Phil Vassar Plots Acoustic Tour, New EP

Singer-songwriter Phil Vassar will offer fans acoustic renditions of his biggest hits during his The Stripped Down tour, which will visit 14 cities next year. The trek coincides with an EP release by the same title, which features new material as well as a cover of “Postmarked Birmingham,” which was recorded by Blackhawk, and was co-written by Vassar along with Don Sampson.

The EP will release in January, while tickets for the tour go on sale Aug. 16.

“We’re peeling back the music to the core with just a piano and guitar, so we can give fans an intimate evening of conversation and music. It’s how these songs were written and I think it will be a fun, unique experience,” Vassar shared.

STRIPPED DOWN TOUR DATES:
Jan. 8 Tin Pan – Richmond, Va.
Jan. 9 Event Center at Mount Airy – Mt. Pocono, Pa.
Jan. 10 The Lamp Theatre – Irwin, Pa.
Jan. 11 The Renaissance Theatre – Mansfield, Ohio
Jan. 16 Space at Westbury – Westbury, N.Y.
Jan. 17 Tarrytown Music Hall – Tarrytown, N.Y.
Jan. 18 Infinity Hall – Norfolk, Conn.
Jan. 19 Greenwich Odeum – East Greenwich, R.I.
Jan. 23 Hippodrome Theater – Waco, Texas
Jan. 24 Arlington Music Hall – Arlington, Texas
Jan. 25 Dosey Doe – The Woodlands, Texas
Jan. 26 Texan Theater – Greenville, Texas
Feb. 13 The Coach House – San Juan Capistrano, Calif.
Feb. 14 Humphrey’s Backstage Live – San Diego, Calif.

Anthem Entertainment’s Kalsey Kulyk Announces Debut Set For August

Kalsey Kulyk announced today that her debut, self-titled album will release Aug. 30. The Anthem Entertainment (formerly ole) artist’s most recent single, “Bad Liar,” is one of seven tracks featured on the new project, along with the nostalgia-laced previous release “More Time.”

After winning ole’s “On the Spot” competition and signing with the Toronto-based Red Dot Records, Kulyk moved to Nashville and began writing for her upcoming album. The project includes songs co-written by industry vets Liz Rose, Phil Barton, and up-and-comer Lainey Wilson.

“I have waited forever to have an album like this. And that’s not being conceited or egotistical. I have worked on these songs and what I wanted to say for a very long time and I feel like I can finally say I’m proud of what this record says,” said Kulyk. “It’s a record for people who feel like they haven’t yet been heard in a song. For people who have felt love, felt loss, and need to be reminded that they are not alone.”

Kalsey Kulyk Track List:
1. Roll With It
2. Love Somebody
3. Damn You Love
4. Bad Liar
5. Not All Angels Can Fly
6. Low Times In High Heels
7. More Time

Sinead Burgess Is Australian Arts Council 2019 Grant Recipient

The Australian Arts Council has announced their 2019 Grant recipient, singer/songwriter and multi-instrumentalist, Sinead Burgess. In its third year, the Nashville Songwriters Residency Program allows Australian songwriters the opportunity to immerse themselves in the local music scene for three months focusing on their creative career.

Mentored by producer/chart-topping songwriter Mark Moffatt, the program promotes creative and business networking, the development of writing skills, opportunities to connect with other artists and songwriters to collaborate, and recording opportunities.

“I have watched Sinead’s growth from young major label signing to the sure footed and confident singer/songwriter she is today,” Moffatt said. “The residency grant gives her the opportunity to spend time integrating into the Nashville writing community, and I look forward to seeing some great collaborations emerge as she moves toward her next record.”

Burgess has had plenty of success in the past few years, from her 22-date UK tour debut with British country act The Shires, to her independent album release Damaged Goods, which reached #3 on the UK iTunes Country Album Chart, #6 on the Australian iTunes Country Album Chart and impacted the Top 200 in the US. Burgess self produced Damaged Goods, wrote every song on the record, and played the bulk of the instruments. She will hit the road this fall with performances at festivals including Americana Fest in Nashville and the C2C Festival in Sydney.

“It is such an honor to be chosen for this year’s Nashville residency grant,” Burgess said. “This will play a pivotal role in progressing my career as a writer and artist in Nashville, as it allows me the financial freedom to make the next crucial steps happen much sooner than I would have been able to make alone. I am incredibly excited to work hard through this period and utilize every opportunity here in Nashville that the ‘Australian Council for the Arts’ have given me!”

Lil Nas X Makes ‘TIME’ Cover

Lil Nas X. Photo: Kelia Anne for TIME

Lil Nas X, the 20-year-old who found record-breaking success with his history-making hit “Old Town Road,” is featured on the cover of the current issue of TIME.

