Paisley Pens Book, Reba Returns To TV

Brad Paisley will release his first major book, Diary of A Player, on Nov. 1. Published by Howard Books, an imprint of Simon and Schuster, the book is Paisley’s salute to the guitar gods of country, blues, and rock & roll who have shaped his life. It is described as a love letter to the guitar from Paisley, whose grandfather gave him his first guitar when he was eight years old. The book is co-written with David Wild, a contributing editor to Rolling Stone and an Emmy-nominated television writer and producer.

Reba McEntire, who had a big hit TV show with her namesake sitcom, could return to acting. She will shoot the pilot to a show called Malibu Country in April 2012. ABC is behind the pilot, and if the network picks it up, full production would start in August 2012. Variety reports it is a comedy about a divorced mother of three who leaves Nashville for a fresh start in Malibu, with plans to give her singing career another go.

Give The Gift of Music Campaign Relaunches

NARM, the RIAA and CMA have teamed to revitalize the “Give The Gift Of Music” campaign. The effort is timed to coincide with the Nov. 9 CMA Awards, which leads into the upcoming holiday shopping season.

Taylor Swift and Chris Young are among the artists who offered new videos about their most memorable music gifts. The videos launched exclusively in a special “Countdown to CMA” section of the givethegiftofmusic.info website, which also includes previous video contributions from Little Big Town, Rascal Flatts, Martina McBride, Blake Shelton, Kelly Clarkson and Darius Rucker.

The “Give the Gift of Music Campaign” is also holding a contest asking fans to share how a particular 2011 CMA Awards nominee’s music (song, lyrics, performance, etc.) has inspired them. The grand prize winner receives two tickets to attend the CMA Awards and $1,000.

 

Chris Young – Gifting Memory from NARM on Vimeo.

Mayor Dean Unveils Music Makes Us Education Initiative

Nashville Mayor Karl Dean has announced plans to beef up the music education curriculum in Metro Nashville schools, pledging to make the program the worldwide leader.

Dean unveiled his new approach today (9/15) at a press conference at the Ryman Auditorium, surrounded by industry insiders including Atlantic artist Hunter Hayes.

The new initiative, Music Makes Us: The Nashville Music Education Project, will overhaul the Metro Nashville Public Schools’ music program to include a contemporary curriculum with new technologies that more accurately reflect the diversity of popular music.

Hunter Hayes and Nancy Shapiro, Vice President, Member Services and Regional Management for The Recording Academy, at the Ryman Auditorium for the ‘Music Makes Us’ press conference. Photo: Betsy McHugh

Expected to be added to the curriculum in area middle and high schools are classes in songwriting and composition, rock band and hip-hop performance, and technology-based production such as DJ/Remixing and recording. Traditional music curriculum in band, orchestra and choir will also be enhanced.

“Through Music Makes Us, Music City will become the standard bearer of what music education can be and should be in public education,” Dean said. “Our innovative curriculum will draw in students that may have felt left out in the past. Beginning at a young age, Metro students will be exposed to a wide array of musical styles and influences.”

Metro Schools will now have an Office of Music Education with a full-time director and staff. The current school year will be an organizational period, with private donations, to hire the director and a program coordinator. An audit of the school district’s facilities and equipment will also be conducted.

“Whereas traditional PreK-12 music education programs rely heavily on orchestras, marching bands, and choirs, students in Nashville will start enjoying new outlets for their creativity as soon as the 2012 school year,” said Dr. Jesse Register, director of Metro Nashville Public Schools. “Music Makes Us will promote strong music literacy, appreciation and creativity and will enhance academic learning in other subjects.”

Music Makes Us was formulated over the last two years through the education committee of the Music City Music Council, formerly the Nashville Music Council, in collaboration with the Mayor’s Office and Metro School. Education committee chair Nancy Shapiro helped lead the program’s development.

Bobby Karl Works The Room

Chapter 373—Pt. 2

The Possum Turns 80

Onward. The festivities continued on Tuesday (9/13) with a downtown party to salute the 80th birthday of George Jones. We began at Rippy’s on Broadway in an upstairs dining room packed with reporters, photographers and videographers. The Possum patiently posed and did interviews, one by one.

“You never know when you’re going to pass away or what’s going to happen,” he said philosophically. When I asked him if he had a birthday message for his fans, he added, “I hope everybody lives to be 80 and more.”

