Mark Your Calendar—July 2022

Single/Track Releases

July 1
Kylie Morgan/If He Wanted To He Would/EMI

July 5
Lady A/Summer State of Mind/BMLGR
Craig Moritz/Fun To Drink With Tailgate

July 8
Keith Urban/Brown Eyes Baby/Capitol Records Nashville
Jordan James/Truckin’ Around/AMG Records/The Orchard
Matt Jordan/Your Town

July 11
Wade Bowen/Everything Has Your Memory/Thirty Tigers
Bailey Zimmerman/Fall In Love/Warner
Jordan Fletcher/Death And Taxes/Triple Tigers
Donny Lee/Another Round Of You/Donny Lee Music
Three Days Dirty/Cowboys Never Cry

July 12
Macy Tabor/Tryin To Be Me/MC1 Nashville
Mark Blomsteel/Tennessee/MC1 Nashville
Matt Bailie/Better Believe It/MC1 Nashville

July 15
Chris Colston/Boy Like Me/AMG Records/The Orchard
Kendra Kay/Say It Again/Willing Records

July 18
Miranda Lambert/Strange/RCA
Midland feat. Jon Pardi/Longneck Way To Go/Big Machine Records
Alannah Mccready feat. Will Gitten/Can I Call/Alanna McCready
Chris Kroeze/$ (Money)/Chris Kroeze

July 19
Eric Atkinson/Shoes/MC1 Nashville

Album/EP Releases

 

July 1
Kylie Morgan/P.S./EMI

July 8
Kimberly Kelly/I’ll Tell You What’s Gonna Happen/Show Dog Nashville/Thirty Tigers

July 15
Ty Herndon/Jacob/Pivotal Records
Alana Springsteen/History of Breaking Up (Part Two)

July 22
Jack White/Entering Heaven Alive/Third Man Records
Nicolle Galyon/Firstborn/Songs & Daughters
Billy Dean/The Rest of It’s Mine/BFD/Audium Nashville
Dan Tyminski/One More Time Before You Go: A Tribute To Tony Rice

July 29
Whiskey Myers/Tornillo/Wiggy Thump Records/Thirty Tigers
Brooke Eden/Choosing You/BBR Music Group/BMG
Amanda Shires/Take It Like A Man/ATO Records
Patrick Murphy/Half The Story/Warner Music Nashville
Chris Colston/Boy Like Me/AMG Records/The Orchard

DISClaimer Single Reviews: Miranda Lambert Keeps Us Sane On Newest Single ‘Strange’

Miranda Lambert

”Summertime, and the livin’ is easy.”

With apologies to the Gershwins and Porgy & Bess, the country stars are making that sentiment a reality with a picnic of sunshine-y sounds this week.

Leading the way is Miranda Lambert, who wins the Disc of the Day honor. The column is full of “name” attractions, so no newcomer DisCovery awardee this time around.

NICOLLE GALYON / “Boy Crazy”
Writers: Nicolle Galyon/Kelsea Ballerini/Hillary Lindsey; Producers: King Henry/Jimmy Robbins; Label: Songs & Daughters
–Sharply observed lyrics, a tart/wise vocal and a stark, spare imaginative production make this a hang-on-every-line listening experience. Co-writers Ballerini and Lindsey provide harmony support. I can’t wait for Galyon’s upcoming album debut. Based on what I’ve heard, it’s going to be an Event.

KEITH URBAN / “Brown Eyes Baby”
Writers: Will Bundy/Rodney Clawson/Josh Thompson/Morgan Wallen; Producers: Dann Huff/Keith Urban; Label: Capitol Nashville
–This casts Urban as The Comforter, here to brighten your dark day with some mid-tempo sunshine. Introduced on Thursday morning’s Today show, it goes down super smoothly.

MIRANDA LAMBERT / “Strange”
Writers: Miranda Lambert/Luke Dick/Natalie Hemby; Producers: Miranda Lambert/Luke Dick/Jon Randall; Label: RCA
–It takes a little while to take off, but once it does, it’s a dandy ride. Lambert takes a look at these crazy times and suggests a few ways to liven the mood. “Do anything to keep you sane,” she sings. Amen, sister: You’re coming in loud and clear.

JOE NICHOLS / “Good Day For Living”
Writers: Bobby Hamrick/Dave Cohen/Neil Mason; Producers: Mickey Jack Cones/Derek George; Label: Quartz Hill
–The title tune of Nichols’ new album bubbles with energy. He lit up the Opry stage with it recently, and it sure sounded fresh. Upbeat, uplifting, bright, delightfully positive and just the thing to add some zip to your playlist.

MORGAN WALLEN /”You Proof”
Writers: Ashley Gorley/Ernest Keith Smith/Morgan Wallen/Ryan Vojtesak; Producers: Joey Moi/Charlie Handsome; Label: Big Loud
–All the whiskey in the bar can’t get her off his mind. The track burbles along with droplets of cool guitar notes, finger snaps and jaunty undertow rhythm. As usual, he sings with immense personality and verve.

INGRID ANDRESS / “Pain”
Writers: Ingrid Andress/Laura Veltz/Sam Ellis; Producers: Ingrid Andress/Sam Ellis; Label: Warner
–Her vocal performance is quite range-y and accomplished. The overall vibe is pop power ballad with strings and steel.

