BREAKING: People’s Choice Country Awards Names 2024 Winners [Full List]

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Country music artists, industry professionals and fans gathered at the Grand Ole Opry in Nashville for the second annual People’s Choice Country Awards tonight (Sept. 26).

Morgan Wallen was the night’s big winner, taking home four trophies total, including The People’s Artist of 2024, The Concert Tour of 2024, The Social Country Star of 2024 and The Song of 2024 for “I Had Some Help” with Post Malone. Luke Combs picked up three wins for The Male Artist of 2024, The Album of 2024 for Fathers & Sons and The Male Country Song of 2024 with “Ain’t No Love In Oklahoma.” Country newcomer Shaboozey left the venue with The New Artist of 2024 and The New Artist Song of 2024 for “A Bar Song (Tipsy).”

Also among the night’s other winners were Lainey Wilson, Dan + Shay, Dasha, Cody Johnson, Old Dominion, Zach Bryan, Machine Gun Kelly (MGK), Jelly Roll and more.

In addition to his win for The Music Video of 2024, Kane Brown was presented with the Country Champion Award, recognizing him for his dedication for service and groundbreaking contributions to the country music industry and beyond. Lastly, Miranda Lambert was honored with the Country Icon Award for her barrier-breaking, trend-setting career. Read MusicRow‘s full recap of the show here.

See the full list of winners below.

The People’s Artist of 2024:
Beyoncé
Jelly Roll
Kacey Musgraves
Kane Brown
Lainey Wilson
Luke Combs
Morgan Wallen — WINNER
Zach Bryan

The Female Artist of 2024:
Beyoncé
Carly Pearce
Dolly Parton
Kacey Musgraves
Kelsea Ballerini
Lainey Wilson — WINNER
Megan Moroney
Miranda Lambert

The Male Artist of 2024:
Bailey Zimmerman
Chris Stapleton
Cody Johnson
Jelly Roll
Kane Brown
Luke Combs — WINNER
Morgan Wallen
Zach Bryan

The Group / Duo of 2024:
Brothers Osborne
Dan + Shay — WINNER
Old Dominion
Ole 60
The Red Clay Strays
The War And Treaty
Tigirlily Gold
Zac Brown Band

The New Artist of 2024:
Chase Matthew
Chayce Beckham
Dasha
Koe Wetzel
Nate Smith
Shaboozey — WINNER
Tucker Wetmore
Warren Zeiders

The Social Country Star of 2024:
Bailey Zimmerman
Beyoncé
Dolly Parton
Jelly Roll
Kelsea Ballerini
Luke Combs
Morgan Wallen — WINNER
Reba McEntire

The Song of 2024:
“A Bar Song (Tipsy)” – Shaboozey (Songwriters: Collins Obinna Chibueze, Jerrel Jones, Joe Kent, Mark Williams, Nevin Sastry, Sean Cook)
“Austin (Boots Stop Workin’)” – Dasha (Songwriters: Adam Wendler, Anna Dasha Novotny, Cheyenne Rose Arnspiger, Kenneth Travis Heidelman)
“I Had Some Help” – Post Malone feat. Morgan Wallen (Songwriters: Ashley Gorley, Austin Post, Chandler Paul Walters, Ernest Smith, Hoskins, Louis Bell, Morgan Wallen, Ryan Vojtesak) — WINNER
“I Remember Everything” – Zach Bryan feat. Kacey Musgraves (Songwriters: Kacey Musgraves, Zach Bryan)
“Miles On It” – Marshmello & Kane Brown (Songwriters: CASTLE, Connor McDonough, Earwulf, Jake Torrey, Kane Brown, Marshmello, Nick Gale, Riley McDonough)
“Pink Skies” – Zach Bryan (Songwriter: Zach Bryan)
“Texas Hold ‘Em” – Beyoncé (Songwriters: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro, Raphael Saadiq)
“Wild Ones” – Jessie Murph feat. Jelly Roll (Songwriters: Feli Ferraro, Gregory Aldae Hein, Jason Deford, Jeff Gitelman, Jessie Murph)

The Female Song of 2024:
“16 Carriages” – Beyoncé (Songwriters: Atia Boggs, Beyoncé, Dave Hamelin, Ink, Raphael Saadiq)
“Austin (Boots Stop Workin’)” – Dasha (Songwriters: Adam Wendler, Anna Dasha Novotny, Cheyenne Rose Arnspiger, Kenneth Travis Heidelman) — WINNER
“Deeper Well” – Kacey Musgraves (Songwriters: Daniel Tashian, Ian Fitchuk, Kacey Musgraves)
“Hang Tight Honey” – Lainey Wilson (Songwriters: Driver Williams, Jason Nix, Lainey Wilson, Paul Sikes)
“Hummingbird” – Carly Pearce (Songwriters: Carly Pearce, Jordan Reynolds, Nicolle Galyon, Shane McAnally)
“No Caller ID” – Megan Moroney (Songwriters: Connie Harrington, Jessi Alexander, Jessie Jo Dillon, Megan Moroney)
“Texas Hold ‘Em” – Beyoncé (Songwriters: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Nathan Ferraro, Raphael Saadiq)
“Wranglers” – Miranda Lambert (Songwriters: Audra Mae, Evan McKeever, Ryan Carpenter)

The Male Song of 2024:
“A Bar Song (Tipsy)” – Shaboozey (Songwriters: Collins Obinna Chibueze, Jerrel Jones, Joe Kent, Mark Williams, Nevin Sastry, Sean Cook)
“Ain’t No Love In Oklahoma (From Twisters: The Album)” – Luke Combs (Songwriters: Jessi Alexander, Jonathan Singleton, Luke Combs) — WINNER
“Bulletproof” – Nate Smith (Songwriters: Ashley Gorley, Ben Johnson, Hunter Phelps)
“Dirt Cheap” – Cody Johnson (Songwriter: Josh Phillips)
“I Can Feel It” – Kane Brown (Songwriters: Gabe Foust, Jaxson Free, Kane Brown, Phil Collins)
“Let Your Boys Be Country” – Jason Aldean (Songwriters: Allison Veltz Cruz, Jaron Boyer, Micah Wilshire)
“Pink Skies” – Zach Bryan (Songwriter: Zach Bryan)
“Take Her Home” – Kenny Chesney (Songwriters: Hunter Phelps, Michael Hardy, Zach Abend)

