Willie Nelson, Sheryl Crow Among Rock & Roll Hall Of Fame 2023 Inductees

Willie Nelson & Sheryl Crow

Willie Nelson and Sheryl Crow are among the 2023 inductees who will join the Rock & Roll Hall of Fame later this year. They will be minted at the 38th annual Rock & Roll Hall of Fame Induction Ceremony on Friday, Nov. 3 at Barclays Center in Brooklyn, New York.

Nelson and Crow are joined by Kate Bush, Missy Elliott, George Michael, Rage Against the Machine and The Spinners in the Performer Category. DJ Kool Herc and Link Wray will received the Musical Influence Award, and Chaka Khan, Al Kooper and Bernie Taupin will be honored with the Musical Excellence Award. Don Cornelius will take home the Ahmet Ertegun Award.

The inductees were announced via Apple Music 1 livestream during a one-hour special with hosts Ebro Darden, Rebecca Judd, Matt Wilkinson, Brooke Reese and Kelleigh Bannen, with special guests Crow and Taupin.

“This year’s incredible group of inductees reflects the diverse artists and sounds that define rock & roll,” says John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation. “We are honored that this November’s Induction Ceremony in New York will coincide with two milestones in music culture; the 90th birthday of Willie Nelson and the 50th Anniversary of the birth of hip-hop.”

To be considered for induction into the Rock & Roll Hall of Fame, artists are required to have released their first record 25 years prior to induction. Four of seven inductees in the performer category were on the ballot for the first time, including Nelson, Crow, Elliott and Michael.

With over 60 years in the music business, Nelson—songwriter, performer, anti-establishment outlaw, political activist and philanthropist—is an American institution. Nelson may call country music his home, but he has always pushed stylistic boundaries—mixing in rock & roll, jazz, pop and blues.

Nelson’s first success came writing hits for country’s biggest stars, including Patsy Cline (“Crazy”) and Ray Price (“Night Life”) and songs that have become standards (“Funny How Time Slips Away”). In 1962, Nelson released the first of a staggering 73 solo studio albums. But he chafed at working within Nashville’s confines, and in 1972 he returned home to Texas to make music on his own terms. Connecting with Austin’s counterculture, Nelson recorded for Atlantic, combining country with rock and blues. Songs like the autobiographical “Me and Paul” (1971) groove and swing with blues licks, while pedal steel and piano soar in the foreground. Nelson and co-conspirators Waylon Jennings, Jessi Colter and Tompall Glaser ushered in the outlaw country movement, with their Wanted! The Outlaws becoming the first country album to go Platinum.

By 1975, Nelson was a superstar. His concept album Red Headed Stranger (1975) delivered his first No. 1 hit, “Blue Eyes Crying in the Rain.” In true outlaw fashion, Nelson released a gospel album, Troublemaker (1976), and an album of pop standards (produced by Booker T), Stardust (1978); both went to No. 1. While continuing to create a songwriter’s dream catalog, Nelson also formed supergroup the Highwaymen with Jennings, Johnny Cash and Kris Kristofferson. He has collaborated with artists as diverse as Crow, Ray Charles, Julio Iglesias, Paul Simon, Bob Dylan, Wynton Marsalis and Snoop Dogg.

Nelson’s work has influenced generations of musicians, from Neil Young to John Mellencamp to Kacey Musgraves, and his personal actions have supported the welfare of millions of Americans. In 1985, Nelson cofounded Farm Aid to assist family farmers. He is Co-Chair of NORML, which supports marijuana legalization, and advocates for numerous causes including animal welfare and LGBTQIA+ rights.

Crow’s voice is forever woven into the tapestry of American music. Through her powerhouse solo performances, collaborations with industry icons and early session musician work, Crow’s influence reverberates through classic 1990s rock, pop, country, folk, blues and the work of countless singer-songwriters.

