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Visitation And Memorial Planned For Jo Walker-Meador

Jo Walker-Meador served as CMA Executive Director for nearly 30 years. Photo: CMA

The family of CMA’s longest-serving Executive Director, Jo Walker-Meador, will receive friends during a visitation and separate memorial service in Nashville.

The visitation will take place Tuesday, Aug. 22 from 4-7 p.m. at Woodlawn-Roesch-Patton Funeral Home & Memorial Park (660 Thompson Lane, Nashville, 37204).

Following a private burial on Wednesday, Aug. 23, an 11 a.m. memorial service will be held at Christ Presbyterian Church (2323 Old Hickory Blvd., Nashville, 37215).

In lieu of flowers, the family has requested donations be made to the Sarah Cannon Fund at PearlPoint Cancer Support.

The late Walker-Meador, who was respected throughout and beyond Nashville as a pioneer for the advancement of country music around the world, died Tuesday following a stroke at the age of 93. Read MusicRow‘s LifeNotes from Robert K. Oermann here.

Weekly Chart Report 8/18/17


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Alan Jackson Signs With WME

Alan Jackson has signed with WME for booking representation, MusicRow has confirmed. The UMG Nashville artist was previously with CAA for booking.

Jackson is currently on the road as part of his Honky Tonk Highway Tour, which runs through the fall and features Lee Ann Womack.

Later this year, Jackson will be inducted as part of the Country Music Hall of Fame’s Class of 2017.

DISClaimer: April Kry, Dave McElroy Top Independent Releases

Pictured: April Kry, Dave McElroy

It’s independents’ day.

The major country music record labels all seem to be missing in action this week. That means today’s column gives independent labels a time to shine.

Stepping into the spotlight and center stage is April Kry. This Connecticut-bred Nashvillian has vocal pipes to spare, a solid song and a stupendous production. Oh, and also a Disc of the Day award.

Also, April shares the DisCovery Award with Dave McElroy. He’s evidently been around for a couple of years, but this is his first appearance in DisClaimer.

JEFF LEWIS & NORM CADY/Land of Dreams
Writers: Norm Cady; Producers: Anthony Brown; Publishers: none listed, BMI; Constituting America (CDX)
– Patriotic slogans strung together like beads on a string. It’s like somebody jotted down every sign they saw held up at a Fourth of July parade.

DUSTIN COLLINS/Pieces
Writer: Lincoln Parish; Producers: Dustin Collins/Bill McDermott; Publishers: none listed, BMI/ASCAP; Big Risk (CDX)
– A crunchy country rocker with a definite blue-collar slant. It’s got some cool lines that make it worth a few spins.

APRIL KRY/While We’re Young
Writers: April Kry/Jennifer Pappas/Micah Wilshire/Stephanie Bentley; Producer: Micah Wilshire; Publishers: none listed, BMI; M (CDX)
– I dig this. She sings with powerhouse conviction. The song is as hooky as all get out. The production slaps, bounces and pushes emotional buttons in all the right places. This is as good or better than anything you’ll hear on any major label in the business. Listen and believe. Who are you? Send more.

 

DOMINGO & ESTEBAN HIRACHETA/Free to Believe
Writers: Domingo Hiracheta/Esteban Hiracheta; Producers: Janine Turner/Brandon Vanderford; Publishers: none listed, ASCAP; Constituting America (CDX)
-The freedom-of-religion sentiments are admirable. A competent lead singer would have been nice. There’s a good reason this switches into rapping in the middle.

LORI SMITH/Tumblin’ Paradise
Writers: Keith Follese/Tom McHugh; Producers: Larry Butler/Jack G. Kirby; Publishers: none listed, ASCAP; 615 (CDX)
– She warbles all around the melody, clinging to pitch for dear life.

GEORGE ALLEN TRUAX/My Hometown
Writers: George Allen Truax; Producers: Zac Maroof/Gene Higgins; Publishers: none listed, BMI; SMG (CDX)
– There already is a Montgomery Gentry. And they sing better than this.

