DISClaimer: Let The March To Stardom Begin

Photo

Kacey Musgraves


Let the march to stardom begin. It has been so, so gratifying to watch the world fall in love with Kacey Musgraves. [MusicRow Publisher] Sherod [Robertson] and I rejoiced together when she introduced “Merry Go Round” at the 2012 CRS convention. It took a full year, but that song finally entered the top-10 in time for CRS 2013. All of that is a preamble to stating that Kacey’s follow-up, “Blowin’ Smoke,” is the Disc of the Day. It’s a good idea to populate a new band with seasoned vets. That’s the way the Texas Jamm Band won a DisCovery Award. Special kudos go to the group for keeping real country music alive.
texas jamm band1111

Texas Jamm Band


Billy Currington/Hey Girl
Writers: Rhett Akins/Chris DeStefano/Ashley Gorley; Producer: Dan Huff; Publishers:EMI Blackwood/EMI April/Sugar Glider/External Combustion/Out of the Taperoom/Songs of Southside Independent, BMI/ASCAP, Mercury
-A bit of a disappointment. In the past, he has shown such unerring good taste in material, so I was startled by how lackluster this pick-up ditty is. Back to the drawing board.
Danielle Car/Turn You On
Writers: Danielle Car; Producer: Chuck AlKasian, Danielle Car and Brian Lord; Publisher: none listed, BMI; DC
-I have liked this Detroit diva in the past. This time around, she’s rocking a boozy, saucy, sexy roller with more than enough backbeat to kick you in the rear end. Rock on, sister.
Kacey Musgraves/Blowin’ Smoke
Writers: Kacey Musgraves/Luke Laird/Shane McAnally; Producers: Kacey Musgraves, Luke Laird & Shane McAnally; Publishers: Warner-Tamerlane/351/Universal Careers/Crazy Water/Smack Songs/Little Blue Egg/Kobalt,BMI/ASCAP; Mercury
-I am totally smitten with her conversational vocal drawl. The fact that she’s such a brilliant songwriter is another reason I hang on every line. Buy this woman’s record right now.
Tyler Barham/It’s Valentine’s Day
Writers: Bobby Hamrick/John Griffin; Producers: Dave Flint and John Griffin; Publisher: none listed, YN (track)
-He has a sincere, warm singing style that is extremely engaging. The meandering, lovelorn ballad, however, does nothing for me. Find him a hit song.
Little Big Town/Your Side of the Bed
Writers: Lori McKenna/Karen Fairchild/Kimberly Schlapman/Phillip Sweet/Jimi Westbrook; Producer: Jay Joyce; Publisher: Songs of Universal/Hoodie/Warner-Tamerlane, BMI; Capitol
-Love has died in this gorgeous, harmony-soaked ballad. Jimi Westbrook, who is one of our finest male vocalists, swaps lines with wife Karen Fairchild during the group’s spectacular performance. In a word, superb.
Joni Rae Jack/Wild Side
Writers: none listed; Producer: Shayne Morrison and Greg Hunt; Publisher: none listed; Rockin Moon
-She’s in church, daydreaming about the not-so-holy things she was up to the night before. He catches her eye from a pew and gives her a grin. A naughty-but-nice rocker.
Johnny Rivers/My Bucket’s Got A Hole In It
Writers: traditional; Producer: Johnny Rivers; Publisher: public domain; Soul City
-Pop legend Rivers refashions this Hank Williams/Ricky Nelson oldie into an acoustic romp. There’s still plenty of thump in the rhythm, but it also has a definite bluegrass vibe. By the way, why isn’t this guy in the Rock ‘n’ Roll Hall of Fame?
Jeremy Steding/Lyin’
Writers: Jeremy Steding; Producer: none listed; Publisher: none listed, BMI; Smith
-The track works up a lather with its double-time, rumbling tempo while the baritone vocalist drawls languidly atop the audio excitement. Quite listenable.
Carrie Underwood/See You Again
Writers:Carrie Underwood/Steve Hodges/Hillary Lindsey; Producer: Mark Bright; Publisher:Carrie-Okie/EMI Blackwood/1206/Raylene/BMG Chrysalis, BMI/ASCAP; Arista/19
-It would be hard to top the drama in either “Blown Away” or “Two Black Cadillacs.” Instead, Carrie opts for a big, beefy, pop power ballad. Loaded with melodic hooks and heart-tugging, love-eternal lyrics, it’s pretty hard not to get completely caught up in it.
Texas Jamm Band/Drinkin’ Doubles
Writers: none listed; Producer: Texas Jamm Band and Tommy Detamore; Publishers: none listed; Glad/MDM
-This eight-man group contains members of George Strait’s Ace in the Hole band. So it’s no surprise that its debut single is country, country, country all the way. The members settle into a slow two-step groove, and super-tasteful steel guitar lines dominate the arrangement. Excellent work, fellas.

DISClaimer: A Flash of 'Summer'

brad-paisley-ar10

Brad Paisley


The platters this week are mainly as blah as the weather. Skies are gray and so are most of these sounds. The most brilliant flash of light is the second single from the upcoming Brad Paisley album. It easily wins a Disc of the Day prize. I know nothing about Clayton Gardner except the fact that his single has been sitting in my to-be-listened-to stack for weeks. Now I’m sorry it’s been buried there so long. He’s got the goods. Also a DisCovery Award.
MARTY RAYBON/That Janie Baker
Writers: Marty Raybon/John Fountain; Producer: Marty Raybon; Publisher: Mart and Mel/Cudzuhollar, ASCAP; Rural Rhythm
-Former Shenandoah frontman Raybon continues his bluegrass journey with a set titled The Back Forty featuring this uptempo romp celebrating the heroine of his old band’s 1993 hit “Janie Baker’s Love Slave.” Among the collection’s coolest tracks are his Full Circle band’s bluegrass reworkings of Charley Pride’s “She’s Just an Old Love Turned Memory” and Webb Pierce’s “Slowly.” The CD’s title salutes the singer’s 40th anniversary as an entertainer.
clayton gardner111

