Keith Urban Rumored For ‘Idol’ Spot

Photo: Beau Grealy for GQ Australia

The latest spate of rumors has country guitar slinger Keith Urban joining the American Idol judges table, along with pop/hip-hop star Nicki Minaj.

The Hollywood Reporter writes that both Urban and Minaj are “closing in” on deals to join the popular reality singing competition, ostensibly to replace the departing Steven Tyler and Jennifer Lopez. Urban will reportedly receive $3-4 million for his participation in the show, and Minaj will be pulling in closer to $8 million. Superstar vocalist Mariah Carey has already been confirmed for a third spot.

Previously, Urban served as a judge on the first season of the The Voice Australia, which premiered in 2012. The show has been renewed for a second season in 2013, but there is no word on whether Urban will return as a judge.

In recent months Brad Paisley was rumored to be in talks for the show but dropped out over salary discussions. Toby Keith was also reportedly being considered for a spot.

As for the Idol judging panel, the fate of remaining original member Randy Jackson remains undecided. Show producers have supposedly been considering the four judge option, but Jackson isn’t necessarily a lock for the fourth spot. Alanis Morrissette is also among the list of stars being considered, and Katy Perry rejected a lucrative offer to participate.

Urban’s representatives could not be reached for comment.

Tom T. Hall To Be Honored As BMI Icon

BMI will celebrate the incredible songwriting career of Tom T. Hall by naming him a BMI Icon at the company’s 60th annual Country Awards. The private ceremony will be held on Tues., Oct. 30 at BMI’s Music Row offices in Nashville.

The BMI Icon award is given to songwriters who have had a “unique and indelible influence on generations of music makers.” At the ceremony an all-star musical tribute will pay homage to Hall, and BMI will crown the Country Songwriter, Song and Publisher of the Year. The writers and publishers of the past year’s 50 most-performed songs from BMI’s country catalog will also be honored. BMI President & CEO Del Bryant will host the ceremony with Jody Williams, BMI Vice President, Writer/Publisher Relations, Nashville; and Clay Bradley, BMI Assistant Vice President, Writer/Publisher Relations, Nashville.

Hall, a member of the Country Music Hall of Fame, is one of the original master craftsmen of country music, a distinct voice who elevated the art form. Nicknamed “The Storyteller,” his songs are vivid vignettes, with sharply drawn characters. As a recording artist, Hall had seven No. 1 singles, all self-penned: “A Week in a Country Jail” (1969–70), “The Year That Clayton Delaney Died” (1971),“(Old Dogs, Children and) Watermelon Wine” (1972–73),” “I Love” (1973–74), “Country Is” (1974), “I Care” (1974–75), and “Faster Horses (the Cowboy and the Poet)” (1976).

The Grammy winner also famously wrote smashes for others, including “Harper Valley P.T.A.,” which Jeannie C. Riley took to No. 1 on country and pop charts in 1968, as well as “The Pool Shark,” a chart-topper for Dave Dudley; “(Margie’s at) the Lincoln Park Inn” and “That’s How I Got to Memphis,” recorded by Bobby Bare; and “Little Bitty,” a mega-hit for Alan Jackson in the late 90s. Hall has earned a total of 31 BMI Awards for songwriting spanning country and pop genres, and six of his songs have accumulated more than one million performances each.

The Kentucky native’s success also spread to Americana and bluegrass. He has collaborated extensively with his wife Miss Dixie, and the Halls were named SPBGMA Songwriter of the Year for 10 consecutive years. It is never surprising to see as many as five or six Hall compositions at a time on the bluegrass charts, several of them reaching No. 1, such as “Bill Monroe For Breakfast,” which Hall recorded himself; a new version of “That’s How I Got To Memphis” by Charlie Sizemore; “Clinch Mountain Mystery” by The Larry Stephenson Band; “Train Songs” by Ralph Stanley II; “Train Without a Track” by Junior Sisk and Rambler’s Choice; and “The Boys In Hats and Ties” by Big Country Bluegrass, just to name a few.