RANDY HOUSER / “Workin’ Man”
Writers: Randy Houser/Randy Montana; Producers: Randy Houser/Blake Chancey; Label: Magnolia Music Group
–The excellent “Note To Self” remains the single, but this track from his forthcoming album with that title also contains this rousing blue-collar anthem. Houser sings it with a barn-burner baritone that dips and growls in all the right places. He’s such an amazing vocalist, and this is a classic country message.

MADDIE & TAE / “Every Night Every Morning”
Writers: Maddie Font/Taylor Kerr/Jonathan Singleton/Brock Berryhill; Producers: Derek Wells/Jimmy Robbins; Label: Mercury
–Breezy, tuneful and youthful. Giddy in love, and full of sunshine. Well worth your spins.

KIP MOORE / “Fire on Wheels”
Writers: Kip Moore/Jaren Johnston; Producers: Kip Moore/Jaren Johnston; Label: MCA
–It’s a fiery rocker that journeys through the American heartland with hoarse exhortations. Scream and dance along.

JAKE HOOT / “Had It To Lose”
Writers: Jake Hoot/Matt Warren/Matt Nolan; Producer: Danny Myrick; Label: JH
–This winner of The Voice is a commanding vocal presence on this blue-collar country rocker with an Everyman message. Potent, penetrating and ultimately relatable.

My Music Row Story: The Gospel Music Association’s Jackie Patillo

Jackie Patillo

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Industry veteran Jackie Patillo has spent decades of her life working in the music business launching and advancing the careers of various Christian and gospel artists. In 2010, she became President and Executive Director of the Gospel Music Association, merging her gifts to serve and be an advocate for all gospel music makers.

Founded in 1964, the Gospel Music Association (GMA) serves as the face and voice for the gospel/Christian music community and is dedicated to exposing, promoting, and celebrating the Gospel through music of all styles. In addition to ongoing education, advocacy and networking efforts, the GMA also produces a variety of programs designed to expose music to new audiences through TV and online broadcast specials like the annual GMA Dove Awards and Because He Lives: An Easter Celebration.

MusicRow: Where did you grow up?

I grew up in Mill Valley, California. It’s a little town right outside of San Francisco, across the Golden Gate bridge.

Were you musical at all growing up?

No. I mean, I took piano lessons. My parents, God bless them, spent a lot of money and effort sending me to piano lessons. But all that classical training that teachers started us off with was not really interesting to me. And there’s something about having natural talent with an instrument that is really important. (Laughs) So as much as I love music and always have, I don’t play an instrument.

Pictured (L-R): Jeff Moseley; Jackie Patillo; Dan Dean, Randy Phillips and Shawn Craig of the group Phillips Craig and Dean in 1995.

How did you get into the music industry?

I married an artist. I married an artist who was evolving from his rock career into his Christian music career. It was our family business. We traveled the world and spent 180 dates a year doing concerts. I did everything from production, to merch, to whatever was necessary. I learned that if I could pack up our stuff at the end of the night, I could get home quicker. (Laughs) It started really small and then it just grew into a large music ministry.

How did you get to Nashville?

When I was faced with divorce. I had two young children and was asking God what was I going to do to feed them, since they still wanted to eat three times a day. (Laughs) They had every expectation that that wasn’t going to change. I really heard that still small voice that people talk about saying, “Go to Nashville. I’m going to continue to use you in Christian and gospel music.” I put out a couple of fleeces to make sure it wasn’t just the pizza I’d eaten the night before and really felt a strong conviction that that was the direction that I should move in. So in ’89, I came to Nashville.

I was knocking on doors. I was looking for work. I was trying to figure out who I was as this newly single woman in the south—in a town that was foreign to me. It just so happened that a man named Stan Moser, who had been the head of Word Records for many, many years, had moved to Nashville from Texas to help develop a little label called Star Song. I called Stan—he was familiar with my story and he knew what I was capable of because my ex-husband had been signed to the Word label. He saw me looking for work and he just told me, “Jackie, you’re an A&R person. We don’t have that job for you yet, but if you’ll come here and just do anything, I’ll get you there.” And sure enough, he did. I started as the receptionist at Star Song and eight years later when they sold the label, I was Vice President of A&R. I had quite a journey there.

What were some of your biggest victories at Star Song?

One of the thrills there at Star Song was when we signed a group called Phillips, Craig and Dean. They were the most unlikely threesome in that they each lived in a different state, but they were great songwriters and had wonderful harmonies. We signed Phillips, Craig and Dean and they turned out to be the fastest selling debut artist in the history of the label.

I was able to explore all kinds of music there because the leadership at Star Song was very innovative. I A&R-ed rap records, comedy records, and Christian pop records. We branched out into distributing gospel music. That was the birthing in me of, “I want to also do gospel.”

Pictured (L-R): Danny Gokey, Natalie Grant, Jackie Patillo

What was next for you?

I went from Star Song to the Benson Label. Jeff Moseley, who had been a VP at Star Song, moved to the Benson Label and brought me over there as part of his A&R team. There, we got to sign Natalie Grant. I signed her and did her first record. I’m very proud of Natalie and her successes. I also worked with Russ Taff there, who is a real icon within our industry.

I went from the Benson Label to Integrity, which was in Mobile, Alabama. It was the largest praise and worship label in the world. I was the general manager of what we called Integrity Gospel. It was there that I really got to fulfill some of my desires to work hands on with gospel artists. I worked with Israel Houghton, Joe Pace and Lisa McClendon. We also marketed and distributed the Sony gospel artists to the CCM stores, so I got to market Mary Mary and several of their gospel artists. It was quite an adventure, but I wasn’t really loving living in Mobile, Alabama. Because God is so creative, he moved me to New York where I became Vice President of A&R and Artist Development at Verity Records, which is the largest gospel label. I had the honor of working with artists like Fred Hammond and Kirk Franklin.

