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Nashville Women Included in 'Billboard' Honor

December 5, 2014/by Eric T. Parker

Billboard has released its list of the top 50 Women in Music for 2014, of which three executives are stationed in Nashville (profiles below). Many of the other top industry players have ties to Music City. Taylor Swift was named Billboard’s 2014 Woman of the Year, marking her second time to receive a Billboard Woman of the Year honor (she also earned the award in 2011).

“Every facet of the wide world of music is represented in our list of profiles, from television networks to law firms, agencies to labels, streaming strategists and public radio producers,” notes the magazine in its report.

Sandi Spika Borchetta–Senior VP Creative, Big Machine Label Group–received inclusion for her work with the label group’s artists, including Tim McGraw’s text and drive music video, “Highway Don’t Care,” which won both a CMA (2013) and ACM Award (2014).
Mary Ann McCready–President, Flood, Bumstead, McCready & McCarthy–was noted for her business and financial management firm, which serves artists including Blake Shelton, Miranda Lambert and Keith Urban.
Ali Harnell–Senior VP, AEG Live/The Messina Group–produced more than 150 annual shows heading the concert promotion company’s Southeast territory while also extending internationally to London and Dublin for the Country2Country Music Festival.

Martha Henderson–Executive VP/manager entertainment division, City National Bank–nearly all of the Hollywood Reporter’s 25 most powerful entertainment industry business managers are City National Bank clients. She manages a staff of nearly 200, overseeing $4.5+ billion in loans and $8 billion in deposits for clients including The Spirit Music Group and the Country Music Hall of Fame.
For the complete list, click here.

Native Run Renews Long-Term Publishing Agreement

December 5, 2014/by Troy_Stephenson

Rachel Beauregard (L) & Bryan Dawley (R) Photo: Sarah Barlow

Rising country duo Native Run (Rachel Beauregard & Bryan Dawley) have renewed their publishing partnership with Creative Nation, Combustion Music, and Warner/Chappell Music. The new, long-term agreement will extend the representation of the Virginia natives’ catalog and future works.
“Bryan and Rachel are so talented and we are passionate about their music and look forward to continuing our relationship with them,” says Beth Laird, Co-Owner, General Manager, Creative Nation.
“Bryan and Rachel continue to grow and impress both as writers and artists, solidifying our belief that we have just scratched the surface of their potential,” adds Chris Farren, President, Combustion Music. “Couldn’t be happier to be moving forward together.”
Native Run started 2014 in the studio with GRAMMY® award-winning co-producer Luke Laird working on their debut album release and visiting Country radio stations across the nation before opening select dates for Lady Antebellum’s Take Me Downtown 2014 Tour and David Nail’s I’m A Fire tour. Bryan and Rachel hit the road in early 2015 with Sam Hunt for his “Lipstick Graffiti Tour.”

David Ross Releases New Book, 'The Digital Solution'

December 5, 2014/by Jessica Nicholson

Author and MusicRow founder David Ross has released a new book, The Digital Solution: A Plan For Collecting and Distributing Streaming Music Royalties, via BossRoss Media.
According to press materials, “The Digital Solution offers a bold plan based upon the realization that music in the digital age has become a public good. The internet cannot be locked up or controlled. Therefore, the best way to insure that creators are fairly compensated is to ask all internet users to pay a small amount, thereby creating a large pool of money from which to fairly compensate those who contribute to the well being of our society and its cultural harmony. Precedents for this idea already exist in the cable TV world where people pay monthly fees for sporting events whether they watch them or not. The Digital Solution explains how these funds could be collected using Internet Service Providers as a toll booth, and distributed according to popularity and usage.”
The Digital Solution: A Plan for Collecting and Distributing Streaming Music Royalties is available now via amazon.com.
Born and raised in Boston, MA., David M. Ross graduated from the University of Pennsylvania Wharton School with a B.S. in Economics and later attended the Berklee College of Music, majoring in arranging. After spending ten years on the road as a professional musician, Ross traveled to Nashville and in April 1981 founded MusicRow magazine which he sold in 2008 after a successful 30-year reign as Publisher/CEO. During his time at MusicRow he pioneered and refined many of the email/social media marketing techniques revealed in his first book, Secrets Of The List. One of country music’s most-read industry analysts, Ross continues to cover the intersection between Nashville’s entertainment business and technology on www.Nekst.biz, a blog about “Music And The Technology It Powers.” Currently Ross serves on the Board of Directors of The Country Music Hall of Fame and Museum and the Country Music Association. He received the CMA President’s Award for Outstanding Service in 1998 and the Canadian Country Music Association’s prestigious Leonard T. Rambeau Award for International Achievement in 2003.