Eddy Raven, Jason Michael Carroll, The McClymonts, Richard Young of The Kentucky Headhunters, Whitey Shafer, Ken Mellons, Billy Yates, Guy Penrod, Guy Gilchrist (who draws/authors the Nancy cartoon and writes country songs), Keith Bilbrey, Jimmy Carter, Randy Matthews of The Nashville Music Guide, Doak Turner, Rob Simbeck, Beth Gwinn and more well wishers crowded around the legend.

“You have been much on my mind this week,” I told attendee Travis Tritt. “And you, mine,” he replied. You see, we were together at his house in rural Georgia on 9/11/01. I was there with a CMT crew when the world stopped turning.

The vittles were – what else? – barbecue and fried chicken, plus raw veggies, tortilla chips and (huh?) chocolate cupcakes. Meanwhile, hundreds of fans jammed the main dining room, eager for a glimpse or a snapshot of George.

The birthday celebration continued at the Ryman during the Tuesday night Opry (9/13). It featured Alan Jackson, Joe Diffie, The Oak Ridge Boys, Lee Ann Womack and Jamey Johnson. But we had other fish to fry.

The Opry cheers George Jones' 8oth. (L-R): Duane Allen, Joe Bonsall, Eric Lee Beddingfield, George Jones, Joe Diffie, William Lee Golden, and Richard Sterban

Leadership Music Alumni Reunion

Actually, there wasn’t a fish in sight at the Noah Liff Opera Center (9/13). Truth to tell, the schmoozing was so intense at the Leadership Music Annual Alumni Reunion there that I never got near the food table.

Everyone from Chuck Aly to Rolf Zwiep attended. Forgive me for this blur of bold type, but the massive crowd included such notable LM grads as Bill Lloyd, Bill Ivey, Billy Lynn, Peter McCann, Peter Collins, Tom Collins, Tom English, Dave Pomeroy, David Bennett, David Corlew, Ed Theis, Ed Salamon, Eddie DeGarmo, Charles Dorris, John Dorris, John Lomax III, John Beiter, Jonathan Yudkin, Jimmy Gilmer, Jim Photoglo, J. Fred Knobloch (in golf togs), Fred Vail and such other two-syllable stars as Ralph Peer, Ron Cox and Jay Frank.

The triple monikered Ree Guyer Buchanan, Melanie Smith Howard, Denise Stiff Sheehan, Hank Adam Locklin and Brenna Davenport-Leigh mingled with Tamara Saviano, Stacy Widelitz, Sheri Warnke, Deb Varallo, Garth Fundis, Kathleen O’Brien and Kira Florita (who was on her home turf since she’s now the opera’s development director). Bobby Rymer, Bo Thomas, Dale Bobo, Butch Baker, Sherrill Blackmon, Gene Kennedy and Caroline Davis worked the room, too. We congratulated the folks wearing red ribbons, since they represented this year’s LM class.

Meanwhile, Fabulous Superlative Kenny Vaughan was showcasing his new solo CD at the Ernest Tubb Record Shop (9/13). And The Dirt Drifters were celebrating theirs at 3rd & Lindsley (9/13). Are the plates still spinning?

NATD Honors

On Wednesday afternoon (9/14) The Recording Academy held a reception at its office to kick-off its Grammy U program. Singer-songwriter Dave Barnes was the attraction there.

That evening (9/14) at the historic Hermitage Hotel downtown the inaugural NATD Honors banquet was staged. The gala’s genial host Colt Ford described himself as “the best lookin’ 300-pound country singer in the whole wide world.”

Rod Essig called honoree Mayor Karl Dean, “The Music Mayor,” citing such initiatives as Musicians Corner in Centennial Park, the Live on the Green concert series, the Music City Convention Center, the expansion of the Country Music Hall of Fame, the Music City Music Council, Nashville Rising, the National Folk Festival and the fact that Dean is the first mayor to go through Leadership Music. Coming up: a new Nashville amphitheater and the announcement at the Ryman on Friday of a major music-education program in the Nashville school system.

“The music industry is No. 1, because it is the one industry that brings to the city, every day, creative people,” said Dean, “and that is what makes great cities great.”

“One of the things we could do is play more Colt Ford on the radio,” suggested Ford.