TIME’s Andrew Chow writes, “The fact that Lil Nas has risen so far and so fast testifies not only to his skill, but also to the erosion of the systems that for generations kept artists like him on the sidelines. As streaming and social media have democratized pathways to success, hip-hop—once an outlet for disenfranchised people of color—has become the dominant sound of popular music. More and more in recent years, hip-hop has been merging with country, a genre long associated with white conservatism…. At a time when debates about categorization and identity are ubiquitous, Lil Nas X represents a more unified vision of the future, one in which a young queer black man can dominate popular culture by being unapologetically himself.”

“Everything lined up for this moment to take me to this place,” Lil Nas X tells the outlet. “Not to sound self-centered, but it feels like I’m chosen, in a way, to do this stuff.”

The star discusses how streaming and meme culture have changed the music industry, his genre-blending success, the impact of coming out on Twitter during Pride month, and his journey to accepting his newfound fame. Read the full story at TIME.

 

UMPG Signs Hillsong To European Administration, Writer Development Agreement

UMPG has signed Hillsong to an administration and writer development agreement in Europe.

The agreement includes both Hillsong Music Publishing and SHOUT! Music Publishing. Hillsong Music Publishing is the publishing arm of Hillsong Church, which has locations in 23 countries and 200,000 people attending services every week. UMPG will work with Hillsong to provide publishing administration services for the church’s catalogue in Europe. The deal will also allow for UMPG and Hillsong to collaborate in writer development opportunities, as well as new joint signings.

SHOUT! Music Publishing is home to an international roster of composers, writers and catalogues, including Ben Fielding, Brooke Ligertwood, Reuben Morgan, Benjamin Hastings, Alex Pappas, Aodhan King, Hannah Hobbs, Melody Wagner, Ryan Taubert and most recent signing, Josh Grimmett (GOODBOYS).

“The administration agreement with Hillsong is a fantastic relationship that has grown from initially exploring collaborative and creative ideas to formalising a partnership in a unique environment,” said Dougie Bruce, UMPG UK. “We are looking forward to integrating their writers into our team and identifying key opportunities across the music sphere. UMPG will also handle some 11,000 existing works, and new signings and songs will further increase this catalogue.”

“UMPG are leaders in the music publishing world and we’re looking forward to exploring the opportunities for our song writers and have great respect and trust in their team,” said Steve McPherson, Publishing Manager of Hillsong. “We have had fruitful relationships within the Universal family in different parts of the world for many years and we’re very excited to extend this to the UK and Europe.”

CAA Promotes Katie Anderson To Music Leadership Team

Katie Anderson. Photo: CAA

CAA has promoted Nashville-based Katie Anderson to its music leadership team, MusicRow has confirmed. In her new role, she will work with Co-Heads Darin Murphy, Brian Manning and Marc Dennis (Nashville) as well as Darryl Eaton, Rob Light, Mitch Rose and Rick Roskin (Los Angeles).

“We’re thrilled for Katie as she assumes her new role. Over the years, she has proven to be an invaluable colleague and friend whose insights and expertise will continue to be a true asset to the department.” Roskin said.

Anderson previously served as an executive in strategy and operations at CAA, and began working in the company’s music department in 2006.

Industry Ink: Blake Shelton, ACM, BMI

Blake Shelton Celebrates RIAA Cert

Pictured (L-R): Scott Hendricks, Blake Shelton and John Esposito attend the No. 1 Party for “God’s Country” at Ole Red on Aug. 07, 2019 in Nashville, Tennessee. Photo: Jason Kempin/Getty Images for BMI

Blake Shelton recently celebrated his two-week No. 1,“God’s Country” with his team at Warner Music Nashville. The song has been certified Platinum by the RIAA.

Pictured (L-R): Shane Tarleton, Scott Hendricks, Blake Shelton, John Esposito and Narvel Blackstock. Photo: Jason Kempin/Getty Images for BMI

 

Cody Webb Visits ACM

Pictured (L-R): Greg Burroughs, Copperline Music Group; Cody Webb; RAC Clark, Interim ACM Executive Director; Rusty Harmon, Copperline Music Group. Photo: Michel Bourquard/Courtesy of the Academy of Country Music

The Academy of Country Music welcomed Copperline Music Group’s Cody Webb to the office while he was in Los Angeles recently. While at the Academy, Webb performed his current single, “Jon Boat,” along with a few other songs from his self-titled EP, Cody Webb.

 

BMI Partners With Warner Chappell For New Sounds of Nashville

 

For the second year in a row, BMI partnered with publisher Warner Chappell to curate talent for The New Sounds of Nashville, an interactive and intimate experience for the guests at Boca Raton Resort & Club in Boca Raton, Florida, this Labor Day weekend (Aug. 30-Sept. 1). This year’s lineup includes veteran songwriters Sarah Buxton, Casey Beathard, and Dylan Altman, as well as Ben Burgess, Brett Tyler, Randy Montana, Trent Harmon, and Troy Cartwright.

