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The Cleverlys Charm Nashville’s Station Inn

The Cleverlys (L-R): Vernon Dean, Miles (not present at Station Inn), Digger, Harvey D, Otto.

It’s all right there in the name.

The Cleverlys, the faux family band brainchild of comedian-musician Paul Harris, is a novelty act in the sense that no one’s doing anything quite like them. As ringleader Digger Cleverly, Harris refers to his five-piece band as a “trio” and romps through acoustic covers of Top 40 hits. It sounds a little goofy on paper, but the band members are so committed to the concept that it transcends mere gimmickry. It’s high-concept performance art (albeit with some lowbrow humor)—a high lonesome Spinal Tap that doesn’t go to 11 because it isn’t plugged in.

The band played to a packed house at Nashville’s beloved bluegrass haunt The Station Inn on Thursday, Feb. 16. Harris came out in plain clothes as a stand-up comedian to warm up the crowd before the main event. He works in a similar vein to some of the Blue Collar guys, but it seems sincere without being so aggressively “redneck.”

On rodeos: “‘Cowboy up.’ That means something big and important when you’re 19. When you’re 40 it means, ‘You’re gonna get hurt, you idiot!”

On earthquakes in Arkansas: “Our house ain’t shook that bad since they parked it here.”

On the phenomenon of Shark Week: “Come through my living room in that speedo, I’ll bite you too!”

As Digger Cleverly, Harris is all-but unrecognizable from his civilian self. Tinted aviator glasses hide his eyes and his uniform is coordinated precisely with the other members of his band, who all wear hats of varying degrees of width. All members also have an elaborate family mythology that originates from the Ozark Mountains of Arkansas.

They led the show off with the family friendly version of Cee-Lo Green’s unforgettable “Forget You,” followed by Beyonce’s “Single Ladies (Put A Ring On It)” where the titular jewelry item becomes “rang,” and The Black Eyed Peas’ “I Gotta Feelin’.” “We’re so tickled you like that good old bluegrass music,” quipped Digger.

More good old bluegrass favorites followed, including Stone Temple Pilots “Plush,” Shaggy’s “Angel,” and The Zombies’ “She’s Not There.”

As musicians, The Cleverlys are more than capable of delivering the goods. Band members include Vernon Dean “VD” Cleverly on banjo, who wowed kids of the 80s with a note-perfect rendition of the Super Mario Bros. game theme music; Monroe “Lil Mon” Cleverly on bass, filling in for absent Miles Cleverly; Harvey D Cleverly on drums, who “bit his tongue off in a donkey basketball game”; and Otto Cleverly on banjo and mandolin, who is also the face of something called Otto’s Meats. I’ll let you figure out where the punchlines went from there.

In addition to the Top 40 and R&B covers, the band does have some riotous original material. Digger set up one song by saying it was about his “dead friend who died who’s no longer with us.” That song, set to a lilting traditional country beat, was titled “Girl With No Pantyline.” “Podophiliac” branded the band as foot fetishists, and Otto Cleverly even harassed women in the front row by leering underneath the tables.

For those who hadn’t figured it out yet, The Cleverlys drew the The Spinal Tap parallel very clearly during a cover of the ‘70s obscurity “Hocus Pocus” by Focus. During one long instrumental breakdown, “VD” the banjo player kneeled and acted out a portion of the famed “Stonehenge” scene from the movie.

It was, for lack of a better way to put it, very clever.

Industry Ink Monday

Mercury Records singer/songwriter Canaan Smith recently performed a packed industry showcase at famed L.A. venue The Mint. Among those in attendance were executives from Creative Artists Agency, Disney Music Publishing and ASCAP. (L-R): Julie Enzer (Disney Music Group), Rob Light (CAA), Rod Essig (CAA), Canaan Smith, and Erin Culley (CAA). Photo: Arlene Muller

• Condolences to Warner Music Nashville VP of Brand Management Kelli Cashiola and fiance Dave Haywood on the passing of her father, Ned Joseph Cashiola, Jr. Services will be held at Woodcreek Church, 3400 E. Renner Rd., Richardson, TX 75082 on Tuesday, Feb. 21 at 2:00 pm. In lieu of flowers, the family is requesting donations be made to Richardson Area Young Life, 1131 Rockingham Dr., Ste 104, Richardson, TX 75080-4300.

The Tennessean’s Peter Cooper explains in-depth how this year’s restructured Grammy categories impacted Nashville nominees.

Michael Puryear’s Final Four Music has partnered with Ken Harding’s New Haven Records/Harding Music Group to develop new writers and catalog, as well as facilitate exploitation of existing catalog. Harding’s catalog includes cuts by Glen Campbell and Point of Grace. Final Four Music boasts cuts by Amy Grant, The Oak Ridge Boys, Michael W. Smith, and Vince Gill. Puryear is a Dove Awards winner with three decades of experience as a writer and publisher.