The Nashville Association of Talent Directors (NATD) staged its first College of Knowledge program at Murray State in Kentucky this year. On hand were the school’s Sarah Clark and $2,500 NATD scholarship recipient Hannah Rodgers, now an intern on Music Row at The Bazel Group.

Steve Lassiter spoke of honoree Jim Gosnell’s commitment to Nashville. Thanks to his support, the APA office here has expanded from 6 to 17 staffers, from 10 to 40 clients and quadrupled its business. Danny Robinson recalled his 30-year history with Gosnell.

Comedian Lewis Black’s remarks are mostly unprintable. “I’m in this business 40 years and I have NEVER heard somebody call themselves a ‘talent director,’” he barked. “This fake organization! You’re all hired extras!” he added in his trademark, sputtering, on-the-verge-of-a-heart-attack delivery style.

“Now I have a glimpse of what my funeral is going to look like,” said Gosnell. “I accept this on behalf of everyone at APA.”

Pete Weber saluted Barry Trotz. The Nashville Predators honcho becomes the first in the NHL to coach the first 1,000 games in a team’s history. He also led the Preds to the second round of the playoffs last season.

“I’m very blessed that you would honor me to be part of your community,” Trotz said.

Mike Campbell told a funny Tony Conway story involving TNN, the Illinois State Fair, Ricky Van Shelton, a lucky belt and a wayward helicopter. Joe Guercio presented Conway with the Col. Tom Parker Award.

“This award is special to me because I knew Col. Parker, and we were buddies,” said Conway.

Greg Fowler said, “25 years with Alabama was, and still is, the greatest time of my life.” The group’s award was for, “four decades of musical success and timeless philanthropy.”

In accepting, Randy Owen told us that he is a cancer survivor. “We are going on the road for 15 or 20 shows next year, so come see us,” said Jeff Cook. “I’m not too good at looking back,” added Teddy Gentry. “We’re looking forward, so send us some songs.”

The capacity crowd included Kevin Neal, Neal Spielberg, Jeff & Terri Walker, Crystal Gayle & Bill Gatsimos, Moore & Moore, Bernard Porter, Preshus Tomes, Rod Harris, Robert Frye and Fletcher Foster, plus such NATD board members as president Steve Tolman and Bonnie Sugarman, Jeff DeBusk, Josh DeBusk, Ed Bazel, Randi Perkins, Mike Smardak and Philip Lyon.

You wouldn’t think it would take three hours to hand out five awards, but it did. One consolation was the tasty menu. Glen Leven Salad, followed by beef tenderloin au poivre demi glace with buttermilk potato puree, roasted broccolini and garlic comfit with fresh fruit tart or coconut dessert cake prepared to perfection by the elegant, on-site restaurant The Capitol Grille. Don’t be too impressed: There was a card on the table with helpful foodie lingo on it.

People Country Features Lady A And Matraca Berg

Lady Antebellum and Matraca Berg are among the artists highlighted in the latest issue of People Country, now on news stands.

Lady A, who just released their third album, Own the Night, opened up their Nashville-area homes to People Country for an exclusive look.

First time homeowners Hillary Scott, Charles Kelley and Dave Haywood were thoughtful before taking up occupancy. Scott consulted both her family and her fianceé, drummer Chris Tyrrell, before purchasing her 3,400-sq- ft. bungalow. “It’s my sanctuary, where I come and feel safe and calm and relaxed,” she says. Members Kelley and Haywood invested in slightly smaller spaces. “It’s not too big, so it’s manageable and perfect for us,” Kelley says about his 2,700-sq- ft. colonial. Meanwhile, Haywood’s 900-sq.-ft. urban loft features a windowless bedroom “so when I get off the bus, I can grab a few more hours of sleep in the middle of the day if I need to,” he says.

The trio purchased their homes following the success of CMA Single of the Year “Need You Now.”

• • • • •

No stranger to CMA Awards, Matraca Berg is enjoying the success of her song “You & Tequila.” The song, now a hit recorded by Kenny Chesney and Grace Potter, was written by Berg years earlier and has earned her a CMA Song of the Year Nomination.

