DISClaimer Single Reviews: Three Tunes Share The Disc Of The Day

Pictured (L-R): Jamey Johnson, Mickey Guyton, Nate Smith and Avril Lavigne.

Collaborations are the order of the day in this week’s DISClaimer country music roundup.

We have Brooks & Dunn with Lainey Wilson, Cody Johnson with Carrie Underwood, Nate Smith with Avril Lavigne and Gangstagrass with Reef The Lost Cauze (whoever that is). Mix in great new sounds by The War and Treaty, Elle King, Sierra Ferrell and Kat Luna and there’s an awful lot to like.

So much so that we have three Disc of the Day winners. The Male prize goes to the eternally great Jamey Johnson. The Female awardee is Mickey Guyton. The group honor belongs to Smith and Lavigne.

Give a DISCovery Award to the bluesy Alabama band The Red Clay Strays.

NATE SMITH & AVRIL LAVIGNE / “Can You Die From A Broken Heart”
Writers: Kevin Fisher/Michael Matosic/Tom Walker; Producer: Lindsay Rimes; Label: RCA Nashville
– His soulful baritone groan and her aching/piercing soprano blend beautifully on this broken-hearted power ballad. Smith is on a roll, with three consecutive country chart-toppers under his belt. Lavigne is a zillion-selling pop star. The single is a sonic masterpiece. This can’t miss.

BROOKS & DUNN & LAINEY WILSON / “Play Something Country”
Writers: Ronnie Dunn/Terry McBride; Producer: Dann Huff; Label: Sony Music Nashville
One of the greatest of all the Brooks & Dunn songs, gets a kick-ass revival with Lainey sassing her way into the bar, wailing “I shaved my legs/I paid my money.” The new diva holds her own opposite platinum-plated country vocal legend Ronnie. The 2005 number has always rocked, and it does so again. It’s drawn from a forthcoming (Nov. 15) album of collaborations. In addition to Wilson, the album will feature contributions from Morgan Wallen, Marcus King Band, Megan Moroney, Warren Zeiders, Jelly Roll, Riley Green, The Cadillac Three, Halestorm, Mitchell Tenpenny, The Earls of Leicester, Jake Worthington, Hailey Whitters, Christone “Kingfish” Ingram, Hardy, Ernest, A Thousand Horses and Corey Kent. Can’t wait.

THE RED CLAY STRAYS / “Drowning”
Writer: Drew Nix; Producer: Dave Cobb; Label: RCA Records
The 2024 winners of the Americana Emerging Artist award showcase their blues chops on this downbeat ballad that’s dripping with soul. Their debut RCA album Made By These Moments also features the heartbreaking “Wanna Be Loved” and tormented “Devil in My Ear.” These guys rock.

CODY JOHNSON & CARRIE UNDERWOOD / “I’m Gonna Love You”
Writers: Chris Stevens/Kelly Archer/Travis Denning; Producer: Trent Willmon; Label: CoJo Music/Warner Music Nashville
– Cody carries the melody while Carrie harmonizes perfectly on this lovely romantic outing. The piano ballad is a beautifully crafted piece of songwriting, and these two singers make the most of it. An instant wedding classic.

GARY NICHOLSON / “What A Little Love Can Do”
Writers: Gary Nicholson/Stephen Bruton; Producers: Gary Nicholson, John Heithaus, Kevin McKendree; Label: Qualified Records
– This Nashville Songwriters Hall of Fame member has a fine new album called Common Sense. He’s an ace guitarist and a comfy singer, and both skills are flying high on this sprightly country rocker. Charming as can be.

JAMEY JOHNSON / “Someday When I’m Old”
Writers: Aimee Mayo/Chris Lindsey/Troy Verges; Producer: The Kent Hardly Playboys; Label: Warner Music Nashville/Big Gassed Records
– Hallelujah! One of our greatest living country singers is back with a vengeance on this moody contemplation of mortality. It’s a brilliant song, and he totally owns it with his heartfelt performance.

SIERRA FERRELL / “Lighthouse”
Writers: Lindsay Lou/Sierra Ferrell; Producer: Gary Paczosa; Label: Rounder Records
– In any kind of just universe, this woman would already be a country superstar. As it is, she’s this year’s Artist of the Year at the Americana Music Awards. She is a charismatic showman (is showoman a word?) who is an irresistible stage presence. But this stripped-down, guitar-vocal outing showcases that she is also a mighty, mighty country singer. Have I mentioned that I am major fan?

MICKEY GUYTON / “House On Fire”
Writers: Jenna Andrews/Mickey Guyton/Stephen Kirk; Producers: Nolan Verner, Stephen Kirk; Label: Capitol Records Nashville
– Passionate, melodic, fierce, loving and deliciously listenable. This is the title tune of Guyton’s sophomore album, and it’s the performance of a lifetime. A career highlight that takes it up to a whole new level.

THE WAR AND TREATY / “Can I Get An Amen”
Writers: Jonathan Singleton/Michael Trotter Jr./Tanya Trotter; Producers: Andrew Capra, Jonathan Singleton, Michael Trotter Jr.; Label: UMG Nashville
– They brought the house down with this during the NBC telecast of the People’s Choice Country Awards last week. No wonder: The King & Queen of gospel country blaze brightly on this barn-storming ode to love, faith and fidelity. Are they the best singers in Nashville or what?

