DISClaimer: Brett Eldredge, Maren Morris Offer Vocal Power, Rhythmic Tracks

It’s a day for second-generation music makers.

The sons of David Bellamy of The Bellamy Brothers, the cousins born to Don & Harold Reid of The Statler Brothers and Roger Miller’s gifted namesake are all here with new sounds. All of them are heartily recommended. And one of them, Wilson Fairchild (the Reid kids), takes home our DisCovery Award.

The Disc of the Day gets a male-female split today. Running in a dead heat are Brett Eldredge and Maren Morris, both of whom have absolutely essential additions for your playlists.

Writers: none listed; Producer: Matt McClure; Publisher: none listed; Rebel Engine
– She has some cash saved up and some groovy wheels. So why not hop on in and just go someplace on the open road? A rollicking, sunny come-on that’s hard to resist.

MAREN MORRIS/I Could Use A Love Song
Writers: Maren Morris/Jimmy Robbins/Laura Veltz; Producer: busbee & Maren Morris; Publishers: none listed, BMI/ASCAP; Columbia (track)
– Enchanting. Deliciously melodic and wonderfully thumpy as it yearns for romance. Also, she’s singing her heart out here.

LUCAS HOGE/Dirty South
Writers: none listed; Producer: none listed; Publishers: none listed; Rebel Engine
– I thought bro country was over.

DEAN MILLER/’Til You Stop Getting Up
Writers: Dean Miller/Sean Patrick McGraw; Producers: Dean Miller/Brian Eckert; Publishers: none listed; Off The Verge
– He’s broken hearted, sitting next to an ex-boxer at the bar. The prize fighter’s advice is, “You ain’t a loser until you stop getting up.” Written and sung like a champ. By the way, former Golden Gloves pugilist Kris Kristofferson co-stars in the video.

Writers: none listed; Producer: Kent Wells; Publisher: none listed; GTR
– The relationship is busted like a vehicle that’s never gonna run again. The track is a sprightly country rocker, and her vocal has a nice bluesy, throaty quality.

WILSON FAIRCHILD/How Are Things In Clay Kentucky
Writers: H. Reid/D. Reid; Producers: Gordon Kennedy/Blair Masters; Publishers: none listed; WF (track)
– Wilson Fairchild are Langdon and Wil Reid, the sons of Don and Harold Reid, respectively. As the core of The Statler Brothers, the fathers are members of the Country Music Hall of Fame. The sons’ new CD, Songs Our Dads Wrote, is a reminder that the elder Reids are also masterful tunesmiths. It is, refreshingly, not a collection of remakes of Statler hits, but a series of lesser-known former album cuts that shine just as brightly as the better known Reid songs. The boys sing ‘em like pros, and have also included their own tribute tune “The Statler Brothers Song,” which name-checks many of the cherished Statler oldies.


JESSE & NOAH/This Town Was Built On Heartbreak Songs
Writers: Jesse David Bellamy/Noah Frank Bellamy; Producers: Jesse & Noah Bellamy; Publishers: Skunk Ape, ASCAP; J&N (track)
– I have liked this duo a great deal in the past. Its new CD is titled Southern Usonia. The collection leads off with this marvelously melodic, atmospheric, soaring anthem. If the boys don’t have a hit with it, somebody else sure should. Looking for a cornerstone composition for your new album? Here it is.

RICK MONROE/This Side Of You
Writers: Jason Duke / Rick Monroe / Ryan Griffin; Producer: Sean Giovanni; Publishers: Dan Hodges Music(ASCAP)/Jindo Dog Music (ASCAP); MRG  (ERG)
– Stately and potent. I have liked just about everything this guy has sung in the past. This ballad shows another side of his voice, and it’s just as chesty and solid as ever.

BRETT ELDREDGE/Somethin’ I’m Good At
Writers: Tom Douglas/Brett Eldredge; Producers: Ross Copperman/Brett Eldredge; Publishers: ©2017 Sony/ATV Countryside / Paris Not France Music (BMI) / Sony/ATV Tree Publishing / Tomdouglasmusic; Atlantic (download)
– A boatload of fun, fun, fun. He can’t cook toast, change a flat or dance. But he can make her smile with love. And with this delightful, rhythm-happy track, he can make her tap her toes, too. A blast.

Writers: none listed; Producer: Sean Giovanni; Publishers: none listed; Pitbull (ERG)
– I chose this one because I was intrigued by both the title and the band name. It’s a cool, swirly outing about dizzy love that comes rushing back to him every time he hears “track 9” on their favorite album. Tenor vocals with stacked harmonies, burbling rhythms and ringing guitars are the hallmarks here. Very listenable.


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Category: Artist, Exclusive, Featured, Reviews

About the Author

Robert K. Oermann is a longtime contributor to MusicRow. He is a respected music critic, author and historian.

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