Hatch Foundation Holds Music Licensing Symposium

Matt Sandgren, Executive Director of the Orrin G. Hatch Foundation, leads a panel discussion.

Yesterday (Aug. 13), the Hatch Center—the policy arm of the Orrin G. Hatch Foundation—hosted a symposium entitled “Music Licensing in the 21st Century.”

Speakers included Makan Delrahim, Assistant Attorney General for the Antitrust Division of the U.S. Department of Justice; Gordon Smith, President and CEO of the National Association of Broadcasters; Elizabeth Matthews, CEO of the American Society of Composers, Authors, and Publishers; Michael O’Neill, President and CEO of Broadcast Music, Inc; and Orrin G. Hatch, Chairman Emeritus of the Orrin G. Hatch Foundation.

“What an honor to have so many music luminaries here in our own backyard,” said Hatch. “As a lifelong songwriter myself, I have long advocated on behalf of the talented men and women who contribute greatly to our arts and culture through their work in the recording industry. Today we heard insightful commentary from a handful of policymakers who are committed to building on the coordinated effort between lawmakers and stakeholders that resulted in the Music Modernization Act last year.”

“In true Orrin Hatch fashion, today’s symposium brought together two sides of an issue to work towards a unifying solution,” said Matt Sandgren, Executive Director of the Hatch Foundation. “The focus of our discussion was on striking a balance in music licensing: We need a regulatory environment that allows our broadcasters to thrive, but we also need consent decrees that work for our songwriters and publishers. The biggest takeaway from today is that we can do both.”

Makan Delrahim, Assistant Attorney General for the Antitrust Division of the U.S. Department of Justice

Gordon Smith, President and CEO of the National Association of Broadcasters

Elizabeth Matthews, CEO of the American Society of Composers, Authors, and Publishers

Michael O’Neill, President and CEO of Broadcast Music, Inc.

Staff Promotions At NSAI

Pictured (clockwise from top left): Goad, Hudson, Perry, Parker

The Nashville Songwriters Association International has promoted four staffers. Nina Goad has been promoted to Executive Assistant to NSAI Executive Director Bart Herbison. Goad will also assist Herbison and NSAI’s Director of Operations Jennifer Turnbow on legislative and advocacy work.

Leah Hudson has been named NSAI member representative-member events director, and will assume responsibility for NSAI’s Tin Pan South and both of NSAI’s Summer Song Camps. McKenzie Parker has been named NSAI Chapter Director, overseeing NSAI’s 100 chapters around the world. Brooke Perry has been appointed Fulfillment and Production Manager, handling production and logistics for the Nashville Songwriter Awards, Tin Pan South, Sponsorships, and assisting Turnbow.

Hunter Hayes To Release Album ‘Wild Blue (Part 1)’ On Friday

 

Hunter Hayes had a surprise for his fans Wednesday morning, as he announced he will release Wild Blue (Part 1), his first album in four years, on Friday, Aug. 16. The album will be the first in a trilogy of albums.

During his visit to NBC’s Today, Hayes thanked his fans for sticking with him through the past few years.

“You’ve been patient and you’ve also given me the strength to be here.” he said. “I was originally going to put out the album on the anniversary of my debut album, because I felt like I was picking up where I left off there, but I decided I couldn’t wait any longer.

Over the past several months, Hayes has introduced fans to selections from the project, including “Dear God,” “One Shot,” and “One Good Reason.” Last night, he released the title track from the album, “Wild Blue.”

Wild Blue Track Listing:
1. Madness (Hunter Hayes, Sam Ellis, Sara Haze)
2. Wild Blue (Hunter Hayes, Troy Verges, Gordie Sampson)
3. Heartbreak (Hunter Hayes, Thomas “Tawgs” Salter, Gordie Sampson, Simon Wilcox)
4. One Good Reason (Hunter Hayes, Sam Ellis)
5. Dear God (Hunter Hayes, Andy Grammer, Dave Spencer)*
6. Loving You (Hunter Hayes, Jordan Reynolds, Dave Barnes)
7. My Song Too (Hunter Hayes, Jordan Reynolds, Dave Barnes)
8. One Shot (Hunter Hayes)**
9. Night and Day (Hunter Hayes, Derrick Southerland, Sam Ellis)
10. Still (Hunter Hayes, Troy Verges, Tommee Profitt)^
Produced by Hunter Hayes and Sam Ellis
* Produced by Hunter Hayes and Dave Spencer
** Produced by Hunter Hayes
^ Produced and Engineered by Hunter Hayes