DAVE McELROY/Without You
Writers: Dave McElroy/Michael Flanders/Scott Buchanan/Derik Holtquist; Producer: Michael Flanders; Publishers: none listed, ASCAP/SESAC; DM (CDX)
– His husky, whispery vocal style doesn’t have much range. But there’s something extremely appealing about his almost-spoken delivery. His conversational intimacy makes you want to know him.

 

JUSTIN DUKES/Warning Sign
Writers: Justin Dukes/Daniel Johnson; Producer: Chris Goff; Publishers: none listed, SESAC/BMI; Duke’s Entertainment (CDX)
– “Love at your own risk.” His youthful tenor sounds properly bruised.

RUSTY RIERSON/Upon This Rock
Writers: Stephen Amos/Rusty Rierson; Producers: Carster Green/Rusty Rierson; Publishers: none listed, ASCAP/BMI; RR (CDX)
– When he gets confused in a romance, he goes to a mountaintop where he can think straighter. Then she heads up there, too. Guess what? They wind up married and happy. Nicely done.

ALAN TURNER/Windows and Mirrors
Writers: Cole Swindell/Lynn Hutton/Jon Henderson; Producer: Alan Turner; Publishers: none listed, BMI/SESAC; SMG (CDX)
– Anguish and heartache with glass metaphors. He sings it with fierce force.

Nashville’s Music Community Salutes Jo Walker-Meador

Pictured: Jo Walker-Meador in the Ford Theater at the Country Music Hall of Fame and Museum in her Louise Scruggs Memorial Forum interview on Nov. 12, 2014. Photo: Donn Jones for the Country Music Hall of Fame and Museum

Members of the Nashville music community are paying tribute following the death of Country Music Hall of Fame member and longtime Country Music Association (CMA) Executive Director Jo Walker-Meador, who died Tuesday (Aug. 15) at age 93.

Walker-Meador, native of Orlinda, Tennessee, joined the CMA as an office manager. When the CMA’s founding Executive Director Harry Stone resigned in 1962, she was promoted to the role. Walker-Meador’s vision for country music led to the creation of the Country Music Hall of Fame (created in 1961), the CMA Awards (created in 1967 and nationally televised since 1968), the CMA Music Festival (which launched as Fan Fair in 1972), and more. For Robert K. Oermann’s full MusicRow LifeNotes obit, click here.

“Jo was a champion for country music around the world and a groundbreaker for women in the entertainment business,” says CMA Chief Executive Officer Sarah Trahern. “On a personal note, I will miss her guidance, humor, and friendship. She was the first meeting I set up before I took this job. She taught me lessons in how to gracefully navigate the Board. She was always diplomatic in her storytelling and she had some great ones to share. Over the last six months she was a little more candid and I always looked forward to our time together. She will be greatly missed by all. My heart is broken.”

“She was an amazing, extremely classy, caring, giving wonderful woman,” CMA Board Director and country music artist Kix Brooks says. “All of my dealings with her were what you would consider the essence of class. Jo Walker-Meador moved the CMA, and the entire Nashville music business in a large way from what it was to what it is. She had an amazing talent for always looking forward. Of course, her being a woman during that time, you look at those old pictures of the CMA that are full of men and then there is Jo Walker, knowing what she probably had to deal with in a man’s world, especially in that era. She is to be celebrated. There is a handful of women in our town—her, Donna Hilley, Connie Bradley, Frances Preston that come to mind—that really excelled in a man’s world and did a lot for the way this town was run and for respecting women in the music business. I really applaud her legacy for that. I really do think when someone lives a good long life and accomplishes some of the things that she did, it’s really not sadness that I view the news with. I have to kind of smile and go, ‘Life well lived.’”

“Jo Walker-Meador looked at a mid-sized Southern town and envisioned something grander,” says Country Music Hall of Fame and Museum CEO Kyle Young. “She listened to music that was regional and knew that it could have worldwide impact. And then she quietly and gracefully ushered these things into being. She created grand scenes, then stood behind them. The Country Music Hall of Fame and Museum would not exist without her, and my life is one of millions that are better because of Jo Walker-Meador.”