Clayton Gardner


CHARLIE HAGER & THE CAPTAIN LEGENDARY BAND/Alabama Woman
Writers: Charlie Hager; Producer: Billy Jo High; Publisher:none listed, ASCAP; CH
-The band’s playing is mixed so that it fights the lead vocalist. But he’s bland and colorless, so maybe that’s not such a bad thing.
RACHEL HOLDER/Five Days
Writers: Shane Minor/Rachel Bradshaw/Bobby Huff; Producer: Chuck Howard & Wilbur Rimes; Publisher: EMI Blackwood/Shane Minor/Coburn/Ten Ten, BMI/ASCAP; Curb
-She gets over him in no time, five days to be exact. Full of verve, personality, humor and rhythm. Sprightly. Buoyant.
THE TROUBADEROS/Cowboy Boots
Writers: Jason Royall; Producer: Chris McIuan; Publisher: none listed, BMI; JR
-Perfectly tailored for the lead singer’s two-note range.
BRAD PAISLEY/Beat This Summer
Writers: Brad Paisley/Chris DuBois/Luke Laird; Producer: Brad Paisley; Publisher: none listed; Arista
-It might still be chilly outside, but Brad has a single that sings, “Sunshine!” loud and clear. The cloppy rhythms, snazzy guitar lines, interjected vocal effects and dazzling acoustics in this production are all mighty impressive indications of his ongoing progress as a record maker. Call me dazzled and delighted.
JIGGLEY JONES/Baby Blue
Writers: Jiggley Jones; Producer: Chris Tristram & Jiggley Jones; Publisher: Jiggley Jones, BMI; JJ
-His voice is okay. He has no idea how to write a coherent song. Wandering around blindfolded in search of a melody.
BRANDI CARLILE & EMMYLOU HARRIS/Take Me Home, Country Roads
Writers: John Denver/Taffy Nivert Danoff/Bill Danoff; Producer: Brandi Carlile, The Twins and Buddy Miller; Publisher: Chrysalis One/Ruby Songs/WB/BMG, ASCAP; ATO
The Music Is You is the title of the John Denver tribute album. Despite his acceptance in country music, few of the tracks are by country artists. My Morning Jacket, Train, Dave Matthews, Evan Dando and the like dominate. Old Crow Medicine Show drops by for “Back Home Again,” and Mary Chapin Carpenter takes on “I Guess He’d Rather Be in Colorado.” Americana fave Brandi performs this, one of Denver’s best known songs. Emmylou is buried in the harmony-vocal mix until the last choruses, when you can more clearly hear her alto backing. In any case, the whole thing sounds like a demo.
BOBBY CHITWOOD/I Won’t Give Up
Writers: none listed; Producer: James “Bubba” Hudson; Publisher: none listed; TXN
-The tune is spare and simple. He begins softly, with stark acoustic accompaniment. I kept hoping his voice would get stronger, and that the production would become more complex. The latter happened with addition of some layered background vocals. The former never did, since he was as tentative sounding at the end as he was at the start.
WYNONNA/Something You Can’t Live Without
Writers: Cactus Moser/David Lee Murphy; Producer: Cactus Moser; Publisher: Cactus Doin’ Work/Old Desperados/N2DCarol Vincent, ASCAP; Curb
-Over the weekend, I watched the absorbing GAC special about what Wy and Cactus have been going through for the past few months. He has produced and co-written her return to disc with quite a bit of flair. As usual, she sings her heart out, and the song gives her plenty of melodic space in which to work. The surrounding production is a stew of electric rock guitars and pulsing percussion.
CLAYTON GARDNER/Happy Ending
Writers: Clayton Gardner/Mack Damon; Producer: none listed; Publisher: none listed; CG
-I like the yearning tenor moan in his voice, and the twanging-guitar upbeat track is a plus as well. A winner.

DISClaimer: A Good Stack of Platters

Missouri MIle

Missouri Mile


For me, it’s a good day when most of the new music I hear is as good as this stack of platters is. I was particularly smitten with the Kelly Willis & Bruce Robison duets package, the Ron Davies tribute album and Erica Nicole, Gretchen Wilson and Justin Moore. Lend all of them your ears. The Disc of the Day honor belongs to the always superb Pistol Annies for “Hush Hush.” The DisCovery Award goes to the surprisingly accomplished newcomers of Missouri Mile.
PHILIP CLAYPOOL/I’m Gonna Lie
Writers: Gary Hannan/Ira Dean/Aaron Baker; Producer: Michael Lloyd; Publishers: Gary James Hannan/Little Biscuit/Chobe/Sony-ATV Tree/Hillbilly Rich/Skymonkey, BMI
-The grinding, distorted, screaming rock guitars are hugely irritating, but his vocal performance is solid, and the song’s a winner.
GRETCHEN WILSON/Still Rollin’
Writers: Gretchen Wilson/Vicky McGehee; Producer: Gretchen Wilson; Publishers: On Cloud 27/Calhoun Enterprises/peermusic/February 4, ASCAP/BMI
-The rumbling, gently rocking track has a vaguely Bob Seger vibe, which makes me automatically predisposed to love it. Gretchen remains a vocalist of immense personality, and she gives the “survivor” lyric warmth and likeability. Stay tuned for the cool instrumental coda at the song’s end.
ERICA NICOLE/Better Beer
Writers: Kevin Fisher/Darby Orr; Producer: Michael Lloyd; Publishers: Stone Poet/Surface and Dream, BMI/ASCAP
-It’s a happy handclapper about a working girl raising her glass and toasting to a brighter future. Totally catchy and addictive, as well as irresistibly good-natured. This is this artist’s second consecutive delightful disc.
Hush-Hush11PISTOL ANNIES/Hush Hush
Writers: Miranda Lambert/Ashley Monroe/Angaleena Presley; Producers: Chuck Ainlay, Frank Liddell and Glenn Worf; Publishers: Sony-ATV Tree/Pink Dog/Reynsong/Ayden/Angaleena Presley/Ten Ten/EMI April, BMI/ASCAP
-Miranda, Ashley and Angaleena try on some country-rock slippers, and they fit just fine. The ultra witty lyric about a dysfunctional family with secrets is delivered with winks and sly smiles all around. A total hoot from start to finish.
SARA BETH/Kickin’ and Screamin’
Producer: Dean Sams
-Lonestar’s Dean Sams has formed his own record label, and this gal is his first project for it. She sings with winning assurance. His crisp production is utterly contemporary. The song is about holding onto your good times, no matter what.
KELLY WILLIS AND BRUCE ROBISON/Cheater’s Game
Writers: Bruce Robison/Liz Foster/Savannah Welch; Producer: Brad Jones; Publishers: Bruce Robison/W.B.M./Dueling Poets/Shimmy Shake, BMI/SESAC
-Their new duets album has been out for awhile, but I can’t get it out of my head. This is the title tune to a collection that ranks as one of the best of the year so far. Kelly’s lead vocal on the ballad about a woman hitting the bottom aches with emotion, and Bruce’s harmony work is pitch perfect. The rest of the CD is packed with equally dandy tunes by the likes of Robert Earl Keen, Hayes Carll and Dave Alvin (plus chestnuts from Don Williams and Razzy Bailey), as well as originals by the oh-so-talented Bruce. Buy this record.
MAKKY KAYLOR/A Little Sentimental
Writers: Joseph Babcok; Producers: Mark T. Jordan and Makky Kaylor; Publishers: Noma/Unichappel/Elvis Presley, BMI
-Makky is a top Music Row session singer, jingle vocalist and songwriter. The idea behind his album is to recapture the class and style of the classic Nashville Sound of the 1960s. To that end, he reinterprets classics by Don Gibson, Eddy Arnold, Dottie West and Jim Reeves, as well as offering some of his own compositions in the style. The album’s title tune is a 1961 Marty Robbins song. Makky gives the shuffle ballad a warm reading with just a teardrop touch of vibrato. Co-producer Mark T. Jordan’s deft acoustic piano filigrees anchor the lustrous arrangement. Recommended.
MANDY BARNETT/Long Hard Climb
Writer: Ron Davies; Producer: Gail Davies
-The late Ron Davies wrote more than 600 songs, including the Three Dog Night favorite “It Ain’t Easy,” also covered by David Bowie, Mitch Ryder, The Raconteurs and others. Twenty-two of Ron’s tunes are revived on Unsung Hero, an excellent all-star collection featuring John Prine, Dolly Parton, Alison Krauss, John Anderson, Rodney Crowell, Delbert McClinton, Bonnie Bramlett and more. Helen Reddy had success in the 1970s with Ron’s ballad “Long Hard Climb,” which is also associated with Maria Muldaur. Mandy sings it in a languid, dreamy, jazzy fashion. Soft strings cushion the arrangement. Produced by Ron’s younger sister Gail Davies, Unsung Hero is consistently terrific. Sales benefit Nashville’s W.O. Smith Community Music School.
MISSOURI MILE/Exit 214
Writers: Sheena Persons/Sheila Rochelle/Byron Hill; Producer: Byron Hill; Publishers: Song Source/Triage/Byron Hill, ASCAP/BMI
-Songwriters Sheena and Sheila are sisters who comprise the duo Missouri Mile. They harmonize as only siblings can. The lilting title tune to their seven-song EP reveals them to be simply audio awesome. The song is completely captivating as both a melody and a lyric, and Byron Hill’s production frames their vocals with a lovely, luscious mix of mandolin, bass and acoustic guitar. In a word, enchanting. Producers and A&R folks take note: All of these songs are worth cutting, pronto.
JUSTIN MOORE/Point at You
Writers: Ross Copperman/Rhett Akins/Ben Hayslip; Producer: Jeremy Stover; Publishers: EMI Blackwood/Ross Copperman/4 Tunes/WB/Tar-Cam-Knox/Get a Load of This, BMI/ASCAP
-He drawls his tale with gusto. He has a wild side, but if you want to see his soft, sweet, best side, look at his gal. Sonically, it’s a jumbo joyride that romps along with all the goofy best of intentions. This will sound splendid on the radio.