Crow got her big break singing backup for Michael Jackson’s “Bad World Tour” in 1987. From there, she became a session musician, providing backing vocals for Stevie Wonder, Belinda Carlisle, and Don Henley—while simultaneously writing songs for Celine Dion, Tina Turner and Wynonna Judd. Signed to A&M as a solo artist, Crow released her 1993 debut album Tuesday Night Music Club—a revered classic that resulted in three of her nine Grammys, including Best Female Rock Vocal and Record of the Year for “All I Wanna Do.” Crow produced and played several of the instruments on her 1996 self-titled sophomore album, which was another commercial hit and won two additional Grammys. Her success continued into the 2000s with Platinum albums C’mon, C’mon (2002) and Wildflower (2005) and Gold-certified Detours (2008).

Throughout her career, Crow has collaborated with some of the biggest names in rock and country music—Keith Richards, Prince, Johnny Cash and Loretta Lynn to name a few—drawing a who’s-who of artists to work on her self-identified final album, 2019’s Threads. The supergroup-level collaborations Crow created between veteran and younger artists culminate in an album that encapsulates her spiritual, political and musical worldviews. Threads includes the socially conscious “Story of Everything” featuring Chuck D, Andra Day and Gary Clark, Jr. as well as the rootsy “Prove You Wrong” with Stevie Nicks and Maren Morris, and Eric Clapton, Sting and Brandi Carlile covering George Harrison’s devotional “Beware of Darkness.”

The vast catalog of this soulful rock superstar earns Crow the title given to her by country singer-songwriter Chris Stapleton: “One of the best that we’ve ever had… and may ever have.”

Sara Knabe Joins Big Loud As SVP Of A&R

Sara Knabe. Photo: Brayln Kelly

Big Loud has hired Sara Knabe as SVP of A&R. Effective immediately, Knabe will work in tandem with both the Big Loud Records and Big Loud Publishing A&R teams, leading across.

“This is one of the most exciting announcements we’ve gotten to make in a while,” says Big Loud CEO/Partner, Seth England. “Sara was the first person I meaningfully met in Nashville; I got my first internship with her, and she helped me meet [Big Loud Partner] Craig [Wiseman]. We’ve been working with Sara in a freelance capacity for a while now, and have been continuously impressed by her professionalism, her collaborative approach, and her ear for finding outstanding talent. I’m not sure there is any one A&R person in Nashville who has brought me and Joey [Moi] more songs over the years. It is fitting and overdue that she joins our team.”

“When Seth reached out to me about this role the answer was a Big Loud YES,” Knabe shares. “The remarkable history of Big Loud speaks for itself. Joining their cutting-edge creative team and working alongside a roster of this magnitude, in both the Records and Publishing divisions, is a dream scenario.”

Knabe joins the Big Loud staff after spending just under a year founding and cultivating her own Cake Maker Music, a music publishing, artist development and A&R consulting company. Prior to founding Cake Maker Music, Knabe spent several years as VP of A&R at BBR Music Group and VP of Creative at BMG Music Publishing. The Belmont graduate’s prior stops include Bug Music, Windswept Holdings, LLC and Harlan Howard Songs.

Reach Knabe at saraknabe@bigloud.com.

‘Shucked’ Earns Multiple Tony Nominations

Shane McAnally, Brandy Clark. Photo: Emilio Madrid

Shucked, the musical written by Brandy Clark and Shane McAnally and produced by Sandbox Entertainment’s Jason Owen alongside Broadway producer Mike Bosner, has earned nine Tony nominations.

The production is nominated for Best Musical, Best Book of a Musical and Best Original Score (Music And/Or Lyrics) Written For The Theatre at the 2023 awards, which will take place June 11, 2023 from the United Palace in Washington Heights, in New York City.

Additionally, Shucked actors Kevin Cahoon and Alex Newell are nominated for Best Performance By An Actor In A Featured Role In A Musical.

Shucked‘s Jack O’Brien is nominated for Best Direction Of A Musical, Scott Pask is nominated for Best Scenic Design Of A Musical and John Shivers is nominated for Best Sound Design Of A Musical. Finally, Jason Howland is nominated for Best Orchestrations for his work on the renowned show.

Shucked is a tale from the heart of the heartlands helmed by prior Tony winners, and features a book written by Robert Horn and direction by O’Brien.

