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Nashville Songwriters Hall Of Fame Announces Four New Inductees

Pictured (clockwise from top left): Bob Morrison, Townes Van Zandt, Aaron Barker, Beth Nielsen Chapman

Pictured (clockwise from top left): Bob Morrison, Townes Van Zandt, Aaron Barker, Beth Nielsen Chapman

The Nashville Songwriters Hall of Fame has announced Townes Van Zandt, Bob Morrison, Aaron Barker, and Beth Nielsen Chapman will be inducted as its newest members.

The four new members will join the current 199 existing members of the Nashville Songwriters Hall of Fame when they are inducted during the 46th annual Nashville Songwriters Hall of Fame Gala, slated for Oct. 9 at Nashville’s Music City Center.

“The strength and power of the Nashville Songwriting Community is legendary all over the world,” says Alger. “The legacy of the creative forebears of the songwriters currently making the noise in our town is annually recognized by the induction of a few of those great writers into the Nashville Songwriters Hall of Fame. This year we are extremely proud to welcome the class of 2016: Aaron Barker and Beth Nielsen Chapman in the songwriter category; Bob Morrison in the veteran songwriter category and the late Townes Van Zandt as our songwriter/artist.”

Texas native Van Zandt took up his folk music career in 1965. By 1968, his music had been heard by Mickey Newbury, who brought him to Nashville. A lengthy list of critically acclaimed songs followed, including “No Place To Fall,” “To Live Is To Fly,” and others. He died on Jan. 1, 1997 at age 52. In 2012, he was inducted into the Texas Songwriters Hall of Fame.

Mississippi native Morrison began writing songs while studying nuclear engineering at Mississippi State University. In 1973, Morrison moved to Nashville and signed with Combine Music. In 1980, he garnered a Best Country Song Grammy honor for “You Decorated My Life,” recorded by Kenny Rogers. That same year, the film Urban Cowboy featured two Morrison songs, including “Lookin’ For Love,” recorded by Johnny Lee and “Love The World Away,” recorded by Kenny Rogers. Morrison earned other cuts including “You’re The One” (The Oak Ridge Boys), “Don’t Call Him A Cowboy” (Conway Twitty), and Tonight The Heartache’s On Me” (The Dixie Chicks). Morrison was named ASCAP’s Country Songwriter of the Year in 1978, and 1980-1982. He was also named NSAI’s Songwriter of the Year in 1980.

Barker honed his musical abilities during his nearly two decades performing in a band that played military bases and public events. His first attempt at songwriting, titled “Baby Blue,” became a No. 1 hit for George Strait. “Baby Blue” was the genesis of a string of hits for Strait, including “Love Without End, Amen,” “Easy Come, Easy Go,” “I Can Still Make Cheyenne,” and more. Barker also penned and recorded many radio and television commercials for the Blue Bell Ice Cream Company, including “Have Yourself A Blue Bell Country Day,” and “The Good Ol’ Days.” He was inducted into the Texas Songwriters Hall of Fame in 2007.

Beth Nielsen Chapman spent the majority of her childhood growing up on military bases from New England to Germany. She signed her first song contract in 1979, followed by the recording of her debut solo LP in 1980. She moved to Nashville in 1985 and found work as a session singer. She would go on to pen songs including “Down On My Knees,” recorded by Trisha Yearwood, “Five Minutes,” (Lorrie Morgan), “Here We Are” (Alabama), “This Kiss,” (Faith Hill) and more. “This Kiss” earned the 1999 Song of the Year honor from both ASCAP and the CMA.

Weekly Register: Jake Owen, Kenny Chesney Arrive At No. 1

jake-owen-american-love-cover

Jake Owen earns a No. 1 album on the country chart, with the RCA Nashville project American Love selling 29K.