KAT LUNA / “That Girl”
Writers: Erika Ender/Kat Luna/KK Johnson/Rhett Akins; Producer: Nathan Chapman; Label: Sony Music Nashville
– Luna is issuing this in both English and Spanglish versions. In any language, it’s a super song of survival and empowerment, and she sings the fire out of it.

GANGSTAGRASS / “Mother”
Writers: Brian Farrow/Daniel Ford Whitener/Lawrence Durant/Oscar Owens/Randal Green/Sharif Talib Lacey; Producer: Rench; Label: Rench Audio
– This bi-racial band is currently No. 1 on the bluegrass chart with its fusion of ‘grass and hip-hop elements. The album is titled The Blackest Thing on the Menu, and its fifth single “Mother” is a socially, racially and environmentally conscious spoken lyric with plunked banjo notes and looped percussion. It follows “The Only Way Out Is Through” (featuring Jerry Douglas), “Good at Being Bad,” “Up High Do Or Die” (interpolating Bill Monroe’s “Jerusalem Ridge”) and “Obligatory Braggadocio” as showcases from the collection.

ELLE KING / “High Road”
Writers: Elle King/Paul Dominick DeVincenzo; Producers: Dave Cohen, Elle King; Label: RCA Records
– This performance sets her in stone as a country artist. And I do mean “stone.” There’s an unmistakable Willie vibe here, because when she sings of a “High Road,” the emphasis is on “high.” Country, country, country and cool.

Jamey Johnson Signs With Warner Music Nashville

Warner Music Nashville’s Cris Lacy & Jamey Johnson. Photo: David Bradley

Multi-Grammy nominee Jamey Johnson has signed with Warner Music Nashville through his record label, Big Gassed Records, and will release new song “Someday When I’m Old” this Friday (Oct. 4).

“The reason I signed with Warner Music Nashville is [Co-Chair & Co-President] Cris Lacy,” he shares. “She is one of my longest-term friends I’ve had in the music business. We started our careers around the same time. She has been a friend to me and has only ever tried to help.

“She cares about me being able to put out music,” Johnson continues. “She cares that I’m able to participate in my own career. Our conversations are unlike any other conversations I have had with any other label person.”

“For 14 years, those of us in the industry, and fans outside of it, have been begging Jamey Johnson to release another solo studio album,” says Lacy. “From day one, we heard the voice of a man driven by conviction, not commerciality. We saw in him our heroes like Johnny, Waylon and Merle. Warner Music Nashville has the great honor of reintroducing this incomparable artist to a worldwide audience…on his terms…proof that great things are worth waiting for!”

For his first release with the label, the Grand Ole Opry member is revisiting an old favorite. “Someday When I’m Old” has remained on Johnson’s mind since he sang on the song’s demo in 2004.

“It was the last demo I sang before I started working with BNA Records,” he notes of the tune penned by Chris Lindsey, Aimee Mayo and Troy Verges. “Aimee called me back then and she wanted to be able to say she hired me to sing my last demo. When I heard the song, I thought, ‘Wow! That is a great song!’ That one seems to be exactly where I am right now, thinking about what is to come 20 years down the line, 30 years down the line, if I even make it that long.”

Johnson has also released “21 Guns,” “What a View,” “Trudy” and “Sober” in recent months.

Mark Your Calendar—October 2024

Single/Track Releases & Radio Add Dates:

Morgan Wallen. Photo: Cameron Baird

October 4
Ella Langley/Weren’t For The Wind/SAWGOD/Columbia Records
Caitlyn Smith/Life Right Now
Runaway June/New Kind Of Emotion/Quartz Hill Records
Grace Tyler/Weak Man
Troubadour Blue/Punchline
Jordan Moore/What Dreams Are Made Of/The Label Group/Virgin Music
Hailey Benedict/Things My Mama Says/Big Loud Records/Local Hay Records
Kalaan White/Guide Me/MC1 Nashville
Tammy/Lovin’ How The Leaving Feels/MC1 Nashville
Andrew Heller/My Kind Of Town/DiamonDisc Records
Gene Higgins/Power In His Name/MC1 Nashville

October 7
Ernest/Would If I Could/Big Loud Records
Joe Nichols & Annie Bosko/Better Than You/Quartz Hill Records

October 11
Sam Barber/Thought Of You/Lockeland Springs/Atlantic Records
Dylan Gossett/Tree Birds/Big Loud Texas/Mercury Records
Dani Rose/Whiskey You’re Cold
TracieLynn/Pretty Machine
Nate Barnes/Something Else Tonight/Quartz Hill Records

October 14
Whitey Morgan & the 78’s/Let Me Roll
The Ashley Sisters/Everything Changes/Spellcast Records

October 18
Morgan Wallen/Love Somebody/Big Loud Records/Mercury Records
Marcus Hummon/Never Saw A Moor/3686 Records
Bryan Ruby/Come Back

October 21
Randy Cobb/Not On Me/Randy Cobb Music

October 28
Aaron Goodvin/Your Time To Stay/Sakamoto Music/Warner Music Canada
Sarah Harralson/Denim/Synapse Publishing & Entertainment

 

Album/EP Releases:

October 4
Little Big Town/The Christmas Record/Capitol Records Nashville
Nate Smith/California Gold/RCA Records Nashville
Tucker Wetmore/Waves On A Sunset/UMG Nashville/Back Blocks Music
Conner Smith/The Storyteller/The Valory Music Co.
Matthew West/Don’t Stop Praying/Story House Collective
Jason Isbell and The 400 Unit/Live From The Ryman Vol. 2/Southeastern Records
The Wild Feathers/Sirens/New West Records
Hayes & The Heathens/Hayes & The Heathens/BOH Records
Jett Holden/The Phoenix/Black Opry Records
Leah Turner/This Is Mi
Ashley Barron/Checkmate
Daryl Mosley/Long Days & Short Stories/Pinecastle Records
Various Artists/Better Than Jail/Pinecastle Records/Wyatt Road Records

October 11
Jelly Roll/Beautifully Broken/BBR Music Group/Republic Records
Justin Moore/This Is My Dirt/The Valory Music Co.
Erin Kinsey/Gettin’ Away With It/RECORDS Nashville
Madeline Merlo/One House Down (From The Girl Next Door)/BBR Music Group/Stoney Creek Records
Carter Faith/The Aftermath/Capitol Records Nashville
Meghan Patrick/Golden Child/Riser House Records

October 17
Julie Williams/Tennessee Moon

October 18
Riley Green/Don’t Mind If I Do/Nashville Harbor Records & Entertainment
Wyatt Flores/Welcome To The Plains/Island Records
Breland/Project 2024/Bad Realm Records/Atlantic Records/Warner Music Nashville
Birdie Nichols/Into The West

October 25
Kelsea Ballerini/Patterns/Black River Records
Joe Nichols/Honky Tonks & Country Songs/Quartz Hill Records
Paul Cauthen/Black On Black/Anemoia Records/Atlantic Records
The Oak Ridge Boys/Mama’s Boys/Lightning Rod/Thirty Tigers
Mac Powell/I Love Jesus/Sparrow
Amythyst Kiah/Still + Bright/Rounder Records
Fancy Hagood/American Spirit
Angie K/Angie K
Chapel Hart/Hartfelt Family Christmas
The Isaacs/Praise & Worship: More Than A Hollow Hallelujah/Gaither Music Group
EmiSunshine/Trilogy: Roots; Nashville Vines; Wilder Flowers/Little Blackbird Records
Fimone/Fascination

 

Industry Events:

October 1
GMA Dove Awards

October 6 – 8
54th Annual IEBA Conference

Leslie Fram Exits CMT After 13 Years

Leslie Fram

CMT’s Senior Vice President of Music Strategy & Talent Leslie Fram has confirmed her exit as part of Paramount’s series of layoffs that affected the network.

In a letter released to Billboard, Fram penned a farewell to her colleagues, sharing that she was “cheering on those who remain and those who have left—only great things ahead. With the ever-changing media landscape let’s remember to take care of each other! Thank you from the bottom of my heart.” The full letter is below.

Fram oversaw all music on all platforms at CMT and negotiated talent for major tentpole and music specials. A champion of female artists, in 2013 she created CMT’s Next Women of Country franchise, which has grown to include a tour, and also oversaw CMT’s Equal Play platform.

Before joining the network in 2011, Fram had a long and impressive career in radio. She is one of the Co-Founders of Change The Conversation and Nashville Music Equality.

To My Dear CMT Family, Friends, Colleagues,

Thirteen years ago this month, I had the extraordinary opportunity to become SVP/Music & Talent at CMT and work with my longtime friend and mentor Brian Philips (President of CMT at the time). The transition from rock radio to country music television turned out to be a pivotal moment in my career, allowing me and the brand’s resident experts to build CMT’s next great chapter. We went on to create an even bigger music brand, continuing to amplify the format’s superstars and legends while giving voice to the next generation.

Over the years, we’ve accomplished so many milestones as a team. From celebrating the ‘CMT Music Awards’ debut on CBS, bringing back historic franchises like ‘CMT Giants’ where we honored such legends as Kenny Rogers, Vince Gill and Alabama, and resurrecting the iconic ‘Storytellers’ format to creating new music programming and specials like ‘CMT Campfire Sessions,’ ‘CMT Summer Camp’ and ‘CMT Smashing Glass’ honoring Tanya Tucker & Patti LaBelle, these are once-in-a-lifetime experiences I will always treasure!

And it wouldn’t be CMT without a deep bow to the award-winning series, ‘CMT Crossroads.’ My first experience with the franchise was with Vince Gill & Sting at NYC’s Hammerstein Ballroom, and I immediately was overwhelmed by the musical magnitude of these shows. We went on to bring together such extraordinary pairings as Stevie Nicks & Lady A, Katy Perry & Kacey Musgraves, Alicia Keys & Maren Morris, Halsey & Kelsea Ballerini, Shawn Mendes & Zac Brown, Nickelback & Hardy, and so many more. I am eternally grateful for the expertise and genius of my colleagues, Executive Producers Margaret Comeaux and John Hamlin, without whom ‘Crossroads’ and so much more, would not be possible.

Among my proudest achievements has been our decade+ support of women with CMT’s ‘Next Women of Country,’ a program that has helped promote and elevate over 100 female artists on all platforms, and our efforts to move the format forward in areas of inclusion and diversity.