• Congrats to Flying Island recording artist Levi Riggs and his wife Brittany on the birth of baby girl Stella LaRue Riggs. She was born Feb. 4 in Indianapolis, where her dad was playing the NFL Tailgate Party before the Super Bowl. She weighed 6 lbs. 10 oz.

Pete Dodge has been appointed to General Manager/VP of Kobalt Artist and Label Services. He was previously Managing Director of IODA UK and VP IODA International. Dodge, a well-known executive in the distribution and marketing space, will be based in London reporting to Paul Hitchman, who joined Kobalt this month as Managing Director of Kobalt Artist and Label Services.

Hit songwriter Neil Thrasher celebrated his first No. 1 since signing with peermusic, Jason Aldean’s “Tattoos on This Town." (L-R): Michael Knox (Aldean's producer and peermusic Sr. Creative Director), Kim Wiggins (peermusic Creative Manager), Neil Thrasher, Jason Aldean, Kevin Lamb (VP, peermusic Nashville) and Shalacy Griffin (Sr. Creative Director of Music Knox). Photo: ASCAP/Erika Goldring

CountryBreakout No. 1 Song

His previous years have been pretty amazing, to be sure, but Dierks Bentley looks primed for an outstanding 2012. It’s only mid-February now. His critically-acclaimed sixth album Home dropped Feb. 7 and subsequently hit No. 1 in Country sales for the week. He also showed up as a presenter on the Grammys and then performed on the Ellen DeGeneres Show just a few days ago.

The title track from Home is at least part of the puzzle, its message of reconciliation and hope reverberating with country audiences and beyond. Probably not a huge surprise, but it’s now the CountryBreakout Chart’s No. 1 song for a second straight week. As a testament to its reach, early in the song’s life Bentley got the chance to perform it at the White House for President and Mrs. Obama during a PBS special.

Bentley is currently off exploring the cold North of Canada on his “Country & Cold Cans” tour, and he’s scheduled to head the land down under in March for a series of dates. “Country & Cold Cans” returns for a string of U.S. dates in April. Info here.

Weekly Chart Report (2/17/12)

Darren Warren (NuCorp Entertainment) took a trip from his home outside Paducah, KY to Madison, WI’s WJVL to promote his "Cowboy Up and Party Down" single with PD/midday personality Ken Scott (L)

MARK YOUR CALENDARS
Country Radio Seminar 2012 is next week, and MusicRow will present its annual CRS Meet & Greet and CountryBreakout Awards Tuesday, Feb. 21 at Margaritaville. Attendees will be treated to excited performances from Marlee Scott, JT Hodges, and The McClymonts. Email Eric Parker for details on how to attend.

SPIN ZONE
Somebody, quick: I need a word for a place that one lives and stays, if not permanently, at least for a long time. Well whatever you call that, it’s the thing Dierks Bentley’s “Home” has found at the top of the CountryBreakout chart for the second straight week. Both Keith Urban’s “You Gonna Fly” and Martina McBrides “I’m Gonna Love You Through It” maintain their positions, but Montgomery Gentry’s “Where I Come From” and Taylor Swift’s “Ours” are encroaching.

It’s always nice to see some new faces arriving in the Top 20. It’s not Eli Young Band’s first trip, of course, but they’ve followed “Crazy Girl” with an even faster rising single in “Even If It Breaks Your Heart,” now at No. 17. On the other hand, it is the first time inside the Top 20 for MCA’s Kip Moore, whose “Somethin’ ‘Bout A Truck” is currently at No. 20. Just ahead of him at No. 19 is Zac Brown Band with “No Hurry.”

Despite some considerable chart movement, there aren’t a ton of new singles debuting. Luke Bryan is ahead of the pack with “Drunk On You” hitting No. 54. Tracy Lawrence is up next with “Pills” at no. 74, followed by Candy Coburn and “Don’t Walk Away” at No. 78. Filling the last chart slot is newcomer Thomas Rhett, whose “Something To Do With My Hands” has quickly caught programmers ears.

Frozen Playlists: KSED, WKBQ, WKTT, WZMR

Upcoming Singles
February 21
Thomas Rhett/Something To Do With My Hands/Valory
Julie Ingram/Thank God (For Mom & Dad)/LongShot/Nine North/Turnpike
Matt Stillwell/Ignition/Average Joes
Luke Bryan/Drunk On You/Capitol
Eric Church/Springsteen/EMI Nashville

February 27
Adam Gregory/High On You/Calusa Entertainment/GMV
Lisa Matassa/Wouldn’t You Like To Know/It Is What It Is/Nine North
Easton Corbin/Lovin’ You Is Fun/Mercury

• • • • •

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Luke Bryan/Drunk On You/Capitol – 54
Tracy Lawrence/Pills/LMG – 74
Candy Coburn/Don’t Walk Away/LomaJean – 78
Thomas Rhett/Something To Do With My Hands/Valory — 80

Greatest Spin Increase
Artist/song/label — spin+
Eric Church/Springsteen/EMI Nashville – 539
Luke Bryan/Drunk On You/Capitol – 420
Miranda Lambert/Over You/RCA – 357
Jason Aldean/Fly Over States/Broken Bow – 333
Zac Brown Band/No Hurry/Southern Ground/Atlantic — 299