Meanwhile, Hillary Scott and The Scott Family earn a No. 2 debut on the country chart, with Love Remains selling 28K album. Rounding out the top 5 slots are Blake Shelton‘s If I’m Honest with 23K at No. 3, Chris Stapleton‘s Traveller at No. 4, with 13K (and 1.5 million albums to date) and Keith Urban‘s Ripcord with 5.3K albums.

Songwriter Lori McKenna‘s The Bird & The Rifle debuted at No. 19 on the country albums rankings, selling 2.7K. Carter Winter’s The Whiskey In Me enters at No. 34 with 1K.

On the overall albums rankings, DJ Khaled debuts at No. 1 with Major Key selling 95K (59K album only).

Overall album sales have dropped 15 percent YTD, while country album sales have declined 8.6 percent. Overall digital album sales have decreased 20 percent, while country digital album sales have fallen 15.3 percent YTD.

Kenny Chesney

On the country tracks charts, Blue Chair Records/Columbia Nashville artist Kenny Chesney and duet partner P!nk set the chart on fire, powering to No. 1 with their collaboration “Setting The World On Fire,” which sold 93K. It enters at No. 2 on the overall tracks chart.

Following at No. 2 on the country chart is Florida Georgia Line‘s “H.O.L.Y.,” with 50K, now topping the 1 million sales mark with 1.023 million overall.

Miranda Lambert‘s “Vice” is at No. 3 this week, with 32K sold, followed by Dierks Bentley ft. Elle King at No. 4 with “Different For Girls” moving 27.5K. Kelsea Ballerini‘s “Peter Pan” moved 23K this week, rounding out the Top 5.

Overall tracks sales have dropped 25.1 percent YTD, while country track sales have declined 23.3 percent YTD.

Information provided by Nielsen Soundscan.

Weekly Chart Report (8/5/16)

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DISClaimer: Reckless Kelly Bashes And Blazes

Reckless Kelly

Reckless Kelly

Here we are in the blazing heat of a Southern summer, but the sounds from the country world aren’t nearly as hot.

The new single by Reckless Kelly is a dandy, and the latest from Lucas Hoge is well worth some spins, too. But most of the rest of what is in today’s column is not really essential listening.

One exception is the Disc of the Day winner, “Wildflowers” by Dolly Parton, Linda Ronstadt and Emmylou Harris, our eternally excellent Trio.

I also liked newcomer Shawn Byrne. He’s a singer-songwriter who has everything it takes to succeed. Give him a DisCovery Award.

FLORIDA GEORGIA LINE & TIM McGRAW/May We All
Writers: Rodney Clawson/Jamie Moore; Producer: none listed; Publisher: none listed; BMLG Records
– Yearning and nostalgic, yet still very breezy and romantic. The vocals and production are very “processed” sounding, but there is “heart” here as well. Nicely done.

AMERICAN YOUNG/God Sends a Train
Writers: Kristy Osmunson/Bob Regan; Writers: Jon Stone, Justin Niebank & Lee Brice; Publishers: Getting Grown/Osmunson/Dixie Stars/Tahoe Kid/HoriPro, BMI/ASCAP; Curb
– It’s an atmospheric story song about a woman who is delivered from an abusive relationship by a railroad tragedy. Spooky and cool.

LUCAS HOGE/Boom Boom
Writers: Philip LaRue/Ben Glover; Producer: Matt McClure; Publishers: Razor & Tie/Aroise/9t One Songs, BMI/ASCAP; Rebel Engine
– Jaunty and romantic, with a nifty, bubbling, burbling percussion track. Easily his most commercial outing yet. Infinitely programmable.

YouTube video

 

KELSEY WALDON/All By Myself
Writer: Kelsey Waldon; Producer: Michael Rinne; Publisher: none listed; Monkey’s Eyebrow
– This moody, downbeat ballad has a hypnotic appeal with its ghostly echo-chamber guitar and her hushed, haunted vocal delivery. Intriguing, despite some problems with the band keeping tempo. This gal has real promise.

