Warner Chappell Music Nashville Adds Director, A&R

Christina Wiltshire

Warner Chappell Music Nashville has appointed Christina Wiltshire as its Director, A&R. In this position, she will work with and develop Warner Chappell Music Nashville songwriters as well as seek new talent for the company’s growing roster.

Most recently, Wiltshire served as Creative Director at Sea Gayle Music and previously served as Creative Coordinator at Patrick Joseph Music’s Nashville office. Wiltshire holds a Bachelor of Science in Hospitality Management from the University of South Carolina. While attending school she held internships at both Cornman Music and Warner Music Nashville.

“Christina is someone who is really making an impact in the Nashville songwriting community,” said Ben Vaughn, President & CEO of Warner Chappell Music Nashville. “Her impressive work ethic and attention to detail are apparent, as are her passion for music and her strong creative instincts. We’re very happy to welcome her to the team.”

“I’m excited to be joining the Nashville powerhouse that is Warner Chappell Music,” said Wiltshire. “I grew up living and breathing country music and knew early on that the publishing world was where I wanted to be because of the proximity to songs and their creators. To work with the amazing catalog and incredible roster at WCM is a dream come true for me, and I’m grateful to Ben and the entire team for the opportunity.”

CMT Music Awards: Carrie Underwood Takes Top Honor

Little Big Town returned as hosts for the 2019 CMT Music Awards, airing live from Nashville’s Bridgestone Arena on Wednesday.

Carrie Underwood was the top winner, earning both Female Video of the Year (“Love Wins”) and Video of the Year (“Cry Pretty”).

A full list of 2019 CMT Music Awards winners are below (in red):

Video of the Year
Carrie Underwood – “Cry Pretty”
Kane Brown – “Good as You”
Keith Urban feat. Julia Michaels – “Coming Home”
Kelsea Ballerini – “Miss Me More”
Luke Combs – “She Got the Best of Me”

Male Video of the Year
Cole Swindell – “Break Up in the End”
Eric Church – “Desperate Man”
Jason Aldean feat. Miranda Lambert – “Drowns The Whiskey”
Kane Brown – “Lose It”
Kenny Chesney – “Get Along”
Luke Bryan – “Sunrise, Sunburn, Sunset”
Thomas Rhett – “Life Changes”

Female Video of the Year
Brandi Carlile – “The Joke”
Carly Pearce – “Closer To You”
Carrie Underwood – “Love Wins”
Kacey Musgraves – “Space Cowboy”
Kelsea Ballerini – “Miss Me More”
Maren Morris – “Girl”
Miranda Lambert – “Keeper of the Flame”

Duo Video of the Year
Brothers Osborne – “I Don’t Remember Me (Before You)”
Dan + Shay – “Speechless”
Florida Georgia Line – “Simple”
LOCASH – “Feels Like A Party”
Maddie & Tae – “Friends Don’t”
Sugarland feat. Taylor Swift – “Babe”

Group Video of the Year
Eli Young Band – “Love Ain’t”
Lanco – “Born to Love You”
Little Big Town – “Summer Fever”
Midland – “Burn Out”
Old Dominion – “Hotel Key”
Zac Brown Band – “Someone I Used To Know”

Breakthrough Video of the Year
Ashley McBryde – “Girl Goin’ Nowhere (At Marathon Music Works)”
Jimmie Allen – “Best Shot”
Jordan Davis – “Take It From Me”
Mitchell Tenpenny – “Drunk Me”
Morgan Wallen – “Whiskey Glasses”
Runaway June – “Buy My Own Drinks”
Tenille Townes – “Somebody’s Daughter”

Collaborative Video of the Year
Brantley Gilbert and Lindsay Ell – “What Happens In A Small Town”
Darius Rucker feat. Jason Aldean, Luke Bryan, Charles Kelley – “Straight To Hell”
Dierks Bentley feat. Brothers Osborne – “Burning Man”
Jason Aldean feat. Miranda Lambert – “Drowns The Whiskey”
Keith Urban feat. Julia Michaels – “Coming Home”
Sugarland feat. Taylor Swift – “Babe”

