The tomatoes win this round.

Both of our award winners today come from female country artists. They had tough competition from the men of A Thousand Horses and Brushville. But there was no denying that the Miranda Lambert record with Little Big Town singing harmony is the Disc of the Day.

Similarly, no one even touched the hem of Rainey Qually’s gown as she swept up to the podium as this week’s DisCovery Award winner. Her “Me and Johnny Cash” rocks in all the right places.

ERICA NICOLE/I’m Making Mine
Writer: Emily Weisband; Producer: Kent Wells; Publisher: WB/Thankful for This, ASCAP; GTR (CDX) (www.ericanicolemusic.com)
I have liked several of this gal’s upbeat, danceable, tuneful performances in the past. It turns out that she’s equally potent when essaying stirring, thoughtful lyrics. 

BRUSHVILLE/Dangerous
Writer: Ben Hayslip/Rhett Akins; Producer: Klye Lehning; Publisher: WB/Get a Load of This/EMI Blackwood, ASCAP/BMI; Brushville (CDX) (www.brushville.com)
—It seems that what is “dangerous” isn’t risky driving, drinking, night swimming or even making love. It’s falling in love. Smartly executed in every way.

IRLENE MANDRELL/We Will Stand
Writer: Eric Homer; Producer: Pat Holt; Publisher: Blue Chameleon, ASCAP; CDX (www.irlenemandrell.com)
—She was always overshadowed vocally by sisters Barbara and Louise. But in her own modest and tentative way, Irlene holds her own on this patriotic outing.

ROWDY McCARRAN/Eyes Wide Open
Writer: none listed; Producer: Fred Vail; Publisher: none listed; RM (track) (615-297-0700)
—Veteran producer Vail’s latest discovery is a rootsy country romper with a personable drawl and a solid CD title song. Give this guy a deal.

THE KENTUCKY HEADHUNTERS & JOHNNIE JOHNSON/Meet Me in Bluesland
Writer: R.Young/G.Martin/A.Kenney/D.Phelps/F.Young/J.Johnson; Producer: The Kentucky HeadHunters; Publisher: BMG Firefly/Bughouse/Them Young Boys/Song Garden/BMG Bumblebee/Bug/Mr. Erik/I.B. Headed/JFJ, ASCAP/BMI; Alligator (track) (www.kentuckyheadhunters.com)
—The late Johnnie Johnson was Chuck Berrry’s right-hand man as a high-octane piano pounder and sometime songwriting collaborator. He was inducted into the Rock ‘n’ Roll Hall of Fame in 2001 and died in 2005. His 2003 blues sessions with the HeadHunters are now being released as a CD with this stately outing as the title tune. His piano work still captivates, and his shouted, down-home blues vocal is equally riveting. The country group proves to be surprisingly adept as an r&b backing band.

JB AND THE MOONSHINE BAND/Shotgun, Rifle and a .45
Writer: J.B. Patterson; Producer: JB and The Moonshine Band; Publisher: JBMB, BMI; Thirty Tigers (track) (www.jbandthemoonshineband.com)
—Too busy. It sounds like a cluttered demo tape. Clean up your production.

MIRANDA LAMBERT & LITTLE BIG TOWN/Smokin’ and Drinkin’
Writer: Natalie Hemby/Luke Laird/Shane McAnally; Producer: Frank Liddell, Chuck Ainley & Glenn Worf; Publisher: EMI Blackwood/Wruckestrike/Songs of Universal/Creative Nation/Twangin and Slangin/Smack Ink, BMI/ASCAP; RCA (track)
—Strings sigh, a steel guitar moans and a drum kit shuffles along while electric guitar notes pierce the evening atmosphere. Languid, liquid vocals lounge in nostalgia and misty memory. Enchanting. Seductive. Dreamy.

RAINEY QUALLEY/Me and Johnny Cash
Writer: Rainey Qualley/John Ramey/Jeffrey East; Producer: Russ Zavitson & John Ramey; Publisher: Zavitson/Rainey Qualley/Tazmaraz, ASCAP/BMI; Cingle (track) 
—This puts pedal to the metal and boasts a delicious backbeat, plus stuttering fiddle and banjo, deep-twang guitar and a wailing, wide-open vocal. A highway song for a red-hot summer. This is going places.