SHAWN BYRNE/Lonesome Ol’ Guitar
Writers: Shawn Byrne/Chuck McCarthy/Todd Elgin; Producer: none listed; Publishers: none listed; SB (track)
– I like this guy. His baritone voice has a warm resonance. The production is admirably spare. And there’s something about this lonely-troubadour performance that keeps you hanging on every line.

EMMYLOU HARRIS, DOLLY PARTON, LINDA RONSTADT/Wildflowers (alternate version)
Writer: Dolly Parton; Producer: George Massenburg; Publisher: Velvet Apple; Rhino
– The 1988 and 1999 Trio masterpieces by Dolly Parton, Linda Ronstadt and Emmylou Harris will be the basis of a triple-CD reissue by Rhino next month. One disc will have the original album. The second will contain the tracks from its follow-up. A third disc will contain 12 previously unheard tunes and 8 alternate takes, plus “Even Cowgirls Get the Blues” and “Mr. Sandman” (Trio performances which appeared on Harris LPs). This previously-unheard alternate take of Dolly’s poetic song, available as a lyric-video download, has each woman singing a verse, full-throated trio harmonies and a bouncier, more twangy arrangement than the original. On the hit version, 28 years ago, Dolly sang lead throughout, the arrangement was more Appalachian/acoustic and she and Linda sometimes did duo harmonies. At any rate, I still tingle all over whenever I hear these three sing together, and the song is enduringly wonderful. I cannot WAIT to hear the rest of what is coming out of the vaults.

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JEREMY & THE HARLEQUINS/Into the Night
Writers: Jeremy Fury; Producer: Jeremy & The Harlequins; Publisher: none listed; Yep Roc
– Galloping and pop-ish, with plenty of oomph and echo. The relentless tempo is very exciting, and the lead vocalist isn’t afraid to let the fur fly.

KENNY DAVIN FINE & THE TENNESSEE TEXANS/Ballad of the Tennessee Texans
Writer: Kenny Davin Fine; Producer: Michael Lloyd: Publisher: FinerMusic, BMI; Higher Ground
– A cheesy attempt at a retro sound that falls flat, largely because the song is as dull as mud. Also, the band’s playing is sloppy.

SMITH & WESLEY/You’re the One
Writer: Scott Smith; Producer: Shane Hill; Publisher: Dream Walkin,’ ASCAP; Garage Door (CDX)
– This is a change-of-pace love ballad for these Southern rockers.

RECKLESS KELLY/How Can You Love Him (You Don’t Even Like Him)
Writers: Willy Braun; Producer:Willy Braun, Cody Braun & David Abeyta; Publishers: Fah-Q Music; No Big Deal
– The band bashes and blazes in a tight, jangle-filled arrangement highlighting harmonica, organ, throbbing bass, cascading piano notes and shuddering guitars. The drawling, conversational vocal is just right. This would sound absolutely great on country radio. So nice I played it twice.

RCA Nashville’s Kane Brown Earns First Gold Certification

 From (L-R): Keith Gale, RCA Nashville; Bob Foglia, Sony Music Nashville; Randy Goodman, Chairman/CEO, Sony Music Nashville; Kane Brown; Ken Robold, Sony Music Nashville; Hannah Dudley, Sony Music Nashville; Martha Earls, Brown's manager; Caryl Healey, Sony Music Nashville; Darren Stupak, EVP/GM, Sales, Sony Music Entertainment.

From (L-R): Keith Gale, RCA Nashville; Bob Foglia, Sony Music Nashville; Randy Goodman, Chairman/CEO, Sony Music Nashville; Kane Brown; Ken Robold, Sony Music Nashville; Hannah Dudley, Sony Music Nashville; Martha Earls, Brown’s manager; Caryl Healey, Sony Music Nashville; Darren Stupak, EVP/GM, Sales, Sony Music Entertainment.

RCA Nashville artist Kane Brown has notched his first gold-certified single with “Used To Love You Sober” from his major label debut EP Chapter 1.