[Verity] asked if I wanted to go back to Nashville and work out of the Provident office, which was music to my years because my sons were here in Nashville. It was really a great homecoming for me. I was “right-sized,” as they say, from that label and a year later took the job as the Executive Director of the Gospel Music Association.

Pictured: Jackie Patillo on stage at the Dove Awards

When you got to GMA, what were your goals for the organization?

In 2011, when I came to GMA, it was a very challenging time in the music industry because of the expansion of the internet and the change of how music was being sold. They say when the mainstream gets a cold, us niches, we get pneumonia. So it was a very, very low time at GMA. We also had some internal, infrastructure issues, so the task at hand was to really discover what the underlining problems were and to restructure the organization. I discovered that, as a trade organization, it was essential for us to relay the foundation of the GMA as a service organization. We needed to make some new friends, and find people and organizations that were like-minded and had an affinity for the effectiveness of gospel music. It was Lipscomb University that was one of those first new friends that we made, as well as Lifeway. To this day, we’re still doing the Dove Awards 10 years later at the Allen Arena at Lipscomb.

I think what was required and what was really essential was for us to unify our industry. Gospel music is not a genre like others. We are known for our message and we serve all styles of music. We’re not known by our style, we’re known by our message. So to be the hub and the center of the wheel here at the Gospel Music Association, we have to represent multi-cultural and multi-generational artists who are all serving and offering their talents for kingdom purposes.

I love that you made that distinction: gospel music is about a message, not a genre. That is really evident at the Dove Awards, which showcases everything from traditional Southern gospel to pop and hip-hop.

The GMA represents a multi-cultural and multi-generation community which is reflected in the diversity of our programs and events. It is beautiful to experience amazing performances at the Dove Awards as artists from all genres of music come together on one stage! It is truly the biggest night in Gospel Music.

The GMA is also going to be moving to Music Row soon, correct?

Yes! The Gospel Music Association is putting our stake in the ground on Music Row, working alongside the Curb Foundation for this location. We’re excited about having a home for not only our Hall of Fame and Museum, but a tourist destination that will celebrate the history and the future of gospel music.

Pictured: Jackie Patillo with TobyMac

What is something people might not know about you?

I’m very proud that I have two sons. One of my sons, Gabriel Patillo, is in the TobyMac band and they just celebrated 20 years together. My youngest son, Marcel, is a videographer. He’s working right now with Church in The City. They’re creative guys, so it’s fun to see them walking in their calling.

What has been one of your proudest moments?

When I was inducted into the Stellar Honors Hall of Fame. That was pretty cool.

Last year was my 10th year at the GMA. At the Dove Awards, the board gave me the Dove Awards Leadership Award… And they named it after me. So now, the Dove Leadership Award will be given, from here on out, in my name. I was stunned. The first thing I could think of when it was happening was, where are my sons? Knowing all the hard work and knowing the challenges of being a single mom… It was really a very amazing moment.

I am also so proud of the Gospel Music Association team. We are a small team, but we are a team that is passionate and dedicated to the mission, so we have seen lots and lots of great things unfold before us as a result.

If you could change anything about your path to where you are now, would you change anything?

I wouldn’t change anything about the path. I wish that maybe I would have enjoyed more of it rather than always felt like I was on a hot tin roof. (Laughs) When I look back, I’m grateful for the path. The path has been very fulfilling and it’s been full of great moments, but when you’re always looking to the next mountain, sometimes you miss out on the victories that you’re conquering at that moment.

Garth Brooks To Receive NSAI’s Kris Kristofferson Lifetime Achievement Award

Garth Brooks. Photo: Joseph Llanes

Garth Brooks will be honored as the next recipient of NSAI’s Kris Kristofferson Lifetime Achievement Award at the 5th annual Nashville Songwriter Awards presented by City National Bank. The awards are scheduled for Sept. 20 at the Ryman Auditorium. Ticket on-sale information will be released at a later date.

The Kris Kristofferson Lifetime Achievement Award is given to an individual whose works have made a significant contribution to the American songbook and has inspired the careers of others. It has only been given to three other individuals since its inception: Loretta Lynn (2019), Bill Anderson (2018) and Willie Nelson (2013). The honorees are chosen personally by Kristofferson, and is the greatest honor within NSAI’s organizational awards.

“It’s pretty damn embarrassing to give a man of Garth’s stature an award with my name on it,” Kristofferson notes. “When Willie got one he said he could take care of that. Congratulations Garth, I am truly humbled and honored that you have accepted this! You belong on Mount Rushmore. See you there.”

“When they name awards after artists, that award takes on an even greater meaning. Kristofferson is known as the songwriter’s songwriter… and he should be,” Brooks explains. “The honor is the name on the award and the names who have received it. My hope is that through time, the Garth Brooks name is worthy of such an honor. This is going to be a cool night.”

The annual Nashville Songwriter Awards is a celebration of songs and songwriters. Many of the recipients determined by a community of peer professional writers honoring their most-admired songs from the past year to determine the Song of the Year and the 10 Songs I Wish I’d Written awards.

The evening is filled with performances of honored guests and songs, and is a celebration of the adoration shared between all for the art of songwriting.

