy Stover; Publisher: none listed; Average Joes (track) 
—It’s one of those this-is-my-country-home thangs, complete with dirt roads, beer, deer hunting, partying in the fields, small-town blah-blah-blah and I’ll die here. Fine. But take some singing lessons.