A THOUSAND HORSES/Drunk Dial
Writer: Michael Hobby/Corey Crowder/Neil Mason/Cale Dodds; Producer: Dave Cobb; Publisher: Warner-Tamerlane/Carolina June/Greatshakin/Universal/Crowder Taylor/Nettwerk One B/Revelry/Nevada House/Cale Dodds, BMI/ASCAP; Republic Nashville (track) 
—“Smoke” was a dynamite career launcher. The follow-up, due at the end of the month, is just as cool. “(This Ain’t No) Drunk Dial” is sung with rough-edged soul and shrouded in echoey, mysterioso guitars. Ear grabbing in the extreme.

OLIVIA LANE/You Part 2
Writer: Danny Myrick/Ilya Toshinsky/Olivia Lane; Producer: Ilya Toshinsky; Publisher: Round Hill/Warren Piece/Liv Write Play/Lane Train, BMI/ASCAP/SESAC; Big Spark (www.olivialane.com)
—Choppy rhythms, a quasi-spoken vocal with a hip-hop vibe and a minimal melody. It’s too far on the pop side of things for my taste, but I won’t deny that it’s very listenable.

The sounds of summer are upon us.

Logan Brill, Hunter Hayes, Jericho Woods, Emily Minor and Simon Andersson all have new tunes with sunshine built into their grooves. The Hayes and Brill songs were strong enough to compete for Disc of the Day, but were narrowly edged out by “Light Me Up” by Kristian Bush.

The DISCovery Award goes to someone who is already familiar to many of you, thanks to his accomplishments as a producer and songwriter. But now Nathan Chapman is stepping out as an artist with a CD that has audio delights around every corner.

WARD DAVIS/Last Monday in May
Writer: Bob Regan/Don Goodman/six war veterans; Producer: Bob Regan; Publisher: none listed; Operation Song (track) (www.operationsong.org)
—Operation Song is a collection of compositions that Bob Regan and Don Goodman created with war veterans as therapy. Its touching single is a Memorial Day tribute to the fallen from battles throughout history. Essential.

SIMON ANDERSSON/How Did I Get Here
Writer: none listed; Producer: none listed; Publisher: none listed; SA Music AB (www.simonandersson.net)
—Andersson is Swedish, but he displays a thorough understanding of country music on this compelling single. The throbbing rhythm and hooky tune are just right, and so is his performance of the lost-in-love lyric.

RAY SCOTT/Ain’t Always Thirsty
Writer: Ray Scott/Mark Stephen Jones; Producer: Dave Brainard; Publisher: Songs of Universal/Rayality/Harlan Howard, BMI; DeciBel (track) (www.rayscott.com)
—I remain a fan of this baritone neo-traditionalist. The first single from his new album stares at a dissipated life with raw honesty and unflinching emotion. A steel-soaked ballad to chill the bones.

JERICHO WOODS/She Don’t Need Me Anymore
Writer: J. Mitcham/K. Daniel/P. Priest/D. Spencer; Producer: Dustin Spencer; Publisher: none listed, BMI; Yellowberri (track) (www.jerichowoodsband.com)
—Clear, liquid country-rock from Kentucky, smoothly played and sung. The dobro lines are particularly ear catching.

NATHAN CHAPMAN/Revival
Writer: Nathan Chapman/Tyler Hilton; Producer: Nathan & Stephanie Chapman; Publisher: Songs of Universal/Art in the Pain/Ty Britt, BMI; Pain in the Art (track) 
—Best known as the producer of million-selling Taylor Swift records and/or as the co-writer of Darius Rucker’s No. 1 hit “Homegrown Honey” Chapman steps out as an artist with a stunning collection of self-penned gems. Its title tune is a gospel-flavored ode to redemption that’s blessed with an instantly memorable melody as well as a vocal full of heart. This stuff is so strong it could appeal to listeners well beyond country’s borders.

EMILY MINOR/Funky Feel Good
Writer: Minor/Williams; Producer: Scott Trayer; Publisher: none listed; EMM (track) (www.emilyminor.net)
—”Funky” is not a word we ordinarily find in country music. This sunny, smiley, highly polished, white-girl ditty is anything but.

HUNTER HAYES/21
Writer: Dallas Davidson/Kelley Lovelace/Ashley Gorley/Hunter Hayes; Producer: Dann Huff & Hunter Hayes; Publisher: EMI Blackwood/Two Chord Georgia/EMI April/Don’t Have to Be Music/External Combustion/Songs of Southside Independent/WB/Atlas/Ogden Avenue/Songs of Universal,  BMI/ASCAP; Atlantic 
—When was the last time you heard a great birthday-party song? Well, Hunter has one, and it’s full of bopping energy and upbeat intentions. Dance along.