ASCAP Adds Songwriters To Florida Panhandle Festival

December 5, 2014/by Eric T. Parker

ASCAP will elevate its presence at the upcoming 6th annual 30A Songwriters Festival with the presentation of two consecutive nights of songwriters rounds with newly announced Tony Lane (“I Need You”), Marc Beeson (“We Are Tonight”) and Ryan Hurd (“Payback”), as well as emerging songwriter-artists Brandon Lay (Warner/Chappell), Hunter Phelps (Tape Room Music) and Jameson Rodgers (Combustion Atlas).
Previously announced participants also joining the PRO’s events include Deana Carter (“You and Tequila”), Jonathan Singleton (“Let It Rain”), Jaren Johnston (“Sunshine & Whiskey”), Jeremy Stover (“Lettin’ the Night Roll”) and Mark D. Sanders (“I Hope You Dance”).
All outings are set in 25 venues throughout South Walton County, Fla., from Jan. 16 – 18. The initial line-up for the 2015 benefit for Cultural Arts Alliance of Walton County includes Leon Russell, Sara Watkins (Nickel Creek), Jason Isbell, Jeffrey Steele, Chely Wright, Kyle Jacobs, Joe Leathers, Billy Montana, Bobby Bare Jr., Angaleena Presley, Hayes Carll, Mary Gauthier and more.
Festival weekend passes are now available and can be purchased at 30asongwritersfestival.com, and locally on 30A at the Cultural Arts Alliance office and at Central Square Records in Seaside.

Weekly Chart Report (12/05/14)

December 5, 2014/by Troy_Stephenson

Click here or above to access MusicRow‘s weekly CountryBreakout Report

Exclusive: Chris Tompkins Talks 'Burnin' It Down'

December 5, 2014/by Sarah Skates

Chris Tompkins

In this Q&A, songwriter Chris Tompkins talks about his recent hit “Burnin’ It Down,” the sexy song recorded by Jason Aldean. He also shares his love for writing on the piano. For more of Tompkins’ interview with MusicRow, pick up a copy of the Publisher Issue.
Tell me about writing “Burnin’ It Down.”
I can’t believe it’s on the radio. “Burnin It Down” was written for Florida Georgia Line. It was me and Rodney [Clawson] and Brian [Kelly] and Tyler [Hubbard]. When there are four people in a room, everyone has to take on a role. Somebody has to lead the charge with what the song’s going to be about. Brian’s always in the middle of it. And I was building the beat and the music. We were talking about guns and girls and getting naked with girls, and we were all laughing while we were writing it. And then it was like, “if we are going there, let’s just go there.” Then it became almost a joke, but all of a sudden it started coming together and we kept chasing it and it turned out good. It was never talked about that they weren’t going to record it. I don’t know how Aldean heard the song, but I’m glad he did. I did the work tape/ demo, not full blown. Then I put all my tracks on a drive to give to Michael Knox and they just built it on top of it. It’s cool that Aldean cut it. He’s never had a song like that. He had “Dirt Road Anthem,” but that song is a lot different.
It’s rampant, the hip-hop beat country. The reason it works is—think about what most country fans listen to: active rock like Nickelback, country, southern rock and rap. I think what works so well with Florida Georgia Line is they bring a little bit of all that, they’re this hybrid. Joey [Moi, producer for FGL and Nickelback] comes from the rock world.
Do you usually write on guitar or piano?
Piano is my first instrument, my main workhorse. I play guitar pretty well, but about half as good as I play piano. On “Dirt” I did the slide guitar part but that was me sitting down and taking my time. I’m not by any means an amazing guitar player.
Piano has way more of a personality—kind of an out-front thing. It’s noticeable. I can open more doors with it. Even before I moved to Nashville, I spent a lot of time playing piano. I can find my way around on it better. It makes more sense to me.
How did you learn piano?
There are a few situations that played into this. I was in the high school band back in Alabama. I can’t remember the order of how this happened, but there was an old piano in the band room, in the men’s bathroom. So before football games, we’d be goofing off in there and those are my first memories of beating around on the piano. I started kind of writing these songs, but without music, because I couldn’t play. I was a drummer already. So I started writing all these lyrics and some girls told the band director that I was writing songs and he asked me if I could sing the songs I had written, so I did. He had two keyboards and a four-track recorder and started making a demo. He heard the chords behind what I was singing, and then I sang it. It was the coolest thing I’d ever seen. The same week I came from school one day—I don’t even think I told my mom about that—and my mom had randomly bought a piano for $300 bucks.
My stepfather always tells the story of the time I was supposed to mow the yard in high school, and he came home and found the job half done and the mower in the yard. He came inside to fuss at me, but heard me playing piano. He said, “Nevermind, I’ll finish the yard.” They were really supportive of me. I’d write a song when I woke up then I’d write a song when I went to bed.