Nominees Announced For 2022 Nashville Songwriters Hall Of Fame Induction

The 2022 nominees for the Nashville Songwriters Hall of Fame (NaSHOF) have been announced. Of the 12 nominees, three will be inducted at the 52nd Anniversary Nashville Songwriters Hall of Fame Gala on Sunday, October 30, 2022, at the Music City Center.

“We congratulate all of this year’s nominees in our contemporary categories and look forward to early August, when we will announce those who will be inducted as members of our Class of 2022,” says NaSHOF Executive Director Mark Ford.

The 2022 nominees in the Contemporary Songwriters category are Larry Cordle, Jim Lauderdale, Hillary Lindsey, Frank J. Myers, Gary Nicholson, Ronnie Rogers, Tia Sillers, and Tommy Sims. The 2022 nominees in the Contemporary Songwriter/Artists category are Kirk Franklin, Brad Paisley, Pam Tillis and Shania Twain.

All nominees experienced their first significant songs at least 20 years ago. A total of two songwriters and one songwriter/artist will be elected from the contemporary categories by members of the Hall of Fame along with other professional songwriters and artists from a variety of genres who are prominently identified with Nashville and who have written/co-written at least one original and significant Nashville song.

In addition, two more will be named to the Class of 2022. A separate body of veteran voters will elect a Veteran Songwriter and a Veteran Songwriter/Artist, both of whom experienced their first significant songs at least 30 years ago. As part of that process, nominees in those categories are not announced.

For biographical information on the 2022 nominees, see below:

Category 1 – CONTEMPORARY SONGWRITERS

LARRY CORDLE
Larry Cordle was raised in eastern Kentucky, where he began playing guitar and writing songs at a young age. His first two hits came from childhood friend Ricky Skaggs – #1 Country in 1983 with “Highway 40 Blues” and #1 Bluegrass in 1984 with “Two Highways” (also #1 Bluegrass for Alison Krauss in 1990). In the Country world, Larry is known for “Heartbreak Hurricane” by Skaggs, “Honky Tonk Crowd” by John Anderson and “Mama Don’t Forget To Pray For Me” by Diamond Rio. Before George Strait & Alan Jackson hit with “Murder On Music Row” – which was the 2001 CMA Song of the Year – Larry’s original recording with his band, Lonesome Standard Time (LST), was the 2000 IBMA Song of the Year and the 2001 SPBGMA Song of the Year. In the Bluegrass world, Larry & LST have had 24 Top 10 hits with his songs. In addition to “Anything Southbound” and “Black Diamond Strings,” LST’s “Lonesome Standard Time” was the 1993 IBMA Song of the Year, (and also a Country hit for Kathy Mattea). “If I’d Have Wrote That Song” by Joe Mullins & The Radio Ramblers, was named the 2018 IBMA Song of the Year. Larry was named the 2001, 2019 and 2020 SPBGMA Songwriter of the Year. In 2015, he was inducted into the Kentucky Music Hall of Fame.

JIM LAUDERDALE
Born in Troutman, NC, Jim Lauderdale grew up in Due West, SC, where as a teenager he learned to play drums, harmonica and banjo. After college graduation in 1979, Jim made his way to Nashville for a few months before moving on to New York. By the late 1980s, Jim had joined the national touring production of Pump Boys & Dinettes and relocated to Los Angeles, where he began to find traction musically as a writer and performer. In the mid-1990s, Jim found his way back to Nashville, where he soon hit with “Gonna Get A Life” by Mark Chesnutt, “Halfway Down” by Patty Loveless and “When Did You Stop Loving Me” by George Strait, who also had hits with Jim’s “We Really Shouldn’t Be Doing This,” “What Do You Say To That” and “I Gotta Get To You.” A recording artist himself with 30 albums, Jim also has numerous Bluegrass hits, including “Mighty Lonesome” and “One Blue Mule.” His collaborations with Ralph Stanley & The Clinch Mountain Boys have yielded the Top 10 “I Feel Like Singing Today” and “She’s Looking At Me,” the 2002 AMA Song of the Year. In recognition of his particular and significant influence on the Americana format, Jim was honored with the AMA’s Lifetime Achievement Award in 2016.

HILLARY LINDSEY
Born in Washington, GA, Hillary Lindsey moved to Nashville in 1994 to attend Belmont University. During her senior year she signed her first publishing deal. In 2002 she celebrated her first #1 hit – “Blessed” by Martina McBride. In 2005 Hillary scored Carrie Underwood’s first single from her first album – “Jesus Take The Wheel,” a multi-genre hit that earned the 2006 Grammy for Best Country Song, as well as the 2006 ASCAP Country Song of the Year, the 2006 NSAI Song of the Year and the 2005 ACM Single of the Year. Underwood has recorded nearly 40 of Hillary’s songs, including “So Small” and “Wasted.” Other chart-toppers from Hillary’s pen are “American Honey” by Lady Antebellum, “A Little Bit Stronger” by Sara Evans, “Shotgun Rider” by Tim McGraw, “Girl Crush” by Little Big Town (which earned the 2015 Grammy for Best Country Song, the 2015 CMA Song and Single of the Year, the 2015 NSAI Song of the Year) and “Blue Ain’t Your Color” by Keith Urban (the 2017 CMA Single of the Year, the 2017 NSAI Song of the Year). Additionally, “I’ll Never Love Again” by Lady Gaga & Bradley Cooper (from the film A Star Is Born) earned the 2019 Grammy for Best Song Written for Visual Media. Hillary was named ACM Songwriter of the Year in 2019, 2020 and 2021.