RISSI PALMER/Sweet, Sweet Lovin’
Writer: Rissi Palmer/Andrew Ramsey/Shannon Sanders; Producer: Andrew Ramsey & Shannon Sanders; Publisher: none listed; Baldilocks (track) (615-782-0078)
—The child’s voice is her daughter Grace. The song has a bluesy tinge that is appealing. There’s something somehow “Southern” sounding about it. The new five-song EP is titled The Back Porch Sessions. Recommended.

KRISTIAN BUSH/Light Me Up
Writer: Kristian Bush/Jesse Rice; Producer: Kristian Bush & Tom Tapley; Publisher: Songs of the Architect/Songs of Artist Revolution/ole, BMI/SESAC; Streamsound (track) 
—This fellow continues to delight my ears. The sunny, romantic song is irresistible, and the warmth of his voice is completely enveloping. The icing on the cake is a brilliant production loaded with tiny, perfectly placed touches that shine like little jewels.

LOGAN BRILL/Shuteye
Writer: Ryan Tindell/Bryan Simpson; Producer: Oran Thornton & Matthew Miller; Publisher: none listed; Carnival (track) 
—The loose-limbed rhythm track is the real scene stealer here. It rumbles through the song like a drunken pachyderm. Brill’s sexy, sultry vocal performance is dandy, too. By far her most accomplished record to date. Check out the rest of the Shuteye CD’s 10 tunes: I think you’ll be as impressed as I am.

 

Once a fan, always a fan.

Today’s listening session was dominated by the welcome returns of four folks who charted in prior decades. I am happy to report that all of them still sound as strong as ever. They are former Arista artist Michelle Wright, former Curb signee Philip Claypool, former Sony chart-topper Collin Raye and the ageless John Anderson, who has been on just about every label imprint in Music City.

A tip of my hat and a warm embrace to John Anderson, along with a Disc of the Day salute.

This week’s DisCovery Award goes to Ashley Clark. He is a former member of The Clark Family Experience and a fiddler in Carrie Underwood’s band. It doesn’t say so on the CDX, but his (excellent) producer is none other than Mutt Lange.

CHRISTIAN LOPEZ BAND/Leaving It Out
Writers: Christian Lopez; Producer: Dave Cobb; Publisher: Christian Lopez, SESAC; Blaster (track)
-He has a charmingly earnest tenor voice. The band is unimaginative but adequate. The song does nothing for me.

JOHN ANDERSON/I Work A Lot Better
Writers: John D. Anderson/Josh Turner; Producers: John Anderson & Joe Spivey; Publishers: none listed; Bayou Boys (track)
-The blander country music gets, the more I yearn for personality vocalists like this one. Anderson remains one of the greatest stylists we’ve ever had, and he’s at his best on good-humored songs like this honky-tonking romp. That’s a huge smile you see on my face as it crashes to a close. Love him. Love this.

2-BIT PALOMINO/Things I Dream About
Writers: Sheryn Cassiday/Andrea C. Renfree; Producer: Don Richmond; Publisher: none listed; Howlin’ Dog (track)
-The title tune of this trio’s CD throws a spotlight on its strengths — a poetic sensibility, an emphasis on melody and sterling harmonies. The main drawback is that all three voices are a bit too “pretty” and pop-perfect, which is underscored by the pristine-precious picking.

COLLIN RAYE/Rock and Roll Never Forgets
Writers: B. Seger; Producer: Cradle Concepts LLC; Publisher: Gear, no performance rights listed; Goldentone (track)
-Collin’s new CD is Greatest Hits Live. Its one non-hit is the rousing, rocking closing track wherein he exhorts the crowd to sing along with him on the familiar 1977 Bob Seger classic. You don’t hear them doing so, but his top-of-his-range tenor shriek comes through loud and clear. As does the extended ovation at the finale.

THE PAT WATTERS BAND/I’m Your Buddy
Writers: Pat Watters; Producers: The Pat Watters Band; Publishers: none listed; PWB (track)
-I gather from the credits that these guys hail from Wisconsin. They’re not exactly instrumental virtuosos, nor vocal volcanos. But the good-natured approach and the clever songwriting are both very winning. I bet they’re a barroom full of fun in a live show.