DISClaimer: We Call Them Superstars For A Reason

tim mcgraw sliderWe call them superstars for a reason.
Longtime country titan Tim McGraw swats away all challengers to easily claim this week’s Disc of the Day prize. With Taylor Swift and Keith Urban in his corner on “Highway Don’t Care,” not to mention the great song, itself, who could possibly beat him?
Singer-songwriter Drake White rides high this week as the DisCovery Award winner. But in addition pay heed to Canadian newcomer Ashley Robertson. Also: This is the second single from Jared Ashley, and both of them have been superb. Lend him your ears as well.

DISCovery Award winner Drake White.

DISCovery Award winner Drake White.


ASHLEY ROBERTSON/Finished With You
Writer: Ashley Robertson; Producer: John Nicholson & Ashley Robertson; Publisher: none listed, SOCAN; AR 
—It’s an acoustic gem, with rippling dobro notes, weaving fiddle lines and plucked guitars. Her fragile-rose vocal is beautifully wistful as she longs for the return of her country boy who has gone to the city. “Please come back home, when the world is finished with you,” is her plea.
CASEY JAMES/The Good Life
Writer: Casey James/Scooter Caruso; Producer: Chris Lindsey & Casey James; Publisher: Long As I Live/Scrambler/Carnival/Abbot’s Creek, BMI/ASCAP; 19/BNA (track) 
—This pulse-quickening country rocker is super infectious, utterly upbeat and fabulously sunny. Get up and twirl your body around the room. If you’re in the car, roll down the windows, turn it up and hit the gas.
ROSEHILL/Did You Ever Turn Around
Writer: Jay Clementi/Jedd Hughes; Producer: Jay Clementi; Publisher: WB/Mountain Morning/Warner-Tamerlane/Pichi Pichi, ASCAP/BMI; Cypress Creek/Tenacity (track) 
—I remain a big fan of this duo. In this well-written, relentless, oomphy power ballad, he reunites with her after many years. She hasn’t changed, and neither has he. But he can’t help wondering if she ever thought about him after she left.
TAYLOR SWIFT/22
Writer: Taylor Swift/Max Martin/Shellback; Producer: Max Martin & Shellback; Publisher: Sony-ATV Tree/Taylor Swift/MXM/Kobalt, BMI/ASCAP; Big Machine (track)
—With “Begin Again” still climbing the country charts, I assume this crunchy bopper is intended to be her next assault on the pop hit parade. It’s about hooking up, forgetting the world outside and just being young. A multi-tracked, layered and superbly produced audio delight.
BOBBY DEAN/Kiss My Doublewide
Writer: McGee/Schnyder; Producer: Dave Moody; Publisher: Rolf/Max, BMI; Lamon (track) 
—The title says it all. Intelligence is not the hallmark here.
POCO/All Fired Up
Writer: none listed; Producer: none listed; Publisher: none listed; Drifter’s Church (track) 
—The title tune of this veteran band’s new CD is a harmonized hand clapper with nostalgic lyrics along the lines of “Let’s do it again like we did back then.” By the way, Poco remains Rusty Young, Jack Sundrud, Michael Webb and George Lawrence. Guests include George Grantham and Bobby Keys.
KALEY CAPERTON/Red, White and Beautiful
Writer: Billy Austin/Kaley Caperton/Dave Robbins; Producer: Billy Austin & Dave Robbins; Publisher: Songs of Platinum Pen/French Hawaii/Pianted River/Slickhead, ASCAP; RWB Ventures 
—It’s meant to be an inspirational ballad, and she’s donating the proceeds to the National Guard Youth Foundation. Alas, I can’t imagine anybody programming a vocalist this puny sounding.
TIM McGRAW & TAYLOR SWIFT/Highway Don’t Care
Writer: Brad Warren/Brett Warren/Mark Irwin/Josh Kear; Producer: Byron Gallimore & Tim McGraw; Publisher: EMI Blackwood/StyleSonic/Green Vinyl/Global Dog/Big Yellow Dog/Lunalight, BMI/ASCAP; Big Machine (track) 
—She is on the road, getting further and further away, while he plaintively yearns for her. A song on the radio haunts her. Love tugs at him. And things get more and more layered and swirling as the conflicting feelings in their voices spin around one another. Adding to the audio ecstasy is the dreamy guitar playing of Keith Urban. I love this record.
JARED ASHLEY/Last Train to Memphis
Writer: Jared Ashley/Nick Sturms/Jeremy McComb; Producer: Bobby Terry & Jared Ashley; Publisher: Jared Ashley/620 Music Group/Sweet Renegade/Shaler Global/BMG, ASCAP/SESAC/BMI; Blaster 
—A terrific production—full of throbbing energy, a deep bass bottom and ringing, minor-key guitar work— underscores a moody, emotionally tense vocal performance. The gripping lyric and cool melody get bonus points. Since Ashley is behind all three—the production, the performance and the song—I believe we’re listening to a major, major new talent. Play and believe.
DRAKE WHITE/The Simple Life
Writer: Drake White/Jeremy Stover/Brian Dean Maher; Producer: Jeremy Stover; Publisher: EMI April/Reverend Jack/Songs of Countrywood/Tunes of Bigger Picture, ASCAP; MCA Nashville (CDX)
—This backwoods blue-eyed soul stylist simmers on this ode to country living. The guy has intensity to spare. Send more music soon.