Over the years, the team worked tirelessly to grow these types of opportunities when in 2015, we created an all-female ‘Next Women of Country’ tour to give these artists a stage to play on – introducing newcomers like Kelsea Ballerini and supporting headlining acts like Martina McBride, Sara Evans & Jennifer Nettles.

All along, we would constantly ask ourselves, ‘how can we do even better?’

We soon founded an initiative called CMT ‘Equal Play’ – 50/50, male/female parity across all CMT video hours. With this momentum, we strongly encouraged the industry to play, sign and support more women and to make equally bold moves to help cement a format-wide commitment to women and equality. This concept ultimately grew to become the ‘CMT Equal Play Award,’ in recognition of artists who advocate for diverse and underrepresented voices in the industry, bestowed upon such luminaries as Jennifer Nettles, Linda Martell and Shania Twain.

We also partnered with Cameo Carlson, President & CEO at mtheory to create CMT ‘Equal Access’ to better support artists from underrepresented communities. I’m proud to say that this effort closely mirrors the visionary leadership of Marva Smalls, EVP of Public Affairs/Global Inclusion at Paramount, our partners in ‘Equal Access.’ This program has allowed us to work with both artists and management professionals, helping us diversify the talent pipeline in country music.

Looking back over my career at CMT, I have so much gratitude for amazing leaders like Van Toffler, Bob Bakish & Bruce Gillmer to name a few. Thank you for your vision and support.

To my incredible team, Donna Duncan, Stacey Cato, Jordan Walker, Katrina Cooper, Jordan Hatton, Abbi Roth, Bryana Cielo and my brilliant counterpart, Margaret Comeaux, John Hamlin, Heather Graffagnino, Jackie Barba, Jim Craig, Cynthia Mangrum, Jodi Carmichael, Melissa Goldberg, Ali Marszalkowski, Quinn Brown, Cody Alan, Shanna Strassberg, Andy Luther (and the IT Team) and so many more, we will always be a family and team. Your friendship and support have been my guiding light. I will cherish all our collective challenges and wins.

To my Paramount and MTV colleagues past and present, it’s been my complete honor to work and learn from you.

To the OG CMT’ers – the late great Chet Flippo, Suzanne Norman, Martin Clayton, Anthony Barton, Lisa Chader, Lucia Folk, Cindy McLean Finke, Jim Raley, Jackie Jones, Lewis Bogach, John-Miller Monzon, Shane Caldwell, Tessa Jordan, Jennifer Danielson, Jen Hoogerhyde (Morrison), Alina Thompson and so many more – in the words of Dolly ‘I will always love you!’

And finally, to this magical Nashville community and its brilliant artists, you have given and shared so much. I will always be grateful for your friendship and support, and I know that you will continue to collaborate with this undeniable brand for years to come.

Cheering on those who remain and those who have left-only great things ahead. With the ever-changing media landscape let’s remember to take care of each other! Thank you from the bottom of my heart.

Leslie Fram

lesliefram@me.com

Jessie Jo Dillon Re-Enters Top 10 On MusicRow Top Songwriter Chart

Jessie Jo Dillon.

Jessie Jo Dillon has re-entered the top 10 on MusicRow‘s Top Songwriter Chart. “Lies Lies Lies,” “Am I Okay?” and “Messed Up As Me” put Dillon in the No. 6 spot this week.

Zach Bryan remains in the No. 1 spot for the fourth consecutive week with “28,” “American Nights” and “Pink Skies.” Ashley Gorley remains at No. 2 with “Cowgirls,” “Fix What You Didn’t Break,” “I Am Not Okay,” “I Had Some Help,” “Losers,” “This Town’s Been Too Good To Us,” “What Don’t Belong To Me” and “Whiskey Whiskey.”

Charlie Handsome (No. 3), Chris Stapleton (No. 4) and Riley Green (No. 5) round out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

JUST IN: Hosts Announced For 58th CMA Awards

Luke Bryan, Peyton Manning and reigning CMA Entertainer of the Year Lainey Wilson will host The 58th Annual CMA Awards. The show airs live from Nashville’s Bridgestone Arena on Wednesday, Nov. 20 at 7:00 p.m. CST on ABC and the next day on Hulu.

This year will mark Bryan’s fourth time hosting, Manning’s third and Wilson’s first.

“Hosting the CMA Awards is such an honor and it’s crazy when I realize this is my fourth year back,” shares Bryan. “Peyton and I have really worked to build off each other and now adding Lainey to the mix will just bring another fun element to the night. Celebrating country music never gets old to me.”

“I am honored to be back hosting the CMA Awards again this years,” says Manning. “The past two years have been a lot of fun, and I know Lainey is going to bring a special flare. Hopefully she can help me keep Luke in line! Either way, I’m excited for an incredible night of celebration and country music.”

“I could not be more excited to host the CMA Awards this year with Luke and Peyton,” shares Wilson. “It’s such an incredible honor and something I’ve always dreamed of doing. We’re planning a really great show for y’all, so make sure to watch on November 20!”

In addition to serving as host, Wilson is up for four awards this year, including Entertainer of the Year.

