CMA’s Female-Focused Awards Show Sees 12% Increase In Viewership For 2019

Carrie Underwood, with special guest hosts Dolly Parton and Reba McEntire, host “The 53rd Annual CMA Awards” live from Bridgestone Arena in Nashville Wednesday, November 13 on ABC. Photo: John Russell/CMA

In an evening brimming with strong performances from female artists, and hosted by a trio of country music’s queens—namely, Reba McEntire, Dolly Parton and Carrie Underwood—this year’s CMA Awards telecast on Nov. 13 saw a 12% increase in viewership over the previous year.

Last night’s awards show earned a 2.0 rating in the adults 18-49 demographic, and brought in 11.3 million viewers, according to zap2it.com (Live+SD ratings), marking a 12% increase from 2018’s 10.1 million viewers (and 2018’s comparable 2.1 rating in the 18-49 demo).

Garth Brooks was the evening’s top winner, taking home his seventh Entertainer of the Year honor. Kacey Musgraves was named Female Vocalist of the Year (and earned Music Video of the Year for “Rainbow”). Maren MorrisGIRL was Album of the Year, while Luke Combs was named Male Vocalist of the Year and earned Song of the Year for “Beautiful Crazy.” Blake Shelton‘s “God’s Country” was named Single of the Year. Dan+Shay was named Vocal Duo of the Year, while Old Dominion earned Vocal Group of the Year. Ashley McBryde was named New Artist of the Year, while Jenee Fleenor was named Musician of the Year. Lil Nas X and Billy Ray Cyrus‘ “Old Town Road” was named Musical Event of the Year.

DISClaimer: Hannah Dasher Gets “Wildly Imaginative” On Funky Track “Stoned Age”

The emphasis was on female country artists on this year’s CMA Awards show.

So I am happy to report that the women didn’t let us down in this week’s edition of DisClaimer. Kelsea Ballerini, Farewell Angelina, Henriette, Honey County and JaeLee Roberts all turned up with stellar performances.

Best of ‘em all is witty Hannah Dasher, who wins the Disc of the Day award. Right behind her is an equally deserving DisCovery Award winner, Kelsey Lamb. Listen to these ladies. Now.

FAREWELL ANGELINA/More Problems
Writers: none listed; Producer: none listed; Publisher: none listed; Farewell A
– Feisty and frisky, with a touch of sass and a lotta class. These ladies have it all going on with this uptempo, devil-may-care romp. Not a care in the world, because you know what they say, “more money, more problems.”

KELSEA BALLERINI/Club
Writers: none listed; Producer: none listed; Publisher: none listed; Black River
– Catchy and clever. The pop track is super rhythm happy, even though the lyric is downbeat. She’s particularly effective in her lower register here, as well as in the double-tracked choruses.

HONEY COUNTY & SPENCER CRANDALL/Under Your Influence
Writers: Dani Rose/JP Williams/Maks Gabriel; Producer: none listed; Publisher: none listed; 117Group
– They sing well, but the song meanders aimlessly. Tenor vocalist Spencer sounds especially promising here.

CHRIS STAPLETON/Second One To Know
Writers: none listed; Producer: none listed; Publisher: none listed; Mercury
-His Southern-rock influences are front and center on this rousing, bluesy, roaring outing. The video features Chris and the band as Lego figures battling evil ninjas and a dragon.

JAELEE ROBERTS/One’s Real Life
Writers: Jaelee Roberts; Producer: Deanie Richardson & Brandon Bostic; Publisher: none listed; Euphony
– This newcomer has a harmony-soaked approach to bluegrass. Liquid vocals and fiery picking. What’s not to like?

MORGAN EVANS/Diamonds
Writers: Morgan Evans/Chris DeStefano/Evans Bogart; Producers: Evans/DeStefano; Publisher: none listed; Warner Music
– The plinkety plunk rhythms and looped guitar notes tip you off that this is another gem from the one-man band. It ain’t very country, but it definitely gets your attention.

HENRIETTE/Dream Boy
Writers: none listed; Producer: none listed; Publisher: none listed; Dr. Music
– She is from Germany, but her recent sojourn in Music City has evidently paid off in songwriting chops. This lilting, charming tune comes wafting through the speakers like a summer breeze. An audio vacation trip to a lovely land.