DISClaimer: Country Embraces Some Unusual Names

ashley monroe1You’ll find a few unusual names in this week’s country reviews, namely The Lumineers, Sheryl Crow and Mumford & Sons.
That’s because I think that the format should expand to include people like this. Just look at the good that embracing folks such as Darius Rucker and Aaron Lewis has done. Besides, they are a lot more “country” than half of what is passed off on the public from the Music Row factory system. So that’s my speech for the week.
The Disc of the Day is the triumphant outing by Ashley Monroe. I have been in this lady’s corner for years and it warms my soul to hear her arrive with something so beautiful as “Like a Rose.”
Give a DisCovery Award prize to JB & The Moonshine Band. I think they’re onto something.

jb-and-the-moonshine-band111

JB And The Moonshine Band


AMBER DIGBY/It’s A Long Way From Heaven
Writers: Jimmie Helms/Sharon Higgins, Producer: Amber Digby, Randy Lindley and Justin Trevino. Publisher: none listed, BMI
–Amber’s new CD opens with this steel-soaked, twin fiddled two step, and I was instantly in heaven. For my money, she remains the finest female country vocalist in the entire state of Texas. The World You’re Living In is, I believe, her fifth studio album, and word is steadily spreading about this gifted singer-songwriter. Her cowriters on the collection include such Nashville heavyweights as Vince Gill, Dale Dodson and Bill Anderson, and Pete Wade, Hargus “Pig” Robbins and Lloyd Green are in the backing band. If you aren’t already, get on board, people. Her versions of the classics “We Loved it Away,” “How Can I Unlove You” and “If It Ain’t Love,” alone, are worth the price of admission.
SHERYL CROW/Easy
Writers: Sheryl Crow/Chris DuBois/Jeff Trott; Producer: Sheryl Crow and Justin Niebank; Publisher: Old Green Barn/House of Sea Gayle/Cyrkllikc Soup/Wixen;
BMI/ASCAP

–Pop princess Sheryl goes country with this lilting, sweet ode to making a romantic vacation right in your own backyard. Very pretty and very enjoyable.
JB AND THE MOONSHINE BAND/The Only Drug
Writers: JB Patterson; Producer: JB Patterson; Publisher: JBMB, BMI
–He sings in a robust, warm baritone that instantly communicates, “buddy.” In the song, he’s giving up all his bad habits by embracing her love. Promising.
THE BAND PERRY/Done
Writers: Reid Perry/Neil Perry/John Davidson/Jacob Bryant; Producer: Dan Huff; Publisher: When I Go To The Moon/Famdamily/Rio Bravo/Castle Bound, BMI/SESAC
–He’s done her wrong one too many times. This hit-bound, ultra-rhythmic, tongue-tripping, punchy outing has just one word in its chorus kiss-off finale. Done.
JJ LAWHORN/Stomping Grounds
Writers: JJ Lawhorn/Jamie Paulin/Brian Maher; Producer: Jeremy Stover; Publisher: EMI April/Songs of Hanover Holler/Tunes of Bigger Picture/EMI Blackwood/Pawpaw Paulin, ASCAP/BMI
–He has a vocal drawl you can cut with a knife. And since the focus is almost entirely on his voice, its a good thing that the down-home, back-roads lyric is as strong as it is. Even so, a little more creativity and finesse in the production would have been welcome.
BILLY DEAN/I Can’t Leave A Good Thing
Writers: Billy Dean/Tommy Cecil; Producer: Ray Barnette and Billy Dean; Publisher: Billy Dean/Lost River/Mow Money Lawn, BMI/ASCAP
–I dig the deep thump in the backbeat and the sizzling fiddle work. His chesty vocal is sexy-hillbilly in an outlaw kinda way. Recommended listening.
THE LUMINEERS/Stubborn Love
Writers: none listed; Producer: Ryan Hadlock; Publisher: none listed
–With the inescapably catchy “Ho Hey” still on everyone’s lips, these hearty folkies are following it up with this equally upbeat ditty of a love that won’t give up. Nominated as Best New Artist at the Grammys, this rollicking acoustic band definitely deserves some country attention.
THOMPSON SQUARE/If I Didn’t Have You
Writers: Keifer Thompson/Shawna Thompson/Jason Sellers/Paul Jenkins; Producer: NV; Publisher: none listed
–Chosen as Vocal Duo of the Year by both the CMA and the ACM, this married couple returns with a new album titled Just Feels Good later this month. In the meantime, here’s a rousing, catchy, power-ballad ode to fidelity sung with immense energy by both Keifer and Shawna.
ASHLEY MONROE/Like A Rose
Writers: Ashley Monroe/Jon Randall/Guy Clark; Producer: Vince Gill & Justin Niebank; Publisher: Reynsong/Ayden/Wha Ya Say/EMI April, BMI/ASCAP
–Openly autobiographical and honestly heartfelt, this title tune to Ashley’s album is like having a comforting blanket wrapped around your shoulders. Her clear-as-country-rain voice and the rippling production are both simply awesome. Right now, she’s best known as “Hippie Annie” in The Pistol Annies. With songs like this mini masterpiece, that is all about to change, my friends.
MUMFORD & SONS/I Will Wait
Writers: Mumford & Sons; Producer: Marcus Dravs; Publisher: none listed
–I find it amusing that the leading “Americana” act is British. Country radio could do itself a big favor by programming this banjo-bubbling bundle of energy with its wildly catchy harmonized choruses and plea for forgiveness. It belongs right alongside Darius’s “Wagon Wheel” and the Zac Brown Band. And it certainly doesn’t hurt that it appears on the Grammy Album of the Year.

