Old Dominion Wraps Tour By Mesmerizing A Sold-Out Bridgestone Arena

Old Dominion performs during their sold-out show at Nashville’s Bridgestone Arena. Photo: Mason Allen

Old Dominion wrapped their “No Bad Vibes Tour” on Friday night (Dec. 15) with a sold-out show at Nashville’s Bridgestone Arena. The multi-Platinum group—made up by lead singer/guitarist Matthew Ramsey, guitarist/vocalist Brad Tursi, guitarist/keyboardist/vocalist Trevor Rosen, bassist Geoff Sprung and drummer Whit Sellers—along with their openers, mesmerized the crowd with their interactive, high-energy performances. 

Sparkling in a blue two-piece set and blue cowboy boots, Kylie Morgan kicked off the evening with a few fun numbers. She grooved with her guitarists while covering Gwen Stefani‘s “Sweet Escape.” Dancers decked out in denim joined her all the way from Las Vegas for songs such as “Country Girl,” a track from her latest collection Making It Up As I Go, and “I Only Date Cowboys,” complimenting her vocal talent with equally impressive dance moves. After shouting out the dancers and each member of her band, Morgan shared some of her story with the crowd.  

“I started writing songs when I was 12 years old,” she stated. “I know a lot of songwriters and future artists are out there tonight, and let me tell you, it has been 14 years in the making but tonight we’re playing Bridgestone Arena, so never give up on your dreams [and] never stop believing. No one is going to work harder for you than you.

“This is an unreal moment in my life, and it’s honestly all because of this last song I’m about to play,” continued Morgan. “It has changed my life in a million different ways, and has allowed me to bond with strangers across the world.” Vibrant multi-colored lights made their way around the arena as she moved into fan favorite “If He Wanted To He Would,” which is featured on both Making It Up As I Go and her P.S. project. 

Priscilla Block was next up to keep Bridgestone bumping. Her name was ablaze in aqua behind her as she started with singles “My Bar” and “Off The Deep End.” Her metallic purple top along with her matching pants and scrunchie glistened as the singer-songwriter introduced herself to the audience. Block then bopped around to “Fake Names.” 

“Huge shoutout to Old Dominion for having me out on this tour. It honestly has been such a highlight for me and my career, especially playing here tonight,” the artist said to the audience. “I moved to Nashville 10 years ago, and I started writing songs when I was 15. I just found a guitar in my attic and thought ‘Man, maybe I’ll move out [here] and start doing this thing.'” Block proceeded, “I just celebrated my very first No. 1 with Justin Moore and that was [also] a big highlight for me, but is it cool if I just play y’all a song that I just wrote with me and my guitar?” 

Old Dominion with the Sony Music Nashville team before their sold-out show at Nashville’s Bridgestone Arena. Photo: Mason Allen

Everyone responded with cheers, and she began to strum her bedazzled, blue guitar as she told the tale behind “Me Pt.2.” Block put the luminous instrument away for “Thick Thighs,” but brought it back to close with her breakout hit “Just About Over You.” Grateful tears tinged her eyes and cell phone lighters flashed from every corner as she reminded attendees to never give up during the song’s final verse. Block continued to go out with a bang by shotgunning a beer before saying goodbye. 

Sporting a white t-shirt, jeans and a hat from his Heads Up Eyes Down line, Chase Rice then took the Bridgestone stage. He had the crowd rocking with the title tack of his most recent album Way Down Yonder, and kept us going for “Ready Set Roll,” slapping every reaching hand he could. Rice asked if anyone had a cold beer in their hand and disclosed that he’s crushed more cans in Music City than anywhere else as he slid into “Bad Day To Be A Cold Beer” and “Lonely If You Are.” Warm hues hit the stage when he grabbed his guitar for “Oklahoma,” a Way Down Yonder collaboration with Southhall. Rice and his fellow guitarists united to end the album track with a short showcase of their incredible skills. He switched gears for his first No. 1 “Eyes On You,” before sharing the deeply personal story behind “Bench Seat.”          

“We’re all going through something. Find a friend, phone a friend, go see them [or do] whatever you’ve got to do, because this life is hard but it’s a beautiful thing that we’ve got,” Rice told the crowd.  

His black lab Jack joined him for the touching tune and instantly had every guest infatuated. Wearing a Ryan Johansen hockey jersey, Jack laid beside his best friend as he sang. The special guest received a lot of love as he made his way around the stage meeting audience members while Rice sang “Drinkin’ Beer. Talkin’ God. Amen.,” which he recorded with Florida Georgia Line. Rice raised a beer with Jack and his band to toast his fellow openers and Old Dominion as he exited.  