MATT STELL/Everywhere But On
Writers: Lance Miller/Matt Stell/Paul Sikes; Producer: none listed; Publishers: W.B.M./Sony-ATV Accent/Pedal Down/Presley Jake, no performance rights listed; Arista
– Very cool. She’s left him, but he can’t stop thinking about her. “I’ve moved everywhere but on,” he sings. This “Prayed for You” fellow shows here he’s got more where that came from. There’s a soaring guitar solo in it that I really liked, too.

KELSEY LAMB/Girl at the Bar
Writers: Kelsey Lamb/Taylor Goyette/Jean Nolan; Producers: Matt McVaney/Josh Hoge; Publisher: none listed; Marco
– Best song of the listening session, hands down. The lyric is full of terrific details and emotional truths and poignant passages. Her performance is an arrow to the heart, and the production is a wonder of dynamics and power. A total winner.

HANNAH DASHER/Stoned Age
Writers: none listed; Producer: Jaren Johnston/Oscar Charles; Publisher: none listed; ASCAP; Sony
– Ya gotta love this lyric, with its echoes of ‘60s icons, references to Southern rockers and comments on getting high. Janis Joplin, Keith Richards, The Allman Brothers, Marshall Tucker and Burt Reynolds are all name dropped as she drawls with abundant personality and the beats lay funky on top of funky. Wildly imaginative, addictive listening.

Zac Brown Band Adds Spring Dates To The Owl Tour

The Zac Brown Band will extend The Owl Tour into Spring 2020. The new upcoming dates will feature support from Amos Lee and Jason ‘Poo Bear’ Boyd throughout the run, which takes its name from Zac Brown Band’s album The Owl. The Spring jaunt will include a stop at Nashville’s Bridgestone Arena on April 25.

Last summer, the group brought the 32-stop tour to some of the nation’s most iconic venues, such as Boston’s Fenway Park, where ZBB played two consecutive sold-out shows.

“The energy throughout ‘The Owl Tour’ has been electric at every stop,” said Zac Brown. “It’s been an unforgettable year and we’ve had so much fun sharing the new music with our fans. We can’t wait to get back on the road next spring.”

Tickets will go on sale to the general public beginning Friday, Nov. 22 at LiveNation.com. The Zamily Fan Club pre-sale will begin on Nov. 19. Citi is the official presale credit card of the Zac Brown Band The Owl Tour Spring 2020, and Citi cardmembers will have access to purchase presale tickets beginning November 20 through November 21 through CitiEntertainment.

“The Owl Tour” Spring 2020 Dates:
Feb 28, 2020 – Moline, IL – TaxSlayer Center *
Feb 29, 2020 – Lincoln, NE – Pinnacle Bank Arena *
Mar 04, 2020 – Raleigh, NC – PNC Arena *
Mar 05, 2020 – Knoxville, TN –  Thompson Boling – Arena *
Mar 06, 2020 –  Lexington, KY – Rupp Arena *
Mar 12, 2020  – St. Louis, MO – Enterprise Center *
Mar 13, 2020  – Columbus, OH – Nationwide Arena *
Mar 14, 2020  – Detroit, MI  – Little Caesars Arena * (on-sale Monday, November 25)
Mar 15, 2020 – Toronto, ON – Scotiabank Arena *
Mar 26, 2020 – Salt Lake City, UT – Maverik Center *
Mar 27, 2020 – Las Vegas, NV – T-Mobile Arena *
Mar 28, 2020 – Phoenix, AZ – Ak-Chin Pavilion *
Apr 15, 2020 – Sioux Falls, SD – Denny Sanford PREMIER Center *
Apr 16, 2020 – Kansas City, MO – Sprint Center *
Apr 17, 2020 – Little Rock, AR – Simmons Bank Arena *
Apr 23, 2020 – Charlottesville, VA – John Paul Jones Arena *
Apr 24, 2020 – Greenville, SC – Bon Secours Wellness Arena *
Apr 25, 2020 – Nashville, TN – Bridgestone Arena *
July 24, 2020 Shakopee, MN Twin Cities Summer Jam+
July 25, 2020 Monticello, IA Great Jones County Fair+

* Denotes special guests Amos Lee and Poo Bear
+ Denotes festival stops

 

Apple Music Launches Replay Playlists

Apple Music has launched Replay playlists as an added feature for subscribers. Beginning now, subscribers can relive the highs, lows and in-betweens of 2019 with the songs, artists, and albums that soundtracked and defined their year. Additionally, with Apple Music Replay a playlist is created with the top songs for 2019 and one for every year a customer has subscribed. Playlists can be saved to the library and shared with friends.