The Group / Duo Song of 2024:
“Break Mine” – Brothers Osborne (Songwriters: John Osborne, Pete Good, Shane McAnally, TJ Osborne)
“Different About You” – Old Dominion (Songwriters: Brad Tursi, Matthew Ramsey, Trevor Rosen, Zach Crowell) — WINNER
“For The Both of Us” – Dan + Shay (Songwriters: Andy Albert, Dan Smyers, Jordan Reynolds)
“I Tried A Ring On” – Tigirlily Gold (Songwriters: Josh Jenkins, Kendra Jo Slaubaugh, Krista Jade Slaubaugh, Pete Good)
“Love You Back” – Lady A (Songwriters: Emily Weisband, James McNair, Lindsay Rimes)
“Smoke & A Light” – Ole 60 (Songwriters: Jacob Ty Young, Justin Eckerd, Ryan Laslie, Tristan Roby)
“Tie Up” – Zac Brown Band (Songwriters: Ben Simonetti, Chris Gelbuda, Jonathan Singleton, Josh Hoge, Zac Brown)
“Wanna Be Loved” – The Red Clay Strays (Songwriters: Dakota Coleman, Matthew Coleman)

The Collaboration Song of 2024:
“Blackbiird” – Beyoncé, Brittney Spencer, Tanner Adell, Tiera Kennedy & Reyna Roberts (Songwriters: John Lennon, Paul McCartney)
“Can’t Break Up Now” – Old Dominion & Megan Moroney (Songwriters: Emily Weisband, Matthew Ramsey, Tofer Brown, Trevor Rosen)
“Chevrolet” – Dustin Lynch feat. Jelly Roll (Songwriters: Chase McGill, Hunter Phelps, Jessi Alexander, Mentor Williams)
“Hey Driver” – Zach Bryan feat. The War And Treaty (Songwriter: Zach Bryan)
“I Remember Everything” – Zach Bryan feat. Kacey Musgraves (Songwriters: Kacey Musgraves, Zach Bryan) — WINNER
“Mamaw’s House” – Thomas Rhett feat. Morgan Wallen (Songwriters: Chase McGill, Matt Dragstrem, Morgan Wallen, Thomas Rhett)
“The One (Pero No Como Yo)” – Carin Leon & Kane Brown (Songwriters: Bibi Marin, Edgar Barrera, Elena Rose, Johan Sotelo, Jonathan Capeci, Julio Ramirez, Kane Brown, Oscar Armando Diaz de Leon)
“You Look Like You Love Me” – Ella Langley feat. Riley Green (Songwriters: Aaron Raitiere, Ella Langley, Riley Green)

The Cover Song of 2024:
“Blackbiird” – Beyoncé, Brittney Spencer, Tanner Adell, Tiera Kennedy & Reyna Roberts (Songwriters: John Lennon, Paul McCartney)
“Cowboys Are Frequently Secretly Fond Of Each Other” – Orville Peck & Willie Nelson (Songwriter: Ned Sublette)
“Dancing with Myself” – Maren Morris (Songwriters: Billy Idol, Tony James)
“Jolene” – Beyoncé (Songwriter: Dolly Parton)
“Perfectly Lonely” – Parker McCollum (Songwriter: John Mayer)
“Sun to Me” – MGK (Songwriters: Zach Bryan) — WINNER
“Take Me Home, Country Roads” – Lana Del Rey (Songwriters: Bill Danoff, John Denver, Taffy Nivert)
“Three Little Birds (Bob Marley: One Love – Music Inspired By The Film)” – Kacey Musgraves (Songwriters: Bob Marley & The Wailers)

The Crossover Song of 2024:
“Better Days” – Zach Bryan feat. John Mayer (Songwriter: Zach Bryan)
“Cowboys Cry Too” – Kelsea Ballerini feat. Noah Kahan (Songwriters: Alysa Vanderheym, Kelsea Ballerini, Noah Kahan)
“I Had Some Help” – Post Malone feat. Morgan Wallen (Songwriters: Ashley Gorley, Austin Post, Chandler Paul Walters, Ernest Smith, Hoskins, Louis Bell, Morgan Wallen, Ryan Vojtesak)
“II Most Wanted” – Beyoncé & Miley Cyrus (Songwriters: Beyoncé, Michael Pollack, Miley Cyrus, Ryan Tedder)
“Lonely Road” – mgk feat. Jelly Roll (Songwriters: Bill Danoff, Brandon Allen, Colson Baker, John Denver, Mary Danoff, Nick Long, Steve Basil, Taffy Nivert Danoff, Travis Barker) — WINNER
“Midnight Ride” – Kylie Minogue, Orville Peck & Diplo (Songwriters: Christopher Stracey, Kylie Minogue, Marta Cikojevic, Orville Peck)
“Miles On It” – Marshmello & Kane Brown (Songwriters: CASTLE, Connor McDonough, Earwulf, Jake Torrey, Kane Brown, Marshmello, Nick Gale, Riley McDonough)
“My Fault” – Shaboozey feat. Noah Cyrus (Songwriters: Bailey Bryan, Collins Obinna Chibueze, Doug Walters, Nevin Sastry, Noah Cyrus, PJ Harding, Sean Cook)

The New Artist Song of 2024:
“A Bar Song (Tipsy)” – Shaboozey (Songwriters: Collins Obinna Chibueze, Jerrel Jones, Joe Kent, Mark Williams, Nevin Sastry, Sean Cook) — WINNER
“Austin (Boots Stop Workin’)” – Dasha (Songwriters: Adam Wendler, Anna Dasha Novotny, Cheyenne Rose Arnspiger, Kenneth Travis Heidelman)
“Betrayal” – Warren Zeiders (Songwriters: Ali Tamposi, Blake Pendergrass, Jacob Kasher Hindlin, Justin Ebach, Warren Zeiders)
“Bulletproof” – Nate Smith (Songwriters: Ashley Gorley, Ben Johnson, Hunter Phelps)
“Devil You Know” – Tyler Braden (Songwriters: Graham Barham, Jon Hall, Sam Martinez, Zack Dyer)
“Sweet Dreams” – Koe Wetzel (Songwriters: Amy Allen, Gabe Simon, Josh Serrato, Ropyr Wetzel, Sam Nelson Harris)
“Tennessee Don’t Mind” – Kameron Marlowe (Songwriters: Charles Kelley, Daniel Tashian)
“Wind Up Missin’ You” – Tucker Wetmore (Songwriters: Chris LaCorte, Thomas Archer, Tucker Wetmore)