The arena went black and the audience erupted with roars as the words “We Are Old Dominion” flashed in large white letters across the screens on stage. The headliners soon emerged and hit the ground running with “Make It Sweet.” 

“Welcome to the last show of the ‘No Bad Vibes Tour,'” announced Ramsey to the packed venue. “That means we have tonight. Whatever it is that’s pissing you off, stressing you out, dragging you down or keeping you up at night, it doesn’t belong in here with us tonight. We leave that shit outside. It’s Friday night in Nashville, Tennessee, and all you have to do is fill this room up with joy until the damn roof blows off.”

He tapped a handheld xylophone during “No Hard Feelings,” and the beams blasted aqua blue as the band sang “Never Be Sorry.” The lights radiated red and a candy cane-like pattern outlined the platform as fans swayed to the beat of “Break Up with Him,” the lyrics ringing from what seemed like every seat. The bulbs were blue as Old Dominion dove into “Midnight Mess Around,” but quickly returned to red accompanied by a beating broken heart on the center screen.

Ramsey then addressed the tornado tragedy that affected Middle Tennessee a week ago and shared that they decided to donate a dollar from every ticket sold to the area’s disaster relief fund. He went on to note that Bridgestone Arena; Wasserman Music, the band’s booking agency; and Farris, Self & Moore (FSM), their business management, had all matched the donation, bringing the total raised to over $40K.  

“Thank you for showing up tonight. Money helps, but music is the best medicine. If we sing this song all together as loud as we possibly can, I guarantee you it’s going to create some healing in somebody,” he expressed as everyone entered into “No Such Thing as a Broken Heart.”

The group took a moment to express their gratitude and take it all in before playing “I Should’ve Married You” from their newest album, Memory Lane. A starry night faded into the ocean sea on the screens above as they followed with the 2017 tune “Written in the Sand.”

Old Dominion then began taking song requests listed on signs made by fans in the audience after acknowledging their hard-working crew. They kicked off the request portion with Memory Lane track “Different About You” and 2015’s “Wrong Turns.” The walls bounced with “whoas” from both the crowd and the band as everyone started to belt “Snapback.” “Hotel Key” followed, putting their musical magic on full display as they jammed on various instruments accompanied by rhythmic claps from the crowd. Ramsey went around and picked up various hotel keys from the music lovers who had travelled to see them as he and his bandmates beautifully layered their vocals. They then drove down “Memory Lane” with their recently-certified Platinum title track, and just like their supporting acts, told their touching 10-year-town story. Old Dominion also announced their forthcoming bar Odies, which is set to open in summer 2024.

They serenaded the stands with smash single “One Man Band,” and had the arena go dark so that phone lights could shine from each seat. Prior to the show, the group was surprised by Sony Music Nashville Chairman & CEO Randy Goodman and the label staff with plaques for the six-time Platinum hit, which has amassed one billion streams, in addition to a Platinum plaque for “Memory Lane.”  Hands waved back and forth for their “Song for Another Time.”

Up-and-coming country star Megan Moroney then made her way on stage, surprising us for “Can’t Break Up Now.” They all took a picture before Moroney said her goodbyes and the band sang “Still Writing Songs About You.” After a show-stopping guitar solo from Tursi, the group poured themselves into “Can’t Get You” and Kenny Chesney‘s “Save It for a Rainy Day,” which Ramsey and Tursi co-wrote alongside Andrew Dorff. They led each side of the stage in cheers, and shifted to “My Heart Is a Bar.”

The five wrapped their arms around each other before “Hawaii” and “How Good Is That.” Ramesy then passed out Hawaiian leis for the final song “I Was On a Boat That Day,” looping them around fans and bandmates. Old Dominion said their last thank you and goodnight, leaving all of Bridgestone Arena on a high.

Old Dominion To Open Odie’s, A New Hangout Near Music Row

Pictured (L-R): Matthew Ramsey, Trevor Rosen, Good Time Design’s Ty Hauter, Geoff Sprung, Whit Sellers and Brad Tursi. Photo: Mason Allen

Six-time CMA and ACM Group of the Year Old Dominion will open a new local hangout near Music Row called Odie’s. The bar/music venue will open at 1919 Division St. in the summer of 2024.

Rendering of Odie’s. Photo: Courtesy of Old Dominion

To create Odie’s, Old Dominion teamed with Good Time Design, the hospitality and entertainment group based in San Diego and Nashville that’s behind Sonny’s Patio Pub and Cerveza Jack’s in Nashville.