Apple Music Replay can be accessed all year long and the Apple Music Replay playlist and data insights update on Sundays with the latest listening activity.

Mechanical Licensing Collective, Digital Licensee Coordinator Reach Agreement

The Mechanical Licensing Collective (the MLC) and the Digital Licensee Coordinator, Inc. (the DLC) announced today (Nov. 14) an agreement that will allow the MLC to perform critical tasks as directed under the Music Modernization Act (MMA).

The agreement states that the MLC will receive $33.5 million for start-up costs and an initial annual assessment for 2021 of $28.5 million; that the MLC will provide public disclosures, including as to royalty collection and distribution, executive compensation, significant expenses, and projected annual budgets; and the creation of a new budgeting advisory committee comprised of equal numbers of representatives of the MLC and the DLC, which will enhance collaboration in evaluating operating costs.

MLC Board Chair Alisa Coleman and DLC Board Chair James Duffett-Smith offered the following statement upon announcement of the agreement:

“Today’s agreement between the MLC and the DLC represents a landmark achievement for every facet of the music industry. As a result of this accord, the central feature of the Music Modernization Act will be able to commence operations with the resources necessary to help ensure its success.

“Overall, this agreement is a great step forward for all of us within the music community and clearly builds off the tremendous progress we made with the passage the Music Modernization Act. With this phase behind us, we will now continue our work together to finalize the operations and other requirements under the law as we prepare to help songwriters get the royalties they are owed.”

NMPA President & CEO David Israelite said, “The deal struck with the biggest streaming companies in the world to fund the collective’s start up and future operational costs is an important step forward for our industry. The collective is an unprecedented agency serving both songwriters and steaming services so that the entire system works better. We are pleased the digital services met the budgetary requirements to ensure the success of the MLC’s mission. The Music Modernization Act contained ambitious requirements and this agreement will give all parties a good head start on achieving its goals.”

Highlights of the agreement include:

  • Funding Agreement Demonstrates a Commitment to Getting Implementation Right
    • The MLC will receive $33.5 million for start-up costs and an initial annual assessment for 2021 of $28.5 million.
    • All costs will be divided up among licensees, with the largest services paying a greater share.
    • Interim financing will be provided for the MLC before formal assessment collections begin in 2021.
  • Continued Commitment to Operational Transparency
    • The MLC will provide public disclosures, including as to royalty collection and distribution, executive compensation, significant expenses, and projected annual budgets.
  • Collaboration In Evaluating Operating Costs Builds Off Spirit of MMA
    • Creation of new budgeting advisory committee comprised of equal numbers of representatives of the MLC and the DLC that will enhance collaboration in evaluating operating costs.
    • The committee will provide input on future budgets and modifications to the annual assessment going forward.
    • Streamlined budget adjustments and assessment dispute process will limit the need to turn to the Copyright Royalty Board.

Established by the MMA, the MLC is a nonprofit entity designated by the United States Copyright Office to develop and administer a revolutionary mechanical licensing system that will launch on Jan. 1, 2021. The MLC will be responsible for collecting and distributing royalties payable to songwriters and copyright owners by digital music services, and for the creation of a first-of-its-kind, public database that will contain critical copyright information on all musical works.

The DLC is a nonprofit entity designated by the United States Copyright Office to represent the interests of digital music services under the MMA. The founding members of the DLC board are Amazon, Apple, Google, Pandora and Spotify.

For more information, visit themlc.com.

Big Machine Label Group Celebrates CMA Night

Pictured (L-R): Thomas Rhett, Scott Borchetta and Brantley Gilbert attend Big Machine Label Group celebration of The 53rd Annual CMA Awards in Nashville at The Bell Tower on November 13, 2019 in Nashville, Tennessee.(Photo: Jason Kempin/Getty Images for Big Machine Label Group

Big Machine Label Group celebrated several performers during last night’s (Nov. 13) Country Music Association Awards. Reba McEntire, Sheryl Crow, Lady Antebellum, Thomas Rhett, Jennifer Nettles and Carly Pearce all performed, while Nettles and Midland both presented honors.