The Storyteller Song of 2024:
“16 Carriages” – Beyoncé (Songwriters: Atia Boggs, Beyoncé, Dave Hamelin, Ink, Raphael Saadiq)
“Deeper Well” – Kacey Musgraves (Songwriters: Daniel Tashian, Ian Fitchuk, Kacey Musgraves)
“Dirt Cheap” – Cody Johnson (Songwriter: Josh Phillips) — WINNER
“Pink Skies” – Zach Bryan (Songwriter: Zach Bryan)
“Sorry Mom” – Kelsea Ballerini (Songwriters: Alysa Vanderheym, Hillary Lindsey, Jessie Jo Dillon, Karen Fairchild, Kelsea Ballerini)
“The Little Things” – George Strait (Songwriters: Bubba Strait, George Strait, Monty Criswell)
“The Man He Sees in Me” – Luke Combs (Songwriters: Josh Phillips, Luke Combs)
“Too Good to be True” – Kacey Musgraves (Songwriters: Daniel Tashian, Ian Fitchuk, Anna Nalick, Kacey Musgraves)

The Album of 2024:
Cowboy Carter – Beyoncé
Deeper Well – Kacey Musgraves
Fathers & Sons – Luke Combs — WINNER
Higher – Chris Stapleton
Highway Desperado – Jason Aldean
Leather – Cody Johnson
Where I’ve Been, Isn’t Where I’m Going – Shaboozey
Zach Bryan – Zach Bryan

The Music Video of 2024:
“Ain’t No Love In Oklahoma (From Twisters: The Album)” – Luke Combs
“Austin (Boots Stop Workin’)” – Dasha
“Deeper Well” – Kacey Musgraves
“I Had Some Help” – Post Malone feat. Morgan Wallen
“Let It Burn” – Shaboozey
“Lonely Road” – MGK feat. Jelly Roll
“Miles On It” – Marshmello & Kane Brown — WINNER
“Pour Me A Drink” – Post Malone feat. Blake Shelton

The Concert Tour of 2024:
“Growin’ Up and Gettin’ Old Tour” – Luke Combs
“Highway Desperado Tour” – Jason Aldean
“One Night At A Time 2024” – Morgan Wallen — WINNER
“Shania Twain: Come On Over – The Las Vegas Residency – All The Hits!” – Shania Twain
“Stadium Tour” – George Strait
“Standing Room Only Tour ‘24” – Tim McGraw
“Sun Goes Down 2024 Tour” – Kenny Chesney
“The Quittin Time 2024 Tour” – Zach Bryan

My Music Row Story: CAA’s Meredith Jones Long

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Meredith Jones Long

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Meredith Jones Long is a Music Agent at leading entertainment and sports agency Creative Artists Agency (CAA). Based in CAA’s Nashville office, Jones Long also books the greater mountain state region for the agency’s country, classic rock and Americana rosters. She represents successful acts, including Little Big Town, Whiskey Myers, Lori McKenna, Hailey Whitters, Wyatt Flores, Southall and more.

Jones Long graduated magna cum laude from Belmont University, receiving a Bachelor of Business Administration with an emphasis on music business. She just celebrated 16 years at CAA, having started her career at the agency in 2007. Jones Long was then promoted to Agent in 2012.

Her dedication to inclusiveness is evident throughout her work, both externally and within CAA. She has led the team that created THE HUBB, a networking and professional development summit that was designed to provide diverse internship- and career-ready college students with the tools and resources needed to successfully enter the music business. She also serves on the Executive Committee of the PENCIL Foundation Board, an organization that connects the local business community and Metro Nashville Public Schools through partnerships and programs.

MusicRow: Where did you grow up?

I grew up in Hockessin, Delaware, which is in the greater Philadelphia region. I was really into music growing up, and actually played French horn and sang pretty poorly in like a children’s church choir.

Pictured (L–R): Kylen Sharpe, Meredith Long and Katie Germano

I learned piano from my grandmother, who was an organist at her church in St. Michaels, Maryland, which is on the eastern shore of the Chesapeake Bay. She was very much into classical music and playing music for her grandkids. She helped motivate me and a lot of my cousins to foray into music.

What was high school like?

My high school in Delaware, AI DuPont, had an incredible marching band that was very large. We had a horrible football team because everybody wanted to be in the band. [Laughs] My band director had pushed the program to be elite, and we got to do really fun things like march in the St. Patrick’s Day Parade in Dublin, the London New Year’s Day Parade and the Orange Bowl in Florida. We did concert band trips to Montreal and Toronto. As a teenager, getting a little freedom with your friends to run around in a foreign country was awesome.

Meredith Long with Whiskey Myers and team

Did you know you wanted a career in the music business then?

I fell really hard into country music in middle school, starting with Garth Brooks. In high school, I took it to a new level of exploration. I think part of me wanted to go against the grain of what everyone else thought was cool on MTV. I had a couple friends that were into country music, so we banded together and shared artists we were listening to and enjoying. Some of my first concerts were Kenny Chesney at the amphitheater in Hershey, Pennsylvania and Tim McGraw at the arena in Philly with The Chicks.

I heard about Belmont University through my dad’s cousin, who had a Lee Greenwood cut. He randomly showed up during one of our summer vacations and I was telling him that I was interested in music, but I wasn’t exactly sure if I was good at music. He was like, “You should move to Nashville and go to Belmont University.” On a whim, I came down here with my parents and toured it. I just felt the community of Nashville and that college immediately.

I remember seeing Jason Aldean in the house band at a bar on 2nd Avenue when I was here for orientation. We got his demo and my mom said, “You need to get it signed!”

Pictured (L–R): Meredith Long, Hailey Whitters and Kylen Sharpe

Tell me about your time at Belmont.

Ashley Gorley was my publishing teacher. He had just gotten a few cuts with Carrie Underwood—this girl who won American Idol. [Laughs] I was actually in that publishing class with a bunch of executives that I run into and do business with now, which is really fun.

I really liked some of the core business classes, especially the number-driven ones like economics and accounting, as well as the marketing-driven business classes. There wasn’t a class on live music at the time, and I think the little rebel in me was like, “That’s what I want to do.” My advisor said, “You don’t want to be an agent. Agents are mean!” Then I really wanted to be an agent.

I started trying to use some relationships that I had. My internship boss [knew I wanted to be an agent] and said to me one day, “I’m in Bible study with this guy who runs an agency. His name is John Huie. I’ll introduce you.” That one introduction changed everything.

Meredith Long & Wyatt Flores

What happened?

I started as an intern filing paperwork. At the time we printed every single part of a show: the deposit slips, contracts, deal memos and offers. Everything fit into a file folde,r and we had to title all the folders with the artist name, show date, venue and city. There were cabinets all over the office.

I would get done and then have nothing to do, which was probably frustrating for the HR Director, but I would go around to all the assistants and just say, “What can I do?” I organized the CD closet, made grids of tour dates and other little projects here and there. A lot of those young assistants are now my colleagues, like Jeff Krones and Bobby Cory, and Brett Saliba [who is now at UTA]. I just started being a helpful hand. I would get them lunch if they wanted—I didn’t care.