After the band tossed around the idea of opening their own establishment during a lunch, Old Dominion’s Trevor Rosen ran into Good Time Design’s CEO Ty Hauter at his restaurant in Franklin. One thing led to another and the band began collaborating with Hauter on how to create a place that embodied the old holes in the wall around Music Row that Old Dominion’s core writers Rosen, Matthew Ramsey and Brad Tursi would frequent after writing sessions.

“We didn’t quite know what it was,” Rosen says, “but we also knew what we were missing. The more we talked, the more we realized we wanted a bar like the places we went to when we were just having our first cuts, hanging out with other writers.”

When 1919 Division became available, the group knew they had their location. It was the address of the beloved ReBar, near industry hangout Red Door and Losers and Winners.

“We wanted it to be a place where a group of songwriters who might have a band could play,” continues Rosen, “or someone starting out might be able to be part of a writers thing and get heard. You know, pay it forward because all these years later, we know it works. That’s much better than just a temple to who we think we are.”

With Odie’s, Old Dominion aims to create a space that embodies their No Bad Vibes appeal. It is intentionally located away from the frenzy of lower Broadway, which the band hopes will lure out music business folk or people who just love music.

Following the news of their new hometown hang, Old Dominion will close out their last show of the year on their “No Bad Vibes Tour” at Nashville’s Bridgestone Arena tonight (Dec. 15).

Dan + Shay Join Spotify Billionaires Club With ‘10,000 Hours’

Dan + Shay with Justin Bieber. Photo: Catherine Powell

Dan + Shay have joined the Spotify Billionaires Club with “10,000 Hours (with Justin Bieber).”

The duo crossed the one billion streams mark with the track, a rarity that only a handful of country artists have achieved. The collaboration was written by Dan Smyers, Shay Mooney, Bieber, Jordan Reynolds, Jason Boyd and Jessie Jo Dillon.

“A billion is a difficult number to comprehend in general, but to know that one song has been streamed over a billion times on a single platform is just incredible,” says Smyers. “We’re grateful for everyone who had a hand in creating ‘10,000 Hours,’ and everyone who took the time to listen. Here’s to a billion more!”

In the decade since they formed, Dan + Shay have garnered more than 11 billion career streams globally, multiple international No. 1 singles and 49 Platinum and Gold certifications in the U.S. alone.

Dan + Shay are making plans to take the new music to the fans in 2024 with “The Heartbreak On The Map Tour” set to kick off in February. The 19-city tour is named for the third song and early fan-favorite on their album Bigger Houses. Singer-songwriters Ben Rector and Hailey Whitters will join the duo on the new tour.

Chris Stapleton’s ‘White Horse’ Returns To Top Of MusicRow Radio Chart

After topping the chart with it in November, Chris Stapleton returns to No. 1 on the MusicRow CountryBreakout Radio Chart with “White Horse.”

Co-written by Stapleton and Dan Wilson, “White Horse” appears on his album Higher. Stapleton is currently nominated for three awards at February’s 66th Annual Grammy Awards, including Best Country Solo Performance and Best Country Song for “White Horse” and Best Country Duo/Group Performance for “We Don’t Fight Anymore” with Carly Pearce.

“White Horse” currently sits at No. 9 on the Billboard Country Airplay chart and No. 6 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Stephanie Wright Joins Warner Music Nashville As SVP A&R

Stephanie Wright. Photo: David Bradley

Warner Music Nashville has tapped Stephanie Wright, who joined the company as a consultant in October, as SVP A&R. She will report to Co-Chair & Co-President Cris Lacy.

Ben [Kline] and I have known and respected Stephanie for many years – quite often we’ve been on the other side of her at another label, actively battling it out to sign an artist” Lacy shares. “She is a fierce competitor, a tenacious team leader and has an innate sense for exceptional music and artists. Most importantly, she is recognized in the music community as a passionate advocate for developing songwriters, producers and artists, many of whom she helped achieve their first career milestone. Her reputation and long-standing relationships will strengthen our incredible A&R team exponentially.”

Wright joins Warner Music Nashville from UMG Nashville, where she spent more than 23 years in A&R. During her time at UMG, she signed and worked with dozens of hit-making artists, including multi-Platinum chart-toppers Jordan Davis, Sam Hunt, Parker McCollum and Grammy-Award winner Kacey Musgraves. A native of Salt Lake City, Wright came to the music business through her cousins—the Platinum-selling sibling trio SHeDAISY. Since then, she has been instrumental in critically acclaimed albums including Lee Ann Womack‘s Call Me Crazy, Musgraves’ Same Trailer Different Park and Hunt’s Montevallo.