NASHVILLE, TENNESSEE – NOVEMBER 13: (Back row, L-R) Andrew Kautz, Kelby Ray of The Cadillac Three, Allison Jones, Lauren Jenkins, Riley Green, Noah Schnacky, Tyler Rich, Brett Young, Sami Bearden, Savana Santos and Sam Backoff of Avenue Beat, Dan Smalley, Conner Smith, Callista Clark; (Middle row, L-R) Justin Moore, Danielle Bradbery, Neil Mason of The Cadillac Three, Jess Carson and Mark Wystrach of Midland, Sandi Spika Borchetta, Scott Borchetta, Hillary Scott, Charles Kelley and Dave Haywood of Lady Antebellum, Carly Pearce, Brantley Gilbert; (Front row, L-R): Jaren Johnston of The Cadillac Three, Thomas Rhett and Scooter Braun attend Big Machine Label Group celebration of The 53rd Annual CMA Awards in Nashville at The Bell Tower on November 13, 2019 in Nashville, Tennessee. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Pictured (L-R): Scooter Braun, Lindsay Ell and Scott Borchetta. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Pictured (L-R): Mary Travis, Scott Borchetta, Randy Travis and Allison Jones. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Pictured (L-R): Andrew Kautz and Justin Moore. Photo: Jason Kempin/Getty Images for Big Machine Label Group

Warner Music Nashville Celebrates CMA Wins For Blake Shelton, Dan+Shay, Ashley McBryde

Photo (Front Row, L-R); Ingrid Andress; Wes Vause (SVP Publicity, WMN); Morgan Evans; Devin Dawson; Michael Ray; Ryan Griffin. (Second Row, L-R): Cody Johnson, Gabby Barrett, Kristen Williams (SVP Radio & Sreaming, WMN); Dan Smyers (Dan + Shay); John Esposito (Chairman & CEO, WMN); Ashley McBryde; Cris Lacy (Exec. VP, A&R, WMN); Sophie Dawn (Walker County). (Third Row, L-R): Victoria Nugent (VP Strategic Marketing, WMN); Shy Carter, Tim Foisset (VP Streaming, WMN); Cale Dodds; Trea Landon; Shay Mooney (Dan + Shay); Matt Signore (COO, WMN); Ben Kline (EVP / GM, WMN); Scott Hendricks (EVP A&R, WMN); Chris Janson; Randall King; Troy Cartwright; Ivy Dene (Walker County); Shane Tarleton (SVP Artist Development, WMN); Cole Swindell. (Fourth Row, L-R): Diego Navaira (The Last Bandoleros); Emilio Navaira (The Last Bandoleros), Jerry Fuentes (The Last Bandoleros), Derek James (The Last Bandoleros), Brad Rempel (High Valley); Curtis Rempel (High Valley); Logan Turner (Bexar); Chris Ryan (Bexar); Dee White; Tyler Braden

Warner Music Nashville celebrated huge wins during last night’s CMA Awards (Nov. 13). Blake Shelton took home Single of the Year for “God’s Country,” (co-written by Warner Music labelmate Devin Dawson). Dan+Shay took home their first CMA Award for Duo of the Group, while Ashley McBryde earned New Artist of the Year.

Photo (L-R): John Esposito (Chairman & CEO, WMN); Blake Shelton; Gwen Stefani; Max Lousada (CEO of Recorded Music, WMG); Chris Janson; Aaron Bay-Schuck (Co-Chairman & CEO, Warner Records); Kelly Janson. Photo: Katie Kauss

Photo (L-R): Ashley McBryde; Blake Shelton. Photo: Katie Kauss

Photo (L-R): Dan Smyers (Dan + Shay); Devin Dawson; Max Lousada (CEO of Recorded Music, WMG); Scott Hendricks (EVP A&R, WMN); John Esposito (Chairman & CEO, WMN); Shay Mooney (Dan + Shay); Blake Shelton; Ashley McBryde. Photo: Katie Kauss

Universal Music Group Artists Gather For CMA Afterparty At Musicians Hall Of Fame

Back row (L-R): Jon Pardi, Brothers Osborne’s John Osborne and TJ Osborne, UMG Nashville Chairman & CEO Mike Dungan. Front row (L-R): Tae Dye (Maddie & Tae), Carrie Underwood, UMG Nashville President Cindy Mabe, Maddie Marlow (Maddie & Tae). Photo Credit: Chris Hollo

Universal Music Group Nashville celebrated the 53rd Annual CMA Awards last night (Nov. 13) at an after-party at the Musicians Hall of Fame. Along with host Carrie Underwood, Brothers Osborne and Maddie & Tae both performed earlier in the evening during the telecast.