Hall’s personal story is also uniquely tied to BMI: He met Miss Dixie, his wife of 45 years, at the 1965 BMI Country Awards in Nashville.

Past BMI Icons include Bill Anderson, Billy Sherrill, John Fogerty, Kris Kristofferson, Willie Nelson, Isaac Hayes, Merle Haggard, Brian Wilson, Dolly Parton, Loretta Lynn, the Bee Gees, Bobby Braddock, Ray Davies, James Brown and more.

 

Bobby Karl Works the SOURCE Awards

Chapter 406

This year’s SOURCE banquet set new standards for visual splendor, dining pleasure, entertainment value and overall class.

Staged Thursday (8/23) at the new Musicians Hall of Fame venue at Municipal Auditorium, the gala also set an attendance record. More than 350 folks gathered and I am told that many ticket seekers were turned away this year.

This was the 10th anniversary of the SOURCE awards. In recognition of that, the organization chose to honor its founders. So salutes to Kay Smith, Judy Harris, Connie Bradley, Karen Conrad, Judy Wray, Pat Rolfe and Shelia Shipley-Biddy were the order of the day. The “magnificent seven,” as they were dubbed, came up with the idea of annually honoring women in the music business.

(L-R): SOURCE honorees Shelia Shipley Biddy, Karen Conrad, Judy Harris, Kay Smith, Pat Rolfe, Connie Bradley and Judy Wray. Photo: Alan Mayor

We entered what used to be Municipal’s exhibit hall. The marquee overhead held the names of the honorees, which was a nice touch. SOURCE’s prior honorees were on exhibit along one wall of what will be the museum’s lobby. Concrete floors have been stained in an auburn hue. A small stage was trimmed with stonework. Art deco chandeliers were overhead.

The rest of the museum is still being built. In fact, the restrooms had just been completed that afternoon. “Promise me you’ll give me a preview when this gets finished in October,” I said to museum mastermind Joe Chambers. “This looks like it is going to be really, really nice.” “I think so too,” he said with a smile.

During the cocktail party, we were serenaded with pop oldies from Ronnie Brown. The keyboardist also provided the traveling music between the award presentations.

The dining area was embellished with hundreds of roses, with massive arrangements on the stage, centerpieces on the tables and individual stems for every woman who’d ever been honored by SOURCE.

For this and every other detail of the evening, we owe a thanks to event co-chairs Tatum Hauck Allsep and Caroline Davis. Not to mention the Gaylord Opryland Resort & Convention Center, which provided the flowers, tables, chairs, staffing and food. Except for the after-dinner cookies, which were provided by Tatum’s father, the king of Christie Cookies.

Singer-songwriter Karen Staley began the program. “Karen Conrad is the reason I’m not a bag lady,” she quipped. “And so many of these women were part of my career. So I wrote a song for all the inductees.” Staley’s super cute “Leave it to a Lady When You Want to Get Something Done” drew whoops and cheers of delight.

“Right on, is all I have to say,” said event co-host Jeannie Seely. “Songwriters really do say it best.”

Her usual hosting partner, Brenda Lee, had to skip last year because of back surgery, but was good to go on Thursday. “I’m back walkin’ and will soon be rockin’ and rollin’ on the road,” said Little Miss Dynamite. Brenda read a congratulatory letter from Garth Brooks, who’d sent corsages to the honorees.

Jeannie told the tale of Judy Wray, who began her music career at Columbia Recording Studios, than served in various capacities at CBS Records for 17 years, worked as Jim Foglesong’s executive assistant at Capitol and went to EMI Publishing before retiring in 2009 after 42 years in the biz.

“I think my award must just be for endurance,” she quipped. “They don’t give a Miss Congeniality.”

Brenda spoke of the accomplishments of Connie Bradley, who began her career as a receptionist at WLAC-TV. Fellow honoree Pat Rolfe got Connie a job on Music Row at Famous Music, which led to stints at Dot, RCA and Bill Hudson & Associates. Connie joined ASCAP in 1976, rising to its Southern Regional Executive Director until her departure in 2010.