Berg is humble about her recognition. “You don’t think about those things,” says the 2009 Songwriter Hall of Fame inductee. “Growing up around Music Row, that can’t be the reason you do it…I just try to catch moments in a jar, get them right, hope it makes the people singing and hearing the song feel it, too.”

Berg has also written songs sung by Trisha Yearwood, Patty Loveless, Reba McEntire, Martina McBride, Dusty Springfield and Linda Ronstadt. Her songs also appear on the Nitty Gritty Dirt Band’s Grammy-winning Will The Circle Be Unbroken, Vol 3.

Berg originally recorded “You & Tequila” on her Dreaming Fields album. The original recording is available here for download courtesy of People Country.

CountryBreakout No. 1 Song

Know what sounds like a good time? Scoring a No. 1 song, even if you’ve already had more of them than any other artist in any genre.

While I can’t attest to that feeling, George Strait undoubtedly can. Powered by oodles of good vibes, Strait’s “Here For A Good Time” seizes the CountryBreakout Chart’s No. 1 spot for its first week at the top. The song pits a bopping two-step beat against optimistic lyrics which extol the virtues of living for the moment. Resistance is futile, and besides, is there a better way to cast off one’s worries than with a generous combination of sun and moonshine?

The title track from “King” George’s new album, “Here For A Good Time” was written by Strait with his son Bubba and frequent collaborator Dean Dillon and marks the 89th single of his 30 year career. Here For A Good Time the album, which Strait co-produced with long-time friend Tony Brown, was released Sept. 6 and debuted at No. 1 on Billboard’s Country Albums Chart with first week sales totaling over 91k.

“I still enjoy it—I still love it,” says Strait of his 30 years in music. “As long as I love it and enjoy it and am having fun, then I’m gonna keep doing it. I’m motivated by what I’ve always been motivated by—trying to make the best records that I can make and doing the best shows that I can do. Whenever that doesn’t motivate me anymore, then I’ll have to quit. It’s still a lot of fun for me now.”

Keep those good times rolling, George.

Weekly Chart Report (9/16/11)

Blair Garner’s (L) “After MidNite Live” summer concert series will take listeners backstage to Brad Paisley’s H2O II: Wetter & Wilder World Tour this weekend at the 1-800-ASK-GARY Amphitheatre in Tampa, FL. The series gives listeners a behind-the-scenes account of what happens on the road with a superstar country concert. Special guests include Blake Shelton (pictured with Garner), Jerrod Niemann, JaneDear Girls, Sunny Sweeney and Edens Edge.

SPIN ZONE
It’s a perpetual party at the top of MusicRow’s CountryBreakout Chart, so it only makes sense that George Strait’s “Here For A Good Time” get to spend a little time at No. 1. This week the King’s latest single is blessed with an additional 175 spins and moves up from No. 2, staying ahead of Blake Shelton’s “God Gave Me You” which jumps up from No. 6. Right behind at No. 3 is Thompson Square’s “I Got You” and Eli Young Band’s “Crazy Girl” at No. 4.

New singles from young stars dot the chart’s Top 40, comprising many of the hottest upcoming tunes. Miranda Lambert’s “Baggage Claim” has already climbed to No. 11 in its seven week journey, faster than her previous releases. Lady Antebellum’s domination continues with “We Owned The Night,” up to No. 18 in its fifth week charting. That other hot new trio–The Band Perry–is two spots behind at No. 20 with “All Your Life” after only seven weeks. Also quickly rising are Eric Church’s “Drink In My Hand” at No. 21 (five weeks), Jason Aldean’s “Tattoos On This Town” at No. 28 (four weeks), Luke Bryan’s “I Don’t Want This Night To End” at No. 33 (three weeks), and Zac Brown Band’s “Keep Me In Mind” at No. 36 (two weeks).

Eric Lee Beddingfield (R) recently spent some time with WSM-AM host Bill Cody (L) to promote his first appearance on the Grand Ole Opry. He performed his debut hit “The Gospel According to Jones” on the hallowed stage for George Jones’ 80th birthday celebration.

Indie-label new face Andy Gibson notches a big debut at No. 64 with “Wanna Make You Love Me” (R&J Records), thanks to a 150-spin gain. Montgomery Gentry and Phil Vassar might have major label pedigrees, but they’re both now working outside that world on smaller labels. MG’s “Where I Come From” is currently at No. 24, with Vassar’s “Let’s Get Together” right behind at No. 25. Sneaking in the Top 30 is the iconic Dolly Parton’s “Together You and I” (Dolly Records), followed by newcomer Rachel Holder’s “Chocolate” at No. 31 and Burns & Poe’s “Second Chance” at No. 32.