FRANK J. MYERS
Frank J. Myers grew up in Dayton, Ohio. His father taught him to play guitar, and by age 14, Frank had formed a band with his brother. In 1981, Frank moved to Nashville, where he was hired by Eddy Raven as a guitar player – later becoming Raven’s band leader and road manager. During that time, Frank co-wrote 10 Top 10 singles for Raven, including “Bayou Boys,” “I Got Mexico” and “Sometimes A Lady.” In 1982, Frank’s “You And I” became a hit for Eddie Rabbitt and Crystal Gayle. Other hits from Frank’s catalog include “My Front Porch Looking In” by Lonestar, “Come In Out Of The Pain” by Doug Stone and “Once Upon A Lifetime” by Alabama. The John Michael Montgomery version of “I Swear” earned a slew of awards — 1994 Grammy for Best Country Song, 1994 ACM Song and Single of the Year, 1994 CMA Single of the Year, 1994 NSAI Song of the Year, 1995 ASCAP Country Song of the Year — with the All 4 One version topping the Pop chart for 11 consecutive weeks. “I’m Already There” by Lonestar was the 2002 ASCAP Country Song of the Year and the 2002 BMI Country Song of the Year. “Tomorrow” by Chris Young was the 2011 SESAC Country Song of the Year.

GARY NICHOLSON
Raised in the Dallas-Fort Worth area, Texas native Gary Nicholson got a guitar at age 10. He wrote songs and played in Rock bands throughout his teens before moving with his college band to Los Angeles. Following a stint on an MCA Records imprint, Gary returned to Texas in 1973. A song he sent to Nashville made it onto the 1980 soundtrack of Urban Cowboy 2, thanks to good friend/producer Jim Ed Norman. With that success, Gary moved to Music City, where he worked as a guitar player and a songwriter for Norman’s publishing company. In 1983 “Your Love Shines Through” by Gilley gave Gary his first Top 5 song and paved the way for future successes such as “That’s The Thing About Love” by Don Williams, “The Power Of Love” by Charley Pride, “Working Without A Net” by Waylon Jennings, “Brilliant Conversationalist” by T. Graham Brown, “One More Last Chance” by Vince Gill, “Live Laugh Love” by Clay Walker, “She Couldn’t Change Me” by Montgomery-Gentry and “Squeeze Me In” by Garth Brooks & Trisha Yearwood. Gary’s song “Fallin’ and Flyin’” was performed by Jeff Bridges & Colin Farrell in the 2009 film Crazy Heart. Gary has 600 recorded songs spanning multiple genres. In 2011 he was inducted into the Texas Heritage Songwriters Hall of Fame.

RONNIE ROGERS
Born and raised in Nashville, Randall “Ronnie” Rogers’s parents were active in Gospel music and passed their talents on to their son. After military service in Vietnam, Ronnie began to pursue a career in music. Following a single as an artist on Rice Records in 1972, he began to find success as a songwriter with cuts by Johnny Russell, Dave Dudley and Loretta Lynn. In 1977, Ronnie scored his first Top 10 with “It’s A Cowboy Lovin’ Night” by Tanya Tucker. In 1983, he had the hit singles “My First Taste Of Texas” by Ed Bruce and “Dixieland Delight” by Alabama, which began a long and successful partnership with the band. To date, Ronnie has had more than 40 cuts by Alabama, including “Jukebox In My Mind,” “Pass It On Down,” “Take A Little Trip” and “Give Me One More Shot.” Ronnie is also the co-writer of the Mark Chesnutt singles “Blame It On Texas” and “Goin’ Through The Big D,” as well as “Only In America” by Brooks & Dunn. Ronnie’s songs have been recorded by artists such as Toby Keith, George Strait, Dierks Bentley, Gary Allan, Lee Ann Womack, Ray Charles, Old Crow Medicine Show and Levon Helm.

TIA SILLERS
Connecticut-born, Nashville-raised Tia Sillers became hooked on songwriting in high school. Her first hit was “Lipstick Promises” by college co-writer George Ducas in 1995 — the same year that Kenny Wayne Shepherd made “Deja Voodoo” a Top 10 Rock hit. Three years later Shepherd’s #1 Rock hit “Blue On Black” earned the 1998 Billboard Music Award for Rock Track of the Year. (The song was re-recorded in 2019 by Five Finger Death Punch with Shepherd, Brantley Gilbert & Brian May.) In 2008 “I Hope You Dance” by Lee Ann Womack became a chart-topping multi-genre smash that earned the 2000 Grammy for Best Country Song, as well as the 2000 ACM Song and Single of the Year, the 2000 CMA Song and Single of the Year, the 2001 ASCAP Country Song of the Year, the 2001 BMI Country Song of the Year and the 2000-2001 NSAI Song of the Year. “Jonah, Job And Moses” by The Oak Ridge Boys was named the 2007 GMA Dove Country Song of the Year. “Dance With Me” by Johnny Reid was the 2010 Canadian CMA Song of the Year. Other songs from Tia’s catalog include “There’s Your Trouble” by the Dixie Chicks, “That’d Be Alright” by Alan Jackson, “A Joyful Noise” by Jo Dee Messina and “Heaven, Heartache And The Power Of Love” by Trisha Yearwood.