“All of the ladies tonight have worked together and helped each other,” said Connie, who thanked Pat and the late Donna Hilley as mentors. “We’re all blessed to work in the music business. And we should all pray for women in need all over the world.”

Jeannie did the honors for Karen Conrad, who began as a receptionist at the Hubert Long Agency. Stints at Mercury Records, ASCAP, Jimmy Buffett’s Coral Reefer Music and Blendingwell ensued. Karen started her own AMR/New Haven Music, grew it into a force to be reckoned with, sold it to BMG and went with it to become BMG’s Nashville VP.

“I don’t consider myself special, but the people around me certainly are,” said Karen. In addition to hubby David Conrad, she thanked her organization, Chicks with Hits. “How would we make it without each other?” she asked.

It was only natural that Brenda Lee introduce Kay Smith – they have been best friends since they were in the seventh grade at Maplewood Junior High. Kay started in the music industry at Nationwide Sound Distributors in 1972. She joined Columbia Recording Studios in 1973, then became secretary to Capitol’s Frank Jones in 1975. In 1983, she came to CBS Records, where she rose to a vice presidency. Since leaving CBS/Sony in 2006, she has been working at the Musicians Hall of Fame.

“I’m not used to this,” said Kay, who usually works behind the scenes to pull off the SOURCE banquet. “I appreciate all of the women who came before me and all of the women who will come after me.”

Jeannie introduced Shelia Shipley-Biddy, a Kentucky native who began her Nashville career at the Monument and RCA labels. RCA’s Joe Galante appointed her as one of the first women in the male-dominated world of radio promotion. She then rose to executive-level positions at MCA Records. In 1994, Shelia went to Decca to become the first female head of a record label in Nashville. Since then, she has been with Vivaton, John Dorris and Flying Island Entertainment.

“If anything, this award is shared with most of the people in this room,” said Shelia. “I am blessed to have never worked a day in my life, because every day I get to do what I love to do.”

Her sentiment was echoed by Judy Harris. “If you love what you do, you will never work a day in your life,” said Judy.

Brenda spoke of Judy’s climb from ASCAP to EMI/Blackwood with Charlie Monk, then on to her own publishing companies, most recently Judy Harris Music.

“I wish I could pay all of you all to have a job working with songwriters,” said Judy. “They are the absolute heart of what we do.”

Jeannie spoke of Pat Rolfe’s start at Hill & Range Songs in 1966, where she became general manager in 1972. She stayed on when Chappell Music bought Hill & Range in 1975. After Warner Bros. bought Chappell in 1987, Connie Bradley brought Pat to ASCAP. That brought things to a circle, since Pat had once launched Connie. Pat remained at ASCAP until 2010, becoming a “mother hen” to a host of young talents.

One of them, Dierks Bentley, made a surprise appearance to present Pat with her honor. “Pat’s my buddy, my girl,” said Dierks. “If you go to Nashville, you should see Pat. She’s a straight shooter and will tell you whether you need to go home. She’s been a great mentor to me through all these years. She really cares.”

“I was getting upset because I was going last,” said Pat. “Now I know why they kept me to the end. Dierks is just an angel. This has been an absolutely fabulous night for all of us.”

Connie said, “This night is like a family reunion.” Which was true. The guest list was simply awash in fabulons.

Songwriting talents in attendance included Bill Luther, Paul Burch, Aimee Mayo, Jim McBride, Peter McCann, Anthony Martin, Bob Regan and Lisa Pallas. Country Music Hall of Fame members Charlie McCoy and Jo Walker Meader were there.