MICHELLE WRIGHT/Laugh A Little
Writers: Jason Sellers/David Lynn Hutton/Terri Jo Box; Producer: Jason Barry; Publishers: This Is Magic Mustang/Big Loud Bucks/Troy D/Sony-ATV Cross Keys, ASCAP; Savannah (CDX)
-This Canadian thrush made her mark in the early ‘90s with hits like “Take It Like a Man” and “He Would Be 16.” She still has the goods as a throaty, emotive vocalist. Another big plus is the solidly written song with its hooky, good-message choruses. Play this excellent comeback single.

ASHLEY CLARK/Greyhound
Writers: Ashley Clark/Austin Clark; Producer: none listed; Publisher: none listed, BMI/ASCAP; I.R.S. (CDX)
-He had me from his first notes. This guy is a for-real singer, with lung power to spare and an excellent sense of dynamics. The chorus rushes by its title so quickly that it hardly registers. But I got so caught up in his performance and the terrifically wooshy production that I didn’t care. I’m a believer.

SMITH N WESTERN/Call Me
Writers: Travis C. Smith; Producer: Jason Plummer; Publisher: 80 Proof Poetry and Truth, BMI; 80 Proof (CDX)
-This new duo pushes its way onto the country scene with a song that has more hooks than a tuna boat. The vocals are a little “dry,” and there’s not much production finesse, but there’s no denying the potency of the material. Well worth your attention.

PHILIP CLAYPOOL/Three More Beers
Writers: Philip Claypool/Jeff Silbar; Producer: Michael Lloyd; Publishers: none listed, ASCAP/BMI; PC (CDX)
-The hillbilly in the bar is getting so plastered that he’s mistaking the gal making eyes at him for Britney Spears, Christina Aguilera, J-Lo, Ga-Ga, Angaleena Jolie and Pamela Sue Anderson. All of whom he manages to not only name-check but rhyme in the lyric. A must-listen rockabilly fiesta.

RICK MONROE/Great Minds Drink Alike
Writers: Rick Monroe/Dan Adams; Producer: Sean Giovanni; Publishers: Jindo Dog/Broken Yellow Line, ASCAP/BMI; MRG (CDX)
-This oomphy rocker is produced and sung with great gusto. And who can argue with a title this witty? Shut up and dance.

Today’s journey through Americana music is a potpourri of sounds.

Marquee country names such as Shelby Lynne and Lee Ann Womack are here. But so are soul singer Jerry Lawson, rhythmic folkies The Kennedys and veteran troubadours Greg Trooper and John Moreland. I’m not sure just how to describe Nataly Dawn, but the adventurous listeners among you need to hear her.

The Disc of the Day belongs to Pokey LaFarge. His jazzy, razamatazzy style makes you feel good all over.

The same might be said for the burnished glow of the voice of Jerry Lawson. He might be a veteran of The Persuasions, but this is his solo debut. And for that, he wins the DisCovery Award.

BLACKBERRY SMOKE/Too High
Writers: none listed; Producer: Brendan O’Brien; Publishers: none listed; Rounder (track)
-Country-rock with a slightly “outlaw” rumble. The hard-luck lyric has the protagonist giving up in the face of economic and social forces. Very country and very effective. I dig this band.

SHELBY LYNNE/I Can’t Imagine
Writers: Shelby Lynne/Pete Donnelly; Producer: Shelby Lynne; Publishers: Swampyblu/Pete Donnelly, BMI; Rounder (track)
-The tempestuous diva returns, still smoldering with emotion. The title tune to her new CD finds her moaning the blues in her upper vocal register, backing by weeping steel guitar. I remain a fan.

SHANNON McNALLY/I Must Be in a Good Place Now
Writers: none listed; Producer: Shannon McNally & Mac Rebennack; Sacred Sumac
-I am extremely late in getting to this, but I can’t let a tribute record to the late Bobby Charles slip by without a mention. The swamp-pop great is evocatively recalled in this drawling, languid ballad that closes the set. Flute and violin notes flutter around her laid-back vocal delivery. Elsewhere on the Small Town Talk CD, you’ll find Vince Gill, Dr. John, Derek Trucks and Luther Dickinson dropping by for instrumental support.