“The world of country music has lost an irreplaceable force. It was my great privilege to work with Jo,” says Ed Benson, former CMA Executive Director. “Over the years I had the opportunity to see how she used her warm and caring personality and her unique skills to gain friends and supporters all over the world. Jo had an incredible memory for details. She could remember not only the names of the many people with whom she came in contact, but usually the names of their spouses and children too. Jo had a big vision for the power of country music and a determination that it could grow in popularity. She was one of the early supporters of international development. I traveled around the world with her meeting with top industry leaders and government officials to promote country’s growth. She spoke only English, but she knew the international language of music had great value. And of course that personality endeared her to so many. I never met a harder worker than Jo. She was an inspiration to all who had the privilege to work with her. I have been lucky to remain close to her since she retired and I felt she loved me like the son she never had.”

“I always felt like my day was better just by being with Jo,” says Robert Deaton, executive producer for CMA Fest, CMA Awards, and CMA Country Christmas. “When working on one of our shows, she would always leave me with a piece of advice. She would take me by the hand and whisper a legend’s name in my ear as a reminder to not forget where we came from. She was all about love. The love of country music, our artists, and the love of our community. We should all honor the legacy of Jo Walker-Meador. Her mark on our music will last forever. She was one of a kind and will be dearly missed.”

“Besides being a respected role model in the music industry, Jo was also a warm, caring lady,” says Bill Denny, CMA Board member and former Board president/chairman. “She always had time to listen and to offer help. The music industry and the Country Music Association in particular, greatly benefited from her unique ability to pull people together to get a project underway and to see it thru to completion. We will miss her.”

“Jo is so many things to me! She hired me in 1985 as the CMA Administrative Services Manager – she even called my high school principal to make sure I was a good person. She quickly became my mentor and the reason I committed to CMA and created my life there,” says Tammy Genovese, former CMA Executive Director. “Jo was a woman who made it to the top. If she could do it, so could I. So I buckled down, went back to school and earned my MBA, got married, had my kids, and finally did make it to the top – with her as my champion all the way. She was also such a personal inspiration to me and my family. I called her my ‘Nashville Mom’ and I think most of the time she claimed me… I will miss her forever, but know she is happy in Heaven with her precious Bob and watching all her friends and family from around the world celebrate her life. Love you Jo!”

“Jo Walker-Meador was an incredible, pioneering leader in the evolution and growth of the CMA and building the foundation for our future successes,” says Ed Hardy, former CMA Board chairman. “When I was asked by the board to step in and fill the CEO role on an interim basis in 2013, she was one of the very first people who called to offer her help and I gladly accepted it and treasured her counsel. Her legacy as one of the very first women in leadership in the country music industry will endure forever. Until recently, Jo still attended so many CMA functions. She will truly be missed by me and I’m sure by all of my colleagues on the CMA Board and Staff.”

Dolly Parton presents the CMA Irving Waugh Award of Excllence to Jo Walker-Meador during the 1991 CMA Awards. Photo: Beth Gwinn / CMA

“Her dream was to coach basketball, but she wound up coaching country music all over the world,” says Brenda Lee, Country Music Hall of Fame member and former CMA Board member. “I was always amazed at Jo’s memory. She could remember everything and anything. The last Board talk she gave was astounding. She adored the people in country music – the fans, the artists, the singers, all the innerworkings. She adored it. And that’s what we all loved about her. She loved us. It wasn’t just a job to her. She cared. She was a wonderful, kind, sweet person that absolutely gave all. The people meant more to her than the bright lights and city folks. She got the word out, not that it wasn’t before, but it went to a different level with Miss Jo. I was honored to know her personally for a long, long time. I will miss her spirit, laughing with her, having lunch with her and being around the great person that she was. It’s like a bright light went out and will be out for a bit, but Sarah will carry on that tradition and make that light shine again. We can rely on that for sure.”