Jeff Gregg, Jeff Walker, Jean Stromatt, Joe Mansfield, John Lomax III, Gerri McDowell, Jim Kemp, Joyce Jackson, Gillie Crowder, Kay Clary, Kira Florita, Karen Clark, Cathy Gurley, Clay Bradley, Jerry Bradley, Ed Benson, Lori Badgett, Sarah Brosmer, Susan Stewart, Ron & Regina Stuve, Paula Szeigis, Moore & Moore, Mary Martin, Mike Martinovich, Margie Hunt, Mary Ann McCready & Roy Wunsch, Frank Mull, Holly Bell, Rose Drake, Ron Cox, BeBe Evans, Barry Coburn, Barbara Turner, Wade Jessen, Chuck & Sandy Neese, Celia Froehlig, Debbie Carroll, Garth Fundis, Hope Powell, David Corlew, Lori Cloud, Laurie Hughes, Pat McCoy, Troy Tomlinson and just about everybody else you’ve ever met schmoozed and grooved.

We dined on field-greens salad with passion-fruit vinaigrette dressing, jumbo chili-rubbed brined pork chops, grilled asparagus, maple griddled corn muffins and roasted garlic mashed potatoes. For dessert, we were presented with a big ol’ peanut butter & jelly mousse bombe in a graham-cracker crust shell. Yum.

Industry Ink (8/24/12)

This Saturday (8/25) will mark a milestone for Lamon Records and the entire Moody Family as their indie record label will celebrate 50 years in the industry. The label will present a special anniversary show on the Midnight Jamboree, which follows the Grand Ole Opry on WSM 650 Radio in Nashville. Grammy nominated label president Dave Moody will host the show.

“It’s a real honor for us to celebrate our anniversary this way,” said Moody. “I have great memories of visiting Nashville when I was just an eight year old kid. The Midnight Jamboree was definitely a standout for me on that trip. In those days you could stand so close to the stage in the Ernest Tubb Record Shop you could almost touch the performers. I’ll never forget that experience and the impression it made on me as a kid.”

Moody, along with a few of his current label artists will perform on the show, including Bobby Dean, Courtney Stewart, Kimberly Patrick and Chris Berardo and the DesBerardos. Grand Ole Opry star George Hamilton IV will also be a guest on the show. Hamilton has spent the past 25 years or so recording albums for Lamon.

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L–R: McGhee Management's Greg Hill, Show Dog-Universal Music President Mark Wright, MM Scott McGhee, Crouse, and MM Doc McGhee

Show Dog-Universal Music President, Mark Wright announced today the signing of singer/songwriter Joel Crouse. Crouse has been performing most of his life, started his first band when he was in high school and has recently opened shows for Toby Keith, Darius Rucker and the Goo Goo Dolls.  Expect new music early 2013. Crouse is represented by McGhee Management in Nashville.

• • • •

Carnival Recording artist Rob Baird has signed with APA Nashville. APA represents artists in all areas of the entertainment industry, with principal offices in Beverly Hills, New York and Nashville. Baird is represented by longtime and respected agent, Cass Scripps, whose experience spans two decades. Scripps formed Metro Talent Group in 1992 and built it into a successful national agency before moving to Nashville in 2010.  Scripps joined APA this month and made Baird one of his first signings.

“I am thrilled to be working with Rob Baird as he continues to hone his songwriting and take his genre bending message on the road,” said Cass “2013 should prove to be an exciting year for Rob, Carnival Music, and his newly expanded family here at APA Nashville.”

Baird will work with APA to continue riding the wave of success from his latest album, I Swear It’s The Truth, produced by Scott Davis and recorded at Cedar Creek Recording Studio in Austin, Texas. Baird wrote or co-wrote a majority of the 11-track album. For more information and tour dates, please visit: www.robbairdmusic.com.

Mindy Smith Compilation Due in October

Vanguard Records will release The Essential Mindy Smith, on October 9 in CD, LP, and digital formats. The 13 track collection features songs from the highly acclaimed singer-songwriter’s three Vanguard Records studio albums One Moment More, Long Island Shores and Stupid Love. This compilation also includes Smith’s cover of Fleetwood Mac’s “Little Lies,” previously available only as an iTunes bonus track.

Smith is currently on tour in support of her new self-titled fifth studio album and first independent recording on Giant Leap/TVX Records. Tour dates listed below include a September 14 stop in Nashville.