“Joining Warner Music Nashville, in a way, feels like a homecoming,” Wright says. “Over the course of my 23 years in A&R, I’ve known Cris as a friend, passionate label competitor and overall industry leader. Likewise, I’ve known Ben my entire career, starting when we worked together for Mercury Nashville. When the opportunity to join Cris, Ben and the WMN team arose, the decision was easy. The rest of the world is learning how exceptional our artists and songwriters are; something we’ve always known! Country music now touches every corner of the globe, creating new fans and influencing new artists everywhere. Great talent knows no boundary and I’m grateful, and excited, to be in this new home that puts the artist’s story first.”

The news comes after the announcement that EVP A&R Scott Hendricks would be leaving his position at the end of December.

DISClaimer Single Reviews: Brenda Lee Wears Her ‘Queen Of Christmas’ Crown

Brenda Lee. Photo: Alexa King Stone

Happy holidays from DISClaimer.

I have your Nashville Christmas playlist right here and ready to go. Do not miss the offerings by Brandy Clark, Randall King, Jon Pardi and Eric Paslay. 

Despite the abundance of quality, there is no question about who the Queen of Christmas is this year. A Disc of the Day award to Brenda Lee for her update on a timeless tune. 

MATT CASTILLO / “Christmas Without Her”
Writers: Matt Castillo/Jason Allen; Producers: Matt Castillo/Aaron Eshuis; Label: MC
– It’s heartache honky-tonk, but with a witty, light-hearted tone. He asks Santa to bring his baby back while the band rampages and twangs behind him. 

JON PARDI / “Beer For Santa”
Writers: John Thomas Hardy/Matt McKinney/Kyle Clark; Producers: Jon Pardi/Bart Butler/Ryan Gore; Label: Capitol Records Nashville
– Two-step into Christmas morning with this hillbilly romp. Pardi’s not leaving milk and cookies out for Saint Nick this year. He knows the big guy needs a brew break.

DARIN & BROOKE ALDRIDGE / “Little Saint Nick”
Writers: Brian Wilson/Mike Love; Producer: none listed; Label: Billy Blue Records
– Ear opening. The bluegrass duo takes The Beach Boys classic out for an acoustic spin with snappy fiddle, mandolin and guitar work, and all those lovely stacked vocal harmonies in place. Highly recommended. 

WYNONNA / “Beautiful Star of Bethlehem”
Writer: A.J. Phipps; Producer: Cactus Moser; Label: ANTI- Records
– Originated in 1954 by the Opry’s John Daniel Quartet and popularized by Emmylou Harris in 1980, this acoustic gem has become a perennial country Christmas favorite. Wy’s bluesy lead vocal dominates, and I wish the contrapuntal background vocals were mixed louder. 

RANDALL KING / “Silent Night”
Writers: Franz Xaver Gruber/Joseph Mohr; Producers: Randall King/Jared Conrad; Label: Warner Music Nashville
– This magnificent, stone-country baritone can make you feel warm and toasty even on the coldest holiday evenings. Guitars strum and steel sighs as he gently croons this timeless carol. Beautifully done. 

BRANDY CLARK / “My Favorite Christmas”
Writers: Brandy Clark/Shane McAnally; Producer: Jordan Hamlin; Label: Warner Records
– Wistful, melancholy and dreamy, this languidly, lovely performance deserves to take its place among the great “blue Christmas” songs that are always so touching. Also check out her equally affecting treatment of “I’ll Be Home For Christmas.” A soft reminder that the holidays can bring sad, bittersweet nostalgia to some. Clark co-wrote it with her Shucked collaborator Shane McAnally. They both earned a Grammy Award nomination for the Broadway hit.

ERIC PASLAY / “Run Rudolph Run”
Writers: Marvin Lee Brodie/Johnny Marks/Chuck Berry; Producer: Austin Moody; Label: Capitol Records Nashville
– Need some rock & rolling Christmas cheer? Step right up: Paslay takes this Chuck Berry classic at a bracing, brisk pace. You’ll be bopping around the room in no time. 

BRENDA LEE / “Rockin’ Around The Christmas Tree (Remix)”
Writer: Johnny Marks; Producer: Owen Bradley: Label: MCA Nashville
– Thumpy electronic drumming pounds away as Lee and the Nashville A-Team’s original track echoes in the background. This new remix is packaged with her (superior) 1958 rockabilly version on a new holiday EP. This year, the song made the Music City legend the oldest person in history to have a No. 1 Billboard pop hit. Lee’s 79th birthday was on Monday (Dec. 11). What a double celebration. Rock on, Little Miss Dynamite.