Performers and presenters for the 58th annual CMA Awards will be announced in the coming weeks. Tickets for this year’s ceremony are currently on sale through Ticketmaster.

BREAKING: Superstar Kris Kristofferson Passes

Kris Kristofferson. Photo: Courtesy of the Country Music Hall of Fame and Museum

Country Music Hall of Fame member Kris Kristofferson passed away at his home in Maui, Hawaii on Saturday (Sept. 28) at age 88.

One of the greatest songwriters in music history, he revolutionized Nashville with his lyrics’ frank sexuality, poetic structures and intellect. Kristofferson’s musical legacy includes such masterpieces as “Help Me Make It Through the Night,” “For the Good Times,” “Sunday Morning Coming Down,” “Why Me (Lord)” and “Me and Bobby McGee.” He had success as a solo recording artist, in a duet with Rita Coolidge and as a member of the country supergroup The Highwaymen with Johnny Cash, Waylon Jennings and Willie Nelson. Along the way, he earned four Grammy Awards and seven Gold records.

He graduated from music stardom to a thriving film career in such features as A Star Is Born, Alice Doesn’t Live Here Anymore, Pat Garrett and Billy the Kid, Semi-Tough and Blade. He was also a novelist, a poet, a short story writer and an essayist.

Kris Kristofferson was born in Texas, but the family moved several times because his father was in the military. A major general in the Air Force, he urged his son to emulate him. In high school in California, Kristofferson excelled in rugby, track, soccer, boxing and football. He was also a brilliant student. While enrolled in Pomona College, he had two essays published by The Atlantic Monthly. Elected to Phi Beta Kappa, he graduated summa cum laude, then became a Rhodes Scholar at Oxford University in England. While there, he began his recording career as “Kris Carson,” but that music went nowhere.

His father pressured him to join the Army. Kristofferson became a helicopter pilot while in the service. A fellow soldier was related to Nashville songwriter Marijohn Wilkin, who took an interest in Kristofferson’s music. The two later co-wrote the million-selling alcohol-recovery anthem “One Day at a Time.”

Instead of taking a position as an instructor at West Point, Kristofferson quit the Army and moved to Nashville in 1965. His parents reportedly disowned him. During his early years on Music Row, the singer-songwriter worked as a janitor at Columbia Studios and as a bartender at the Tally-Ho Tavern. He also flew helicopters for a Louisiana oil company. He’d write songs on an oil rig, then return to Nashville to pitch them. At one point, he landed a helicopter on Johnny Cash’s yard to get attention for his tunes. Songwriters Mickey Newbury, Shel Silverstein and Tom T. Hall befriended and encouraged him.

Kristofferson had his first Nashville success in 1966 when Dave Dudley had a hit with “Viet Nam Blues.” In 1968, Roy Drusky made the country charts with “Jody and the Kid.” In 1969, Roger Miller recorded “Me and Bobby McGee;” Faron Young had a top 10 hit with “Your Time’s Comin;’” Billy Walker scored with “From the Bottle to the Bottom,” and Ray Stevens had “Sunday Morning Coming Down.”

Major successes occurred the following year when Johnny Cash hit the top of the country charts with “Sunday Morning Coming Down;” Waylon Jennings scored with “The Taker;” Jerry Lee Lewis had a smash with “Once More With Feeling” and Ray Price had a massive pop crossover success with “For the Good Times.” The last was named the Country Music Association (CMA) Song of the Year. Meanwhile, the Academy of Country Music (ACM) bestowed its 1970 Song of the Year honor on “Sunday Morning Coming Down.”

Following a brief, unsuccessful stint at Epic Records, Kristofferson signed with Monument Records. His 1970 LP debut was packed with hits, including “Help Me Make It Through the Night,” a 1971 pop-crossover smash for Sammi Smith that earned the songwriter his first Grammy Award. That was also the year that Janis Joplin topped the pop charts with his “Me and Bobby McGee;” Ray Price scored with “I’d Rather Be Sorry” and Bobby Bare had back-to-back top 10 country hits with “Come Sundown” and “Please Don’t Tell Me How the Story Ends.” Sammi Smith returned to his catalog for her 1972 hit “I’ve Got to Have You.”

Kristofferson and Coolidge were married in 1973-80. She and Larry Gatlin sang backup on his gospel song “Why Me.” In the summer of 1973, it became his only No. 1 hit as an artist. The couple earned two Grammys for their recordings together.

Brenda Lee’s top 10 success with Kristofferson’s “Nobody Wins” in 1973 marked her transition from pop stardom to country hit maker. Ronnie Milsap’s revival of “Please Don’t Tell Me How the Story Ends” hit No. 1 on the country hit parade in 1974. Singers Marilyn Sellars and Don Gibson both recorded “One Day at a Time” that year, and the Sellars version became a top 20 country hit. In 1976, Johnny Duncan went into the top 10 with the songwriter’s “Stranger” (featuring vocal accompaniment by Janie Fricke). Kristofferson’s own recordings continued, with nine albums issued between 1972 and 1979.