What was next?

I did the Belmont West program, taking my last semester in Los Angeles. There I interned for a manager that wanted to hire me, but I got a call from CAA Nashville saying, “Hey, we have a receptionist position opening up. Would you like an opportunity for that job?” I was like, “Absolutely.” I loved everybody I hung out with there. They were interested in and passionate about the same things I was. I really didn’t even know what an agent did, but I wanted to learn more. So I ended up taking that job and starting the day after graduation. 17 years later, I’m still here.

Pictured (L–R): Matt Stubbs, Meredith Jones Long, Tyler Braden, Kylen Sharpe, Allie Petko, Chris Burrus and Halie Hampton Mosely

How did you know you were in the right field?

Lady A was an unknown trio in town, and they were friends with one of the assistants who is now Head of Country Music at Amazon Music, Michelle Tigard Kammerer. At the old office, we had this thing called The Pit where all the assistant desks were, with all the agent offices were around it. CAA would invite young artists to play acoustically in The Pit—it was kind of a gauntlet thing. Michelle had Lady A come perform and they blew our socks off. She ended up helping them get signed at CAA and assisting with some of the early strategy. Watching the growth of their career is where I remember seeing how this all works.

What did you do as a receptionist?

It was fun. In classic Meredith form, they were like, “Here’s what you have to do.” I was like, “Great, I can do all of that in five minutes. What else can I do?” You’re kind of the frontline of the agency, so you have to be a good face. You get weird phone calls because your number is on artists’ websites, so having intuition mattered. I would also pick up random jobs around the office so that I could be more visible and be around all my colleagues. I was there for about six months before I moved onto the next position.

Meredith Long & Lori McKenna

What was that?

It’s a position that doesn’t exist anymore, but Ticket Accounts. Before Ticketmaster and Axis had a fancy system where you can log in and see how your artist sales are progressing, my job was calling box offices and saying, “It’s me again! How many tickets has Martina McBride sold since we last spoke?” Then I would put them all into grid format so the agents could be tracking sales and understanding where marketing needed to be spent. Then I moved on from that to an assistant.

What was that like?

Scott Clayton was the first desk I had. He promoted Buster Phillips, who was going to start the college division and see if there was real business there. I became Buster’s assistant when that was created, so we trucked along together in the early days, trying to figure out the players.

I would get all the phone calls from the 19-year-olds running their college division in their student activities groups. I would have to tell them that they couldn’t afford Katy Perry, but we can talk about a young bubbling artist. It was a great education for me to learn how to deal with buyers that aren’t established yet. It was also great to learn what was happening and what college students were interested in. Some of our bosses in L.A. and New York were calling and asking, “Who are the college kids talking about and asking for?” It ended up being a really valuable resource and a big business.

From there, I got promoted to take over and do that job when Buster moved on to a different territory. Then I got promoted to Agent in 2012.

Meredith Long & Just Jayne

What was that transition like?

At the time, our training program sent us out to L.A. to work in the physical mail room there and learn the ropes of the whole agency, not just the music department. It took you out of your comfort zone and allowed you to network with a lot of other people with your same level of experience in all the different departments. It was brilliant and I loved it.

I came back to Nashville gung ho. I started signing clients in country music. Four years later, CAA pulled me out of the college world to give it to the next generation and keep me focused on country.

Who were the first clients you signed?

My first client was Chase Rice. He’s no longer a client, but I have deep love for that guy and the rise that we shared together. I worked with Maren Morris from the get go. I worked with Whiskey Myers after they had been a band for a few years. They were focused on Texas but I saw a vision outside of that, so they signed with me and we’ve developed a pretty strong business for those guys, internationally as well. I joined the Little Big Town team alongside Darin Murphy. I learned a lot from Darin and have more recently stepped in to run point on their career.

I’ve had a lot of fun being a part of developing artist’s teams. I’ve been on Hailey Whitters‘ team. We got her on Maren’s tour very early before she even had music out. I’ve been a part of Carter Faith‘s journey and Wyatt Flores. I was brought onto Shaboozey‘s team—he’s been a client for many years with Jenna Adler, and when he started writing songs with country themes a few years ago, I joined the team . He’s having an unbelievable ride, and he so deserves it.

Meredith Long & daughter, Evelyn

What is your favorite part of your job now?

Being alongside these clients for years and watching the many iterations they’ve had, either musically or touring, those moments are absolutely the driver for me. What really sustains me, though, is the culture of this company and being here with the individuals that I get to sit around with and learn from. I’ve been working alongside a lot of them for all 17 years. I’ve been supported by them and never felt alone in a down moment. That’s a super important part of why I come in and do this job every day.

Who have been your mentors?

I’ve learned a lot from Darin and Jeff Krones. Doing business with Andrew Simon taught me a lot. Marlene Tsuchii has taught me so much.

What advice would you give someone who wants to do what you do?

I spoke to a student recently and told her two of the major qualities of a good agent are that they’re a good people person and an intelligent person. People have to like them, want be around them and trust them with their business, but agents also have to be incredibly intelligent on deal-making and have the ability to think outside the box with tour packaging or deal structures. It’s a numbers and a people job.

It’s not to be mean?

No! [Laughs] That’s not a quality! Maybe that’s from Entourage.

DISClaimer Single Reviews: Ernest & Lainey Wilson Are ‘Duet Perfection’

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Ernest & Lainey Wilson.

As we ease into the fall season, the country stars have warm sounds to accompany us.

The highlights here are Kelsea Ballerini, Willie Nelson, Brad Paisley and Brian Kelley. The Disc of the Day is unquestionably the dandy duet by Ernest and Lainey Wilson, both of whom sing like hillbilly angels.

Give a DISCovery Award to Georgia-born newcomer Vincent Mason.

DYLAN MARLOWE / “Heaven’s Sake”
Writers: Dylan Marlowe/Joe Fox/Seth Ennis; Producer: Joe Fox; Label: Sony Music Nashville
– Lotsa rock guitar. Lotsa drumming. Lotsa volume. Headache inducing. It’s the lead track of his new album, which drops tomorrow.

SHABOOZEY / “Highway”
Writers: Collins Obinna Chibueze/McKay Stevens/Sean Cook; Producers: McKay Stevens, Sean Cook; Label: American Dogwood/EMPIRE
– Love the strummy acoustic guitar and his plaintive vocal. The aimless heartache “road” song could use a few hooks.

REYNA ROBERTS / “A Hundred”
Writers: Danny Myrick/Reigna Roberts; Producer: Danny Myrick; Label: ReynaRed Records/EMPIRE
– A melody would have been nice.