CHRIS JANSON / “Holiday Road”
Writer: Lindsey Buckingham; Producers: Chris Janson/Julian Raymond/Scott Borchetta/Jimmy Harnen; Label: BMLG Records
– Christmas music doesn’t get much more rocking than this frenetic bopper. Joyous sounding. 

T. GRAHAM BROWN / “Santa’s Got His Baby Something Good”
Writers: Billy Lawson/Cyril Rawson/Cyril Robinson/Monroe Hill; Producer: none listed; Label: TGB
– How about an old-school blues track for Christmas? Mr. Brown lays down a dandy one with this drawling, down-home, sexy retro ditty. 

BREI CARTER / “Old Fashion Christmas”
Writers: Aly Cutter/David Norris/Corey Lee Barker; Producers: Brei Carter/Jason Wyatt; Label: Brown Lee Entertainment/The Orchard
– Carter’s Twinkling Tales of Christmas album contains this enchanting, minor-key ballad. The key changes are tricky, but she floats through them with ease. Jazzy, late-night, closing-time listening.

UNCLE KRACKER / “Frosty The Snowman”
Writers: Steve Nelson/Jack Rollins; Producer: none listed; Label: UK
– Frosty gets a western-swing arrangement that comes with built-in smiles. Super enjoyable.

SCOTTY McCREERY / “Feel Like The Holidays”
Writers: Frank Rogers/Monty Criswell/Derek George/Bobby Hamrick/Jeremy Bussey; Producers: Frank Rogers/Derek Wells/Aaron Eshuis; Label: Triple Tigers
– I recommend that you start your seasonal playlist with this mellow, jazzy performance. It sets the anticipation mood perfectly. The new Opry inductee delivers it in a friendly, relaxed tone while muted horns punctuate softly in the background.

‘Shucked’ To Open North American Tour In Nashville

Ashley D. Kelley & Grey Henson in Shucked. Photo: Matthew Murphy & Evan Zimmerman

Brandy Clark and Shane McAnally‘s Shucked is coming to Nashville, making its debut at Tennessee Performing Arts Center’s Jackson Hall Nov. 5 – 10, 2024. The Music City dates will be the start of the Tony Award-winning musical comedy’s North American tour.

Shucked is currently playing on Broadway at the Nederlander Theatre in New York City. It has received limitless praise from critics and theater fans alike, is currently nominated for a Grammy Award for Best Musical Theater Album.

Shucked features a book by Tony Award winner Robert Horn, a score by Grammy and Tony winners Clark and McAnally and direction by three-time Tony winner Jack O’Brien. The musical comedy hilariously focused on corn proves sometimes tearing down a few walls, rather than growing them, is the only way to preserve our way of life.

Casting for the North American tour has yet to be announced. Tickets for Shucked in Nashville will go on sale at a later date, but seats can be secured by renewing or purchasing a Broadway at TPAC season ticket package in advance. Visit TPAC.ORG/Shucked for details.

Shucked is produced by Mike Bosner, Jason Owen, AEG Presents/Jay Marciano/Gary Gersh, Jeffrey A. Sine, Richard Smith, Silvia Schmid, Bob Boyett, Jeremiah J. Harris, James L. Nederlander, EST/Emily Tisch, Sony Music Entertainment, DudaAllen, David W. Busch, Karen Fairchild, Horipro Inc., Gordon-Helfner, John Gore Organization, Madison Wells Live, S&Co., Terry Schnuck, Jimi Westbrook and ZKM Media.

The Grammy-nominated album, Shucked – Original Broadway Cast Recording, is available on all streaming platforms and CD. The album is produced by McAnally and Clark alongside Jason Howland and Billy Jay Stein.

Warner Music Nashville Promotes Mike Dupree To SVP, Creative Director

Mike Dupree. Photo: Robby Klein

Warner Music Nashville has elevated Mike Dupree to SVP, Creative Director. Reporting to Co-Chair & Co-President Cris Lacy, Dupree and his team manage all of the label’s creative initiatives, including video production and graphic design.

“Mike is well known for his long-standing dedication to this label and its artists,” Lacy shares. “Moreover, his desire to build a collaborative creative team is imperative for telling the unique stories of our artists through visual mediums. Ben [Kline] and I are proud to recognize his talent and leadership, and we are excited for this next chapter in his career with Warner Music Nashville.”