Luke Combs’ ‘Fast Car’ Puts Tracy Chapman In Top 10 On MusicRow Top Songwriter Chart

Tracy Chapman, Luke Combs

Tracy Chapman enters the top 10 on the MusicRow Top Songwriter Chart this week, as Luke Combs‘ cover of her “Fast Car” continues to climb the country charts. As the sole writer on “Fast Car,” Chapman receives all of the points earned from airplay, digital download track sales and streams on the Songwriter Chart.

Combs finds himself at No. 18 this week, with songwriter credit on three of his charting songs, including “5 Leaf Clover,” “Growin’ Up and Gettin’ Old” and “Love You Anyway.”

Morgan Wallen remains at No. 1 on the MusicRow Top Songwriter Chart for the 11th consecutive week. Ashley Gorley (No. 2), Ryan Vojtesak (No. 3), Zach Bryan (No. 4) and John Byron (No. 5) complete the top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

2023 CMA Awards Ballot Schedule Announced

The Country Music Association has laid out the ballot schedule for the 57th annual CMA Awards, taking place this November in Nashville.

The eligibility period for this year’s CMA Awards runs from July 1, 2022 to June 30, 2023.

All voting for the CMA Awards will be conducted online. CMA members will receive the nomination ballot and submission instructions on Wednesday, July 5. Voting for the nomination ballot closes Friday, July 14 at 6 p.m. CT.

CMA members will receive the second ballot on Wednesday, Aug. 2. Voting for the second ballot will close Wednesday, Aug. 16 at 6 p.m. CT. The final nominees in each of the 12 categories will be announced later this summer.

CMA members will determine the winners of the 57th CMA Awards in the third and final ballot, which will be sent out on Monday, Oct. 2. Voting for the CMA Awards Final Ballot ends Friday, Oct. 27 at 6 p.m. CT.

In order to vote in all three rounds, prospective CMA members must apply for membership by Thursday, June 1.

For 2023, any radio station or broadcast personality may submit an application for the 2023 CMA Broadcast Awards for Broadcast Personality, Station and National Broadcast Personality of the Year online at broadcast.CMAawards.com. Applicants are no longer required to be CMA members in order to submit for the CMA Broadcast Awards.

All CMA Broadcast Awards entries must reflect performances and events between June 1, 2022 and May 31, 2023. The winners for the broadcast portion of the awards will be notified in early October and recognized at CMA Awards ceremony. For more information about CMA Broadcast Awards entries, contact Brenden Oliver, CMA Senior Manager, Awards & Strategic Initiatives, at BOliver@CMAworld.com.

Additionally, CMA’s Industry Honors nomination period remains open through Sunday, July 9. CMA members are encouraged to nominate here.

Mark Your Calendar—May 2023

Single/Track Release Dates:

Photo: Claire Schaper

May 1 
Cynthia Renee/Working On A Hangover/SSM Nashville
Pat Boone feat. Ray Stevens, The Gatlin Brothers, Lorrie Morgan, Deborah Allen and Dean Miller/Grits/The Gold Label

May 5
Kimberly Perry/If I Die Young Pt. 2/Records Nashville/Columbia Records
Stephan Hogan/You Or The West Coast/Mavericks Records

May 8 
Chase Rice/Bad Day To Be A Cold Beer/Dack Janiels/Broken Bow Records
MaRynn Taylor/Make You Mine/Black River Records

May 12
Mike Kuster/Frog Eye Mud Bog

May 15 
Ken Domash/If I Was A Beer/Thunder Mountain Records

May 22
Joe Hermes/Used To Be Me/OTM Productions

May 26
Megan Barker/Cowboys

May 30
Robby Johnson/June in July/Nashville Record Company

 

 

Album/EP Release Dates:

Photo: David McClister

May 5
Justin Moore
/Stray Dog/The Valory Music Co. 
Megan Moroney/Lucky/Sony Music Nashville/Columbia Records
Rodney Crowell/The Chicago Sessions/New West Records
Meghan Patrick/Greatest Show On Dirt/Riser House Records

May 12
Parker McCollum
/Never Enough/MCA Nashville
Bailey Zimmerman/Religiously. The Album./Warner Music Nashville/Elektra
Lauren Daigle/Lauren Daigle/Atlantic Records/Centricity Music
George Birge/George Birge: Mind On You/Records Nashville
Tracy Lawrence/Live at Billy Bob’s Texas
Jeff Carson/448/Encore Music Group