Kris Kristofferson began his silver-screen career in the 1970s. Early credits included The Last Movie (1971), Cisco Pike (1972), Pat Garrett and Billy the Kid (1973), Blume In Love (1973), Alice Doesn’t Live Here Anymore (1974), Bring Me the Head of Alfredo Garcia (1974), The Sailor Who Fell from Grace with the Sea (1976) and Vigilante Force (1976). He co-starred with Barbra Streisand in 1976’s A Star Is Born, which earned him a Best Actor Golden Globe Award. Its soundtrack album sold more than four million copies. He went on to star in Semi-Tough (1977, with Burt Reynolds), Convoy (1978), Songwriter (1980, with Willie Nelson) and Heaven’s Gate (1980). His Songwriter soundtrack was nominated for an Oscar.

As a songwriter, he continued to be a force on the country charts. In 1980, Cristy Lane scored an No. 1 smash with “One Day at a Time.” Nelson recorded an entire album of Kristofferson songs and hit the top 10 in 1980 with his revival of “Help Me Make It Through the Night.” In 1981, The Glaser Brothers scored the biggest hit of their career with Kristofferson’s “Lovin’ Her Was Easier.” The songwriter had based that song on a Shakespeare sonnet.

Kristofferson teamed up with Nelson, Lee and Dolly Parton on the hit 1982 album The Winning Hand. The first Highwaymen all-star album was issued in 1984 and earned a Platinum record. The group scored major hits the following year with Jimmy Webb’s “Highwayman” and Guy Clark’s “Desperados Waiting for a Train.” Kristofferson, Cash, Nelson and Jennings issued two more collections and became a hugely popular concert attraction.

Toward the end of the decade, Kristofferson moved from Monument to Mercury Records. His Repossessed (1988) and Third World Warrior (1989) albums for Mercury illuminated his progressive, leftist political positions. One of his songs from this era endured: “They Killed Him” was an homage to Kristofferson’s martyred heroes Mahatma Ghandi, Martin Luther King Jr., John F. Kennedy, Robert F. Kennedy and Jesus Christ. Bob Dylan soon re-popularized it on his Knocked Out Loaded album.

The songwriter’s film career continued to thrive with Rollover (1981, with Jane Fonda), Flashpoint (1984), Big Top Pee Wee (1988), Welcome Home (1989), Knights (1993), Lone Star (1996) and Fire Down Below (1997). In 1998, he was cast in the vampire superhero action film Blade, which spawned two sequels. In the new millennium, Kristofferson took roles in Planet of the Apes (2001), Where the Red Fern Grows (2003), The Jacket (2005), Fast Food Nation (2006), He’s Just Not That Into You (2009, with Jennifer Anniston), Dolphin Tale (2011, plus a 2014 sequel) and Joyful Noise (2012, with Parton). He was also featured in a number of high-profile television films and miniseries. In 2015, he portrayed President Andrew Jackson in the historical miniseries Texas Rising.

His music continued to be prominent. “Help Me Make It Through the Night” was a soul-music hit three times—for Joe Simon, O.C. Smith and Gladys Knight—and his songs were also recorded by Black music stars Al Green, Tina Turner, Millie Jackson, Sammy Davis Jr. and Lena Horne. Such diverse artists as Elvis Presley, Dean Martin, Olivia Newton-John, Joan Baez, Tom Jones, Pattti Page, The Grateful Dead, Frank Sinatra and Carly Simon recorded Kristofferson songs, as did a who’s-who of country celebrities—Loretta Lynn, Glen Campbell, Emmylou Harris, George Jones, Tanya Tucker, Rosanne Cash, K.T. Oslin, Charley Pride, Dolly Parton, Anne Murray, Hank Snow, Dottie West, LeAnn Rimes, Merle Haggard, Charlie McCoy, Lynn Anderson, Roy Clark, Conway Twitty, Kenny Rogers, etc.

Career accolades rolled in. Kris Kristofferson was voted into the Nashville Songwriters Hall of Fame in 1977. The national Songwriters Hall of Fame followed suit in 1985. Induction into the Country Music Hall of Fame came in 2004.

The new Americana music genre coalesced in 1999-2000. This reinvigorated his recording career and brought him new honors. In 2003, he received the “Spirit of Americana” free-speech award from the Americana Music Association. In 2006, he issued This Old Road, his first album of new material in 11 years. It was succeeded by more Americana-music favorites, his Closer to the Bone (2009), Feeling Mortal (2013) and Cedar Creek Sessions (2016) albums. They demonstrated that he was still writing as powerfully as ever. He was also the subject of a tribute album 2006’s The Pilgrim.

In the fall of 2009, Kristofferson was celebrated as a BMI Icon. By then, his songwriting had earned him 48 BMI awards. In 2013 he won a Poet’s Award from the ACM. He was given a Grammy Lifetime Achievement Award in 2014. An all-star concert in Nashville celebrated his 80th birthday in 2016, and he appeared at the Newport Folk Festival that year. The CMA presented him with its Lifetime Achievement honor in 2019.

Kristofferson announced his retirement in January 2021. He had been experiencing memory loss for several years, possibly as a result of old head injuries from sports. He assigned his estate management to Morris-Higham Management in Nashville. In October 2023 he attended the Country Music Hall of Fame’s annual induction ceremony. This was his final public appearance.

Kris Kristofferson is survived by his wife Lisa and by eight children—Tracy, Kris Jr., Casey, Jesse, Jody, John Robert, Kelly Marie and Blake—as well as by seven grandchildren.