Sony Music Nashville Chairman/CEO Randy Goodman and members of Brown’s team surprised him with his first plaque during Kane’s sold-out show at Gramercy Theater in New York City.

The track, which was penned by Kane, Josh Hoge and Matt McVaney, has amassed more than 25 million streams to date.

“I was completely surprised by Sony when they presented me with a plaque on stage in New York. I am so proud of ‘Used To Love You Sober’ going gold, and I am so grateful to all the fans and supporters along the way who helped me achieve this,” said Kane.

Kane is currently opening for Florida Georgia Line on their Dig Your Roots Tour through October. In November, Kane will kick off his 30-city Monster Energy Outbreak Ain’t No Stopping Us Now headlining tour, where he will return to New York City to play Irving Plaza on Dec. 3.

The Ft. Oglethorpe, Georgia, native has notched more than 54 million audio and video on-demand streams, has sold more than 700k track downloads, and has sold out more than 45 markets on his 2015/2016 debut headlining tour.

Behind ‘Black’: Dierks Bentley Turns Spotlight On Team

Dierks

[Click image to access “Behind Black: The Anatomy of the Album & Tour.”]

Dierks Bentley‘s name may appear alone on his chart-topping album Black but he is quick to point out that hundreds of people have worked on both the album and the Somewhere On A Beach Tour for more than a year and his success is as much a testament to their work as it is his.

He shares, “As proud as I am of this record Black and as proud as I am of this tour, Somewhere On A Beach, I am more proud of the people I get to work with and the process that went into making this record and this tour.”

The multi-platinum singer/songwriter has long been known for embracing the community that surrounds him. With Behind Black: The Anatomy of the Album & Tour, Bentley introduces the group who had a behind-the-scenes hand in bringing it all to life; his family, management team, producers, collaborators, musicians, songwriters, record label executives, touring crew and industry supporters.

Bentley discusses giving fans an insider’s view with Billboard.

“At some point during the middle of our album release and tour rehearsals, I made the comment that I really wish we had been capturing all the people involved in making all the pieces come together because I don’t think the fans truly understand who all is behind their favorite song on the record or what it took to build the airplane that crashes on to the stage during our live show,” said Bentley. “So this web project was a way for me to give a little credit to all the people who work so hard to help me make my dreams come true, and it’s also a way to document a really special time in my career. I’m so grateful to the village of people it took!”

Behind Black: The Anatomy of the Album & Tour explores a community’s firsthand contribution to Black including collaborators and friends such as Maren Morris along with tourmates Cam and Randy Houser. Grammy-nominated Elle King is also featured as she shares vocals on the album’s thought-provoking Top 20 single “Different For Girls.”

 

Weekly Register: Florida Georgia Line Continues “H.O.L.Y.” Reign

Florida Georgia Line. Photo: James Wright

Florida Georgia Line. Photo: James Wright

Florida Georgia Line‘s hit “H.O.L.Y.” regains its hold atop the digital country tracks chart this week, and No. 8 overall, selling 53K (973K RTD). Miranda Lambert‘s latest single, “Vice,” falls to No. 2 this week, with 39K sold.

Brantley Gilbert‘s “The Weekend” makes its debut at No. 3, with 30.5K sold. Dan + Shay‘s “From The Ground Up” is at No. 4 with 25.5K. Dierks Bentley‘s “Different For Girls,” featuring Elle King, rounds out the Top 5 with 23.5K.

Major Lazer debuts atop the overall tracks chart, with “Cold Water” moving 169K.

Overall track sales have declined 25.2 percent year to date, while country track sales have declined 23.5 percent year to date.

Big Smo We The People

On the country albums chart, Smo makes this week’s highest debut at No. 13, with his Warner Bros. Nashville project We The People selling 3.4K. Mitch Rossell debuts at No. 34 with Raised By The Radio and Shotgun Rider debuted at No. 75 with its EP Whirlwind.