An industry veteran of more than two decades, Dupree first started working with the roster at Warner Music Nashville in 2010. Over the last several years, he has contributed to award-winning videos for artists including Cody Johnson, Dan + Shay, Ashley McBryde and Gabby Barrett. Some of his accomplishments also include three feature documentaries with Johnson (Dear Rodeo, 2021), Randy Travis (More Life, 2022) and Ian Munsick (White Buffalo: Voices of the West, 2023).

“I’m very aware that what we get to do every day is special, and I’m beyond grateful to continue this extraordinary life with the amazing artists and label team here at Warner Music Nashville,” Dupree says. “I’m constantly inspired by their creativity, passion and collaborative spirit–I am truly standing on the shoulders of giants. I appreciate the trust that Cris and Ben have placed in me, and I look forward to shaping the future of this storied label together.”

Scott Hendricks To Exit Warner Music Nashville

Scott Hendricks. Photo: Connor Dwyer

After nearly 16 years with the company, Scott Hendricks will exit his position as EVP A&R/Creative Advisor at Warner Music Nashville at the end of December.

Throughout his tenure in A&R at Warner Music Nashville, Hendricks has overseen 95 No. 1 singles on the country airplay charts. He has also produced an incredible 78 chart-topping hits among 123 total top 10 singles. Hendricks’ expertise has impacted the careers of Blake Shelton, Hunter Hayes, Brett Eldredge, Dan + Shay and many more.

“Scott has been a friend, a mentor, a brother and an always generous teacher from the day I met him as a publisher almost 30 years ago,” says Cris Lacy, Warner Music Nashville Co-Chair & Co-President. “His unparalleled expertise in the studio and his willingness to share the ‘hows’ and ‘whys’ of everything he does – whether as a label head, producer or A&R person – makes him irreplaceable. His quintessential stories will live on, and we look forward to hearing and co-creating many more of them as we work together on projects now and in the future.”

“It’s hard to believe it’s been almost 16 years since I joined the Warner team. It’s true time flies when you are having fun!” Hendricks shared. “I’ve been a part of countless great memories in those years. It’s been an honor and a privilege to collaborate with so many talented people as well as the artists we served. I am thankful for each and every one. I look forward to continuing my work with Blake Shelton and Dan + Shay as I transition back to being an independent producer. With Ben [Kline] and Cris now leading the charge, Warner Music Nashville is in good hands moving forward.”

Alongside Hendricks, Shelton has achieved a massive 12 billion global streams as well as dozens of RIAA certifications, spanning two 5x Platinum singles (“Boys ‘Round Here” and “God Gave Me You”), a 3x Platinum album (Based On A True Story…), a 2x Platinum album (Red River Blue) and many more.

As a label executive, Hendricks was responsible for signing or managing the A&R for Hayes, Eldredge and Dan + Shay, to name a few. With Hendricks helming his A&R, Hayes burst onto the country scene with the Grammy-nominated, 5x Platinum “Wanted.” Hendricks led him to a New Artist of the Year win at the 2012 CMA Awards, with Eldredge taking home the same award just two years later. Eldredge now claims more than four billion global streams and seven No. 1 singles on country radio.

Hendricks also signed Dan + Shay. His partnership with the duo in both A&R and production has yielded some of the biggest hit songs of the last decade, such as the Grammy-winning, 8x Platinum “Tequila”—named both Song and Single of the Year at the 2019 ACM Awards—as well as its follow-up, the Grammy-winning, 6x Platinum “Speechless.” Hendricks returned as co-producer alongside Smyers for the band’s most recent record, including current top 10 and rising single “Save Me The Trouble.”

Nominees Revealed For 2023 CMA Touring Awards

The nominees have been revealed for the 2023 CMA Touring Awards, which highlight vital behind-the-scenes members of the country music touring industry. Voted on by CMA members, the winners will be recognized at the awards ceremony on Feb. 12, hosted by Keith Urban.

“Honoring our touring community is something I look forward to every year,” says Sarah Trahern, CMA Chief Executive Officer. “Each time I attend a show, hear a new tour being announced or see footage from an unforgettable night, I am reminded again of the importance, dedication and resilience of our touring community. I am also especially excited to add five additional categories this year, including a Crew of the Year honor. They are the road warriors that keep country music alive all over the world, and I can’t wait to celebrate them on Feb. 12!”

“As someone who spent years not only setting up all my own equipment at shows, but was also for a time a lighting guy and crew member for a band, I know the hard work that goes in to keeping shows on the road,” says Urban. “I’m honored to once again be asked to host the CMA Touring Awards and acknowledge and shower some love on all the hard workers behind the scenes that make it all happen.”