CMT Performance of the Year
Boyz II Men and Brett Young – “Motownphilly (From CMT Crossroads)”
Luke Combs and Leon Bridges – “Beautiful Crazy (From CMT Crossroads)”
Maren Morris and Brandi Carlile – “(You Make Me Feel Like) A Natural Woman (From 2018 CMT Artists of the Year)”
Brett Eldredge and Meghan Trainor – “Let You Be Right (From CMT Crossroads)”
Karen Fairchild, Kimberly Schlapman and Gladys Knight – “I Can’t Make You Love Me” and “Help Me Make It Through the Night” (From 2018 CMT Artists of the Year)
Zac Brown Band and Shawn Mendes – “Keep Me In Mind (From CMT Crossroads)”

MSO PR Becomes SRO PR With Promotion Of Partner Marcee Rondan

The Mitch Schneider Organization (MSO PR) is rebranding to become the Schneider/Rondan Organization (SRO PR) to reflect the promotion of Marcee Rondan from Executive Vice President to Partner. The company will transition all its properties (website, social media platforms, email, etc.) in the coming weeks to SRO PR.

“Marcee has been a guiding light at MSO since the company’s inception in 1995, and I’m truly excited to officially welcome her as Partner,” says Schneider. “She’s been involved in key decisions about the company and its clients as well as overseeing employee policies that have strengthened us. This is all on top of Marcee being a terrific publicist who builds dynamic campaigns for our clients and expertly manages their best interests through the unpredictable scenarios that emerge in this 24/7 business. Her promotion opens a whole new chapter for the company.”

“So very proud to call Mitch ‘partner,'” Rondan says. “He’s been an inspiration to me and our entire staff, past and present, for years and I look forward to working alongside him as we continue to grow our business. It’s been an amazing experience so far and I’m happy to take on this role in an office in my beloved San Fernando Valley, where I grew up.”

Rondan first began working with Schneider at Levine/Schneider Public Relations as an intern in 1989 after graduating from the University of California at Irvine. At MSO, she became a Vice President in 1997, a Senior Vice President in 2000, and Executive Vice President in 2014. She will continue to work with America, Brian Setzer Orchestra, The Cult, Godsmack, Heart, Ozzy Osbourne, Rickie Lee Jones, the Stray Cats,and the Zappa Family Trust, along with such festivals as Made In America(Philadelphia), Ohana (Dana Point, CA) and Exit 111 (Manchester, TN).

Weekly Register: Lil Nas X Doesn’t Boost Billy Ray; Blake Shelton And Luke Combs Hold Tight

Pictured (L-R): Luke Combs, Blake Shelton

Lil Nas X‘s “Old Town Road” holds at No. 1 spot again this week on the overall streaming songs charts with 40 million streams and now at 490 million RTD, according to Nielsen Soundscan.

Looking at the country streaming songs chart, Blake Shelton’s “God’s Country” is the top streaming song this week with 11 million streams and 72 million RTD as it enters the second consecutive week at No. 1 on the MusicRow CountryBreakout Chart. Morgan Wallen‘s “Whiskey Glasses” comes in at No. 2 with 11 million streams (153 million RTD). Luke Combs holds the No. 3 and 4 spots with “Beautiful Crazy” (9.4 million TW/410 million RTD) and “Beer Never Broke My Heart” (8.5 million TW/32 million RTD), respectively. Rounding out the top 5 is Chris Stapleton‘s “Tennessee Whiskey” with 7.7 million streams TW/789 million RTD.

The top streaming country song debut is “Center Point Road” from Thomas Rhett ft. Kelsea Ballerini with 2.3 million streams.

For the albums chart, Billie Eilish has the No 1 all-genre album in the country this week with When We All Fall Asleep with 62K (13K album only).