Pictured: Kassi Ashton, UMG Nashville Chairman & CEO Mike Dungan, UMG Nashville President Cindy Mabe, Kylie Morgan, Parker McCollum, Brandon Lay, Travis Denning, Jordan Davis, Adam Hambrick, Clare Dunn. Photo Credit: Chris Hollo

Sony Music Nashville Celebrates Triumphant Night With Five CMA Wins

(L-R): Lil Nas X; Ken Robold, Sony Music Nashville COO; Old Dominion’s Trevor Rosen; Rob Stringer, Sony Music Entertainment CEO; Old Dominion’s Geoff Sprung; Maren Morrs; Ryan Hurd; Randy Goodman, SMN Chairman and CEO; Old Dominion’s Brad Tursi; Luke Combs; Old Dominion’s Whit Sellers and Matthew Ramsey; Steve Hodges, SMN EVP Promotion and Artist Development; Chris Young. Photo: Alan Poizner

Sony had plenty to celebrate following last night’s 53rd Annual CMA Awards as Sony artists took home five trophies, nearly half the night’s 12 categories.

Luke Combs was named Male Vocalist of the Year for the first time, and also took home Song of the Year for his triple Platinum-certified, multi-week No. 1 hit “Beautiful Crazy” (co-written with Wyatt Durrette and Rob Williford). Combs took the stage performing his recent No. 1 hit “Beer Never Broke My Heart” and kicked off CMA morning by performing his current single “Even Though I’m Leaving” and “What You See Is What You Get,” the title track from his just-released album, on ABC’s Good Morning America.

Lil Nas X was an early winner in the day, getting the trophy for Musical Event of the Year for his record-breaking smash “Old Town Road (Remix)” featuring Billy Ray Cyrus, which was announced live on GMA.

Maren Morris won her first Album of the Year trophy for her history-making sophomore LP GIRL, which she also produced with Greg Kurstin and busbee. Morris helped open the show, performing alongside some of country’s most legendary female vocalists, including show co-hosts Carrie Underwood, Reba McEntire, and Dolly Parton. She later performed her No. 1 smash “GIRL.”

Old Dominion were named Vocal Group of the Year for the second consecutive time and performed their current Top 3 single “One Man Band.”

Miranda Lambert treated the crowd to her new single “It All Comes Out in the Wash” while Brooks & Dunn gave a fiery rendition of “Hard Workin’ Man” featuring Brothers Osborne.

2019 CMA Awards: Garth Brooks Takes Seventh Entertainer Honor, Luke Combs, Maren Morris, Kacey Musgraves Celebrate Top Wins

Garth Brooks wins CMA Entertainer of the Year at “The 53rd Annual CMA Awards” live from Bridgestone Arena in Nashville Wednesday, November 13 on ABC. Photo: Donn Jones/CMA

This year’s CMA Awards ceremony was billed as a night that would focus on the contributions female artists have made—and are making—to the country music genre. After 11 years of co-hosts Brad Paisley and Carrie Underwood leading the show, for the 53rd annual event it was announced that Underwood would serve as host, joined by guest hosts Reba McEntire and Dolly Parton.

From the show’s opening moments on Wednesday, Nov. 13, which featured McEntire, Parton, and Underwood collaborating on “Those Memories of You,” a song made famous by Parton, Linda Ronstadt and Emmylou Harris on their 1987 album Trio, the evening’s performances showcased the decades of influence of the female voice and perspective on country music.

“We are doing it for all of the little girls watching tonight, dreaming of ruling the world of country music—or maybe just ruling the world,” said Reba.

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Parton is the second female artist to have won Entertainer of the Year (in 1978), while McEntire won in 1986. Underwood was nominated this year for the coveted Entertainer trophy (she was previously nominated for the honor in 2016).

Fourteen female country hitmakers shared the stage in the opening number. They paid tribute to the CMA’s very first female Entertainer of the Year winner Loretta Lynn (who won the honor in 1972) with “You’re Looking At Country,” as performed by Little Big Town’s Karen Fairchild and Kimberly Schlapman, along with Jennifer Nettles (who should have won an award for her bold red carpet outfit alone—a suit and cape embroidered with a stark message to country radio—“Play Our F*@#!N Records Please & Thank You”).