TOMMY SIMS
Born in Chicago and raised in Michigan, Tommy Sims grew up on Gospel music and Soul music. When he and some friends began performing after college, they eventually landed in Nashville, where he became the bassist for Christian Rock band White Heart from 1987 to 1989. In 1994, Tommy scored his first #1 songs as a songwriter with Amy Grant – “Children Of The World” and “Helping Hand.” In 1995 his “R.I.O.T. (Righteous Invasion Of Truth)” by Carman was named the 1996 GMA Dove Rap/Hip Hop Song of the Year. The following year one of his songs was featured in the film Phenomenon. The song was the multi-chart-topping hit “Change The World” by Eric Clapton, which earned the 1997 Grammy for Best Song and for Record of the Year. Tommy’s songwriting catalog also includes the Country hits “Love Is The Right Place” by Bryan White and “A Promise I Make” by Dakota Moon, the AC hits “Lost In You” by Garth Brooks (as Chris Gaines) and “I Can’t Help You Now” by Bonnie Raitt, and the Gospel hits “Anybody Wanna Pray” by CeCe Winans w/ GRITS (the 2002 GMA Dove Contemporary Gospel Song of the Year) and “Just Wanna Say” by Israel Houghton (the 2010 GMA Dove Urban Song of the Year).

Category 2 – CONTEMPORARY SONGWRITER/ARTISTS

KIRK FRANKLIN
Kirk Franklin was born in Fort Worth, TX. His work with the Dallas-Fort Worth Mass Choir at age 19 ultimately led to a record deal. In 1993, Kirk Franklin & The Family released their debut album, which sold more than a million units and remained #1 on the Gospel album charts for 42 weeks. The album’s breakout single – “Why We Sing” – was named the 1994 GMA Dove Traditional Gospel Song of the Year. From there, “Stomp” by Kirk Franklin w/ God’s Property & Salt was a #1 R&B hit that was named the 1998 GMA Dove Urban Song of the Year and became the first Gospel song played in heavy rotation on MTV. “Revolution” by Kirk Franklin w/ Rodney Jerkins was the 1999 GMA Dove Urban Song of the Year. As a solo artist, Kirk’s #1 Gospel/#5 R&B “Looking For You” was the 2006 GMA Dove Urban Song of the Year and earned the 2007 Grammy for Best Gospel Song. “Help Me Believe” earned the 2009 Grammy for Best Gospel Song. “Hello Fear” earned the 2012 Grammy for Best Gospel Song. His #1 Gospel/#12 R&B “I Smile” was the 2012 BMI Christian Song of the Year and the 2012 GMA Dove Contemporary Gospel Song of the Year. “Wanna Be Happy?” earned the 2016 Grammy for Best Gospel Song. “Love Theory” was the 2019 GMA Dove Contemporary Gospel Song of the Year and earned the 2020 Grammy for Best Gospel Song. “Never Alone,” his #1 Gospel collaboration with Tori Kelly, earned the 2019 Grammy for Best Gospel Song. Kirk was the 2003 BMI Christian Songwriter of the Year.

BRAD PAISLEY
Brad Paisley was born and raised in Glen Dale, West Virginia. He received his first guitar from his grandfather, who taught him to play at eight years old. At age 13, Brad wrote his first song, which he performed publicly and which eventually led him to an eight-year stint performing on Wheeling’s Jamboree USA. After high-school graduation and two years at West Liberty State College, Brad was awarded a fully paid ASCAP scholarship to Belmont University in Nashville where he majored in music business. A week after graduating from Belmont, Brad signed as a writer with EMI Music Publishing. Following cuts by David Kersh, David Ball and Tracy Byrd, Brad signed with Arista Nashville and soon began to record his own songs. As an artist, he has placed 33 self-penned Top 20 songs on the Billboard charts, including 15 #1s and 14 more in the Top 10. Among those compositions are “He Didn’t Have To Be,” “Alcohol,” “I’m Gonna Miss Her (The Fishin’ Song),” “Celebrity,” “Ticks,” “Letter To Me,” “Then,” “This Is Country Music,” “Water,” and his duet with Carrie Underwood “Remind Me.” A member of the Grand Ole Opry since 2001, Brad was ASCAP’s 2004 Country Songwriter/Artist of the Year. He was NSAI’s Songwriter/Artist of the Year in 2002 and 2005.

PAM TILLIS
Born in Plant City, FL, Pam Tillis grew up in Nashville thanks to having Country music star Mel Tillis for a father. At age eight, she sang with him on the Grand Ole Opry and began taking piano lessons. By age 12, she was playing guitar. Recovering from a near-fatal car accident at 16, she enrolled briefly at the University of Tennessee before dropping out in 1976 to move to San Francisco, where she sang in a Jazz and Rock band. Returning to Nashville a few years later, Pam recorded a largely co-written 1983 Pop album for Warner Bros. In 1989 Pam enjoyed her first Top 40 single as a writer with “When Love Comes Around The Bend” by Juice Newton. The following year Highway 101 reached the Top 15 with Pam’s “Someone Else’s Trouble Now.” In the early 1990s Pam was one of the first five acts signed to Arista Nashville. Her self-penned hits as an Arista artist were “One Of Those Things,” “Put Yourself In My Place,” “Blue Rose Is,” “Cleopatra, Queen Of Denial,” “Spilled Perfume,” “It’s Lonely Out There” and the chart-topping “Mi Vida Loca (My Crazy Life).” In 2000, Pam was inducted as a member of the Grand Ole Opry. In 2012 she enjoyed the IBMA-nominated Bluegrass hit “Somewhere South Of Crazy” by Dale Ann Bradley.