Five new categories were added to the CMA Touring Awards, including Backline Technician, Stage Manager, Support Services Company, Unsung Hero and Crew of the Year. Final Round voting for the 2023 CMA Touring Awards opens Wednesday, Dec. 13 and closes Thursday, Dec. 28.

In addition to the Touring Awards, industry veteran and former head of CAA’s Nashville office, Ron Baird, will be posthumously honored with the CMA Touring Lifetime Achievement Award. The award is given to an individual who has positively impacted and contributed to the growth of touring throughout the years. It honors an individual that has proven to have an unprecedented historical impact on country music fans and the industry alike, and whose presence will have a long-term positive impact on the genre and CMA for generations to come.

2023 CMA Touring Awards Nominees:

CATEGORY 1 – CREW OF THE YEAR
“All American Road Show Tour” Crew – Chris Stapleton
“The Outsiders Revival Tour” Crew – Eric Church
“I Go Back Tour” Crew – Kenny Chesney
“Country On Tour” Crew – Luke Bryan
“2023 World Tour” Crew – Luke Combs
“One Night At A Time World Tour” Crew – Morgan Wallen
“No Bad Vibes Tour” Crew – Old Dominion
“Home Team Tour 23” Crew – Thomas Rhett

CATEGORY 2 – BACKLINE TECHNICIAN OF THE YEAR
Jason Baskin – Zac Brown Band
Melvin “Melvis” Fults – Kenny Chesney
Carlos Gutierrez – Dierks Bentley
Jason Herndon – Blake Shelton
Joel “Tico” Jimenez – Thomas Rhett
Jeremiah Langdon – Jelly Roll
Chris Miller – Keith Urban
Zach Rickard – Brothers Osborne

CATEGORY 3 – BUSINESS MANAGER OF THE YEAR
Renee Allen – Arnie Barn, Inc.
David Boyer – Flood, Bumstead, McCready & McCarthy, Inc.
Duane Clark – Flood, Bumstead, McCready & McCarthy, Inc.
Catherine Moore – Farris, Self & Moore, LLC
Caleb See – Curo Financial, LLC
Michael Vaden – Vaden Group/Elliott Davis
Kris Wiatr – Wiatr & Associates, LLC

CATEGORY 4 – COACH/TRUCK DRIVER OF THE YEAR
Ronnie Brown – Zac Brown Band
Josh Easter – Morgan Wallen
Rhett Evens – Thomas Rhett
Caleb Garrett – Luke Bryan
Justin Pullin – Old Dominion
Erin Siegfried – Lainey Wilson
Chris Simms – Jelly Roll
Wayne “Wayno” Sullivan – Blake Shelton/Keith Urban

CATEGORY 5 – FOH (FRONT OF HOUSE) ENGINEER OF THE YEAR
Brendan Hines – Jelly Roll
Aaron Lain – Morgan Wallen
Todd Lewis – Luke Combs
Ben Rigby – Eric Church
Arpad Sayko – Chris Stapleton
Trey Smith – Thomas Rhett
Ian Zorbaugh – Old Dominion

CATEGORY 6 – LIGHTING DIRECTOR OF THE YEAR
Zac Coren – Morgan Wallen
Philip Ealy – Kenny Chesney
Kevin Lichty – Old Dominion
Mac Mosier – Chris Stapleton
Kevin Northrup – Luke Combs
Taylor Price – Miranda Lambert
Austin Strain – Jelly Roll
Alec Takahashi – Thomas Rhett

CATEGORY 7 – MANAGER OF THE YEAR
Narvel Blackstock – Starstruck Entertainment
Virginia Bunetta – G-Major Management
Martha Earls – Neon Coast
Kerri Edwards – KP Entertainment
Clint Higham – Morris Higham Management
Marion Kraft – ShopKeeper Management
Mandelyn Monchick – Red Light Management
John Peets – Q Prime South

CATEGORY 8 – MONITOR ENGINEER OF THE YEAR
Bryan “Opie” Baxley – Kenny Chesney
Mark Davis – Jelly Roll
Logan Hanna – Brothers Osborne
Andy Hill – Zac Brown Band
Nathan Lowe – Eric Church
Jimmy Nicholson – Thomas Rhett
Dean Studebaker – Old Dominion
Scott Tatter – Dierks Bentley

CATEGORY 9 – PRODUCTION MANAGER OF THE YEAR
Chris Alderman – Blake Shelton
John Garriott – Chris Stapleton
Meesha Kosciolek – Eric Church
Erik Leighty – Miranda Lambert
Chris Nathan – Jake Owen
Earl Neal – Jason Aldean
Kevin Twist – Thomas Rhett
Ed Wannebo – Kenny Chesney