WILLIE NELSON / “Last Leaf”
Writers: Kathleen Brennan/Tom Waits; Producer: Micah Nelson; Label: Legacy Recordings
– Achingly beautiful. In a tremulous, vibrato-shaken delivery, Willie contemplates mortality as he realizes that he is the last man standing from his generation. This is the title tune of his 153rd (!) album, due Nov. 1.

KELSEA BALLERINI / “Two Things”
Writers: Alysa Vanderheym/Hillary Lindsey/Jessie Jo Dillon/Karen Fairchild/Kelsea Ballerini; Producers: Alysa Vanderheym, Kelsea Ballerini; Label: Black River Entertainment
– Amid a swirling, wooshing sonic landscape, Ballerini muses that conflicting, opposing emotions can both be true at the same time in a complicated relationship. It’s a preview of her Patterns collection, an all-female project due next month.

BRAD PAISLEY / “Truck Still Works”
Writers: Brad Paisley/Chris DuBois/Hunter Phelps/Rodney Clawson/Will Bundy; Producers: Brad Paisley, Luke Wooten; Label: EMI Records Nashville
– Remember “Mud on the Tires?” Paisley suggests that we take that ol’ vehicle out for a spin again to rekindle romance and memories. Warmly nostalgic and rhythm happy. Watch for the star to premiere this merry tune on tonight’s People’s Choice Country Awards telecast.

BRITTNEY SPENCER / “Guitar Lady”
Writers: Brittney Spencer/David Brown/Maurice Wade; Producers: Carrie K, Gabe Simon; Label: Elektra Entertainment
– This languid, laid-back track sings of troubadour gals who make you want to sing along and ease your troubled mind. Mellow and groovy. Imaginatively produced.

VINCENT MASON / “Train Of Thought”
Writers: Chase McDaniel/Jared Keim/Ryan Beaver/Vincent Mason; Producer: Jared Keim; Label: MCA Nashville/Music Soup/Interscope Records
– Mason has amassed considerable online success with his ballads “Hell Is a Dance Floor” and “Heart Like This.” This lovelorn outing demonstrates that the youngster  knows his way around a tempo tune, too. Nicely done.

SAMMY KERSHAW / “Slip Away”
Writers: Marcus Daniel/Wilbur Terrell/William Armstrong; Producers: Billy Lawson, Sammy Kershaw; Label: Goldenlane Records
– Country vet Kershaw took a trip down to Muscle Shoals for his latest album. On it, he revisits soul and rock oldies, such as this 1968 Clarence Carter classic. It’s an enduringly cool cheating song.

BRIAN KELLEY / “Hold On Cowboy”
Writer: Brian Kelley; Producers: Caleb Gilbreath, Katlin Owen; Label: Big Machine Records
– No matter what you are going through emotionally, hold your head up and persevere. He lends a sympathetic ear to your troubles and points the way to a brighter tomorrow. This uplifting tempo tune is tied to this being National Suicide Prevention Month, and it carries that message admirably.

ERNEST & LAINEY WILSON / “Would If I Could”
Writers: Dean Dillon/Skip Ewing; Producer: Joey Moi; Label: Big Loud
– Wow. The song is country eloquent, and their duet performance is perfection. The supremely well crafted ballad closes the book on a relationship that’s better off in the past. The exquisite vocals are beautifully shaded and evocative to convey its emotional complexity. I love this record. A solo version from Ernest impacts radio on Oct. 7.

THE JERRY DOUGLAS BAND / “What Might Have Been”
Writer: Mike Stern; Producer: Jerry Douglas; Label: Nolivian
– Dobro master Jerry Douglas will be inducted into the Bluegrass Hall of Fame this evening in North Carolina. The Set was released last week as his first solo album in seven years, although he continues to record and tour with Alison Krauss. You’ll find this deliciously dreamy, echoey meditation on the The Set. It blends his mournful picking with wordless vocalizing by Aoife O’Donovan and drawn-out fiddle notes by Christian Sedelmyer to cast a midnight spell.

NSAI Honors Pursuit Of The Craft At Seventh Annual Nashville Songwriter Awards

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Award winners celebrating on stage at the close of the seventh annual Nashville Songwriter Awards presented by City National Bank. Photo: Jason Davis for NSAI

If there was one thing on display at the seventh annual Nashville Songwriter Awards last night (Sept. 24), it was the unrelenting pursuit of the craft that fill the lives of both new and established songwriters day in and day out.

Staged by NSAI and presented by City National Bank, the beloved awards show showcased the careers of industry stalwarts who’ve chased good songs their whole careers as well as modern hitmakers who are in the pursuit every day.

Amanda Shires performing “Always On My Mind” in honor of the first-ever NSAI Legendary Song award. Photo: Jason Davis for NSAI

Honoring category winners for Song, Songwriter and Songwriter-Artist of the Year as well as the 2024 Legendary Song award and the “10 Songs I Wish I’d Written,” the evening was full of stories behind the song, special speeches and tender moments between collaborators. Enduring country music heroes Alan Jackson and Buddy Cannon were also honored for their limitless contributions.

The night began with a stunning performance from Amanda Shires, who was on hand to sing NSAI’s 2024 Legendary Song, “Always On My Mind,” written by Wayne Carson, Johnny Christopher and Mark James.

Pictured (L–R): Shannon Wright, Adam Wright, Hailey Whitters, Denise Jackson, Alan Jackson, Lee Ann Womack, Jennifer Turnbow (NSAI) and Josh Turner. Photo: Jason Davis for NSAI

Jackson was honored with the Kris Kristofferson Lifetime Achievement Award. His legacy was celebrated with several performances featuring songs he co-wrote, including “Livin’ On Love” performed by Hailey Whitters, “Here In The Real World” performed by Lee Ann Womack and “Midnight In Montgomery” performed by Josh Turner.

When introducing him, NSAI’s COO Jennifer Turnbow referred to Jackson as a “monolith of country music both as a songwriter and an artist.” At the podium, he shared stories of his early days on Music Row and his desire to write about real life.

“I tell people I sing real country music songs about life, love, heartache, drinking, dancing, crying and having a good time,” Jackson said to a thunderous applause. “That’s what it’s always been about for me: life.”

Pictured (L–R): Jamey Johnson, Buddy Cannon (2024 NSAI President’s Keystone Award recipient) and Lee Thomas Miller (Board President, NSAI). Photo: Jason Davis for NSAI

Another prestigious award of the night, the NSAI President’s Keystone Award, was presented to the incomparable producer and songwriter Buddy Cannon. Cannon was honored by Jamey Johnson with a performance of “Give It Away,” a song co-written by Cannon, Johnson and Bill Anderson.