Frozen Playlists: KYKX, WBYZ, WCJW, WDHR, WKWS

Upcoming Singles
September 19
The Lost Trailers/Underdog/Stokes Tunes/CO5
JaneDear Girls/Merry Go Round/Warner Bros./WMN
Bill Gentry/This Letter/Tenacity
Courtney Stewart/Telling You/Lamon

September 26
Coy Taylor/Fall For You/Twang City/Flying Island Ent.
Bobby Dean/White Lightning or Pink Champagne/Lamon
Crystal Shawanda/Love Enough/Sun/Nine North
Kip Moore/Somethin’ ‘Bout A Truck/MCA

• • • • • •

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Andy Gibson/Wanna Make You Love Me/R&J Records — 64
The O’Donnells/She Leaves The Light On/Song Valley Music — 73
Chris Cagle/Got My Country On/Bigger Picture — 75
David Wood/Ride The Wild West (Cowabunga)/DeW Note Records — 76
Ronnie Milsap/If You Don’t Want Me To (The Freeze)/Bigger Picture — 77
Joel Warren & Jason Allen/Straight Up Country/Wynnesong — 80

Greatest Spin Increase
Artist/song/label — spin+
Zac Brown Band/Keep Me In Mind/Southern Ground/Atlantic — 428
Luke Bryan/I Don’t Want This Night To End/Capitol — 390
Lady Antebellum/We Owned The Night/Capitol — 389
Eric Church/Drink In My Hand/EMI Nashville — 293
Jason Aldean/Tattoos On This Town/Broken Bow — 282

Most Added
Artist/song/label — New Adds
Zac Brown Band/Keep Me In Mind/Southern Ground/Atlantic — 22
Luke Bryan/I Don’t Want This Night To End/Capitol — 19
Sunny Sweeney/Drink Myself Single/Republic Nashville — 15
Jason Aldean/Tattoos On This Town/Broken Bow — 14
Chris Young/You/RCA Nashville — 13
Andy Gibson/Wanna Make You Love Me/R&J Records — 12
David Wood/Ride The Wild West (Cowabunga)/DeW Note Records — 9
Scotty McCreery/The Trouble With Girls/19 Ent./Mercury — 9

On Deck—Soon To Be Charting
Artist/song/label — spins
Scotty McCreery/The Trouble With Girls/19 Ent./Mercury — 183
Jimmy White/Forever And A Day/Tone Box Records — 152
Randy Travis/Everything and All/Warner Brothers — 152
Sunny Sweeney/Drink Myself Single/Republic Nashville — 149
Kevin Fowler/That Girl/Average Joe’s — 144

Cold River Records artist Katie Armiger meets up with WRNS/Greenville/New Bern, NC Program Director, Tommy Garrett and his wife Vicki backstage at Katie’s show in Winterville, NC this weekend. (L-R): Cold River SE Rep Halie Hampton, Tommy Garrett, Armiger, Vicki Garrett

Warner Music Nashville’s Brett Eldredge (“It Ain’t Gotta Be Love”) recently opened for Little Big Town at WKLB’s charity show at the Hard Rock Boston benefiting The Floating Children's Hospital. (L-R) Eldredge, LBT's Jimi Westbrook & Kimberly Schlapman, Ginny Rogers (MD WKLB), Mike Brophey (PD WKLB), LBT's Karen Fairchild, and Philip Sweet

Charlie Cook On Air

A Kinder, Gentler Ratings Period

This is a very important time of the year for smaller market radio stations. We have already talked about the top 48 markets being measured for 13 months a year (only Arbitron has figured out how to charge a monthly fee 13 times).

This year Arbitron measures medium and smaller markets from September 15-December 7. Radio stations do things during this 12 week period (and another 12 weeks in the Spring) that they don’t do during the Summer or other non-rated periods.

Often stations tighten down on the music that they play, believing that listeners actually make choices based on familiar/favorite music. How dare those programmers mess with Scott Borchetta’s marketing plan.