DISClaimer: Who Has New Music For CRS Gatekeepers To Hear?

Disc

Tate Stevens & Big & Rich


This week is Country Radio Seminar, so who has the foresight to schedule new music for the gatekeepers to hear?
Gary Allan does. So do Jon Pardi, Phil Vassar and the Zac Brown Band. All of them will be vying for the visiting radio folks’ attentions. The record that captured mine was “Cheat on You” by Big & Rich. In a critical, crucial week, it wins as Disc of the Day.
There is absolutely no question in my mind who the newcomer to watch is in this column. That would be Tate Stevens. He has both the lung power and the song. Give that man a DisCovery Award.
KYLE PARK/True Love
Writer: Kyle Park; Producer: Kyle Park; Publisher: Walk in the Park, BMI; Kyle Park
—Love the thump and bump in the production. His earnest tenor rides atop the sound with confidence. Play it again.
BIG & RICH/Cheat on You
Writer: John Rich/Amanda Watkins/Kasey Buckley; Producer: Dann Huff; Publisher: J.Money/Kobalt/It’s All Bacon/Songs of Octane/Songs of Universal/And It’s All Good/OctoSongs, ASCAP/BMI; Warner Bros.
—Their voices are perfectly Everly-intertwined on this fabulous slab of sound. The track pounds relentlessly while they duet brilliantly on the cautionary tale of a lady trying to be faithful while her man does everything to drive her away. Love it, love it, love it.
MAGGIE ROSE/Better
Writer: Candy Cameron/Dave Berg/Deanna Bryant; Producer: Blake Chancey, James Stroud & Stephony Smith; Publisher: Sounds of RPM/Cal IV/Love Island/Ridgedreamer, ASCAP; RPM
—She misses him and contemplates drink and a one-night-stand. Considering the depth of the lyric, her somewhat bland vocal performance could use a bit more grit.
GARY ALLAN/Pieces
Writer: Gary Allan/Odie Blackmon/Sarah Buxton; Producer: Jay Joyce; Publisher: Crystal Beach/Third Tier/Songs of MPR/Ride On Josephine/Molet/We’re Going to Maui/Tom Leis/Songs of Universal, BMI/ASCAP; MCA Nashville
—Gary’s on a roll, and this tempo tune will keep him right on track. As usual, his vocal is an arrow of truth, this time in a lyric about assembling one’s self.
HOLLY WILLIAMS/Gone Away from Me
Writer: Holly Williams; Producer: Charlie Peacock; Publisher: My Own Confusion, BMI; Georgiana 
—This week’s People magazine says that Holly’s CD The Highway is, “an early contender for 2013’s best country album.” You won’t get any argument from me. In recent years, she has really come into her own as a writer-artist. This gentle, meditative, folkie track features harmony vocals by Jackson Browne. Other guests on the excellent set include Dierks Bentley, Jakob Dylan and Gwyneth Paltrow.
JON PARDI/Up All Night
Writer: Jon Pardi/Bart Butler/Brett Beavers; Producer: Bart Butler & Jon Pardi; Publisher: The Song Factory/Golden Vault/Bill Butler/Chrysalis One/BMG/Chestnut Barn, IMRO/BMI; Capitol Nashville
—It’s an invitation to party, country-style. You know the drill: The dirt road, the truck, the cooler full of brew, skinny dipping, radio tunes yadda, yadda, yadda. No exactly an original idea, but inescapably catchy.
ZAC BROWN BAND/Jump Right In
Writer: none listed; Producer: none listed; Publisher: none listed; RPM
—Rhythm happy and joyously harmonized. The steel-drum vibe is extra cool. Adorable, like everything they do.
TATE STEVENS/Power of a Love Song
Writer: Jeremy Bussey/Bradley Gaskin/Marcus Franklin Johnson; Producer: Blake Chancey; Publisher: Universal/Buzzzcutt/Songs of Program 360/Kobalt/Big Bobcat/Big Loud Bucks, SESAC/ASCAP/BMI; RCA
—December’s winner of the second season of The X Factor sings his face off on this power-ballad debut single. This unstoppable force of nature has “hit” written all over it.
JACKSON DELANEY/Shotgun Wedding
Writer: Gary Hannan/Eddie Montgomery/Phil O’Donnel; Producer: Gary Hannan; Publisher: Chobe/Gary James Hannan/Immokalee/Little Biscuit/Plowin Ground/Sixteen Stars, ; Junebug
—She’s gaining weight, and it’s not from eating too much food. Daddy’s carrying a sawed off under his coat, and the sweatin’ groom is wearing a bullet-proof vest. The whole town’s talkin’ about these nuptials. Sound wise, it’s an outlaw rocker with a southern accent and a wailin’ vocal.
PHIL VASSAR/Love Is Alive
Writer: Phil Vassar/Tom Douglas; Producer: Phil Vassar & Ross Copperman; Publisher: Phylvester/Sony-ATV/Tom Doulgas, ASCAP/BMI; Rodeowave
—Lilting and buoyant, this has a sunny, springtime tone. Super positive, shiny and shimmering with harmonies.

DISClaimer: Non-Country Music Makers Shine Bright

AndyT-NickNixonBand_DrinkDrankDrunk111With the Grammy Awards showcasing both Jack White and the multi-honored Black Keys, Nashville music was superbly displayed earlier this month.
Both of those artists’ nominated discs were highlighted in this column, as have been efforts by Kings of Leon, Ben Folds, Paramore, Tommy Womack, The Features and many more. But this recent burst of publicity means that it is way past time to shine a spotlight again on our non-country music makers. So today’s column includes electric blues, folk-pop, heavy metal, classic r&b, political pop/rock and other styles.
For the Disc of the Day, I’m going with old-school r&b. That would be the Andy T-Nick Nixon Band. Their just-released collection is a total charmer. Give a DISCovery Award to Angel Snow. Yes, that’s her real name. And, yes, she is a mesmerizing stylist.