“I am very saddened about the passing of Jo Walker-Meador!” says Steve Moore, former CMA CEO and Board Chairman. “Almost everyone knows of her legendary passionate leadership and inspirational gifts she dedicated to the music community, but what I remember most was her friendship, passion and love for any and all of us who had the pleasure of being in her presence! Love you Ms. Jo!!”

“Jo was the very face and epitome of grace and aplomb,” says Jim Ed Norman, CMA Board member and CEO of Curb Records. “It may have been a man’s world she accommodated but it ‘wouldn’t be nothing’ without Jo Walker-Meador. Every time we spoke, without knowing it, or forcing it, she reminded me about the importance of kindness, truth and humility. Selfish as it may be, a great regret of mine will be not having spent even more time with her.”

“I had the honor to serve as Chair & President of CMA during Jo’s tenure,” says Ralph Peer II, CMA Board member and Chairman/CEO of peermusic. “Jo was of ultimate importance to the growth in stature and size of CMA as she had an uncanny ability to keep us all going in the same direction for the benefit of everyone in country music. I miss her already!”

“Jo Walker Meador, now joins the ranks of spirited and passionate female leaders such as Frances Preston, Donna Hilley, Maggie Cavender and others who have left everlasting marks on the growth and success of country music,” says David M. Ross, CMA Board member and owner of BossRoss Media. “Her humor, grace and tireless efforts on behalf of country music will be greatly missed.”

“I cannot even describe how sad I am to learn of Jo’s passing,” says former CMA Director of Media Relations and current 888 Management’s Scott Stem. “Everyone in the country music industry owes a debt to Jo Walker-Meador, and I hope everyone will take a moment today to be thankful that she was here and for all that she accomplished. She was a trailblazer for women in this industry without a doubt, but in truth, she was a trailblazer for all of us. She was among the most gracious people I’ve ever met and always made everyone feel important. I first met her soon after getting my first job in the industry when I was green and barely knew anything and she treated me with the same respect that I saw her treat heads of companies with. Throughout the near 30 years I’ve known her, that never changed. I always looked forward to seeing her when she would visit CMA during my time there. She always had wisdom to share. Her memory was impeccable and she could recall events that happened 40 years ago with amazing clarity. She would make it a point to speak with everyone in the building. She was classy, a visionary, intelligent, hard-working, kind, strong and a uniter of people. The country music industry is better for having had Jo Walker-Meador in it. Nashville is better for having had Jo Walker-Meador in it. May she rest in peace.”

“Miss Jo was a beautiful expression of class, charm, grace and a life well lived. I will miss her smile and encouraging words,” says Troy Tomlinson, CMA Board member and President and CEO of Sony/ATV Publishing.

“Jo was an inspiration to a couple of generations of artists and executives in Nashville’s music industry,” says Jody Williams, CMA Board President-Elect and VP, Creative for BMI Nashville. “Along with dear friend Frances Preston, former CEO of BMI, Jo was responsible for creating community among all of the businesses on Music Row.  She led by example, was smart as a whip and accomplished so much for the CMA – securing the organization as the premiere country music trade association in the world. And she did all of this as one of the few female executives in the business, working with and leading hundreds of male business leaders.  In addition, she always greeted you with a big smile and was a natural born nurturer.”

“I don’t think that Jo’s impact on our community can be understated,” says Sally Williams, CMA Board Chairman and SVP of Programming & Artist Relations for Opry Entertainment. “Under her leadership, the CMA propelled our artists and industry to new heights, laying the groundwork for where we are today.”

Jo Walker-Meador inducting Mac Wiseman to the Country Music Hall of Fame in the 2014 Medallion Ceremony at the Country Music Hall of Fame and Museum. Photo: Erika Goldring for the Country Music Hall of Fame and Museum

CMA’s Jo Walker-Meador Passes

Jo Walker-Meador

By Robert K. Oermann

Country Music Hall of Fame member Jo Walker-Meador passed away on Tuesday evening (Aug. 15), following a stroke. She was 93.

Her grace and guidance as the 30-year executive director of the Country Music Association (CMA) served as a role model for a generation of women in the Nashville music business. Furthermore, she piloted the CMA from its struggling infancy to becoming a powerful force in America’s music industry.