JERRY LAWSON/I’ll Come Running Back to You
Writers: William Stovall Clark; Producer: Eric Brace; Publishers: Sony-ATV/Big Billy, BMI; Red Beet (track)
-This outstanding soul singer was previously the lead vocalist in the a cappella group The Persuasions. He came to Nashville to craft his first solo album, which salutes such predecessors as Sam Cooke, David Ruffin and Bobby “Blue” Bland. With gently strummed acoustic guitar and soft harmony voices, Lawson is effortlessly captivating on this rolling, swaying track. Throughout the I’m Just a Mortal Man CD, his sandpapery, gospel-inflected delivery is gripping. The McCrary Sisters, Jim Lauderdale, Peter Cooper and Thom Jutz are among the cast members. If you love classic soul music, this is essential.

GREG TROOPER/All the Way to Amsterdam
Writers: Greg Trooper; Producer: Keith Gary; Publishers: 52 Shakes, BMI; 52 Shakes (track)
-Trooper’s latest is Live from the Rock Room. It contains in-concert versions of many of the veteran’s most memorable songs. This word portrait of a hopeful pair of losers jangles in all the right places, and the singer-songwriter’s crystal-clear vocal performance drives home every poetic line.

LEE ANN WOMACK/Trouble In Mind
Writers: Richard M. Jones; Producer: none listed; Publishers: Universal, no performance rights listed; Sugar Hill (track)
-Womack wanted to create something special for her Record Store Day release. So she went into the studio with just ace guitarist Richard Bennett to make a three-song vinyl release. Its title tune is this 1937 blues classic. Her magical voice weaves a sorcerous spell.

THE KENNEDYS/West
Writers: Pete Kennedy; Producer: Pete and Maura Kennedy; Publishers: Parade of Echoes, BMI; Kennedys (track)
-Pete and Maura Kennedy have been at it for 20 years now. The title tune of their latest collection features loads of deep-twang guitar, steady rhythm, melodic hooks and their trademark twin vocal harmony work. Country music laced with a folk sensibility.

JOHN MORELAND/Cherokee
Writers: John Moreland; Producer: John Moreland; Publishers: FTWSNGS, BMI; Old Omens (track)
-This troubadour’s latest is titled High on Tulsa Heat. It includes this longtime concert favorite, an addict’s fevered dream of redemption and healing. Between the ballad’s gripping lyric and his rasp-groan vocal, I guarantee it will haunt you.

NATALY DAWN/Araceli
Writers: Nataly Dawn; Producer: Jack Conte; Publishers: Nataly Dawn, ASCAP; Nonesuch (track)
-Now here’s something from out of left field. The eccentric-sounding track has a galumphing, herky-jerky rhythm. The lyric name-drops figures from Greek mythology. Her vocal is all over the melodic scale. Fascinating, to say the least.

POKEY LaFARGE/Something In The Water
Writers: Pokey LaFarge/Jimmy Sutton/Scott Ligon/Casey McDonough; Producers: Jimmy Sutton & Pokey LaFarge; Publishers: Pokey LaFarge/Chesterboy/Legmusic/Bardough, BMI/ASCAP; Rounder (track)
-Former Jack White / Third Man Records protege Pokey LaFarge makes his Rounder debut with a delightful collection. Its lead-off track and title tune samples elements from swing, ragtime, blues and country for an utterly charming sonic gumbo. Happily, it is symptomatic of the whole jazzbo album. If he sounds familiar, perhaps you caught him warbling on the soundtrack of TV’s Boardwalk Empire. Whatever the case, you need this music in your life.

Spring has sprung, and country sounds fill the air. My favorite thing about this listening session is that there was no shortage of worthy DisCovery Award contenders. New to the column this week are 2 Steel Girls, Rainey Qualley, Bryan Hayes and Monty Byrom, any one of whom could have captured the crown.

But I’ve gotta go with the outlaw sound of Whitey Morgan & The 78s. This is the “honky-tonk alter ego of Eric David Allen,” who grew up in hard-luck Flint, Mich., and cut his extraordinary CD in Texas. Welcome to the party, son: You’ve got the goods.

The Disc of the Day belongs to Thomas Rhett, who manages to marry a loser’s lyric to a winner’s audio sunshine.