NSAI Board President Lee Thomas Miller introduced Cannon, sharing that he is “a rare treasure who connects old Nashville with new Nashville.” Cannon reflected on the players that have helped him do just that, from Bob Luman, Mel Tillis, Vern Gosdin, Willie Nelson and Kenny Chesney.

“I love great songs and I love the people that write them,” Cannon said. “This award means a lot to me.”

During a break, NSAI Executive Director Bart Herbison took the stage to address the songwriters and publishers in the room, sharing updates about their ongoing advocacy work and their highly-publicized battle with Spotify.

“As songwriters still press to navigate compensation and the challenges of the era of artificial intelligence (AI), the Nashville Songwriter Awards are an emotional reminder that the entire music ecosystem begins with the song,” Herbison said.

Ashley Gorley accepting his eighth NSAI Songwriter of the Year award. Photo: Jason Davis for NSAI

Ashley Gorley was named the 2024 Songwriter of the Year for a record eighth time. Nate Smith shared a performance of their multi-week hit “World On Fire” and Chris Young played their “Young Love & Saturday Nights.”

When Gorley spoke, he shared, “I’m just proud to still have a spot on the roster of Team Nashville. If you haven’t noticed, everyone wants to be on this team now. The whole world has found out that we have the best artists, writers, songs, shows, fans and people behind the scenes making it all happen.

“There is no better town or community for a rookie or a veteran. I appreciate the chance to still be in the game,” Gorley said. The house hooped and hollered like he was the star quarterback.

Jelly Roll won the night’s Songwriter-Artist of the Year award, but was unable to attend the event.

In between the night’s big awards, NSAI reveal the winners of the highly sought-after “10 Songs I Wish I’d Written” category. Voted on by professional songwriter members of NSAI, the winners are recognized with a video interview from the songwriters who wrote the hit and then a performance.

Patrick Murphy took the piano to play his, Craig Wiseman and Tommy Cecil‘s winning “Standing Room Only;” as did Monty Criswell for his and Parker McCollum‘s “Handle On You.” Austin Nivarel, Joe Ragosta and Rob Ragosta rocked out on their hit with Jelly Roll, “Need A Favor;” and siblings Mackenzie and Micah Carpenter had a ball on their hit “I’m Not Pretty,” co-written with Megan Moroney and Ben Williams.

Benjy Davis, Kat Higgins and Ryan Larkins performing the 2024 NSAI Song of the Year, “The Painter.” Photo: Jason Davis for NSAI

Jordan Dozzi, Larry Fleet and Brett Tyler played their winning “Man Made A Bar,” which they wrote with Rocky Block. Greylan James performed his, Jordan Davis, Chase McGill and Josh Osborne‘s “Next Thing You Know;” while Ryan Beaver and Jared Keim played their hit with Warren Zeiders “Pretty Little Poison.” Randy Montana and Dave Turnbull sang their winner “Where The Wild Things Are;” and Kurt Allison, Tully Kennedy, Kelley Lovelace and Neil Thrasher joined voices for “Try That In A Small Town.”

Dan Wilson rocked out on his and Chris Stapleton‘s “White Horse.” Lauren Watkins and Will Bundy treated the writers of “Last Night”—John Byron, Ashley Gorley, Charlie Handsome and Jacob Kasher Hindlin—to a sultry performance of the song.

The top vote-getter for “10 Songs I Wish I’d Written” earns the title of Song of the Year, which was the final award of the evening. The trophy went to Benjy Davis, Kat Higgins and Ryan Larkins for “The Painter.”

The three shared message of thanks for their believers and support systems before performing the tune to close the night out.

NSAI’s Nashville Songwriter Awards will return to Ryman Auditorium for the eighth annual ceremony on Sept. 23, 2025.

BREAKING: Warner Chappell Music Elevates Spencer Nohe

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Spencer Nohe. Photo: Gina Di Maio

Warner Chappell Music has elevated Spencer Nohe to Vice President, A&R.

He will continue reporting to Warner Chappell Music Nashville President & CEO Ben Vaughn to develop both emerging and established songwriters as well as expand creative opportunities for the publisher’s country roster.

Throughout his time in the industry, Nohe has worked with chart-topping superstars and rising hitmakers like Thomas Rhett, Jesse Frasure, Parker Welling, Casey Brown, Josh Kerr, Matt Jenkins, Alysa Vanderheym, Devin Dawson, Alana Springsteen, Brittney Spencer and Conner Smith, among others.

While attending Belmont University, he interned at Warner Music Group. Nohe went on to serve as Senior Director, A&R at Curb|Word Entertainment, followed by Creative Director at BMI. In 2020, he joined Warner Chappell Music Nashville as Director, A&R, where he focused on signing and developing songwriters and producers in a variety of genres. In 2022, he celebrated a Song of the Year win at the CMA Awards alongside Warner Chappell writer Matt Jenkins for hit single “Buy Dirt.”

“Spencer is a true, thoughtful music professional that balances the creativity expected when working daily with songwriters with the business mind needed to ensure their career paths are served and protected,” says Vaughn. “Happy to announce this well-deserved promotion today.”

“I’m incredibly grateful to continue serving the greatest roster of songwriters in the world alongside the best publishing staff in the world at Warner Chappell,” shares Nohe. “I have a great reverence for this town, its songwriters, and I feel truly honored to be a part of this community. Thank you to every writer who trusts me to be their champion and thank you to all of my publishing partners and managers who I work alongside daily. I’m looking forward to writing this next chapter with y’all!”

JUST IN: The Core Records Taps Jon Borris As General Manager

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Jon Borris

The Core Records has hired Jon Borris as General Manager. In this new role, Borris will oversee the label’s day-to-day operations, focusing on artist strategy, A&R, marketing and distribution.

Bringing over 25 years of experience, he joins The Core Records following a six-year tenure at Republic Records, where he worked with top talent such as Taylor Swift, Morgan Wallen, Drake, Ariana Grande, The Weeknd and Post Malone as well as played a key role in ushering Big Machine Label Group’s country crossovers into the pop music landscape. Prior to Republic, Borris spent nearly two decades at Sony Music Entertainment, where he helped to develop the careers of Adele, Beyoncé, Harry Styles, The Chainsmokers, Shakira and John Legend.

“We are beyond excited to have Jon join The Core Records,” say Chief Zaruk and Simon Tikhman, Co-Founders & CEOs, The Core Entertainment. “His unparalleled expertise in artist development, combined with his track record of success, makes him the perfect fit as we continue building the future of music.”