Country Favorites Among Grammy Nominees

December 5, 2014/by Jessica Nicholson

Grammy nominations were announced in four categories Friday morning (Dec. 5) on CBS This Morning, and several Nashville artists were among the early nominees. Additional nominations have been announced throughout the day via the Recording Academy’s social media outlets.
In the Best Country Album category are Brandy Clark‘s 12 Stories, Dierks Bentley‘s Riser, Eric Church‘s The Outsiders, Miranda Lambert‘s Platinum, and Lee Ann Womack‘s The Way I’m Livin‘.
Brandy Clark scored a second Grammy nomination in the all-genre Best New Artist category, alongside Sam Smith, Iggy Azalea, Bastille, and HAIM.
Producer Jay Joyce (Little Big Town, Eric Church, Cage The Elephant) earned a Producer of the Year Grammy nomination, alongside Max Martin, Paul Epworth, John Hill, and Greg Kurstin.
Kenny Chesney‘s “American Kids,” Lambert’s “Automatic,” Church’s “Give Me Back My Hometown,” Glen Campbell‘s “I’m Not Gonna Miss You,” and Tim McGraw (ft. Faith Hill)’s “Meanwhile, Back at Mama’s” earned nods for Best Country Song. The award goes to the songwriters of each composition.
Keith Urban, Hunter Hayes, Church, Lambert, and Carrie Underwood all earned Best Country Solo Performance nominations.
In the Americana realm, the Best Americana Album nominees included Rosanne Cash (The River & The Thread), John Hiatt (Terms of My Surrender), Keb’ Mo’ (Bluesamericana), Nickel Creek (A Dotted Line), and Sturgill Simpson (Metamodern Sounds in Country Music).
The Best Country Group/Duo Performance includes nominations for Little Big Town (“Day Drinking”), Miranda Lambert featuring Carrie Underwood (“Somethin’ Bad”), Tim McGraw featuring Faith Hill (“Meanwhile, Back at Mama’s”), Keith Urban featuring Eric Church (“Raise ‘Em Up”), and The Band Perry (“Gentle On My Mind”).
Other artists with Nashville ties scoring early morning Grammy nominations are Taylor Swift and Meghan Trainor. Both artists are nominated for Record of the Year. Swift is nominated for her first pop radio single, “Shake It Off,” while the seemingly endless popularity of Trainor’s infectious “All About That Bass” earned a nod in the same category. They are competing against Sia‘s “Chandelier,” Iggy Azalea and Charli XCX’s “Fancy,” and Sam Smith‘s “Stay With Me” (Darkchild version). Both Swift and Trainor are also up for Song of the Year, for the same compositions.
Jack White, Paramore, The Black Keys–all artists with strong Nashville ties–were among the nominees in the rock categories.
The Album Of The Year nominees will be announced on A Very Grammy Christmas (Friday, Dec. 5, 9/8c, CBS).
The 57th annual Grammy awards will air live on CBS on Sunday, Feb. 8, beginning at 8 p.m. ET/7 p.m. CT.
• • •
57th Annual Grammy Nominations (Selected Categories)