May 19
Marty Stuart
/Altitude/Snakefarm
Josh Turner/Long Black Train Vinyl Release/MCA Nashville
Brandy Clark/Brandy Clark/Warner Records
Jordyn Shellhart/Primrose/Warner Music Nashville
Ella Langley/Excuse The Mess/Columbia Records/Sony Music Nashville
Chapel Hart/Glory Days 
Colt Ford/Must Be The Country/Average Joes Entertainment
The Milk Carton Kids/I Only See The Moon/Far Cry Records/Thirty Tigers

 

 

Industry Events:

May 11
ACM Awards

May 15 – 18
Music Biz Conference

Jon Pardi Invited To Become Member Of The Grand Ole Opry

Jon Pardi performs at Stagecoach. Photo: Alexa Campbell

During his performance at Stagecoach Friday night (April 28) in Indo, California, Jon Pardi was invited to become the newest member of the Grand Ole Opry.

Pictured (L-R): Grand Ole Opry’s Dan Rogers, Jon Pardi, Guy Fieri. Photo: Jody Domingue

While on stage, Pardi was surprised when his friend and Emmy-winning famed restaurateur Guy Fieri directed him and the attention of his thousands of fans to a video where Opry member and Country Music Hall of Famer Alan Jackson appeared officially inviting the California native to became a member.

“That mic stand represents the future of country music as well as its incredible history,” Dan Rogers, Opry Executive Producer, told the crowd after he sat the Opry mic stand down in front of a surprised Pardi. “This night will go down in history, too, both because Jon is the first artist invited to join the Opry on this stage and because he’s the first native Californian to get that call. What a great night!”

“I moved to Nashville chasing a dream at 22 years old and now I’m here. I love you guys and I love country music. Thank you, everybody. This is an amazing night. I’ll never forget it,” said an emotional Pardi from stage before later in the night noting, “I always wondered how this might happen if it was going to. I never imagined anything this great. That was incredible.”

“There is no better representation of Northern California than you, man,” said Fieri backstage after the moment.

Pictured: Grand Ole Opry member and Country Music Hall of Famer Alan Jackson invites Jon Pardi to become the newest member of the Opry.

Rogers added backstage, “For nearly a decade now, Jon Pardi has been adding something great to the show every single time he plays the Opry. For me personally, I’ll never forget the big sounds he brought to the Opry stage during the pandemic and the way he connected with audiences around the world via our livestream even when he was playing to an empty Opry House. I have no doubt there are good times ahead for all of us with Jon as a future Opry member.”

The news of Pardi’s invitation comes on the heels of his third consecutive ACM Album of the Year nomination for Mr. Saturday Night, both as the artist and producer of the project.

When he is inducted, Pardi will become the first native Californian to become a member of the Grand Ole Opry. An official induction date will be announced soon.

Diplo Doubles Down With Second Country Collection, Calls For More Nashville Collaborators [Interview]

Diplo. Photo: Aidan Cullen

When Diplo, or Thomas Wesley Pentz, released his first collection of collaborations with country artists—dubbed Diplo Presents Thomas Wesley, Chapter 1: Snake Oil—heads in Nashville turned.

The mega-hit DJ/producer behind the multi-Platinum hits “Where Are U Now” (with Skrillex and Justin Bieber), “Close To Me” (with Ellie Goulding and Swae Lee) and many others had dug into the country community, creating songs with Thomas Rhett, Zac Brown, Cam, Orville Peck and more, puzzling some on Music Row.

No one was prepared for Diplo’s collaboration with a then-rising new artist, Morgan Wallen, to became the six-time-Platinum smash hit “Heartless.” The trappy, dance-pop beat of the track mixed with the grit and ache of Wallen’s voice was a perfect mix, driving “Heartless” to become one of the biggest songs of 2019 and 2020.

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Now, Diplo is back at it again, scratching his itch to create refreshing country sounds. His newest project, Diplo Presents Thomas Wesley: Chapter 2 — Swamp Savant is out today (April 28) via Columbia, featuring collaborations with Sturgill Simpson, Dove Cameron, Morgan Wade, Parker McCollum, Sierra Ferrell, Paul Cauthen and more.