The Essential Mindy Smith track listing:
1. Come to Jesus
2. Out Loud
3. It’s Amazing
4. Highs and Lows
5. Please Stay
6. Jolene
7. Hard To Know
8. Tennessee
9. Love Lost
10. Little Lies
11. Fighting For It All
12. Peace of Mind
13. One Moment More

2012 Fall tour dates:
9/14/2012            Nashville, TN – The Rutledge (Americana Music Festival)
9/19/2012            Phoenix, AZ – Rhythm Room
9/20/2012            San Diego, CA -The Griffin
9/21/2012            Santa Monica, CA – McCabe’s Guitar Shop
9/23/2012           Pleasanton, CA – Firehouse Arts Center
9/25/2012            Portland, OR – Mississippi Studios
9/26/2012            Seattle, WA – Tractor Tavern
9/28/2012            Boise, ID – Boise Cont. Theater
9/29/2012            Salt Lake City, UT -The State Room
9/30/2012            Denver, CO – Swallow Hill
10/2/2012            Santa Fe, NM – Sol Santa Fe
10/4/2012            Woodlands, TX – Dosey Doe CoffeeHouse
10/5/2012            Austin, TX – Cactus Cafe
10/6/2012            San Antonio, TX -Sam’s Burger Joint
10/7/2012            Dallas, TX – Kessler Theater

Big & Rich Are “Hillbilly Jedi”

Big & Rich are preparing to release their fourth studio album, Hillbilly Jedi, September 18 on Warner Bros. Records. The album is currently available for pre-sale in three exclusive packages ranging from $14.99-149.99.

The three options include an assortment of extras, from branded aviator sunglasses, to Hillbilly Jedi T-shirts and personalized framed posters. While on the page, fans are able to listen to the duo’s track “Born Again,” featuring Bon Jovi, and view behind-the-scenes footage for the recording of the latest single, “That’s Why I Pray.”

Duo member John Rich was featured in the new CW primetime music competition series The Next: Fame Is At Your Doorstep, which premiered Thursday, August 16. The competition winner will be awarded an exclusive recording contract with Atlantic Records.

Previously, Rich was the winner on the 11th season of The Celebrity Apprentice, raising over $1.4 million dollars for St. Jude Children’s Hospital.

Dance Music Festival Coming to Nashville’s Riverfont

The dance music movement is coming to Music City’s Riverfront, when the two-day With Your Friends Festival hits town October 26-27.

Rolling Stone reports that dance music stars Skrillex and Pretty Lights are curating the festival, which will also include guests Nas, Santigold, 12th Planet, Dillon Francis, Michel Minert, and TOKiMONSTA. The RS article also states there will be a riverboat after-party.

Two-day passes for With Your Friends go on sale Wednesday, August 29. Get them here when the time comes.

Weblinks: Breaking Music Online, Feminist Hits, Spotify and More

Dee Johnson

Deadline Hollywood reports that Dee Johnson is taking the helm of ABC drama Nashville as executive producer/showrunner. She replaces Jim Parriott and will serve alongside series’ creator Callie Khouri, the pilot’s director R.J. Cutler and Steve Buchanan. Johnson has served as showrunner on Starz’s drama Boss, and CBS’s The Good Wife, and worked on ER, Army Wives and Southland.

• • • •

According to Ann Powers, Max Martin has played a significant role in the feminist hits of recent years.

NPR music critic Ann Powers examines how today’s female stars are borrowing from the feminist handbook with their I’m-so-over-you break-up hits. In her article “Taylor Swift, Princess Of Punk?” Powers discusses the star’s latest headline-making smash, and delves into songwriter/producer Max Martin’s role in the trend. Martin collaborated with Swift on “We Are Never Ever Getting Back Together” and has had similarly themed hits with Kelly Clarkson, Britney Spears, Avril Lavigne, Katy Perry and Pink.

Powers writes, “In this century, songs like ‘We Are Never Ever Getting Back Together’ have taken that quaint 20th century form of rebellion called punk — specifically the feminist punk that took hold in the late 1970s and then was reborn through the Riot Grrrl movement in the 1990s — fully into the pop mainstream.” Keep reading.