CATEGORY 10 – PUBLICIST OF THE YEAR
Janet Buck – Essential Broadcast Media
Paul Freundlich – PFA Media
Quinn Kaemmer – Big Machine Label Group
Tyne Parrish – The GreenRoom PR
Carla Sacks – Sacks & Co.
Jessie Schmidt – Schmidt Public Relations
Wes Vause – Press On Publicity
Jennifer Vessio – 1220 Entertainment Publicity

CATEGORY 11 – STAGE MANAGER OF THE YEAR
Sam “Sambo” Coats – Eric Church
Donnie Floyd – Morgan Wallen
Todd Green – Chris Stapleton
Matt Hornbeck – Luke Combs
Josh “Dude” Marcus – Jason Aldean
Tom Nisun – Kenny Chesney
Richard Rossey – Old Dominion
Justin Sumrall – Thomas Rhett

CATEGORY 12 – SUPPORT SERVICES COMPANY OF THE YEAR
4 Wall Entertainment
Clair Global
Dega Catering
Master Tour by Eventric
Moo TV
Richards & Southern

CATEGORY 13 – TALENT AGENT OF THE YEAR
Meredith Jones – CAA
Joey Lee – WME
Jonathan Levine – Wasserman Music
Darin Murphy – CAA
Adi Sharma – The Neal Agency
Aaron Tannenbaum – WME
Elisa Vazzana – UTA
Jay Williams – WME

CATEGORY 14 – TALENT BUYER/PROMOTER OF THE YEAR
Bradley Jordan – Peachtree Entertainment
Patrick McDill – Live Nation Nashville
Louis Messina – The Messina Group
Rich Schaefer – AEG Presents
Aaron Spalding – Live Nation Nashville
Ed Warm – Joe’s Concerts
Adam Weiser – AEG Presents

CATEGORY 15 – TOUR MANAGER OF THE YEAR
Matt Anderson – Old Dominion
Jason Hecht – Chris Stapleton
Luke Holton – Brothers Osborne
Chuck Hull – Keith Urban
Meg Miller – Lainey Wilson
Ethan Strunk – Luke Combs
Chris Thacker – Dierks Bentley
Jon Townley – Thomas Rhett

CATEGORY 16 – TOURING MUSICIAN OF THE YEAR
Rob Byus (Bass Guitar) – Blake Shelton
Paul Franklin (Steel Guitar) – Chris Stapleton/Vince Gill
Ben Helson (Guitar) – Dierks Bentley
Lee Hendricks (Bass Guitar) – Eric Church
Harmoni Kelley (Bass Guitar) – Kenny Chesney
Chris Kimmerer (Drums) – Thomas Rhett
Danny Mitchell (Piano) – Miranda Lambert
Kurt Ozan (Guitar) – Luke Combs

CATEGORY 17 – TOUR VIDEOGRAPHER/PHOTOGRAPHER OF THE YEAR
Mason Allen – Old Dominion
Andy Barron – Chris Stapleton
Zach Belcher – Dierks Bentley
David Bergman – Luke Combs
CeCe Dawson – Lainey Wilson
Tanner Gallagher – HARDY
Grayson Gregory – Thomas Rhett
Andy Pollitt – Jelly Roll

CATEGORY 18 – TOUR VIDEO DIRECTOR OF THE YEAR
Josh Clark – Miranda Lambert
Jay Cooper – Kenny Chesney
Houston Creswell – Dierks Bentley
Ron Etters – Chris Stapleton
Nate Fountain – Zach Bryan/Blake Shelton
Chris Jones – Jelly Roll
Ricky Krohne – Thomas Rhett
Michael Todd “M.T.” Stembridge – Eric Church

CATEGORY 19 – VENUE OF THE YEAR
Ascend Amphitheater – Nashville, Tennessee
BankNH Pavilion – Gilford, New Hampshire
Bridgestone Arena – Nashville, Tennessee
Choctaw Casino Resort – Durant, Oklahoma
Grand Ole Opry House – Nashville, Tennessee
Joe’s on Weed Street – Chicago, Illinois
Paycom Center – Oklahoma City, Oklahoma
Red Rocks Amphitheatre – Morrison, Colorado

CATEGORY 20 – UNSUNG HERO OF THE YEAR
Dallas Bowsier – Eric Church
Josh Castle – Dierks Bentley
RJ Estrella – Luke Combs
Kayla Carter Greear – Luke Bryan
Kelsey Maynard – Old Dominion
Todd Molle – Jake Owen
Mel Murphy – Live Nation Nashville
Tyler Rhodes – Thomas Rhett