While it is quite unique for a pop music headliner to take such an interest in Nashville, it makes sense for Diplo, as he spent a lot of formative years in the Middle Tennessee area. He even graduated from Hendersonville High School in Hendersonville, Tennessee.

“I delivered Chinese food to Reba McEntire‘s house in high school,” Diplo tells MusicRow. “I was always a country fan. I loved country and hip-hop growing up. Some of my favorite artists were Alan Jackson and Wu-Tang Clan. That’s kind of normal if you live in the South and [are] exposed to both things.”

Diplo

After spending time near Nashville, Diplo moved out to the swamplands of Florida, where his dad lived. “We had both worlds [in Florida]. We had a really big hip-hop scene and a lot of people just loved country. My dad would drive me every day to the Indian reservation and buy cigarettes—we would listen to country records.”

As he got older, Diplo dug in to Americana music as well as classic country and rock. His attention turned to modern country music, as the genre has grown over the last few years, and discovered different sub-genres such as Texas country, Americana/folk country and straight-ahead Nashville country.

“I’ve learned about modern country in the last five years out of necessity, because it was getting bigger. I was meeting some of these artists who were asking to work with me. I was learning about them and I thought it was exciting.”

Diplo’s first Thomas Wesley Presents project got him in the room with Nashville songwriters for the first time, which he says was a welcomed new method of making music.

“[When I first started writing that album], I was like, ‘Damn, these country songwriters are really good.’ They’re really fast. They have great voices. They don’t take any bullshit and they’re diplomatic in the studio—they have their opinion but they listen to you,” he says. “It was just a different way [of writing] than I’m used to. I’m used to either having to fully control the session and do everything myself, or [having to navigate] when an artist has such an ego that it’s hard to get anything great.

“The country guys, they really have respect for me and I have a mutual respect for each of them. There’s a level of trust too, because they’re really going out on limb.”

He shares that even though plenty of country artists are interested in working with him, they and their teams get nervous about what a collaboration with a pop-hitmaker could look like in their catalogs.

“That was something I had to navigate. It was hard to find the guys who would give me a chance. Thomas Rhett and Young Thug is something I never thought I would ever see, and I think that was my favorite record from the [first] project,” Diplo says, adding that he also looked to rising stars and those on the periphery of country music who could take a bigger risk and be on a track with him.

“We had people who were on the periphery of country because they were giving me a chance and we were doing something different, pushing the boundaries,” he says. “For this next one, I just leaned into the genres I loved and the songs that I thought would really tie together as a strong set of songs that push country in different directions.”

Earlier in the year, Diplo released a taste of the Thomas Wesley Presents project’s second portion when he dropped “Wasted” with Kodak Black and Koe Wetzel. The track combines Wetzel’s country grunge sound with Black’s signature flows, culminating to Diplo’s vision of artists that work perfectly together who wouldn’t normally collaborate.

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“With Koe, we made a heavy rock record with a country attitude with Kodak Black. It was very confusing for people, but a lot of people like Kodak and Koe. They have a similar fan base, but you wouldn’t think about it that way.”

On another track, Diplo captures the glitz of Urban Cowboy. He enlisted Sturgill Simpson, Dove Cameron and Johnny Blue Skies for the track “Use Me (Brutal Hearts).”

“Something I was really inspired by was the Urban Cowboy movie, with the nightclubs and the idea of dancing to disco and country music, which really had this little affair in the ’70s. That’s where ‘Use Me’ came from. I really wanted to do something that felt like country and disco,” Diplo says. “I really felt like Sturgill could do it because he’s such a huge Bee Gees and Tom Jones fan.”

As for the next chapter, Diplo is still itching to make more creative country sounds with other Music City hitmakers.

“I’d love to do more. I’d love to get more artists on with me. I want other artists to say, ‘This guy is successful and he’s doing it in our world, too.’ I think I proved that with ‘Heartless,'” he shares. “We’re not getting country radio [on board yet] and we’re not getting on pop radio, but we really crushed on streaming. We really do a good job with some SiriusXM stations like The Highway, who really don’t have the rules that Nashville has. We just find where we can get in and then we push it that way.”

