• ABOUT
    • Contact
    • The Team
    • FAQ
    • Use & Privacy Policy
  • ADVERTISE
  • ROWFAX
  • JOB LISTINGS
MusicRow.com
  • CALENDARS
    • Album/EP Releases
    • Single/Track Releases
    • Industry Events
    • Upcoming Concerts
  • OBITS
  • CHARTS
    • Radio Chart (Current)
    • Radio Chart (Archives)
    • No. 1 Challenge Coin
    • Songwriter Chart (Current)
    • Songwriter Chart (Archives)
  • REVIEWS
  • MY STORY
  • NEWSLETTER
    • Newsletter (Current)
    • Newsletter (Archives)
    • SIGN UP (FREE!)
  • SUBSCRIBE
  • STORE
  • Click to open the search input field Click to open the search input field Search
  • Menu Menu

SoundExchange Crosses $1 Billion Payment Threshold

June 18, 2012/by Sarah Skates

SoundExchange has paid out $1 billion in digital royalties since its inception. As digital music has increased in popularity, the organization’s payments have also increased. The $108.6 million distributed in Q1 2012 marks the first time the organization has distributed over $100 million in a given quarter.

Michael Huppe, president of the non-profit digital performance rights organization, credits the rising distributions to increased collections, and improvements in data management and technology to track performances.

SoundExchange collects and distributes royalties from non-interactive digital services, including satellite radio and streaming services such as Pandora. By comparison, on-demand digital services including Spotify and Rhapsody typically pay royalties directly to record companies, bypassing SoundExchange.

Terrestrial radio does not pay royalties to artists or labels, instead it only pays songwriters and publishers. The recent headline making deal between Big Machine Label Group and Clear Channel is shaking up that formula, with the radio giant set to pay BMLG and its artists directly without going through SoundExchange.

While SoundExchange paid out $292 million last year, terrestrial radio royalties remain more lucrative. For the 2011 fiscal year, BMI and ASCAP distributed a combined total of $1.62 billion in performance royalties.

  • Author
  • Recent Posts
Sarah Skates
Sarah Skates
Sarah Skates has been a writer and editor in the music business since 2004. She is a longtime contributor to MusicRow.
Sarah Skates
Latest posts by Sarah Skates (see all)
  • Parker McCollum Sells Out Ascend Amphitheater, Celebrates Double Platinum Single - May 23, 2022
  • CMA Presents Triple Play Awards, Honors Bob DiPiero - May 13, 2022
  • Breakout Artist, Nashville Native Jelly Roll To Headline Bridgestone Arena - May 13, 2022
Share this entry
  • Share on Facebook
  • Share on X
  • Share on LinkedIn
  • Share by Mail
https://music-row-website-assets.s3.amazonaws.com/wp-content/uploads/2012/06/10191827/se1.jpg 175 175 Sarah Skates https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png Sarah Skates2012-06-18 15:39:182012-06-18 15:39:18SoundExchange Crosses $1 Billion Payment Threshold

RECENT NEWS

  • Governor Lee Announces Intentions To Name Nashville Airport In Honor Of Dolly Parton August 28, 2026
  • MusicRow Weekly (Dolly Parton, News, Charts, More…) August 28, 2026
  • Carly Pearce Embraces Her Roots & Her ‘Honest Woman’ Era [Interview] August 28, 2026
  • Jacob Hackworth Slates Debut EP For October August 28, 2026
  • SongwritingWith:Soldiers Shares Veterans’ Voices In New Album August 28, 2026
  • Nashville’s ‘Live On The Green’ Series Marks 2027 Return With Lawnwarming Party August 28, 2026
  • Anna Rae Inks With Joan Of Arc Music For Management August 28, 2026
  • Las Vegas Songwriters Festival Wraps Second Annual Event August 28, 2026
  • Luke Bryan Unveils ‘SIGNS’ Track List August 28, 2026
  • CMA Unveils Lineup For Music Teachers Of Excellence Ceremony August 28, 2026

Like Us on Facebook

Follow Us on Twitter

Tweets by MusicRow
© 2026 Music Row Enterprises, LLC - Enfold WordPress Theme by Kriesi
Website hosted by Nashville web design company, All My Web Needs.
  • Link to Facebook
  • Link to X
  • Link to Instagram
Scroll to top