MONTY BYROM/Meet Me at Midnight
Writers: Monty Byrom/Paul Kalman; Producer: Monty Byrom; Publishers: Byrom, SESAC; WTF (track)
-Remember the Bakersfield band Big House and its groovy 1997 hit “Cold Outside?” The group’s Monty Byrom now leads The Buckaroos at The Crystal Palace once a month and has his own blues-rocking combo The Road Pilots. With the latter, he has recorded his debut solo CD, 100 Miles South of Eden. That’s where you’ll find this swampy, soulful ballad beckoning a belle to sex and sadness. Very cool. The album’s last track, by the way, features the late Buck Owens singing with Byrom on a 1998 version of “Big In Vegas.”

COLE SWINDELL/Let Me See Ya Girl
Writers: Cole Swindell/Michael Carter/Jody Stevens; Producer: Michael Carter; Publishers: Sony-ATV Tree/243/Sony-ATV Cross Keys; BMI/ASCAP; Warner Bros.
-He wants to see her “dance” in the bed of his truck, “movin’ your hips like the wind moves cotton.” It may not be the most romantic invitation in the world, but it is lively and tuneful.

BRYAN HAYES/Farther Down the Line
Writers: Bryan Hayes; Producer: Andy Hunt; Publishers: none listed; BMI; BH (track)
– The title tune to his new CD finds this tenor Tennessee troubadour questioning the future of a relationship with plenty of catchy hooks. It has been seven years since his last collection because he wrote these 11 new songs while serving in Iraq. Welcome home, bro.

THOMAS RHETT/Crash and Burn
Writers: Jesse Frasure/Chris Stapleton; Producers: Dann Huff/Jesse Frasure; Publishers: Rio Bravo/WB/Ken Tucky; BMI/ASCAP; Valory
– Jaunty and bopping, featuring hand claps, whistling and a dandy rhythm track. The lyric is about a love crashing and burning, but heartache has never sounded quite this bouncy. Delightful.

RAINEY QUALLEY/Turn Me On Like The Radio
Writers: Rainey Qualley/John Ramey/Jeffrey Easy; Producers: Russ Zavitson/John Ramey; Publishers: Russ Zavitson/Rainey Qualley/Tazmaraz, ASCAP/BMI; Cingle (track)
– Instantly familiar, with a melody that grabs your ears and won’t let go. An automatic add and a sure-fire hit for a newcomer with a winning, throaty, alto range.

LIVEWIRE/Quit You
Writers: Andy Eutsler/Danny Bell/Jeffrey Joseph East; Producers: Paul Carabello/Clif Doyal; Publishers: Real Man/Parrot Island/Tazmaraz; BMI; Way Out West
-I remain a fan. This time, LiveWire takes on a dark ballad with the theme of love being like an addiction. Slowly insinuating.

WHITEY MORGAN & THE 78s/Waitin’ ‘Round to Die
Writers: Townes Van Zandt; Producer: Ryan Hewitt; Publisher: Silver Dollar, ASCAP; WM (track)
-Morgan previews next month’s Sonic Ranch CD with a video of this dark, doom-drenched and completely gripping ballad. You’ll hang on every line, probably because it’s written by a master song craftsman. In addition to Van Zandt, the singer-songwriter covers tunes by Tom T. Hall, Frankie Miller and Waylon Jennings, with whom he shares a dramatic “outlaw” vocal personna. Highly recommended.

2 STEEL GIRLS/Mad Black Magic
Writers: none listed; Producers: none listed; Publishers: none listed; 2SG
-This is a mother-daughter duo — Allison and Krystal Steel — who competed on Team Blake during the 2012-13 season of The Voice. Their new single combines deep-thump rhythm and feisty-female “attitude” vocals. It drops on Tuesday, April 21. I’m intrigued.

TY BATES/Tongue Tied
Writers: Ty Bates/Thomas Archer; Producer: Rogers Masson; Publishers: none listed; TB (track)
– I dig his Georgia drawl. The song’s idea is a clever play on stuttering and kissing. I like it, even though it is somewhat wordy and could use a more memorable chorus.

ADRIAN DUFFY & THE MAYO BROTHERS/United We Fall
Writers: Adrian Duffy/Melvin Duffy; Producers: Adrian Duffy/Melvin Duffy/Matt Kemp; Publishers: none listed; SR (track)
– The three Duffy brothers from Ireland have been tantalizing me with their excellent singles for a couple of years. Now they have a crowd-funded full album at last. Its title tune is chock full of harmony vocals, ringing guitars and echoey atmosphere. These guys have vocal, songwriting and production chops in abundance.