Producer of the Year
Jay Joyce
Max Martin
Paul Epworth
John Hill
Greg Kurstin
Best Country Duo/Group Performance
“Gentle On My Mind,” The Band Perry
“Meanwhile, Back at Mama’s,” Tim McGraw featuring Faith Hill
“Raise ‘Em Up,” Keith Urban featuring Eric Church
“Day Drinking,” Little Big Town
“Somethin’ Bad,” Miranda Lambert featuring Carrie Underwood
Best Country Solo Performance
“Give Me Back My Hometown,” Eric Church
“Invisible,” Hunter Hayes
“Automatic,” Miranda Lambert
“Something In The Water,” Carrie Underwood
“Cop Car,” Keith Urban
Best Americana Album
Rosanne Cash, The River and the Thread
John Hiatt, Terms of My Surrender
Keb’ Mo’, Bluesamericana
Nickel Creek, A Dotted Line
Sturgill Simpson, Metamodern Sounds in Country Music
Best Traditional Pop Album
Cheek to Cheek, Tony Bennett and Lady Gaga
Night Songs, Barry Manilow
Nostalgia, Annie Lennox
Sending You A Little Christmas, Johnny Mathis
Partners, Barbra Streisand with Various Artists
Song of the Year
“All About That Bass,” Meghan Trainor (Songwriters: Meghan Trainor, Kevin Kadish)
“Chandelier,” Sia (Songwriters: Sia Furler, Jesse Shatkin)
“Shake It Off,” Taylor Swift (Songwriters: Max Martin, Shellback, Taylor Swift)
“Stay With Me” (Darkchild Version), Sam Smith (Songwriters: Sam Smith, William Phillips, James Napier)
“Take Me To Church,” Hozier (Songwriter: Andrew Hozier-Byrne)
Best Country Song
“American Kids,” Kenny Chesney (Songwriters: Rodney Clawson, Luke Laird, Shane McAnally)
“Automatic,” Miranda Lambert (Songwriters: Lambert, Nicolle Galyon, and Natalie Hemby)
“Give Me Back My Hometown,” Eric Church (Songwriters: Eric Church, Luke Laird)
“I’m Not Gonna Miss You,” Glen Campbell (Songwriters: Glen Campbell, Julian Raymond)
“Meanwhile, Back at Mama’s,” Tim McGraw ft. Faith Hill (Songwriters: Tom Douglas, Jaren Johnston, Jeffrey Steele)
Best New Artist
Brandy Clark
HAIM
Sam Smith
Iggy Azalea
Bastille
Best Reggae Album
Ziggy Marley, Fly Rasta
Lee “Scratch” Perry, Back on the Controls
Sean Paul, Full Frequency
Shaggy, Out of Many, One Music
Sly & Robbie & Spicy Chocolate, The Reggae Power
Soja, Amid The Noise and the Haste
Best Rock Song
“Lazaretto” (Jack White)/Jack White II (songwriter)
“Gimme Something Good” (Ryan Adams)/Ryan Adams (songwriter)
“Fever” (The Black Keys)/Dan Auerbach, Brian Burton, and Patrick Carney
“Blue Moon” (Beck)/Beck Hansen (songwriter)
“Ain’t It Fun” (Paramore)/Hayley Williams & Taylor York (songwriters)
Best Country Album
Riser, Dierks Bentley
The Outsiders, Eric Church
12 Stories, Brandy Clark
Platinum, Miranda Lambert
The Way I’m Livin’, Lee Ann Womack
Best Pop Vocal Album
Ghost Stories, Coldplay
Bangerz, Miley Cyrus
My Everything, Ariana Grande
Prism, Katy Perry
X, Ed Sheeran
In the Lonely Hour, Sam Smith
Best Urban Contemporary Album
Sail Out, Jhene Aiko
Beyoncé, Beyoncé
X, Chris Brown
Mali Is …, Mali Music
Girl, Pharrell Williams
Record of the Year
“Fancy,” Iggy Azalea ft. Charli XCX
“Chandelier,” Sia
“Stay With Me,” Sam Smith
“Shake It Off,” Taylor Swift
“All About That Bass,” Meghan Trainor
Best Pop Solo Performance
“All of Me,” John Legend
“Chandelier,” Sia
“Stay With Me,” Sam Smith
“Shake it Off,” Taylor Swift
“Happy,” Pharrell
Best Rock Album
Ryan Adams, Ryan Adams
Morning Faze, Beck
Turn Blue, The Black Keys
Hypnotic Eye, Tom Petty and the Heartbreakers
Songs of Innocence, U2
Best Contemporary Christian Performance/Song
“Write Your Story,” Francesca Battistelli (Songwriters: Francesca Battistelli, David Arthur Garcia & Ben Glover)
“Come As You Are,” Crowder
“Messengers,” LeCrae ft. For King and Country (Songwriters: Torrance Esmond, Ran Jackson, Ricky Jackson, Kenneth Chris Mackey, Lecrae Moore, Joseph Prielozny, Joel Smallbone & Luke Smallbone)
“Shake,” MercyMe (Songwriters: Nathan Cochran, David Arthur Garcia, Ben Glover, Barry Graul, Bart Millard, Soli Olds, Mike Scheuchzer & Robby Shaffer)
“Multiplied,” NeedtoBreathe (Songwriters: Bear Rinehart & Bo Rinehart)
Best Contemporary Christian Music Album
If We’re Honest, Francesca Battistelli
Run Wild. Live Free. Love Strong, For King and Country
Hurricane, Natalie Grant
Welcome To The New, MercyMe
Royal Tailor, Royal Tailor
Best Gospel Performance/Song
“Help,” Erica Campbell Ft. LeCrae (Songwriters: Erica Campbell, Warryn Campbell, Hasben Jones, Harold Lilly, Lecrae Moore & Aaron Sledge)
“Sunday A.M. (Live),” Karen Clark Sheard (Songwriters: Rudy Currence & Donald Lawrence)
“I Believe,” Mali Music (Songwriter: Kortney J. Pollard)
“No Greater Love,” Smokey Norful (Songwriters: Aaron W. Lindsey & Smokie Norful)
“Love On The Radio,” The Walls Group (Songwriter: Kirk Franklin)