There were fewer than 100 full-time country radio stations when she was hired by the CMA in 1958. By the time she retired, there were in excess of 2,000, more than any other music format. Under her leadership, the CMA built a Country Music Hall of Fame, launched the CMA Music Festival and inaugurated annual the CMA Awards telecast.

She was born Edith Josephine Denning in Orlinda, TN and initially had the career goal of becoming an English teacher and/or a women’s basketball coach. After college, she married WKDA radio executive Charles F. “Smokey” Walker in 1954.

She worked as a secretary in a gubernatorial political campaign, for the Nashville movie-theater chain Crescent Amusements and at a variety of other businesses before she took the job as office manager for the then-new CMA in late 1958.

The organization had been born out of the ashes of the Country Music Disc Jockey Association, founded in 1953. WSM radio’s Harry Stone was the first executive director, but the organization couldn’t afford to pay him.

Jo Walker-Meador was hired as the “girl Friday,” the executive assistant who did bookkeeping, typing and general office-running work. In 1959, she organized a CMA banquet, which eventually was spun off into a number of annual events presented by the organization.

Former CMA CEO Jo Walker Meador and CMA CEO Sarah Trahern at the 2016 Medallion Ceremony at the Country Music Hall of Fame and Museum on Sunday, Oct.17, 2016.

After Stone left in 1959, Minnie Pearl exhorted the CMA board to hire Jo as executive director because she was already essentially doing the job. Jo later ruefully recalled that she was hired because no man would work for so low a salary.

She officially assumed the paid executive-director job in 1962. Then came an aggressive campaign to convince radio stations that they should adopt the country format. Her diplomacy background in politics served her well as she navigated through a music business she initially knew little about.

The first Country Music Hall of Fame inductees were announced in 1961 – Hank Williams, Jimmie Rodgers and Fred Rose. This became the organization’s first annual ritual. In 1966, the CMA successfully marketed an all-star album of country music’s biggest hits to raise funds for a Hall of Fame building. It was sold via TV, and was one of the first telemarketing music successes. The Hall of Fame building opened on Music Row on April 1, 1967. That fall, Smokey Walker passed away, making his widow the primary breadwinner for her family. Also in 1967, the CMA began a second annual ritual, the presentation of the CMA Awards.

Jo Walker-Meador and leaders on the CMA board went to ad agencies and network television to convince them that their ceremony was worth becoming a TV special. In 1968, the CMA Awards became the first music honors presented on national television. It has been a ratings blockbuster ever since.

The annual Grand Ole Opry Birthday celebration began in 1952. It evolved into the Country Disc Jockey Convention, rebranded in 1969 as Country Radio Seminar. Organizers were concerned that country fans were showing up to this industry event to star gaze. In response, Jo Walker-Meador and her CMA founded Fan Fair in 1972.

Initially held at Municipal Auditorium, it attracted little attention that first year. To boost the crowd, Jo reached out to the Fort Campbell army base with free passes. Thanks to the soldiers who came, attendance at that first Fan Fair was roughly 5,000.

She married Nashville businessman Bob Meador in 1981. The CMA’s annual fan celebration moved to the Tennessee State Fairgrounds in 1982. By the time it moved to downtown Nashville in 2001, it was attracting 25,000 annually. Now known as the CMA Music Festival, it has more than 88,000 participants. It became a network TV special in 2004. Jo Walker-Meador attended every year, including in 2016.

There were only 200 members of the CMA when it was born. Under Jo’s leadership, membership swelled to more than 7,000 and the CMA became known as “the world’s most active trade association.” Although she retired from the CMA in 1991, Jo Walker-Meador continued to make appearances at Nashville music-industry events.

She was elected to the Country Music Hall of Fame in 1995 and was present for every successive Hall of Fame Medallion Ceremony for other inductees. Jo Walker-Meador was given the Cecil Scaife Visionary Award in 2013. Husband Bob Meador accompanied her when she was presented with a star in the Music City Walk of Fame in 2008. He died in early 2015.