Chris Stapleton‘s Traveller is at No. 1 this week on the country albums chart, with 13K, followed by Blake Shelton‘s If I’m Honest at No. 2 (10K), Steven Tyler‘s We’re All Somebody From Somewhere at No. 3 (6K), Sam Hunt‘s Montevallo at No. 4 (5.5K) and Keith Urban‘s Ripcord at No. 5 (5.5K).

Overall album sales year to date have decreased 15.2 percent, while overall digital album sales have declined 20.3 percent. Country album sales have dropped 8.7 percent, while country digital album sales have fallen 15.4 percent YTD.

On the Americana/Folk album chart, Stapleton’s Traveller leads with 13K, followed by The LumineersCleopatra at No. 2 (4.5K),  Kaleo‘s A/B at No. 3 (3.2K), Paul Simon‘s Stranger To Stranger at No. 4 (3.2K), and The Avett BrothersTrue Sadness at No. 5 (3K).

Information provided by Nielsen Soundscan

 

Weekly Chart Report (7/29/16)

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DISClaimer: Miranda Lambert Lights Up Radio With “Vice”

Miranda Lambert. Photo: Becky Fluke

Miranda Lambert. Photo: Becky Fluke

Some days, the decisions are as clear as a bright blue sky.

There is no question, for instance, that the Disc of the Day award belongs to Miranda Lambert. In a sea of songs about beer drinking, hot honeys, pickup trucks and being proud to be redneck, she has a lyric about real life. She has always had an edge that other artists lack. No more so than she does today.

We have a number of newcomers in today’s column. But, again, the choice is easy. Cody Johnson triumphs over the competition to win the DisCovery Award.

MAGNOLIA BELLE/Lucky Number
Writers: none listed; Producer: Kimo Forrest; Publisher: none listed; Heartland (track)
– It’s kinda synth-y and pop, but very sunny, upbeat and bright sounding. Enjoyable.

FRANKIE BALLARD/Cigarette
Writers: Kip Moore/Chris Stapleton/Jaren Johnston; Producer: Marshall Altman; Publishers: WB/Cool Change/Music of the Corn/Spirit Catalog Holdings/Spirit Two/Sony-ATV Harmony/Texa Rae, ASCAP; Warner Bros.
– Get a load of those writer credits. Too bad he couldn’t get anybody talented involved. This is the song of a man in lust, loaded with steamy vocal phrasing and intensely atmospheric production. A hit.

YouTube video

 

ZACH SEABAUGH/Nothing Good Happens After Midnight
Writers: Bruce Burch/Wally Montgomery; Producers: Zach Seabaugh, Jason Pendley & Bruce Burch; Publisher: none listed; Open Roads
– This Georgia teenager competed on The Voice last year. His solid baritone carries this uptempo romantic number with confidence and aplomb. The thumping rhythm track is especially cool. A contender, for sure.

VINCE GILL/Me and My Girl
Writer: Vince Gill; Producers: Vince Gill/Justin Niebank; Publishers: Vinne Mae/Songs of Kobalt, BMI; MCA Nashville
– A gentle rhythm carries this along like a summer breeze. It’s a lovely “road” song about traveling side-by-side with the one you adore, heading for nowhere under a yellow moon. In a word, enchanting.

MIKE SMITH/Green Eyed Girl
Writer: Mike Smith; producer: Nioshi Jackson; Publisher: Color Blind, ASCAP; EMS (track)
– The track rumbles along nicely. He’s not the strongest singer I’ve ever heard, but he gets the job done without drifting off pitch or meter.

CODY JOHNSON/With You I Am
Writers: David Lee/Cody Johnson/Trent Willmon; Producer: Trent Willmon; Publisher: Mood Merchant Music/4 Cow Ranch Songs/Cojo Country Publishing/Ascamp/Barnes and No Bull Music, ASCAP/BMI; Cojo (track)
– I dig this guy. He has a smooth-as-silk delivery, a relaxing warmth and an instantly likable vocal personality. The lyric of this mid-tempo charmer is about a man who changes his ways because of love.