SHANIA TWAIN
Shania Twain was born in Windsor, Ontario, Canada. During high school, she began writing songs and fronting a local cover band. After graduation, she toured Ontario with another band before returning home in 1987 to care for her younger siblings after their parents died in a car accident. She continued to perform and five years later was signed to Mercury Nashville. Since the release of her debut album 1993, Shania has placed 22 self-penned Top 20 songs on the Billboard charts, including 7 #1s and 8 more in the Top 10. Among those compositions are “You’re Still The One” (1998 Grammy for Best Country Song / 1999 BMI Country Song of the Year), “Come On Over” (1999 Grammy for Best Country Song) and “Forever And For Always” (2004 BMI Country Song of the Year), along with “You’ve Got A Way,” “(If You’re Not In It For Love) I’m Outta Here!,” “Love Gets Me Every Time,” “No One Needs To Know,” “Man! I Feel Like A Woman!,” “From This Moment On” and “That Don’t Impress Me Much.” Shania was named NSAI’s 1998 Songwriter/Artist of the Year, as well as BMI’s 1999 Country Songwriter of the Year and 2000 Country Songwriter of the Year. She was inducted into the Canadian Music Hall of Fame in 2011.

‘Damn Strait’ Co-Writers Move Up On MusicRow Top Songwriter Chart

“Damn Strait” singer Scotty McCreery. Photo: Jeff Ray

Trent Tomlinson and Jim Collins, the co-writers on Scotty McCreery‘s “Damn Strait,” find themselves in the top 10 this week on the MusicRow Top Songwriter Chart.

Ernest Keith Smith remains at No. 1 this week. He is a co-writer on Morgan Wallen’s “Wasted On You” and “You Proof,” Jelly Roll’s “Son Of A Sinner,” and his own “Flower Shops.”

Ashley Gorley (No. 2), Ben Johnson (No. 3), Morgan Wallen (No. 4) and Shane McAnally (No. 5) complete the top five this week.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Johnny Chiang To Join Pandora

Johnny Chiang

Pandora has announced the hiring of Johnny Chiang as Senior Director of Country Programming.

Reporting to Vice President of Programming Kevin Stapleford, Chiang will oversee programming for country music at Pandora. He will start July 25.

Chiang joins Pandora from Red Street Records. Prior to that, he spent 18 years at KKBQ in Houston, Texas, where he was named Most Influential Country Program Director in America by Billboard (2016), Radio Ink’s Best Program Directors in Country Radio 13 times, and Radio Ink’s Best Program Directors in America 10 times. During his tenure at KKQB, the station was named CMA’s Major Market Station of the Year three times (2014, 2016, 2018), ACM’s Major Market Station of the Year (2017), and won the Marconi four times (2013, 2014, 2016, 2018).

“Words cannot adequately describe just how thrilled I am to be joining the incredible country team that Kevin Stapleford is assembling at Pandora,” shares Chiang. “I want to thank Kevin and Steve Blatter for believing in me and what my experiences and skill sets can bring to the team.”

Cody Johnson Celebrates Inspirational No. 1 Hit, ”Til You Can’t’

Pictured (L-R, standing): Young Guns Publishing’s Aubrey Rupe, ASCAP’s Mike Sistad, Anthem’s Tim Whipperman, Warner Music Nashville’s Ben Kline, BMI’s Josh Tomlinson, Warner Music Nashville’s Shane Tarleton, and Warner Music Nashville’s Cris Lacy; (L-R, seated): ASCAP writer Matthew Rogers, BMI songwriter and Warner Music Nashville recording artist Cody Johnson, BMI writer Ben Stennis. Photo: Steve Lowry

BMI and ASCAP hosted a No. 1 celebration for Cody Johnson‘s hit single “’Til You Can’t” this week. Held at The Local, industry members gathered to celebrate Johnson and the song’s co-writers, Ben Stennis and Matt Rogers.

It was a momentous occasion, as “’Til You Can’t” marks the first No. 1 for Johnson and Stennis.

BMI’s Josh Tomlinson served as emcee for the party. He spoke about Johnson’s tenacity and heart. “Your willingness to put in the work to get here today has only been accomplished by a select few. We’re really grateful to be able to support you today,” he said.

Tomlinson also spoke on BMI writer Stennis. “I’ve watched him grow. He’s kept his head down and put the work in to get to this moment. It’s been a privilege to watch.”

ASCAP’s Mike Sistad was on hand to speak on Rogers. “He’s had songs recorded by Luke Bryan, Dustin Lynch, Brett Eldredge, Randy Houser, Chris Young, Lainey Wilson and many more,” Sistad said. “He just recently celebrated a No. 1 hit with Jimmie Allen and Brad Paisley for ‘Freedom Was A Highway.'”

Tim Wipperman, who was in the news last week, was the first publisher to speak. He recognized Young Guns Publishing’s Aubrey Rupe, who pitched the song to Durango Management’s Scott Gunter. He also put the praise on the songwriters.

“We get to stand up here and speak, but none of us would be here without living on the backs of the songwriters,” Wipperman said. “I’ve had a great life. I get to do what I love to do, but if it weren’t for all of you out there, none of us that are in the business end of it would be standing here on stage.”

Rupe, Stennis’ publisher, was next up to speak. She told the story of fiercely advocating for “‘Till You Can’t.”