JEFF THE BROTHERHOOD/Sixpack
Writers: JEFF The Brotherhood; Producer: Dan Auerbach & JEFF The Brotherhood; Publisher: Automatic Bzooty/Otissery/WB; ASCAP
These enduring Nashville Infinity Cat indie faves have made the step up to the major leagues with their Warner Bros. contract. The resulting Hypnotic Nights album retains the fizzy, dense, loopy style of their prior work with perhaps a touch more pop catchiness, especially on this single. Collaborator Dan Auerbach of The Black Keys was named non-classical Producer of the Year at the Grammys. So there. Buy the collection on vinyl and you get a full CD version included with it, plus an autographed photo of the Orrall brothers, Jake and Jamin.

angel snow cover11

ANGEL SNOW/Holiday
Writers: Angel Snow; Producer: Viktor Krauss; Publisher: Emmett Till, ASCAP
Producer Krauss is notable as a record maker, himself, as well as being a longtime Lyle Lovett sideman. It’s easy to hear why he chose to work with newcomer Snow. She sings in a lustrous, compelling alto, weaving easily through the complexities of the dreamy melody. Acoustic pop washed with an echoey, electronic soundscape. In a word, haunting.

RED/Perfect Life
Writers: Anthony Armstrong/Michael Barnes/Randy Armstrong/Joe Rickard/Jasen Rauch/Jason McArthur; Producer: Howard Benson; Publisher: Logansong/Morning Harbor/Eden’s Lullaby/Sony-ATV Cross Keys/Schminigan, BMI/ASCAP
Some of the hardest rock in Nashville is made by our CCM brethren, most particularly this four piece, goth-sounding outfit. The lead single from Red’s new Release the Panic CD is soaked in guitar thunder, shouted vocals and frothing drumming.
BOOMTEMPLE/Soul Job
Writers: Kyle Frederick; Producer: Dyle Frederick/Marc Owens; Publisher: Vandermont/Cry Angels/Melody Chef, BMI
This is the title tune of what I am told is Boomtemple’s second album. It is a percussive rocker with loads of quirky sonic effects and a somewhat psychedelic vibe. For even more psychedelia, check out “The Girl at the Pork Store.” And for more outright rock, spin “Yes I Will.” Talent on parade.
CHARLIE PEACOCK/Ghost of the Kitty Cat
Writers: Charlie Peacock; Producer: Charlie Peacock; Publisher: none listed
Peacock has been contributing songs and pop production expertise in the CCM world for decades. His current CD, No Man’s Land, contains 12 songs inspired by his Louisiana ancestors. It’s an all-star affair, with a cast including Bryan Sutton, Ruby Amanfu, Bruce Bouton, Jeff Coffin, Andy Leftwich, Jerry McPherson and more. It also rocks smartly, particularly on this bubbling, bopping, Cajun-flavored jewel of a tune. It goes without saying that the production work is beyond brilliant. Highly recommended.
ANDY T-NICK NIXON BAND/Drink Drank Drunk
Writers: Thomas Hambridge/Gary Nicholson; Producer: Anson Funderburgh; Publisher: Tom Hambridge/Gary Nicholson/Sony-ATV, ASCAP
James “Nick” Nixon is a Nashville r&b institution who gigged up and down Jefferson Street back in the day. His sidemen have included Jimi Hendrix and Billy Cox, and he charted in the 1970s in the group Past, Present and Future. He toured with the New Imperials, produced The Fairfield Four and performed in the 2011 film Redemption Road. Guitar hotshot Andy T (Talamantez) came of age in Southern California, but is now Nashville based. Nixon’s deep-blues vocal delivery and Andy’s stinging guitar chops are fabulous together throughout their CD, including on this title tune. They will rock your world.
SHANNON LABRIE/I Remember A Boy
Writers: Shannon Labrie; Producer: Zodlounge; Publisher: none listed
This Music City resident was named one of the “Best Unsigned Artists of 2012” by Music Connection. Her debut album, Just Be Honest, was issued two weeks ago. She sings with aching authenticity, accompanying herself on guitar and/or piano. The sound harks back to the classic singer-songwriter era, yet is thoroughly contemporary with touches of jazz and soul in spots, along with plenty of thump. Labrie will be showcased alongside such talents as Brooke Waggoner, Matthew Perryman Jones, Katie Herzig and Mindy Smith via the iTunes “Nashville Indie Spotlight.”
WILL HOGE/The Ballad of Trayvon Martin
Writers: Will Hoge; Producer: Will Hoge; Publisher: Will Hoge, BMI
Veteran Nashville pop-rocker Hoge has lately been collecting award nominations for co-writing the country hit “Even If it Breaks Your Heart.” But his current Modern American Protest Music collection demonstrates he still has his grit, passion and fire for compelling alt rock. He howls and grinds this timely, torrid cautionary tale like a man possessed.
THE VESPERS/Lawdy
Writers: Phoebe Cryar; Producer: Anderson East, Daniel Scobey & The Vespers; Publisher: Poodle Head, SESAC
The Vespers comprises two Cryar sisters and two Jones brothers, the latter of whom are that musical rarity, Nashville natives. The sound is folk-pop with an acoustic base overlaid with a variety of punchy rhythm instruments, claps and stomps, plus fey, gentle vocals. Enchanting. And in these Lumineer and Mumford times, quite contemporary and in step. The band’s current album is titled The Fourth Wall. Miss this gem at your peril.
MARK ROBINSON/Drive Real Fast
Writers: Mark Robinson; Producer: Mark Robinson; Publisher: Dogs in Trouble, SESAC
This blues-rock Nashvillian has titled his CD Have Axe — Will Groove, which is appropriate since he’s a guitar hoss. The sweat-soaked roadhouse set kicks off with this blistering number. It might be light on subtlety in the lyrics department, but in any case, he speaks most eloquently with his fingers on the frets. The album is entirely self penned except for three tunes, including a cover of the Ray Charles standard “Lonely Avenue.”
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow)

DISClaimer: Blue Sky Riders Rise Above

Blue Sky Riders

Blue Sky Riders – Kenny Loggins, Georgia Middleman, and Gary Burr.