YouTube video

 

AARON LEWIS/That Ain’t Country
Writers: Aaron Lewis; Producer: Buddy Cannon; Publisher: WB/Greenfund, BMI; Dot
– Country, country, country, complete with stuttering electric guitar, whining steel and a classic shuffle rhythm. Waylon, Jones, David Allan Coe, Johnny & June, Hank Jr., Haggard, Willie and Charlie Daniels all get name-checked along the way. What he wants, you see, is a return to heartache and gritty real life that he used to hear in country music.

BOO RAY/Sea of Lights
Writers: none listed; Producer: Noah Shain; Publisher: none listed; BR (track)
– The mix is kinda muddy. But the song about a country boy with shattered dreams in Hollywood is right on the money.

BAILEY JAMES/Kiss Me
Writers: Koehler/Norris/Haws; Producer: David Norris; Publisher: Bailey James/Norrisong/Harry Haws, ASCAP/BMI; BJ (track)
– I have admired this neo-traditionalist in the past. Her new entry is a straightforward invitation to romance. As before, she’s a forceful vocalist.
 
MIRANDA LAMBERT/Vice
Writers: Miranda Lambert/Shane McAnally/Josh Osborne; Producers: Frank Liddell, Glenn Worf & Eric Masse; Publisher: none listed; RCA (download)
– Dark, sordid, simmering with sin…..and thoroughly fabulous. She’s trapped in a soul-killing vortex of drinking and promiscuity, and there is no escape. A Record of the Year contestant, and certainly one of the greatest performances of her career. 

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UMG Nashville’s Mike Dungan Throws Ceremonial Pitch

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Mike Dungan, Chairman/CEO of Universal Music Group Nashville.

Mike Dungan, Chairman/CEO of Universal Music Group Nashville.

Music industry executive Mike Dungan, who serves as Chairman/CEO of Universal Music Group Nashville, was invited as a very special guest to throw the ceremonial first pitch at the Cincinnati Reds game on Saturday, July 23.

The Reds defeated the Arizona Diamondbacks with a 6-1 victory at Cincinnati’s Great American Ball Park.

A Cincinnati native and long time Reds fan, Dungan threw the pitch to Reds outfielder Kyle Waldrop.

When asked about this memorable experience, Dungan shared with MusicRow, “In the days leading up to it, my staff tortured me with YouTube videos of the worst first pitches in history. And fuck me if every one of them raced through my mind when I stepped on that mound! But somehow I managed to throw my off-speed stinger for a strike. A big looping 38 mph strike.”

 

Did you know? President William Howard Taft started the American tradition in 1910 at Griffith Stadium, Washington, D.C., on the Washington Senators’ Opening Day.

Mike Dungan, who serves as Chairman/CEO of Universal Music Group Nashville, throws the ceremonial first pitch to Reds outfielder Kyle Waldrop at the Cincinnati Reds game on Saturday, July 23, 2016.

Mike Dungan, who serves as Chairman/CEO of Universal Music Group Nashville, throws the ceremonial first pitch to Reds outfielder Kyle Waldrop at the Cincinnati Reds game on Saturday, July 23, 2016.

Mike Dungan, who serves as Chairman/CEO of Universal Music Group Nashville, throws the ceremonial first pitch to Reds outfielder Kyle Waldrop at the Cincinnati Reds game on Saturday, July 23, 2016.

Mike Dungan and Reds outfielder Kyle Waldrop.

Mike Dungan, who serves as Chairman/CEO of Universal Music Group Nashville, throws the ceremonial first pitch to Reds outfielder Kyle Waldrop at the Cincinnati Reds game on Saturday, July 23, 2016.

Mike Dungan and Reds outfielder Kyle Waldrop.