Looking at country, Combs continues his domination at No. 1 with This One’s For You at 25K (2.9K album only and 28M streaming), as he preps a new EP The Prequel to be released Friday (June 7). Dan + Shay follow with their self-titled project at 17K (2.4K album only and 17M streaming). Wallen’s If I Know Me claims No. 3 with 13.5K (556 album only and 14.5M streams). Stapleton’s Traveller is at No. 4 with 12K (2.5K album only and 11M streams) while Jason Aldean‘s Rearview Town rounds out the top 5 this week with 11K (936 albums and 12M streams).

There were no country debuts in the top 100 although Billy Ray Cyrus—who is featured on a version of the No. 1 song in the country “Old Town Road”—released his The SnakeDoctor Circus and yet did not appear on the Top 100 Country Overall Album Consumption chart.

Justice Department Opens Formal Review Of Longstanding Consent Decrees

On Wednesday (June 5), the Justice Department opened a formal review and request for comment of music licensing consent decree rules that have been in place since 1941. The review of the consent decrees that rule music licensing for two of the industry’s dominant performing rights organization powerhouses—ASCAP and BMI—is also part of a broader examining of consent decrees that exist in several industries. ASCAP and BMI license approximately 90 percent of music in the United States.

The consent decrees were put in place to prevent anticompetitive behaviors and determine sensible licensing rates. The ASCAP consent decree was modified in 2001 and the BMI consent decree was modified in 1994. The decrees require ASCAP and BMI to issue licenses covering all works in their repertory upon request from music users. If the parties are unable to agree on an appropriate price for a license, the decrees provide for a “rate court” proceeding in front of a U.S. district judge. Neither decree contains a termination date.

However, the way music is consumed and valued in the marketplace has changed drastically since the consent decrees were established, especially with the domination of music streaming. Many publishers, songwriters and other music industry members have criticized the longstanding decrees, stating that they limit the ability of songwriters and publishers to obtain their own licensing agreements that could result in higher revenues in a free marketplace.

With the opening of the longstanding decrees to review, the Justice Department can now choose to either leave the consent decrees in place, modify the current regulations, or terminate them.

“The ASCAP and BMI decrees have been in existence in some form for over seventy-five years and have effectively regulated how musicians are compensated for the public performance of their musical creations,” said Makan Delrahim, Assistant Attorney General for the Antitrust Division. “There have been many changes in the music industry during this time, and the needs of music creators and music users have continued to evolve. It is important for the Division to reassess periodically whether these decrees continue to serve the American consumer and whether they should be changed to achieve greater efficiency and enhance competition in light of innovations in the industry.”

“Thanks to the DOJ’s review, we now have the unique opportunity to reimagine the music marketplace in today’s digital age. A more flexible framework with less government regulation will allow us to compete in a free market, which we believe is the best way for our music creators to be rewarded for the value of their music. A free market would level the playing field, encourage competition and allow us to innovate on behalf of music creators and licensees alike, while ensuring fair compensation for songwriters,” said ASCAP Chief Executive Officer Elizabeth Matthews.

“The DOJ’s long-anticipated review of the BMI and ASCAP consent decrees and call for public comment represent an opportunity to do what BMI has been advocating for years—modernize music licensing. BMI and ASCAP have already issued an open letter in which we share a proposed solution for the industry that will benefit music creators and licensees alike. We look forward to working with the DOJ, licensees and our other music partners to help ensure a smooth process that safeguards a vibrant future for music,” said BMI in a statement.

“Today’s announcement by the U.S. Department of Justice calling for a review the ASCAP and BMI consent decrees comes on the heels of very important positive changes already made in the way ASCAP and BMI’s songwriter performance royalties are determined,” said the Nashville Songwriters Association International (NSAI) in a statement. “Those changes, adopted as part of the Music Modernization Act (MMA), will likely result in ASCAP and BMI rate courts setting rates that more closely approximate fair market value.  We hope all stakeholders will  draw lessons from working together to pass the MMA and participate in a deliberate and thorough exercise of examining the decrees while working toward consensus solutions. The goal should be fairly compensating songwriters and developing a vibrant music marketplace for all interested parties.”