I am in love. Blue Sky Riders have eased the pain of slogging through years of Nashville mediocrity with their sterling vocal harmonies and sensational songwriting ability. It comes as no surprise that this trio has the Disc of the Day.
This week’s DISCovery Award also goes to Blue Sky Riders. Yes, I know they are comprised of the already well known Kenny Loggins, Gary Burr and Georgia Middleman. But as a group, they are new. And wonderful.
CHICAGO FARMER/Everybody In This Town
Writers: Chicago Farmer; Producer: Chicago Farmer and Chris Harden; Publisher: Napkin Poet, BMI
–File this under “Americana.” Recorded live and analog, this band has a ragged, rustic charm as well as some serious songwriting chops. The CD is titled Backenforth, IL. The man behind the band is singer-songwriter Cody Diekhoff. Remember him.
RYAN BROSHEAR/I Don’t Mind
Writers: Ryan Broshear/Amie Broshear; Producer: Daniel Agee; Publisher: Painted Horse, ASCAP
–Well done. The production mixes nicely arranged strings with a poetic steel guitar. His resigned vocal on the ballad is just right for the lyric of a man who’s lost his love for good. And I do mean “for good,” because she has passed away, you see.
BLUE SKY RIDERS/I’m A Rider
Writers: Blue Sky Riders; Producer: Peter Asher and Blue Sky Riders; Publisher: Gnossos/Connboy/Middle Girl, ASCAP/SESAC
–I have no idea if this sizzling bopper is the single or even if there is a single. It doesn’t really matter, since I adore every track on this group’s 15-track, harmony soaked, pop-country, melody blessed Finally Home CD. Blue Sky Riders are singer-songwriter dynamo Georgia Middleman, pop star Kenny Loggins and Nashville Songwriters Hall of Fame member and Carole King/Ringo Starr sideman Gary Burr. The harmonies and songs they create together are spine tingling. If you buy one album this season, make it this one.
ACE DIAMOND/Rockabilly Man
Writers: R. Cowell, Producer: Harry King; Publisher: Richard E. Cowell, BMI
–As you might expect from the title, it has a ‘50s throwback sound. The band kicks butt, but his vocal has none of the passion or yelp of a classic backwoods rockabilly artist. A noble effort, but no sale.
SAMANTHA LANDRUM/Hometown
Writers: Jon Nite/Nicolle Galyon; Producer: Dennis D’Amico; Publishers: Zavitson/Warner Tamerlane, BMI/ASCAP
–“I want to know you like I know my hometown.” Okay, it’s a little different as a lyric. Which I could forgive if the melody was interesting or if she had charisma as a vocalist. Neither is the case, alas.
THE MAVERICKS/Back In Your Arms Again
Writers: Raul Malo, Gary Nicholson, Seth Walker; Producer: Raul Malo and Niko Bolas; Publisher: Big Music Machine/Raul Malo/Sony-ATV Cross Keys/Gary Nicholson
–Delightful. Malo’s lead vocal is piped in from an echo chamber and the bopping band chugs along with plenty of twang and a wheezing organ. The song is beyond catchy.
JESSTA JAMES/Back In The Day
Writers: Dan Hannon, Jesse Covin; Producer: Dan Hannon; Publisher: Emilex/Jessta James, BMI/ASCAP
–This starts out as a joyous country rocker then strangely veers into a rap. By the finale, it’s a shouting-crowd thang with a soul singer wailing. Schizophrenic.
KRISTEN KELLY/He Loves To Make Me Cry
Writers: Kristen Kelly/Paul Overstreet/Even Stevens; Producer: Tony Brown and Paul Overstreet; Publisher: none listed, BMI
–It’s a stately, steady blues lament. Kelly wails it for all it’s worth and stakes her claim as a newcomer to watch. Essential listening.
LADY ANTEBELLUM/Downtown
Writers: Luke Laird/Shane McAnally/Natalie Hemby; Producer: Paul Worley and Lady Antebellum; Publisher: Songs of Universal/Creative Nation/Twangin & Slangin/Crazy Water/Smack/Cobalt/EMI
–I’m not sure what is “country” about this song and performance, but it is certainly well executed.
CHRIS LEIGH & THE BROKEN HEARTS/Broken Hearted Friends
Writers: Chris Leigh; Producer: Jim “Moose” Brown; Publisher: Chris Leigh, BMI
–He’s a total slob and sounds it. She kicks his buddies out in the middle of the football game and tosses his stuff onto the lawn. What’s a guy to do? Head down to the bar and commiserate with his boozy friends. Sloppy-drunk enjoyable.

DisClaimer: Baby Acts Look Promising

Jimbeau Hinson

Disc of the Day winner Jimbeau Hinson


The narrative this week belongs to the baby acts. I can’t remember any prior listening session when there were so many promising newcomers. Vying for attention this week were Chris Janson, The Henningsens, Danny Griego and Shelly Fraley. I’m giving the DisCovery Award to Texan Danny Griego, but it could just as easily have gone to any of the others.
Longtime Music Row tunesmith Jimbeau Hinson has recorded only sporadically over the years. His Strong Medicine CD and its “Distant Vision” track are ample evidence that he should do so more often. Give the man a Disc of the Day award.
DEBBIE COCHRAN/Honky Tonk Yourself Right Out of Heaven
Writer: Debbie Cochran, Producer: Kent Wells, Publisher: DMC Anniston, BMI
-It’s a fiddle and steel-soaked two-step. Country, country, country all the way.
THE HENNINGSENS/American Beautiful
Writers: Aaron Henningsen/Brian Henningsen/Clara Henningsen/Brett Beavers, Producer: Paul Worley, Publisher: none listed, BMI
-The chunky, choppy sonic bed contrasts with a smooth lead vocalist and a catchy, tuneful chorus. Solidly written and sung. I’m intrigued. Send more.
DANNY GRIEGO/I Wear My Own Kind of Hat
Writers: Merle Haggard, Producers: Danny Griego, Ed Seay, Publisher: Sony Tree, BMI
-This 1979 Haggard oldie is given a classy update with a rockin’ “outlaw” backbeat and a gritty, soulful, slightly raspy, baritone vocal performance. I dig it.
Discovery Award winner

DisCovery Award winner Danny Griego


KATIE ARMIGER/Playin’ With Fire
Writers: Katie Armiger, Ricky Davis, Micol Davis, Producer: Chad Carlson, Publishers: Purple Monkeys/Hits of Tom Lies/Go Ahead On/Dorvin and Bubba/Squeeze Me
-Armiger continues her winning ways with this bluesy attitude number that sounds as dangerous as a hissing sidewinder. The kid rocks.
CHRIS JANSON/Better I Don’t
Writers: none listed, Producer: Keith Stegall, Publishers: none listed
-It’s a snappy country rocker with a well written lyric about a reformed wild man who knows better than to tempt fate with booze or babes. Promising.
KENNY CHESNEY/Pirate Flag
Writers: Ross Copperman, David Lee Murphy, Producers: Buddy Cannon and Kenny Chesney, Publishers: EMI Blackwood/Ross Copperman/4 Tunes/Old Desperados/N2D; BMI/ASCAP
-He kicks normal living aside for “a pirate flag and an island girl.” In other words, familiar Chesney territory, and extremely well produced.
SHELLY FRALEY/Wastin’ Time
Writer: Waylon Jennings, Producer: Ian Fitchuk, Publisher: none listed
-The deep echo-chamber effect is ear catching. She sings in a drowsy, world-weary sigh. The ballad’s love-is-gone lyric and wafting melody are both terrific. Extremely inventive and well worth your spins.
JIMBEAU HINSON/Distant Vision
Writers: Jimbeau Hinson, Producer: Kim Tribble, Publisher: American Romance; ASCAP
-Veteran hit songwriter Hinson really packed ‘em in at his album-release party last week. If you want to hear what all the excitement was about, check out this free download on the Wrinkled Records website. It’s a textbook example of blue-eyed soul singing, gospel-tinged lyric writing and shoulder-shaking-rhythm production. The CD is titled Strong Medicine. You need it in your life.
TYLER & THE TRIBE/Heaven and Hell
Writers: none listed, Producer: none listed, Publisher: none listed
-The band plays okay, in a quirky kinda way, but is poorly mixed. Also, the too-wordy songwriting could use some tightening up.
B.J. THOMAS & STEVE TYRELL/Rock and Roll Lullaby
Writers: Barry Mann/Cynthia Well, Producer: Kyle Lehning, Publisher: EMI Blackwood/Summerhill, BMI
-The upcoming The Living Room Sessions CD by B.J. Thomas features many of his classic hits reworked as duets with the likes of Keb Mo, Vince Gill, Richard Marx and Lyle Lovett. The noteworthy thing about this track is that Tyrell produced Thomas’s 1972 original version. He proves to be a worthy vocalist, although nowhere near the still-thrilling pipes of the iconic star. The label, Wrinkled, is off to a splendid start with consistently excellent platters from Buffy Lawson, Etta Britt, Jimbeau Hinson and Thomas. It’s great to know there’s still a company in town that’s all about the music.