LifeNotes: Bob Montgomery

December 4, 2014/by Robert K Oermann

Bob Montgomery in 1988. Photo: Alan Mayor

MUSIC-INDUSTRY GREAT BOB MONTGOMERY PASSES
By Robert K. Oermann
Bob Montgomery, one of the key figures in Nashville’s evolution into Music City USA, has died at age 77.
During his six-decade career, he made major contributions as a songwriter, record producer, music publisher and label executive. Bob Montgomery’s song catalog includes such standards as “Misty Blue” and “Love’s Made a Fool of You.” He produced records that boosted the careers of Vern Gosdin, Janie Fricke, Bobby Goldsboro and Joe Diffie. He published such iconic songs as “Behind Closed Doors” and “The Wind Beneath My Wings.” He created hit-making rosters for the record labels United Artists, Epic and Columbia.
Born in West Texas in 1937, he first made his mark as the 1949-1955 duet partner of future Rock ‘n’ Roll Hall of Fame member Buddy Holly. “Buddy & Bob” became local radio stars in Lubbock, TX and opened the concert there by Elvis Presley. Montgomery subsequently wrote or co-wrote such 1950s Holly evergreens as “Heartbeat,” “Love’s Made a Fool of You” and “Wishing.”
He became a recording engineer in the Clovis, NM studio of producer Norman Petty, working with such artists as Holly, The Crickets, Waylon Jennings, Jimmy Gilmer & The Fireballs, Buddy Knox and Roy Orbison. Montgomery also played rhythm guitar on recordings at the facility.
He moved to Nashville in late 1959 and became a staff songwriter for Acuff-Rose Publishing. His early successes there included Sue Thompson’s 1962 pop hit “Two of a Kind,” as well as songs for The Everly Brothers, Jim Reeves and Bob Luman.
Montgomery formed Talmont Music as his own publishing company in 1963. Among the company’s key copyrights was Montgomery’s “Back in Baby’s Arms.” It was originally sung by Patsy Cline and later revived by Connie Smith, Sissy Spacek, Emmylou Harris and many others. He also struck gold with “Misty Blue.” This Montgomery song has been a hit for Wilma Burgess (1966), Eddy Arnold (1967), Joe Simon (1972), Dorothy Moore (1976) and Billie Jo Spears (1976) and has been recorded by hundreds more.
Montgomery sold Talmont in 1967 and next became the head of the United Artists Records country division. He hit his stride as a record producer by guiding hits for the label’s Del Reeves (1969’s “Good Time Charlie’s”), Johnny Darrell (1968’s “With Pen in Hand”) and Buddy Knox (1968’s “Gypsy Man”), among others. His most notable UA client was Bobby Goldsboro, for whom Montgomery produced the massive 1968 pop and country smash “Honey,” as well as “Watching Scotty Grow,” “The Straight Life,” “Summer (The First Time)” and Goldsboro’s other hits of that era.