Jo Walker-Meador is survived by her brother Pete Denning, daughter Michelle Walker, stepchildren Karen Meador and Rob Meador.

 

Eagles To Play Four Cities This Fall With Vince Gill

The Eagles – Don Henley, Joe Walsh & Timothy B. Schmit, with Vince Gill and Deacon Frey – have set a series of “An Evening with the Eagles” concerts for this fall that will kick off Oct. 17 in Greensboro, North Carolina at the Greensboro Coliseum. Additional stops will include Oct. 20 in Atlanta at Philips Arena, Oct. 24 in Louisville at the KFC Yum! Center, and Oct. 27 in Detroit at Little Caesars Arena.

Tickets for the shows go on sale to the general public beginning Saturday, Aug. 19 at 10 a.m. through LiveNation.com. American Express Card Members will have the exclusive opportunity to purchase tickets before the general public beginning Tuesday, Aug. 15 at 10 a.m. through Friday, Aug. 18 at 10 p.m.  A limited number of VIP ticket packages will be also be available, including premium tickets, pre-show VIP lounge, exclusive merchandise and more. Complete ticket information can be found at eagles.com.

CMA Awards Second Round Ballot Voting Opens Today

The second round of voting has begun today (Aug. 14) for the upcoming 51st Annual CMA Awards. Member voting is open now through Aug. 24.

The final nominees in each of the 12 categories will be announced later this summer. Winners of the 51st Annual CMA Awards will be determined in a final round of voting. The third and final ballot will be emailed to Country Music Association members Monday, Oct. 2. Voting for the CMA Awards’ final ballot ends Tuesday, Oct. 24 (6 p.m.  CT).

Brad Paisley and Carrie Underwood will return for the 10th consecutive year to host the 51st Annual CMA Awards when it airs live from the Bridgestone Arena in Nashville on Nov. 8.

Weekly Chart Report 8/11/17

Click here or above to access MusicRow‘s weekly CountryBreakout Report.

Exclusive: Dierks Bentley Finds A ‘Win’ In Spontaneous Moments On His 2017 What The Hell World Tour

Dierks Bentley performs in Milwaukee.

For more than a decade, Dierks Bentley has brought his mix of party-ready tunes and thoughtful ballads to country fans, earning sold-out shows with songs such as “Feel That Fire,” “Riser,” “Drunk On A Plane,” “Free And Easy (Down The Road I Go),” and his latest, “Black.”

This year, Bentley’s 2017 What The Hell World Tour has been peppered with impactful moments.

During an April stop in Fresno, California, Bentley helped reunite a local military family. Sgt. Steven Mendez surprised his wife and two sons, after having been stationed overseas for nearly a year.

“That was so emotional,” Bentley tells MusicRow. “The dad was waiting behind this curtain. I’ve seen it happen on TV before, but I’ve never witnessed one before in person. The older son started crying and the younger son just stood there fascinated. Even talking about it now, it kind of wells me up just processing it. Everyone was crying and after the meet and greet we just had a private moment with all of them backstage. We asked them if we could bring it onstage and let everyone know what happened.”

That steely determination to win over the crowd each night, borne from years of playing small clubs across the country has stayed with Bentley as he has progressed to playing headlining shows in arenas and selling out amphitheaters.

The Platinum-selling singer-songwriter makes it his nightly goal to make sure the crowd is having as much fun as he and his band are having onstage, and he’s willing to go to some risky lengths to make that happen, such as keeping his security decidedly hands-off as Bentley makes his way through the crowd each night.

“When I was doing smaller shows and theaters, I was climbing railings, I would just do whatever I could, so when I got a chance to headline these amphitheaters, that’s a big part of the show for me. With Tom my tour manager and Jay my production manager, it took a few times to figure out how to do it because I don’t want anyone around me. I don’t want security, I don’t want anyone pushing people around. I’d rather risk bodily harm than have anyone be pushed or shoved. I’m dancing with girls in the aisles; I’m giving massages to the security people, like chop sueys on their backs.”