“From the first conversation with Simon and Chief, I knew I wanted to be a part of The Core’s culture,” shares Borris. “What they and their exceptional team have built and already accomplished is extraordinary and my goals are to help magnify our brand, compete at the highest levels, and lead the mission to make The Core Records’ artists superstars. I can’t thank Simon and Chief enough for this tremendous opportunity.”

BREAKING: NSAI Crowns Nashville Songwriter Award Winners [Full List]

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Songwriters, industry members and music fans gathered at the Ryman Auditorium this evening (Sept. 24) for NSAI’s seventh annual Nashville Songwriter Awards, presented by City National Bank.

In addition to staging many meaningful performances, the event revealed category winners for Song, Songwriter and Songwriter-Artist of the Year as well as the 2024 Legendary Song award and the “10 Songs I Wish I’d Written” awards.

Benjy Davis, Kat Higgins and Ryan Larkins won the title of Song of the Year with their Cody Johnson-recorded “The Painter.” Songwriter of the Year was awarded to Ashley Gorley, and Jelly Roll was minted as the Songwriter-Artist of the Year.

In addition to these category winners, NSAI also honored Country Music Hall of Famer Alan Jackson with the Kris Kristofferson Lifetime Achievement Award. Legendary songwriter and producer Buddy Cannon received the NSAI President’s Keystone Award.

Click here to read MusicRow‘s full recap of the show.

The full list of winners for the seventh annual Nashville Songwriter Awards is below:

SONG OF THE YEAR:
“The Painter” written by Benjy Davis, Kat Higgins, Ryan Larkins

SONGWRITER OF THE YEAR:
Ashley Gorley

SONGWRITER-ARTIST OF THE YEAR:
Jelly Roll

KRIS KRISTOFFERSON LIFETIME ACHIEVEMENT AWARD:
Given in recognition to a songwriter whose works have made a significant contribution to the American songbook and who has inspired the careers of others.
Alan Jackson

NSAI PRESIDENT’S KEYSTONE AWARD:
Given in recognition of significant contributions to the betterment of all songwriters, chosen by the current NSAI President.
Buddy Cannon

LEGENDARY SONG OF THE YEAR:
“Always On My Mind” written by Wayne Carson, Johnny Christopher and Mark James

“10 SONGS I WISH I’D WRITTEN” AWARDS:
Voted on by Professional Songwriter Members of NSAI honoring the work of their songwriter peers. Songs eligible for the award have at least one Nashville-based writer and charted in the top 20 of Billboard Airplay chart in the Christian, Country, Mainstream Top 40, and/or Rock genres between May 1, 2023, and April 30, 2024. The NSAI Song of the Year is the highest vote-getter.

– “Handle On You”
Written by: Monty Criswell, Parker McCollum
(recorded by: Parker McCollum)

– “I’m Not Pretty”
Written by: Mackenzie Carpenter, Micah Carpenter, Megan Moroney, Ben Williams
(recorded by: Megan Moroney)

– “Last Night”
Written by: John Byron, Ashley Gorley, Charlie Handsome, Jacob Kasher Hindlin
(recorded by: Morgan Wallen)

– “Man Made A Bar”
Written by: Rocky Block, Jordan Dozzi, Larry Fleet, Brett Tyler
(recorded by: Eric Church and Morgan Wallen)

– “Need A Favor”
Written by: Jelly Roll, Austin Nivarel, Joe Ragosta, Rob Ragosta
(recorded by: Jelly Roll)

– “Next Thing You Know”
Written by: Jordan Davis, Greylan James, Chase McGill, Josh Osborne
(recorded by: Jordan Davis)

– “Pretty Little Poison”
Written by: Ryan Beaver, Jared Keim, Warren Zeiders
(recorded by: Warren Zeiders)

– “Standing Room Only”
Written by: Tommy Cecil, Patrick Murphy, Craig Wiseman
(recorded by: Tim McGraw)

– “Try That In A Small Town”
Written by: Kurt Allison, Tully Kennedy, Kelley Lovelace, Neil Thrasher
(recorded by: Jason Aldean)

– “Where The Wild Things Are”
Written by: Randy Montana, Dave Turnbull
(recorded by: Luke Combs)

– “White Horse”
Written by: Chris Stapleton, Dan Wilson
(recorded by: Chris Stapleton)

Second Annual People’s Choice Country Awards To Focus On Community [Executive Interview]

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NBCUniversal’s Greg Lee

Later this week, the country music community will file through the doors at the Grand Ole Opry House for the second annual People’s Choice Country Awards. The star-studded evening will air live on Thursday, Sept. 26 at 8 p.m. ET/PT on NBC and Peacock.

Last year’s inaugural show, hosted by Opry members Little Big Town, recognized top talent in the industry and showcased electric performances, including Blake Shelton, Carly Pearce, Dan + Shay, Hardy, Jelly Roll, Kane Brown, Kelsea Ballerini, Little Big Town, Toby Keith and Wynonna Judd.

This year, PCCA executives are promising the same exciting night, with some refinements. Greg Lee, Vice President of Live Events and Specials at NBCUniversal Entertainment, spoke to MusicRow leading up to the big night.

“More than any other genre, country music truly feels like a community, with artists supporting fellow artists,” he says when asked what he learned from last year’s PCCAs. “Last year, we saw firsthand how supportive and passionate the country music fans are. The room was literally vibrating with excitement for winners”

This year, fans can expect to see the community lifting up top nominees Zach Bryan, Beyoncé, Kacey Musgraves, Shaboozey, Kane Brown, Morgan Wallen and Luke Combs. Unlike the industry-voted CMA and ACM Awards, though, the PCCAs are entirely fan-voted, with the voting taking place in August.

“The People’s Choice Country Awards is a modern awards show crowning the music, artists, and storytellers that mattered most to those who matter: the people,” Lee says. “A prestigious honor bestowed not by insiders, but by the academy of fans. This show is for the people by the people and is truly representative of what’s trending in pop culture and country music. Fans are at the core of everything we do.”

Winners will be crowned across 18 categories, including six that were added this year to honor one of Nashville’s greatest exports: songs.

“Our goal is to celebrate and honor all aspects of the country music genre and give artists and songwriters the spotlight,” Lee says. “We endeavor to find new ways to be more inclusive and add opportunities for fans to support their favorite artists. This year we added six new categories that will highlight this year’s artistry in the genre.”

In addition to the fan-voted awards, two artists will be highlighted with specially-chosen honors during the evening. Miranda Lambert will receive the Country Icon Award for her decades-long career, during which she’s built an authentic, female-forward brand of country that has shaped the industry. Kane Brown will be honored the Country Champion Award for his passion for service and groundbreaking contributions to the country music industry and beyond.

On the performance side, the second annual PCCAs has a new host: global music icon Shania Twain.