Funeral arrangements have not been announced.

Brad Paisley Is Proving That His ‘Truck Still Works’ [Interview]

Brad Paisley. Photo: Jim Shea

With instantly recognizable hits such as “Whiskey Lullaby,” “She’s Everything,” “I’m Gonna Miss Her” and many more, it’s easy to say Brad Paisley has cemented himself as a country music legend. With a career spanning more than 25 years, some would have hung up the cowboy hat by now, but Paisley recently spoke to MusicRow about how he doesn’t plan on going anywhere anytime soon.

Today (Sept. 27), Paisley released his newest single “Truck Still Works,” after premiering it at the People’s Choice Country Awards last night live from the Grand Ole Opry. Written by Paisley, Chris Dubois, Will Bundy, Hunter Phelps and Rodney Clawson, with production from Luke Wooten and Paisley, the new tune serves as a precursor for the Opry member’s next era.

YouTube video

At first listen, fans will recognize the ode to one of Paisley’s biggest hits “Mud On The Tires.” Co-written with Dubois, the track became a No. 1 single in 2005. There are little easter eggs hidden throughout “Truck Still Works,” including the same guitar licks and the beloved lyric, “how ‘bout a little test drive down by the lake.”

“‘Truck Still Works’ feels like we did something brand new and also feels like a return to certain themes. But more than that, it’s the feeling of way back when I first started,” Paisley says.

Co-writers Bundy, Phelps and Clawson already had the idea for “Truck Still Works” in hand when the A&R team at UMPG heard it and suggested the writers bring Paisley and Dubois in. That’s where the ode to “Mud On The Tires” came to life.

I don’t know whether or not they were trying to stay off of ‘Mud On The Tires’ at all with what they were doing, but once we were involved, it was like, ‘No, let’s say it,'” he says, recalling how the writes balanced what to add in from the 2005 hit and what to leave out. 

One of the first people to recognize the connection to Paisley’s older hit was his youngest son, who was away at summer camp while Paisley was writing and recording the song.

“He hadn’t heard any incarnation of it prior. We got in the car and I hit play and didn’t tell him about it. He turned to me and said, ‘Dad, while I was at camp you wrote the sequel.'” 

With the release of the new single, Paisley is giving a glimpse into what fans can expect from his new music moving forward.

“There’s plenty of heavy topics [to talk about right now]. Just watch the news. I wanted to do something here that really exists for feeling good,” Paisley says. “Turn this thing up in whatever vehicle you’re driving. It should sound really good and it should take you away from some of those things. More than that, it’s a return. It’s nostalgia. I love things that evoke good memories, and that’s what this did for me.”

While making his new music, Paisley recorded and wrote for Post Malone‘s F-1 Trillion album, which included co-writes with Ernest and Lainey Wilson. He says that though the modern country hitmakers were excited to work with him, he had questions for them as well.

“What’s funny is when we sat down to write together, they had a lot of questions. But for me, it was the same thing. I wanted to know what the new guys that are doing so well would think of a [song] like this” he shares.

Gearing up to kick off the new era, Paisley got the call to debut the song at the People’s Choice Country Awards. It was a no-brainer decision for him. When discussing the opportunity with the show’s producers, Paisley recalls how the idea came up to not only live debut “Truck Still Works,” but also how he was going to integrate “Mud On The Tires.” The performance was also a way for Paisley to show that he’s still here to make an impact on the country genre.

“It’s a nice way to check back in and [for everyone to] see what I’m up to—’cause I’m not retired yet.”

Paisley is excited to show the world what he has been working on, and says that he genuinely loves what he is going to be sharing with everyone.

“I’m really excited because I like what I’m doing,” he sums. “It’s so much fun to bring you great memories and nostalgia, but it also sonically sounds new for me.”

People’s Choice Country Awards Dedicates Night To Fans During Second Annual Ceremony

Shania Twain hosts the 2024 People’s Choice Country Awards at Grand Ole Opry House. Photo: Katherine Bomboy/NBC

The second annual People’s Choice Country Awards was held at the historic Grand Ole Opry last night (Sept. 26), where the country music community gathered to celebrate the genre’s favorite people: the fans.

Host Shania Twain came down from the rafters on a pink heart with to start off the electric night. As the country legend was descending with “Man! I Feel Like A Women” playing in the background, fans and other country stars in attendance were on their feet for the first of many times throughout the night.

Immediately after hitting the ground, Twain welcomed Kane Brown for the first performance of the evening. Brown came out with high energy to perform his current single “Fiddle In The Band.” After the hostess reappeared for a few opening remarks, it was already time for the first award of the night.

2024 PEOPLE’S Miranda Lambert performs on stage during the 2024 People’s Choice Country Awards. Photo: Ralph Bavaro/NBC

Nashville native and comedian Nate Bargatze presented the award for The New Artist Of 2024 to Shaboozey, marking his first of two trophies during the night. “I never thought I’d be up on the Grand Ole Opry stage accepting something like this,” he shared at the podium.

Lady A then took the stage for a fiery rendition of Tom Petty and Stevie Nicks’ “Stop Dragging My Heart Around,” which the trio recorded for the Petty Country: A Country Music Celebration of Tom Petty album.