• • • •

Carly Rae Jepsen

The Carly Rae Jepsen smash “Call Me Maybe” exemplifies the growing trend of breaking music online, reports Ben Sisario in the New York Times. “Call Me Maybe” blew up after Justin Bieber Tweeted about it, and he and his friends posted a video of themselves lip-syncing to it. According to the article, Gotye’s “Somebody That I Used to Know” and fun.’s “We Are Young” also launched online.

“YouTube, Twitter and Facebook are now record labels’ textbook tools for starting a marketing campaign, and if the numbers there are big enough, they can be used in pitches to radio and television programmers,” states the article, which adds that radio play is still crucial. DigSin’s Jay Frank told the NYT, “There’s not a million-seller out there that doesn’t have radio play. But its first million generally doesn’t come from radio.”

• • • •

The House of Representatives Judiciary Subcommittee on Intellectual Property, Competition and the Internet continues to investigate the pending Universal/EMI deal. The latest development is an inquiry letter sent to executives at Universal, EMI and Warner this week asking questions about how the merger would affect competition in the music industry, reports the NYT.

According to the NYT, “Universal has offered to sell as much as two-thirds of EMI’s holdings in Europe, but it has not made any such concessions in the United States or elsewhere. …Like the Senate panel, the House committee has no power to block the merger. But its involvement puts pressure on Universal and on the Federal Trade Commission, which is reviewing the merger.”

• • • •

The New York Times reports Spotify’s revenue and losses are on the rise. In 2011 revenue was $236 million, up from $99 million in 2010. In 2011, net loss was $56.6 million, up from $42 million in 2010 and $26 million in 2009. The paper also reports Spotify is raising more than $200 million in a round of financing that would value the company at up to $4 billion. Spotify is available in 15 countries and has plans to launch in Canada soon.

Eric Paslay Launches Share-To-Win Contest on Facebook

EMI Records Nashville artist Eric Paslay recently launched a share-to-win contest with his new acoustic performance video of “Amarillo Rain.” The Texas native explains, “‘Amarillo Rain’ has been a fan favorite in my live shows for some time. I am excited to give fans a way to share this special song.”

Fans are invited to like his Facebook page to see the video and enter the contest. Participants will receive a unique URL to share the “Amarillo Rain” video with friends and family. The fan whose URL garners the most video views by Sept. 20 will win an autographed acoustic guitar, a Capitol Records prize pack and a private web concert with Paslay.

The rising star is also one of Music City’s hottest tunesmiths. He has written three No. 1 songs within the last year, including “Even If It Breaks Your Heart,” and recently performed on 2012’s Country Throwdown Tour with Gary Allan and Josh Thompson.

Digital Rodeo and Eventful Announce “Next Country Star” Competition

Digital Rodeo and Eventful, Inc. have launched Digital Rodeo’s Country Star competition. Unsigned artists can opt-in for free through eventful.com/digitalrodeo and compete via Eventful’s Demand it! service. Using social media tools, artists can then encourage their fans to vote for them.

The Top 25 artists with the most “Demands” will move to the semifinals where they will be narrowed down to the top five by music industry experts: Cory Chapman, Director of Marketing Country Music Association; Jason Deere, Singer, Songwriter, Producer;  Jeff Walker, President, AristoMedia; John Pyne, Director of Marketing and Promotion, Digital Rodeo; Lang Scott, President, Music City Interactive, Singer, Instrumentalist, Producer and Robert Reynolds, Grammy Winner, Founding Member of the Mavericks.

Fans will then vote on the final winner from the Top five chosen finalists. Eventful and Digital Rodeo will announce the Country Star winner on Oct. 3.

The winner will earn studio time to record three singles at Nashville’s 16 Ton Studio and a customized website including a merchandise store by Music City Networks and Merchmo. They will also win a VIP trip for two to the 2012 Country Music Awards, which includes airfare, five night hotel stay and two tickets to the awards show and Christmas Special, as well as a CMA Prize Package of assorted merchandise and materials.