When asked if there’s someone specific he’d like to collaborate with, Diplo says definitely Luke Combs.

“I love Luke Combs. He’s so awesome and I think there’ll be something that we could find that could be a mix for both of us and would make sense,” he says. “Doing a collaboration is not a dirty word. It’s not so crazy. I think guys take it way too serious in Nashville, but what’s the worst that could happen? You have a weird song? The greatest records come to those people who take chances. So anybody who’s willing to take a chance with me, let me know. I just love that Nashville has so many great voices.”

Diplo will take over Nashville’s Wildhorse Saloon for a special Thomas Wesley show on May 10. Tickets are available here.

Megan Moroney Earns First MusicRow No. 1

Megan Moroney tops the MusicRow CountryBreakout Radio Chart this week with her debut smash single, “Tennessee Orange.”

Co-written with with Ben Williams, David Fanning and Paul Jenkins, the track helped propel Moroney to stardom. It appears on her Sony Music Nashville/Columbia Records debut album Lucky, out next Friday (May 5).

Moroney recently brought her “Pistol Made Of Roses Tour” to a sold-out crowd at Exit/In in Nashville. She is also celebrating her first ACM nomination for New Female Artist of the Year after taking home Breakthrough Female Video of the Year at the CMT Music Awards earlier this year for “Tennessee Orange.”

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Colbie Caillat Releases ‘Dreamy’ New Single

As we head into springtime, Music City’s country artists have a breezy soundtrack for us.

Topping the playlist in this edition of DisClaimer is Colbie Caillat. She came to pop fame with “Bubbly” back in 2007, and during the successive decade issued a string of hit “alternative A/C” tracks (”Fallin’ for You,” “I Do,” “Realize,” “Try,” etc.). In 2018, she turned toward country with her group Gone West. Now she has this week’s country Disc of the Day.

Caillat was not without challengers. I was particularly smitten with the new tracks by Melonie Cannon, Cattie Offerman, Brandy Clark and Danielle Bradbery. K. Michelle also sounds promising.

I have been grooving on Jamie Floyd’s sounds for several seasons. Years ago, she was a cool pop-rocker. Today, she wins a DisCovery Award for being a new country artist.

BREI CARTER / “Straight Up Country Crazy”
Writers: Brei Carter/Ken Matthiesen/Blaine Younger/Rachel Seiler; Producer: Curt Ryle; Label: Brown Lee Entertainment/Orchard
– What are you waiting for? Get up on your feet; Carter is summoning you to the dance floor. The “gang” chorus and pounding rhythm let you know she’s aiming for an anthem here.

CATIE OFFERMAN / “I Just Killed a Man”
Writers: Catie Offerman/Ryan Beaver/Joe Clemmons/Jessie Jo Dillon/Benjy Davis; Producer: Dann Huff; Label: MCA Nashville
– Offerman aches with guilt on this stately ballad. She’s dumped the guy she doesn’t love anymore, and now she has his heartbreak on her hands. Very cool and very different.

COLBIE CAILLAT / “Worth It”
Writers: Colbie Caillat/Liz Rose/AJ Pruis; Producer: Jamie Kenney; Label: Blue Jean Baby Records
– Pop star Caillat has always had country tendencies. On this power ballad, she realizes the relationship is kaput, but doesn’t regret a thing. “I know it wasn’t perfect, but loving you was worth it,” she sings in the hooky refrain. The echoey production atmosphere gives the whole thing a dreamy quality.

ELLA LANGLEY & KOE WETZEL / “That’s Why We Fight”
Writers: David Garcia/Brett Tyler/Ella Langley/Joybeth Taylor; Producer: Will Bundy; Label: Columbia Records/Sony Music Nashville
– It sounds like ‘70s rock, and it is over produced.

TENILLE TOWNES / “Landslide”
Writer: Stevie Nicks; Producers: Tenille Townes/Jaxon Hargrove; Label: Sony
– Canadian superstar Townes (she’s the reigning Country Entertainer of the Year there) is issuing a stripped-down, acoustic, live set of tunes. The Train Track Worktapes is an EP consisting mainly of originals, but she also does a cool, folkie version of this Stevie Nicks classic. I’m a huge fan of both of those ladies.