The Highwomen (Maren Morris, Brandi Carlile, Amanda Shires and Natalie Hemby) offered a rendition of Tammy Wynette’s “Your Good Girl’s Gonna Go Bad,” while Tanya Tucker performed her own hit “Delta Dawn,” the track that introduced the world to a precocious 13-year-old Tucker in 1972.

Gretchen Wilson offered “Redneck Woman,” while Crystal Gayle performed her signature “Don’t It Make My Brown Eyes Blue.” Terri Clark powered through “Better Things To Do,” while Sara Evans performed her 2000 hit “Born To Fly.” Powerhouse vocalist Martina McBride made a dramatic entrance on “Independence Day.”

Curiously, though hitmaker and Grammy winner Trisha Yearwood was in the audience—and has released two albums in the past year—somehow she was not among the talented female performers featured throughout the evening.

Awards day started off with promising female wins, as Jenee Fleenor was named Musician of the Year prior to the telecast. Fleenor is both the first female to be nominated—and to win—the honor in CMA history.

CMA Single of the Year winner, Blake Shelton performs with surprise guest and CMA Musician of the Year winner Jenee Fleenor. Photo: John Russell/CMA

Warner Music Nashville artist Ashley McBryde, known for her breakthrough songs including “Girl Goin’ Nowhere” and “A Little Dive Bar in Dahlonega,” was named New Artist of the Year. The crowd roared a hearty applause as she took the stage.

“I once had the pleasure of playing a tribute show for Mr. John Prine and the next day he shook my hand and he said, ‘You’re real good. You’re no Reba, but you’re real good.’ I cherish those little moments that are like that that are truth and guidance from voices that we respect and admire. And I’m thankful for that and for this and for the opportunity to step up.”

The evening also offered first-time winners in several categories.

Janie Fricke, Pam Tillis, Martina McBride and Kathy Mattea presented UMG Nashville artist Kacey Musgraves with her first Female Vocalist of the Year honor. Musgraves also picked up the Music Video of the Year honor earlier in the day for “Rainbow.” Musgraves has previously taken home four CMA Awards, including New Artist of the Year, Song of the Year, Album of the Year (Golden Hour) and the International Achievement Award.

“The female creative spirit, the female energy is really needed right now. Whether it’s me up here or any of the other women in this category, it’s a beautiful thing…I’m really grateful to be here,” Musgraves said.

Warner Music Nashville’s John Esposito and team had more to celebrate, as Blake Shelton earned his first Single of the Year win, for “God’s Country.” He dedicated his win to two beloved industry members we lost this year, busbee and Earl Thomas Conley.

Sony Music Nashville’s Morris picked up a major win, earning her first Album of the Year accolade for GIRL, which she co-produced alongside Greg Kurstin and the late busbee.

“Thank you so much. This is incredible. Thank you country music and to my peers in this room that I respect so much for voting for me for this,” she said. Morris went on to thank her manager Janet Weir, husband Ryan Hurd, and producer Kurstin, before paying tribute to busbee, who passed away in late September at age 43.

“I would be really remiss if I didn’t mention a huge facet of why this album sounds the way it does, and we miss him so dearly,” Morris said. She also thanked his wife, Jess. “Thank you for sharing your husband with us…My heart goes out to you and your beautiful daughters. I hope that when they listen to this record or any of the songs he made that made us all better, they know how amazing their father was,” Morris added.

Sony Music Nashville’s Randy Goodman and team continued to celebrate as another label artist, Luke Combs, took home two honors, including the coveted Male Vocalist of the Year honor, Combs’ first time receiving the award. The crowd roared “Luuuuuke” as he took the stage to accept the honor.

He recalled watching as Vince Gill won the award numerous times in the ‘90s. “Everybody in this room means everything to me, and this award means everything to me. This is a moment I will never forget.” Combs said.

Combs’ song “Beautiful Crazy,” which he wrote alongside Wyatt Durrette and Robert Williford, was named Song of the Year. Combs also performed “Beer Never Broke My Heart.” The honors cap a week that has seen Combs release his sophomore full-length album, What You See Is What You Get, which is poised to debut at No. 1.

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Warner Music Nashville earned another accolade as Dan + Shay‘s Dan Smyers and Shay Mooney celebrated their first win as CMA Vocal Duo of the Year.

“This is overwhelming. I mean, Brooks & Dunn, are you kidding me? I have so many family and friends watching right now,” Mooney said before thanking country radio and sending love to his grandmother. “I love country music it raises us and teaches us so much about empowerment.”