“We’re finally here, guys,” she said to the writers. “This song was written in 2016 and we are just now getting to celebrate everything that this song has done. If that is not a testament to God’s timing, I don’t know what is.

“It’s also a testament that great songs always find a way. This song is one of those that changes people’s lives. I think we are all in this room because, at one point or another, songs have changed our lives, have been important to us, and have made us want to do what we are doing. This is one of those songs.”

Rupe is a day one Cody Johnson fan, having attended her first concert of his in 2013. “Country music needs Cody Johnson,” she said to a rousing applause.

Later, Warner Music Nashville’s Cris Lacy recognized Rupe for being a torch-bearer for Johnson. She said, “A few years ago, everyone in Texas knew [how great Johnson was]. A few people in Nashville knew. There were a few folks that I heard from every time I saw them about how great Cody Johnson was. Aubrey was one of those people. That’s not just plugging songs—that’s a real song person, that’s a champion, that’s a visionary. That is picking somebody that you truly believe in and going after it with the best that you have. I want to thank Aubrey for that.”

Lacy and her co-president Ben Kline spoke about Johnson’s incredible rise.

“Cody Johnson has been giving fans the same show for the 10 years that I’ve know him. From tiny bars in Texas, where we met, to selling out the Houston Rodeo at 70,000 fans. There is no stopping him,” Lacy said.

The WMN heads presented their artist with a Gold and Platinum plaque for “‘Til You Can’t,” as well as a plaque for the success of his documentary, Dear Rodeo: The Cody Johnson Story.

Chuck Aly from Country Aircheck and Pinnacle Bank’s David DeVaul also made presentations before it was time to hear from the songwriters.

“Everything I want to say is about being grateful,” Stennis said. “I’m thankful to be in this community, to be able to do what I do for a living, and for God blessing me with the ability to get up and write every day with my buddies. To be a part of a song that means something… My kids and wife can attest to this, we pray every night and we thank God for Cody.”

Rogers was also filled with gratitude. He dedicated the song to his mother. “The bridge of this song talks about calling your mom. My mother has always been the biggest fan of my music. She had a stroke in 2018 and it changed the dynamic of our relationship, so when I hear the bridge now, it takes on a different meaning for me,” Rogers said. “And it’s her birthday today, so this one is for Betsy Rogers.”

When it came time for Johnson to speak, he was stoic and sincere.

“When I started coming to Nashville, I wanted to be you guys,” Johnson said to the songwriters. “I wanted to be Tony Lane, I wanted to be Jeffrey Steele, Wynn Varble, and a lot of other people. I wanted to be a songwriter and I wanted to know what it was like to put my life down on paper and have somebody turn it into something special. And here I am getting to sit on the other side of it.

“Thank you for writing it,” he said. “There’s thousands of people out there that it’s changed. I realize that I got to be the microphone for it, but it’s changed me. It changed who I am at my core, the way I view my stress, the way I view my anxiety or whatever is going on in my career.”

Johnson closed with a challenge to the industry members in the room. “The story that I want all of you to walk away with is not all the stats that they’ve said about me and the records; walk away with ”Till You Can’t.’ Take ”Till You Can’t’ and ingrain it into your heart, into your work ethic and into your life. That’s what country music should do for people that want to listen to country music. It should change your life. It should make you want to be better. We have these two men right here to thank for it.”

Kane Brown Flies High On MusicRow Radio Chart

Kane Brown’s “Like I Love Country Music” rockets to No. 1 on the MusicRow CountryBreakout Radio Chart, moving to the peak in just 7 weeks since its release. The single was written by Brown, Matthew McGinn, Taylor Phillips, and Jordan Schmidt. 

Brown will serve as the grand marshal for the Ally 400 NASCAR Cup Series race at Nashville Superspeedway on Sunday, June 26.

He will also head across seas in September for his headlining international “The Drunk or Dreaming Tour,” with Blanco Brown, Chris Lane, Jesse James Decker, and Restless Road on select dates.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Warner Music Nashville Ups Clark Mims Tedesco, Jamie Younger To Vice Presidents

Clark Mims Tedesco, Jamie Younger

Warner Music Nashville has announced the promotions of Clark Mims Tedesco and Jamie Younger, who rise from Sr. Directors to Vice Presidents, Artist Development. Both will continue reporting to EVP Artist Development, Shane Tarleton.

After beginning her career in the entertainment industry in New York City, Tedesco joined WMN in 2013, beginning as an executive assistant. “I’m so proud of the relationships I’ve built with our teams, artists and managers in my nine years with Warner,” she shares. “We work with such a diverse roster of immensely talented artists, and it is my true honor to help them tell their stories every day.”

“Watching Clark flourish in the artist development department brings me such joy,” Tarleton says. “She has proven time and time again that success is the sum of details.”

Younger joined WMN nearly a decade ago after career stops at Thirty Tigers and American Songwriter. She transitioned from content management to artist development in 2017. “With a roster of artists that span the country spectrum, every day at Warner Music Nashville provides new challenges and opportunities that continue to feed my passion for helping our artists find their audiences,” she says. “The team that Shane, Ben [Kline] and Cris [Lacy] have built together continues to be a source of pride and inspiration. It is a large part of the reason that I’m so excited to continue my journey with WMN.”

Adds Tarleton, “Jamie has the ability to marry creative concepts with strategy and execution. It’s thrilling to watch her continue to grow here at Warner.”