“Shania is truly a country icon for the people, she doesn’t worry about the rules and has broadened the country music space. She focuses on her fans, and that is exactly what this show embodies: a celebration of the people,” Lee says.

Twain will kick off the evening with a show-opening moment before welcoming Lambert, Brown, Keith Urban, Kelsea Ballerini, Lady A, Parker McCollum and The War And Treaty. Today it was revealed that award-winning rapper MGK and country star Brad Paisley would bring a collaboration to the PCCAs stage, as well.

Country artists Carly Pearce, Dan + Shay, Little Big Town, Ashley Cooke, Bailey Zimmerman, Chase Rice, Cody Rhodes, Dasha, Orville Peck, McCollum, Priscilla Block, Scotty McCreery, Shaboozey and Tanner Adell, wrestler Cody Rhodes, TODAY host Dylan Dreyer and comedians Matt Rife and Nate Bargatze will present awards and performances throughout the night.

“This year more than ever, country music is driving pop culture,” Lee shares. “It’s more commercially popular than ever. It feels like a movement and unites us all as Americans. We see this with artists from all genres entering the space. Country music is all about storytelling and songwriters are truly the heart of the genre.”

For the second year, NBC has worked to lift the show’s profile, inviting the signature Live From E! franchise to broadcast live from the Grand Old Opry House as a lead into the PCCAs. Lee points out that the show is part of NBC’s overall interest in country music.

“NBCUniversal has continued its investment in country music, Nashville and the PCA brand by adding more programming, including the upcoming Christmas at the Opry special and Toby Keith: American Icon, which aired in August.”

BREAKING: Ben Kline Stepping Down From Position At Warner Music Nashville, Gregg Nadel Joining Cris Lacy

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Gregg Nadel. Photo: Jimmy Fontaine

Longstanding WMG leader Gregg Nadel has been appointed Co-Chair & Co-President of Warner Music Nashville. He will work alongside Cris Lacy, who has been Co-Head of Warner Music Nashville for the past two years and marks her 20th anniversary with the company next year.

Nadel succeeds Ben Kline, who has decided to step down after a decade with the company.

Kline says, “Together, we’ve grown Warner Music Nashville to new heights and played vital roles in the development of so many artists. Thanks to WMG leadership for all of the opportunities, faith, and guidance along the way. And thank you to Cris Lacy for her never-wavering support for the artists and their musical visions. I’m excited for the next adventure.”

Based out of the Nashville office, Nadel and Lacy will report to Warner Records CEO & Co-Chairman Aaron Bay-Schuck and COO & Co-Chairman Tom Corson, who report direct to WMG CEO Robert Kyncl, effective Oct. 1. Lacy, Nadel and their team will continue to work with Nashville artists co-signed with Atlantic Music Group.

In the course of his nearly three-decade career, Nadel—who most recently served as President of Elektra Entertainment—has signed and/or championed such acclaimed country and roots-based artists as Zac Brown Band, Brandi Carlile, The Highwomen, Sturgill Simpson, Bailey Zimmerman, and Brittney Spencer, among many other artists across multiple genres.

Bay-Schuck and Corson note: “Gregg grew up at WMG, and over the past three decades, he’s brought his impeccable taste, wisdom, and guidance to an exceptional array of original, powerful voices. He’s an ambidextrous A&R and marketing expert with a global perspective, which will be a tremendous asset at a time when Nashville artists are crossing boundaries and reaching the world stage like never before. Like Gregg, Cris has expanded from her roots as an A&R force into a true multi-dimensional leader, and together, they’ll be a phenomenal team to take Warner Music Nashville into a dynamic future.”

They add, “We’d also like to extend our heartfelt gratitude to Ben Kline. Over his past decade with WMN, his tireless passion for the label’s artists and team has set the company up for continued, expanding success. He leaves with our deepest admiration and best wishes for his next chapter.”

Nadel shares, “I’ve had the honor of working with incredibly talented artists across many sounds and styles, and through it all, I’ve always felt a deep connection to the heartfelt music that comes from Nashville’s rich creative culture. I’m excited to be diving deeper into this brilliant community of musicians and storytellers, and I’m especially excited about working alongside Cris Lacy and the entire team. Thank you to Tom and Aaron for this incredible opportunity.”

Lacy expresses, “Thanks to WMG’s cross-label and cross-genre philosophy, Gregg and I have been collaborating within the company for over a decade. We’re both rooted in a deep love of the music that comes into and out of Nashville. Gregg brings a unique, wide-ranging perspective to what will be a fantastic partnership. He has long invested in the culture and the community of this town, and together, we are fiercely committed to amplifying what makes its music so special. My heartfelt thanks and admiration go out to Ben. It’s been a great ride, and his expertise, leadership, and friendship have made it all the more gratifying. I wish him the very best in all things to come.”

Prior to being named President of Elektra Entertainment in 2017, Nadel served as General Manager of Elektra Records and before that was SVP, A&R and Marketing, for Atlantic Records. A 27-year veteran of WMG, Nadel joined Atlantic straight out of college in 1997. In his marketing capacity, he has spearheaded high-profile campaigns for global superstars such as Ed Sheeran, who he’s worked with since the early days of Sheeran’s career.

BREAKING: UMG Nashville Appoints Robert Kilduff As CFO

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Robert Kilduff

Universal Music Group Nashville has named Robert Kilduff as Chief Financial Officer.

Bringing over 30 years of experience and a wealth of knowledge in financial leadership, strategic financial planning, operations and corporate development to the role, Kilduff joins the label following years as CFO for non-profit organization, the Gary Sinise Foundation. Prior to that he served as CFO of New Form Entertainment, VP of Financial Planning & Analysis for WME, and VP of Financial Planning & Analysis for Universal Music Group North America.

Throughout his career, Kilduff has helmed financial strategy for Broadramp, Inc. as an early tech start up, launched an international software division for the Oscar-winning special effects company Digital Domain, and directed international financial teams and operations integration for Neopets.com (a Viacom subsidiary). Other finance roles have included PricewaterhouseCoopers Strategy Consulting, Warner Bros. Studios, and former Big Six accounting firm, Coopers & Lybrand.

“Having helped lead the financial growth strategy of businesses in music, film/television, and technology sectors, Bob has a wealth of knowledge that will be instrumental in the growth strategy of Universal Music Group Nashville,” shares UMGN Chair & CEO, Cindy Mabe. “He is the unicorn we were looking for to help grow the next era of UMGN. I am so excited for him to join our team.”

Kilduff shares, “I am thrilled to rejoin UMG, a company with such a rich history of creative excellence, and eager to contribute to its ongoing success and future growth.”