“We welcome the Department’s review of the burdensome regulations which have unfairly devalued the work of thousands of songwriters for far too long,” said NMPA’s President/CEO David Israelite. “While the Music Modernization Act included necessary improvements to the ASCAP and BMI consent decrees, there is much more that must be done to modernize the licensing system. We look forward to contributing to this examination and our hope is that DOJ thoughtfully deliberates and that this process produces a better, fairer climate for people to create the music that so many businesses need to be successful.”

The Antitrust Division has posted an invitation for public comment on its website, and has invited publishers, songwriters, licensees and other industry stakeholders to provide comments relevant to whether the ASCAP and BMI decrees should be updated, terminated or remain unchanged. The period for public comment ends July 10, 2019.

Celebration Of Life Gathering Set For Ralph Murphy

A celebration of life gathering has been set for longtime ASCAP executive and songwriter champion Ralph Murphy, who died May 28 at age 75. The event will be held June 25 from 2 p.m.-4 p.m. at Nashville’s 3rd & Lindsley (818 3rd Ave. S).

Murphy’s family, friends, and colleagues are invited to join for a time of sharing favorite memories, stories and music. In lieu of flowers, contributions can be made to Alive Hospice or Habitat for Humanity.

Carrie Underwood Adds Glastonbury Festival Date To UK Cry Pretty Tour

Carrie Underwood has added a special appearance at the legendary Glastonbury Festival on June 29 to her previously-announced overseas arena tour, The Cry Pretty Tour UK.

Underwood joins an all-star line-up at the festival that also includes Janet Jackson, The Killers, Hozier, The Cure, Bastille, Vampire Weekend, Sheryl Crow, Kylie Minogue and many others.

Underwood’s The Cry Pretty Tour UK will also include shows in Birmingham, England on June 28, in Cardiff; Wales on June 30; Glasgow, Scotland on July 2; Manchester, England on July 3; and London on July 4.

She is currently packing arenas on her North American tour, The Cry Pretty Tour 360, which kicked off on May 1 and will play 55 arenas across the U.S. and Canada this year.

Carrie Underwood Cry Pretty UK Tour Dates:
Friday, June 28 / Birmingham, England – Birmingham Resorts World Arena
Saturday, June 29 / Somerset, England – 2019 Glastonbury Festival of Contemporary Performing Arts
Sunday, June 30 / Cardiff, Wales – Cardiff Motorpoint Arena
Tuesday, July 2 / Glasgow, Scotland – The SSE Hydro
Wednesday, July 3 / Manchester, England – Manchester Arena
Thursday, July 4 / London, England – Wembley The SSE Arena

Tanya Tucker Returns With Brandi Carlile/Shooter Jennings-Produced Project

Album art: Steven Lyon

Tanya Tucker is back with a brand new album after 17 years, While I’m Livin’, which is set for release on Aug. 23 via Fantasy Records.

The new project was produced by Brandi Carlile and Shooter Jennings, and marks Tucker’s first for the label and her first new material since 2002’s Tanya. Tucker and Carlile will take the stage for a performance at tonight’s CMT Music Awards.

“Brandi is truly out of this world. She’s talented, smart, funny, never ever slows down and has a heart of gold,” says Tucker of the collaboration. “I just love her. She was like my shadow when we were in the studio. Every time I turned around, she was there. And Shooter, I’ve known him since he was a baby. He’s the one who brought us all together. So I’m ready to get this music out there because it’s different than anything I’ve ever done.”

While I’m Livin’ is largely comprised of songs written by Carlile, the twins Tim and Phil Hanseroth and Tucker. The album’s debut song is “The Wheels of Laredo.” On “The Day My Heart Goes Still” she reflects on her enduring love for her late father, while “Mustang Ridge” recalls Tucker’s hardscrabble childhood in central Texas. While I’m Livin’ also contains some covers including “High Ridin’ Heroes,” a 1987 song Shooter selected that featured David Lynn Jones and his dad, Waylon Jennings, Miranda Lambert’s “The House That Built Me,” and “Hard Luck” the 1979 chestnut by country-rockers, Josefus.