BRANDY CLARK / “She Smoked in the House”
Writer: Brandy Clark; Producer: Brandi Carlile; Label: Warner Records
– How great is it that one of our own has a musical on Broadway? Two of our own, actually, since Brandy and Shane McAnally are the co-writers of the songs in Shucked. Anyhow, Brandy also continues her winning ways as an artist. Ahead of her third album, she has issued “Buried” as a single and this lively character portrait as an advance track. The production ripples around her as she unspools the delightful details of her grandma’s personality. No one, but no one, writes a song like Brandy Clark.

JAMIE FLOYD / “I Never Want to See You Again”
Writers: Jamie Floyd/Jimmy Thow/Madi Diaz; Producers: Jamie Floyd /Jimmy Thow; Label: JF
– Floyd is a veteran Nashville songwriter who has penned tunes for Kelly Clarkson, Kesha, Ingrid Andress, Brian Wilson, Sturgill Simpson, Ronnie Dunn, Ashley Monroe, Miranda Lambert, Cassadee Pope, Ty Herndon and more. This bopping, danceable ditty is ear candy on several levels. The melody is enchanting. The production shines like crystal beads. Her soprano-leaping vocal is a delight. The songwriting is stellar: “I never want to see you again, until I see you again,” she warbles as she contemplates an up-and-down relationship while notes sparkle like glitter around her. A lovely record.

MELONIE CANNON / “Way Down Deep”
Writers: Max D. Barnes/Max T. Barnes; Producers: Buddy Cannon/Butch Carr; Label: MC
– Those breathtaking harmony vocalists surrounding Cannon belong to those hillbilly angels, Doyle Lawson and Jamey Johnson. If that isn’t enough to make you listen, dig this: It’s part of a tribute album to the late, great Vern Gosdin. Stop what you’re doing and cleanse your country-loving soul with a listen to this mini masterpiece. The album also includes contributions from Alison Krauss, Willie Nelson, Vince Gill, Cody Jinks, Jim Lauderdale, Sidney Cox and more. Sign me up for a copy.

ROBYN OTTOLINI / “Match for My Memory”
Writers: Robyn Ottolini/Emily Reid; Producers: Mark Schroor/Erik Fintelman; Label: Empire
– Ottolini issues a new collection tomorrow that she’ll be promoting on the road with Shania Twain this summer. Its advance track is a passionate, throbbing vocal performance that soars on the choruses, and is just as potent on the verses, thanks to a pulsing rhythmic undertow. She’s cautioning her ex that he’ll never escape the pull of his memories of her.

DANIELLE BRADBERY / “Monster”
Writers: Danielle Bradbery/Lauren LaRue/Sam De Jong; Producer: Nathan Chapman/Derek Wells; Label: Big Machine
– We all have fears and anxieties we keep hidden. Bradbery takes hers out into the open in this moody, vulnerable song. Both the therapeutic song and the layered production are complex, which makes repeated listening all the more rewarding. A winner. And if you haven’t done so yet, go ahead and be totally charmed by her feisty single “A Special Place.”

K. MICHELLE & JUSTIN CHAMPAGNE / “Country Love Song”
Writers: Andrew P. Jackson Jr/Brooke Payne/Jeff Dyson/Justin Tyler Champagne/Kimberly Pate/Tredell Rener; Producer: none listed; Label: Justin Champagne
– He’s a hip hopper. She’s an R&B hit maker (and former cast member of VH-1’s Love & Hip Hop: Atlanta). They’re both “going country” on this outing. He is top billed, but the record really comes alive when she sings. In the “who wore it best” contest, she’s the country winner. I understand that we are to expect more to come from K. Michelle as a nouveau-country artist.

ERIN KINSEY / “Always Never”
Writers: Erin Kinsey/Sarah Buxton/Josh Kerr; Producer: Josh Kerr; Label: RECORDS Nashville
– The sound of young heartbreak: kinda innocent, kinda wounded, kinda sweet. Pretty, but not terribly memorable. For a fuller realization of what this artist is about, check out last year’s upbeat single “I Got You.”