“Thank you country radio for playing these songs and the country music fans,” Smyers added.

Lil Nas X was an early winner in the day, getting the trophy for Musical Event of the Year for his record-breaking smash “Old Town Road (Remix)” featuring Billy Ray Cyrus.

This year’s awards show performances continued putting country music’s female entertainers in the spotlight.

Morris, who had the most nominations this year with six, performed a soulful rendition of “Girl,” surrounded by a stage of flowers, and clad in a white dress with flowing sleeves. Reba stunned with a take on her classic “Fancy,” with an elaborate, multilayered costume.

Kelsea Ballerini offered an acoustic rendering of a new track “homecoming queen?” before she was joined by Lindsay Ell on guitar for a tribute to Little Big Town with a version of “Girl Crush”—they were later joined by Maddie & Tae and Runaway June, Ashley McBryde and Carly Pearce, before Little Big Town added their signature harmonies as all the performers met center stage.

“You are looking at the future of country music,” Fairchild told the audience both in the Bridgestone Arena and at home.

Female Vocalist of the Year winner Musgraves teamed with music legend and fellow Texan Willie Nelson for the chill “Rainbow Connection.”

The ladies of country music weren’t the only ones with amazing collabs.

Brooks & Dunn were joined by Brothers Osborne on B&D’s “Hard Workin’ Man.” Garth Brooks and Blake Shelton teamed for their first televised performance of “Dive Bar.”

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A few pop collabs were included, as P!nk and Chris Stapleton joined forces for “What Would You Say.” P!nk previously performed on the CMA Awards in 2017, when she performed the song “Barbies.” Halsey and Lady Antebellum teamed for Lady A’s “What If I Never Get Over You” and Halsey’s “Graveyard.”

While some female artists did perform their current or recent singles (Miranda Lambert’s literally bubbly performance of “It All Comes Out In The Wash” or Carrie Underwood’s soaring and sultry “Drinking Alone”), the majority of new music came from the male performers. Shelton performed “God’s Country,” while Thomas Rhett offered “Remember You Young,” backed by a string section.

Entertainer of the Year nominees Keith Urban and Eric Church each offered acoustic takes on current releases, as Urban performed “We Were” and Church performed “Some Of It.” Sony Music Nashville continued its hot streak as Old Dominion picked up their second Vocal Group of the Year honor and performed their single “One Man Band.”

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Parton led a three-song performance, joined by CCM artists Zach Williams and for King & Country. for King & Country and Parton began with “God Only Knows,” and Williams joined on “There Was Jesus.” She then performed her newly-released chart-topper “Faith,” backed by the Christ Church choir.

Joe Walsh, John Osborne, Sheryl Crow and Dierks Bentley teamed to tribute Kris Kristofferson, the winner of the Willie Nelson Lifetime Achievement Award. They offered “Me and Bobby McGee,” along with Chris Janson on harmonica.

With early female wins for New Artist and Album, and the awards show’s focus on giving face time to female artists in light of their struggles at country radio in recent years, the evening seemed primed for the sole female Entertainer nominee, Underwood, to take home the trophy. Fellow nominees Keith Urban, Chris Stapleton and Eric Church also led top-selling tours this year.

However, Garth Brooks‘ juggernaut of stadium shows, including an upcoming stop this weekend at Knoxville’s Neyland Stadium, won the evening, as he was announced as the 2019 Entertainer of the Year, making it his seventh win. Brooks—notably the only 2019 Entertainer nominee not on the UMG Nashville roster—extends his record streak as as the artist with the most CMA Entertainer wins. This year, in addition to his stadium tour, Brooks also teamed with Shelton for the single “Dive Bar,” and led his own string of pop-up club shows in various cities, dubbed the Dive Bar Tour.

In true modest Brooks fashion, he used the majority of his acceptance speech to single out other entertainers that evening that he enjoyed.

“Very sweet. Always try to call it like I see it,” Brooks said, accepting the honor. “If they gave this award for this show tonight, I’d have to give it to Reba McEntire’s performance. Kelsea Ballerini, if you wanna know what an entertainer is, take a guitar and just a single voice in the middle of an arena and shrink a room: fantastic performance tonight. Luke Combs, wherever you’re at, this [CMA Entertainer of the Year award] has got your name on it in the future, I can tell you that right now.”