“It’s a musical biography of sorts,” said Carlile, “about Tanya’s real life and the places she’s seen, and it’s narrated by the greatest country and western singer this side of Johnny Cash. We have so few opportunities to thank the legends that have influenced the generations of Country music singers and writers. With Tanya we have quite an opportunity because she’s young. I’m drawn to Tanya Tucker because she’s been to hell and to heaven, not to mention every square inch of Texas. She’s lived, she’s living, she’s got something to say and I’m listening.”

While I’m Livin Tracklist:
1. Mustang Ridge (written by Brandi Carlile, Tim Hanseroth and Phil Hanseroth)
2. The Wheels Of Laredo (written by Brandi Carlile, Tim Hanseroth and Phil Hanseroth)
3. I Don’t Owe You Anything (written by Brandi Carlile, Tim Hanseroth and Phil Hanseroth)
4. The Day My Heart Goes Still (written by Brandi Carlile, Tim Hanseroth and Phil Hanseroth)
5. High Ridin’ Heroes (written by David Lynn Jones)
6. The House That Built Me (written by Tom Douglas and Allen Shamblin)
7. Hard Luck (written by John C. “Pete” Bailey, David Lee Mitchell, Raymond L. Turner and Jerry Ontiberoz)
8. Rich (written by Brandi Carlile, Tim Hanseroth and Phil Hanseroth)
9. Seminole Wind Calling (written by Brandi Carlile, Tim Hanseroth and Phil Hanseroth)
10. Bring My Flowers Now (written by Tanya Tucker, Brandi Carlile, Tim Hanseroth and Phil Hanseroth)

Midland Sets New Album Release For August

Country trio Midland earned a chart-topping country album with their debut On the Rocks, along with a Grammy nod for Best Country Performance by a Duo or Group, as well as Best Country Song (for their hit “Drinkin’ Problem”). They were also honored with the ACM New Vocal Duo or Group of the Year award in 2018.

The trio returns Aug. 23 with their sophomore album Let It Roll. Produced by Dann Huff, Shane McAnally and Josh Osborne, the new album returns to the neo-traditional country sounds that made Midland’s Mark Wystrach, Cameron Duddy and Jess Carson gain a buzz at country radio.

“We want to keep things fresh and real,” says Duddy. “The beauty of being in Dripping Springs and spending so much time on the road, we don’t get caught up in what’s trending. We’re able to follow our hearts (and our livers) to where we think country is the best.”
“Everything we’ve learned out on the road touring On The Rocks is all right here on this album,” says Wystrach. “These songs are deeply personal and from the heart.”
“A lot of what was is still so cool, and with the help of Dann, Shane and Josh, as well as the support of Scott and Big Machine, we’re able to be true to the music and keep our kind of country alive,” says Carson.

Carrie Underwood, Kane Brown, Dan+Shay Playing Free Nashville Shows For CMT Music Awards

Carrie Underwood. Photo: Steve Jennings

Carrie Underwood will play a free, one-song performance in Nashville leading up to tonight’s (June 5) 2019 CMT Music Awards.

The performance is scheduled for tonight at the Parthenon in Centennial Park. To get a priority wristband for the one-song performance that will air during the awards show, organizers advised to arrive at the Parthenon at Centennial Park at 9:30 a.m. on Wednesday. Those unable to get a priority wristband can line up for general admission ahead of the performance on Wednesday evening. Those who receive a wristband are asked to arrive at the Parthenon at 6:30 p.m. tonight and must arrive by 7:30 p.m. or forfeit an opportunity for priority placement.

Underwood is a finalist nominee for the CMT Video of the Year award for her clip “Cry Pretty,” and is currently headlining her Cry Pretty Tour 360, which includes Maddie & Tae and Runaway June.

Additionally, the outdoor stage at Broadway & 5th Avenue (just outside of Bridgestone Arena) will feature performances from Toby Keith, Cole Swindell, Dan+Shay and Kane Brown. Fans should arrive at Broadway and 5th Avenue by 6:30 p.m. for these performances. Brown is also nominated as a finalist for the Video of the Year honor, for the video clip for his latest chart-topper “Good As You.”