Twain was welcomed back to the stage, this time wearing her iconic all black look. She welcomed out Ashley Cooke and WWE champion Cody Rhodes to present The Group/Duo of 2024.

Kane Brown accepts the Country Champion award on stage during the 2024 People’s Choice Country Awards. Photo: Ralph Bavaro/NBC

When Dan + Shay were accepting their trophy, they shared, “this has been the best year of our career. We’ve been out on the road all year getting to play for and hug our fans, and we are so grateful.”

Buzzing with anticipation, the entertainment started back up with Keith Urban playing his current single “Messed Up As Me” solo. After Urban fired the place up by shredding the guitar and showing off his vocals, Carly Pearce appeared to present The Crossover Song of 2024.

The award went to “Lonely Road” by MGK and Jelly Roll. Since Jelly Roll is currently out on his “Beautifully Broken Tour,” MGK accepted the award for both of them. “Thank you to the John Denver estate for trusting us with this one. I love you Jelly!”

Shaboozey accepts the award for New Artist 2024 during the 2024 People’s Choice Country Awards. Photo: Katherine Bomboy/NBC

With no signs of the show slowing down anytime soon, it was time for one of the night’s highest honor. Parker McCollum began the presentation of the Country Icon Award to superstar Miranda Lambert. McCollum pointed out Lambert’s incredible talent, longevity and influence in the genre, as well as her big heart off stage. After a video montage of Lambert’s career from the beginning to now, the icon took the stage to perform “Kerosene” and “Dammit Randy,” and proved exactly why she deserved the crown.

“It’s been a lot of years, tears, beers and Tito’s,” Lambert shared. “I feel like I’ve been able to make so many great memories in my life and career because of the fans. Y’all keep creating all these years, 20 years later.”

Dasha accepts The Female Song of 2024 award on stage during the 2024 People’s Choice Country Awards. Photo: Ralph Bavaro/NBC

Keeping the female power going, Kelsea Ballerini took the stage to perform her newest song “Two Things” in a “field” of sunflowers, eventually having the set switch mid-song to a city back drop. The night’s host then handed out the trophy for The Female Song of 2024, which was presented to Dasha‘s “Austin (Boots Stop Workin’).”

“Country music has just opened its arms to me. Thank you for that,” she noted in her speech. The War And Treaty were welcomed to the stage after and brought the Grand Ole Opry crowd to church with “Can I Get An Amen,” featuring a whole choir. The duo received a rowdy standing ovation after their powerhouse performance.

Bailey Zimmerman began the night’s celebration for Kane Brown, who was chosen as this year’s Country Champion Award recipient. Zimmerman noted that Brown “gives back not for headlines or pats on the back [but because he’s] always there doing the right thing.”

MGK performs onstage during the 2024 People’s Choice Country Awards at Grand Ole Opry House. Photo: Katherine Bomboy/NBC

While accepting the honor, Brown stated, “I just want to say for any kid that’s watching, anybody that has a dream, anybody that wants to give back…there’s a lot of people that need your help. Don’t listen to people that tell you no when you’re trying to do something.”

With two guitars in hand, it was time for Brad Paisley to debut his brand new song, “Truck Still Works” with a mashup of 2005 hit “Mud On The Tires.” Paisley spent the first half of the performance with his acoustic guitar and then spent the rest of the time showing off his skills on the electric.

Keeping the performances going, McCollum then took the stage again to play his current single “What Kinda Man,” where he stood in the coveted Opry circle for the classic country sounding song. Shaboozey and Dasha then came out onto the stage to present the final award of the night, The Group/Duo Song of 2024.

Pictured: (L-R) Geoff Sprung, Trevor Rosen, Matthew Ramsey and Brad Tursi of Old Dominion accept The Group/Duo Song of 2024 award onstage during the 2024 People’s Choice Country Awards. Photo: Katherine Bomboy/NBC

Old Dominion took home the last televised trophy for “Different About You” off their Memory Lane project. The group thanked the fans for voting for a deep cut on their album.

With the night winding down and fans still buzzing from anticipation inside the Opry, the stage was prepared for MGK’s performance. Set to look like a two lane country road, MGK stood in the center and went into Denver’s “Take Me Home” before transitioning into his now-award-winning collaboration “Lonely Road.” After the stunning performance, he ran over to Twain and the two closed the night off together.

Dan + Shay react to winning the Group/Duo of 2024 award during the 2024 People’s Choice Country Awards. Photo: Ralph Bavaro/NBC

Kelsea Ballerini performs on stage during the 2024 People’s Choice Country Awards. Photo: Ralph Bavaro/NBC

Keith Urban performs on stage during the 2024 People’s Choice Country Award. Photo: Mickey Bernal/NBC

Jelly Roll Tops The MusicRow Radio Chart

Jelly Roll rises to the No. 1 spot on the MusicRow CountryBreakout Radio Chart this week with “I Am Not Okay.”

The track comes off of his upcoming album Beautifully Broken, releasing on Oct. 11, and was written by Ashley Gorley, Casey Brown, Jason Deford and Taylor Phillips.

Jelly Roll is on the road on his “Beautifully Broken Tour” with upcoming stops in cities such as Boston, New York, Philadelphia and Chicago.

“I Am Not Okay” currently sits at No. 10 on the Billboard Country Airplay chart and No. 7 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.