Considering so many in the record industry spent their formative years on radio I am surprised that they don’t understand this programming anxiety and cut radio some slack. What the heck are the record folks thinking releasing new music in the last quarter of the year, knowing that radio is locked in a battle for their ratings life?

Okay, I hope that you get the point. From now to the end of the year is VERY important to both sides of the business. Records has to get the new music exposed to take advantage of the Christmas buying season. I don’t know what percentage of their budget is hit from now through New Year’s Day (don’t forget gift cards). I’m sure that bonuses are on the line. But I can tell you that 50-60% of a small to medium market radio station’s success is set in the next month or two.

So what can the two industries do to make sure both have success? Can we strive to be kinder and gentler for the next couple of months?

Music Row is meeting radio more than halfway. With CD releases from Lady A, George Strait, Martina and Dierks this Fall and with new product from newcomers like Luke Bryan and Eric Church creating a lot of excitement we should all be excited about our fortunes.

Add to this the CMA Awards show right in the middle of the radio rating period and we have a lot to talk and be eager about. Let’s make sure that we get the record buyers and the radio listeners enthusiastic too.

We can do that by working together for the greater good. How about both sides pulling out music-based promotions this rating period? I am not a fan of radio stations giving away CDs or downloads. I know that it is an easy deal to pull off. Record companies get way more promotion for each give away than they could pay for. A $15 CD gets promotional time, solicit time and delivery time, and the radio station gets “free” stuff to give away.

The problem: this is a zero sum game.

If you were in the focus group panel during CRS 2011, I asked a participant who had won a Reba CD from her favorite radio station what she did with that CD. She told us that she took it to her car and listened over and over to it on the way to and from work. Presumably this is time she would have been listening to her favorite radio station.

Not the end of the world in an Arbitron diary rated market—people list “top of mind” listening habits more than anything—but in PPM markets that listening is like an empty seat on Delta. Once it’s in the air you are never getting the revenue back. Once that quarter hour ticks to the next you lost audience, and likely from an active listener who spends a great deal of time with your station.

But what other things can you do? How about autographed material from the artists? Pictures? Once at an auction I bought a script for the TV show Adventures of Superman. I don’t know why, but I did. You know what would be cool to win? An autographed lyric sheet from a hit song. A phone call from Luke Bryan. Heck, I know he would do that. He is a great guy and he loves to talk to his fans. We’re close to 2012. Why not do a down and dirty station calendar that lists the top songs of the year so far? Just a one sheet that can be traded out. Get the okay to include some pictures and I can guarantee you that it will land on the refrigerator for 2012, with your call letters and pictures of their favorites.

Let’s get creative this quarter and make everyone a winner.

Aldean Goes Double Platinum, Sets Nashville Date

Only 10 months after release, Jason Aldean’s My Kinda Party has been certified double platinum by the RIAA for shipments of over two million units. The disc is 2011’s best selling country album and has already spawned three consecutive No. 1 hits, each of which has also been certified platinum for digital downloads. Most recent single “Dirt Road Anthem” went on to score double platinum.

Aldean’s team just announced that his My Kinda Party tour will hit Nashville’s Bridgestone Arena on Feb. 24 with opener Luke Bryan. Tickets through ticketmaster.com.

Aldean is up for five awards at the Nov. 9 CMA Awards.

CMA Awards Re-up With Bridgestone Arena

Bridgestone Arena and the Country Music Association have entered into a three-year agreement for the Nashville venue to continue hosting the CMA Awards in 2011, 2012 and 2013. “Country Music’s Biggest Night” has been held at the arena annually since it first hosted the event in 2006.

“Being the home of the CMA Awards is a great source of pride for us at Bridgestone Arena,” says Bridgestone Arena Vice President of Booking Brock Jones. “It is a fantastic event and first-class way to showcase our venue, the talented people in the Country Music industry and the community we all call home. We greatly value our relationship with the CMA and all that it represents. We are thrilled to extend our agreement with the CMA Awards for the next three years.”

“Country Music’s Biggest Night deserves a world-class venue and we have that with the Bridgestone Arena in Nashville,” explains CMA Chief Executive Officer Steve Moore. “Our industry appreciates the convenience and amenities, and our attendees enjoy the downtown location with access to clubs and hotels.”

This year’s CMA Awards will be held Wed., Nov. 9.