Dierks Bentley holds audience member’s baby in Tampa, Florida

That hands-on mantra does lead to some pretty unexpected moments, such as when, during a show in Tampa, Florida, a father handed his newborn child to Bentley.

“I thought it was a beer, but it was a baby about the size of a tall boy. I was shocked and it’s perfect because you are looking for spontaneous things to happen every night. That, like, exceeds anything I would ever expect. The look on the father’s face just makes it. He was so excited. The kid is going to look back and be like, ‘Dad, what the hell were you doing?’”

Sometimes his drive to bring fans new and unexpected experiences can lead to some slightly devious actions. Throughout the tour, Bentley and his bandmates disguised themselves as a bluegrass band, opening their own shows with a mix of bluegrass numbers, old-school country tunes and southern rock.

“I love bluegrass music and the guys in my band are some of the best acoustic musicians. Our guitar player played with Ricky Skaggs and is amazing on acoustic guitar. We just started scheming. That first time, even now, I’m more nervous doing the bluegrass gig than doing my own show. You go out there unannounced and fans are all excited thinking that it is Jon Pardi and they are like, ‘Oh, what’s this.’ If we don’t announce it, nobody knows who I am because I kind of stand off to the side and we have to win them over to the music. “

Dierks Bentley and band disguised as a bluegrass band on tour

During a show in Raleigh, Bentley invited his son Knox to join them.

“I need to get him a guitar next year because I have a feeling the bluegrass band is going to expand a member or two.”

After bringing Jon Pardi out on the road with him two years earlier, Bentley again has the “Dirt On My Boots” singer joining him for his What The Hell World Tour.

“He’s made a great record,” Bentley says. “We have the best time on the road. He’s a goofball and will do anything. We were playing Faster Horses and they had a pool set up backstage. My whole thing is ‘Say yes to everything.’ So I was walking by the pool and there were these girls who were teaching standup paddleboard yoga and I was like, ‘Why not?’ So I called Jon over there. It was really funny. He’s been a big part of the tour.

The camaraderie between Bentley and his opening acts stems in part from Bentley handpicking his openers, each of whom he says he calls personally to initiate conversations about the tours.

Dierks Bentley and Jon Pardi engage in backstage paddleboard yoga on tour.

Even moments that have long been part of Bentley’s show, such as stage diving or bringing fans onstage for a shotgun race, provide unique points where anything can happen.

“Shotgunning with fans, I’ve thought about taking that out of the show because I’ve been doing it so long. I feel like fans can come to expect it,” Bentley says. “But once you get them onstage, you never know what is going to happen. Someone has peed their pants because they are so nervous. I’ve had people throw up. One girl just poured the beer all over herself, and I was using my shirt to wipe them off so they could go back into the crowd. It’s become a signature thing we do and I’d hate to lose that.

“Same thing with stagediving, which we do every night. It’s not the most comfortable thing to do because you are diving into people and you wonder, ‘Are they going to catch you? What are you going to do when you get down there, how are you going to get back up? But when you get back onstage, it’s like, ‘Yeah! We did that together. I trusted you and you supported me and it’s a thread that knits this whole experience together.”

Dierks Bentley shotguns with a fan in West Palm Beach

Though his What The Hell World Tour is nearing its final tour stops, and Bentley is gearing up to return to the studio, he says he already has some ideas for making his next tour just as memorable.

“I have a ‘90s cover band as well—Hot Country Nights—so that could be an option next year. It’s something we’ll try to hold on to. We come to these venues and it’s ours for the day, so we want to make the most of it.

“I think subconsciously, fans can tell when the lead singer is having more fun than anyone else onstage. It never feels like we are putting on a show, it’s like we are having an experience show. It’s like a hockey game, every night we’re trying to get a win.”

In Cleveland, Bentley holds a bra from a fan onstage.

Bentley dances with a security guard during a tour stop in Ottawa, Canada.

During a stop at the Faster Horses Festival, Bentley helps reunite two fans that saved each other’s lives via a kidney transplant.

Elle King performs with Bentley at the Stagecoach Festival

Bentley enjoys some time off on tour, playing hockey during a stop in Saksatoon, Canada.