DisClaimer: The Stars Are Twinkling This Week

2

The race for Disc of the Day ends in a tie between Church and Moore.


The stars are twinkling in DisClaimer this week.
With fine new music from Darius, Kris, Kip and Eric, my ears were dazzled again and again. Tim and Billy Ray are here as well. Newcomers Jaida Dreyer, Sheila Marshall, Brandon Jenkins and Taylor Made got their licks in, too.
Jaida made her debut with a Christmas single a few weeks ago, so that leaves Sheila Marshall as our DisCovery Award winner.
I am declaring a tie for Disc of the Day. Both “Hey Pretty Girl” by Kip Moore and “Like Jesus Does” by Eric Church are essential listening.
SHEILA MARSHALL/Can’t Let Go
Writer: Randy Weeks; Producer: Ken Tondre; Publisher: Bug/EMI, ASCAP; Gerriec 
—Sidewinder guitars and a rumbling backbeat introduce the track. Then comes her strikingly bluesy, alto snarl. This baby rocks. Songwriter Weeks was a founding member of The Lonesome Strangers, and his song was previously popularized by Lucinda Williams. But Marshall makes it her own. Sing on, sister.
KIP MOORE/Hey Pretty Girl
Writer: Kip Moore/Dan Couch; Producer: Brett James; Publisher: Music of Stage Three/Songs of Cornman/Roll Through/BMG Chrysalis/Songs From the Couch, BMI; MCA Nashville (track) 
—My favorite new artist bats three for three with this swirling, dreamy come-on. His husky vocal whispers intimacy while guitars chime all around him. As magical as “Somethin’ ‘Bout a Truck” and “Beer Money” and then some.
DisCovery Winner Shelia

DisCovery Winner Shelia Marshall


JAIDA DREYER/Half Broke Horses
Writer: Jaida Dreyer/Lance Miller/Brett Warren/Brad Warren; Producer: Byron Gallimore; Publisher: none listed; Streamsound 
—She’s a sure nuff country singer. Alas, the guy she falls for has wanderlust and splits while her tears fall. From vocal performance to songwriting to production, this is class all the way around.
KRIS KRISTOFFERSON/Feeling Mortal
Writer: Kris Kristofferson; Producer: Don Was; Publisher: Jody Ray, BMI; KK (track) 
—This Country Music Hall of Fame and Nashville Songwriters Hall of Fame member is still creating songs that are as powerful as ever. This title tune of his CD that came out this week is a meditation on the sundown side of life by the 76-year-old legend. It’s not depressing, but instead is warm and gracious and grateful for a life well lived. This whole project is the work of a true artist. Celebrate him.
TAYLOR MADE/That’s What Life Is
Writer: David Lowe/Gerald Smith/Johnny Holland; Producer: Dan Mitchell/Dale Morris; Publisher: Laci Morgan/Melody Roundup/Harmony Roundup, BMI/ASCAP; LGR 
—There’s way too much going on in the production during the choruses, including over-the-top strings. But he has a pleasant, earnest voice, the song is solid and the bopping tempo is infectious.
ERIC CHURCH/Like Jesus Does
Writer: Casey Beathard/Monty Criswell; Producer: Jay Joyce; Publisher: Sony-ATV Acuff Rose/Six Ring Circus/Sony ATV Tree, BMI; EMI (track) 
—I love this artist so much it’s ridiculous. This moody slice of audio perfection showcases one of his most expressive vocal performances to date. The lyric portrays a sinner who is loved unconditionally despite his shortcomings. Records like this are why he is the future of country music.
BRANDON JENKINS/Through the Fire
Writer: Brandon Jenkins; Producer: David Percefull & Brandon Jenkins; Publisher: Westen Soul, BMI; Smith Entertainment (track) 
—Jenkins wrote all the songs on his Dallas-recorded CD. This stark, stately, slowly paced title tune is dominated by his harmonica wails and throaty, strangely compelling vocals. An intriguing new stylist.
TIM McGRAW & COLT FORD/Twisted
Writer: Colt Ford/Scott Weaterwax/Wayne Hardnett; Producer: Scott Weatherwax & Shannon Houchins; Publisher: Average ZJS/Planet Crusher/ZJS, BMI/SESAC/ASCAP; Curb (CDX) 
—McGraw’s singing part is engaging. Ford’s monotonic, dominating, hillbilly rapping, not so much.
DARIUS RUCKER/Wagon Wheel
Writer: Bob Dylan/Ketch Secor; Producer: Frank Rogers; Publisher: Special Rider/Blood Donor, SESAC/BMI; Capitol Nashville (CDX) 
—The surprise Old Crow Medicine Show phenomenon is now a mainstream country single. Rucker and producer Rogers give the ultra catchy number some extra bounce, a few banjo plunks, lots of jaunty fiddling and backup vocals by Lady Antebellum. In a word, delightful. The song’s back story is that Dylan sketched out its chorus, but left it unfinished. It circulated as a bootleg. Old Crow member Secor worked up the verses to complete it. Its undeniable sing-along qualities did the rest. Rucker joined the band singing it on the Opry stage last July, and the audience went ape.
BILLY RAY CYRUS/Hillbilly Heart
Writer: Billy Ray Cyrus; Producer: Brandon Friesen; Publisher: Suunageronimo, BMI; Blue Cadillac (CDX) 
—It’s a country-rock stomper about keeping it country.