Pictured (L-R): Vern Gosdin and Bob Montgomery in 1989. Photo: Alan Mayor

In late 1969, Montgomery and Goldsboro formed the publishing company House of Gold. Within five years, it was one of the top song firms on Music Row. Staff writers included future Nashville Songwriters Hall of Fame members Kenny O’Dell and Larry Henley, plus Steve Pippin, Danny Morrison, Sam Lorber, Bobby Springfield and Van Stephenson.
In addition to “Behind Closed Doors” (Charlie Rich) and “The Wind Beneath My Wings” (Gary Morris, Bette Midler), the company’s hits included John Conlee’s “Rose Colored Glasses,” Tammy Wynette’s “Til I Get it Right,” Alabama’s “Love in the First Degree,” The Oak Ridge Boys’ “Bobbie Sue” and Tanya Tucker’s “Lizzie and the Rainman.” Others who scored big hits with House of Gold songs included Brenda Lee, Dave & Sugar, Eddy Arnold, Cristy Lane, Crystal Gayle, Jack Greene and Bobby Bare.
House of Gold singer-songwriter Razzy Bailey had a long string of hit singles that Montgomery produced. The company also competed in the pop field with songs recorded by Dr. Hook, Sister Sledge, Player, Millie Jackson, Exile, Lobo, Gladys Knight, The Pointer Sisters, Sheena Easton and others.
During the 1970s, House of Gold was ranked second to Tree International as the most successful independent publisher in Nashville. Warner Bros. Music bought the company in 1982 for a reported $3.5 million. Montgomery moved to Tree as its Director of Creative Services.

Razzy Bailey 1978 RCA w Bob Montgomery & Jerry Bradley. Photo: Alan Mayor

When Sony bought Tree in 1988, Montgomery became a vice president at CBS Records. He signed Joe Diffie, Doug Stone and Collin Raye to the company’s imprints, Columbia and Epic.
He also continued to produce records. Montgomery’s name is on 1980s discs by B.J. Thomas, Waylon Jennings, Shelby Lynne and Merle Haggard, among others. “Rocky” by Austin Roberts (1975), “It Ain’t Easy Bein’ Easy” by Janie Fricke (1982), “Prop Me Up Beside the Jukebox” by Joe Diffie (1993) and “Some Memories Just Won’t Die” by Marty Robbins (1982) are among the many hits with Montgomery’s production touch. So are such iconic Vern Gosdin performances as 1988-89’s “Chiseled in Stone,” “Set ‘Em Up Joe” and “Who You Gonna Blame it on This Time.”
With Bob Montgomery’s support, his wife Cathy Montgomery established another publishing company, Noosa Heads Music, in 1992. Its successful songs to date include the Tim McGraw hits “Down on the Farm” (1994) and “Maybe We Should Just Sleep on It” (1996).
The couple moved to Australia in 2005 and lived there for seven years. The Montgomerys returned to Nashville 18 months ago. Bob Montgomery had been diagnosed with Parkinson’s Disease. He died quietly at home around 1:30 p.m. on Thursday afternoon, Dec. 4.
He is the father of pop singer-songwriter Kevin Montgomery, who has recorded for A&M Records and achieved particular success in the U.K.
Bob Montgomery is also survived by his wife and business partner Cathy Montgomery and by daughters Echo Annette Garrett and Dee Dee Dawn Cooley.
Arrangements are being handled by Woodlawn Funeral Home on Thompson Lane. Visitation is scheduled there for Monday evening, 5-8 p.m., and the funeral will be held at 2 p.m. on Tuesday, Dec. 9.

T. Graham Brown Set To Release 'Forever Changed' in January

December 4, 2014/by Jessica Nicholson

Singer-songwriter T. Graham Brown will release the project Forever Changed on Jan. 27, 2015, via Mansion/Sony Red. The project will feature 13 tracks, and guest vocal appearances from Vince Gill, Jason Crabb, Leon Russell, Jeff & Sheri Easter, The Oak Ridge Boys, Steve Cropper, The Booth Brothers, Three Bridges, Sony Isaacs, and Jimmy Fortune. The project was produced by Mark L. Carman.

In addition to releasing 13 studio albums and charting more than 20 singles on the Billboard charts (including three No. 1 singles), Brown is also known as the voice behind advertising campaigns for McDonald’s, Disneyland, Almond Joy, Coca-Cola, Dodge Truck, Ford, Hardee’s, and more. Brown still tours throughout the year, and has made recent appearances on the Grand Ole Opry, and television appearances on Larry’s Country Diner and Country’s Family Reunion.

Music Biz 2015 Solicits Program Ideas

December 4, 2014/by Sarah Skates

The annual Music Biz convention will be held in Nashville for the first time. Music Biz 2015, previously known as NARM, will take place at the Sheraton Nashville Downtown Hotel from May 12-14, 2015.
On the schedule are sessions about metadata, entertainment and technology law, songwriters and publishers, managers, town hall meetings and showcases.
Music Biz invites all music industry professionals to submit program ideas for Music Biz 2015. The call for presentations closes Friday, Jan. 9, 2015 at 8 p.m. PST.