Most Added
Artist/song/label — New Adds
Luke Bryan/Drunk On You/Capitol — 37
Eric Church/Springsteen/EMI Nashville — 35
JT Hodges/Goodbyes Made You Mine/Show Dog-Universal — 15
Thomas Rhett/Something To Do With My Hands/Valory — 14
Phil Vassar/Don’t Miss Your Life/Rodeowave — 11
Darryl Worley/You Still Got It/Tenacity — 11
Rachel Holder/In Your Arms/Curb — 9
Thompson Square/Glass/Stoney Creek — 9
Josh Turner/Time Is Love/MCA — 9

On Deck—Soon To Be Charting
Artist/song/label — spins
Bobby Dean/White Lightning Pink Champagne/Lamon – 219
John Maison/Fast Enough/Big High Five – 216
Jon Wolfe/I Don’t Dance — 194
Steve Holy/Until The Rain Stops/Curb – 183
Matt Kennon/You Had To Pick On Me/Roaddawg – 176

Birmingham’s WZZK/104.7, home of the syndicated "Rick and Bubba Show" worked with Birmingham Mayor William Bell to find a new home for Joe Don Rooney, whose Picher, Oklahoma hometown was dissolved in April 2009 by a vote. In June 2009 the Federal government issued the citizens checks so they could move from the city permanently. Joe Don Rooney was presented a proclamation making him a ‘Son of the City’ from the Mayor at Rascal Flatts' concert Feb. 10, where they were performing with Sara Evans and Hunter Hayes. The trio's "Banjo" lands at No. 13 on MusicRow's CountryBreakout Chart this week.

Charlie Cook On Air: Brand Loyalty

We greet every day with the hope that we can build a brand as strong as Apple. This is true if you work at a radio station or a record company. This is the goal if you’re a performer or work with performers. We would all like to be thought of as WABC in its heyday. Wouldn’t you like to create a brand as strong as the old RCA Records or have the staying power of Elvis?

Wouldn’t we all like to be top of mind with the consumer? Wouldn’t we all like to be Apple, Amazon or Facebook? These are three of the top four brands in the English-speaking world today. Every tablet is an iPad. (Unfortunately for this ACER owner, that is not true, btw.) Amazon sells everything that isn’t bolted down and then some things that are. Social Media and Facebook are synonymous.

How do we get to that point?

The obvious answer is to build a great product, market that product and then deliver great customer service. Kind of.

Have you heard of the Brand Keys Customer Loyalty Index? Neither had I. The 2012 Engagement Index has recently been released and I found a couple of surprises on the list.

I was not surprised to learn that the aforementioned three brands topped the list, but was surprised to learn that the top car manufacturer was Hyundai. I have nothing against Hyundai. I think that the Genesis is a beautiful car and I had a Sonata as a rental recently and really liked it.

This index measures the emotional value with the rational value and identifies a bond with the consumer.

The number one credit card: Discover; Cosmetic: Mary Kay; Tequila: Patron; Drug Store: Walgreens; and Cellular service: ATT. Okay, that last one really throws me off considering ATT has become the punch line for cell phone jokes, and they kind of throw out the “best customer service” issue.

I don’t think I would have correctly guessed any of those brands as No. 1.

My point here is that being the best in your brand may not be all it takes to build a bond with your target. The BKCLI also measures the entire category and then finds your place in it.

So if listeners rank radio as an important part of their day, you then you need to find your place in that category. It does no good to be number in a category that is not important. I am going to stretch this a bit by asking how important would it be to be the No. 1 Country Music artist in the Chinese-speaking community in San Francisco?

Building a bond with the consumer will make your message stand out. It will help you build your brand through word of mouth and give you the benefit of the doubt when there is a question of choosing you over a competitor.

I thought of this while watching the Super Bowl. Auto dealers were the biggest category but the top spots were snack food and beer. What were you doing during the Super Bowl? Snack food and beer or thinking about buying a new car?

Doritos has become the go-to snack food and their spots are expected in the Super Bowl. They own that category. Budweiser is the same for beer. While I felt many of their spots were weak this year, the Weego spot was the No. 1-ranked commercial. But when you think of beer during the Super Bowl you think of Bud. Now they need you to think of Bud while you’re at Joe’s Bar.

All of the money spent during the Super Bowl, $3.5 million per spot, and neither of those brands are in the top 20 on the loyalty engagement brand list.

Oh, but there is hope for America. No, not the Clint Eastwood spot. Though that was inspiring (maybe a little political), David Beckham ranked No. 35 and Adrianna Lima ranked No. 36 and the two Go Daddy spots ranked No. 50 and 54—last.

Kennard Joins Full Circle Music

Brad Kennard has joined the staff at Full Circle Music Publishing as Vice President.

Some of Full Circle’s recent hits include Jason Aldean’s “Fly Over States,” Brad Paisley’s “Old Alabama” and “Anything Like Me,” Kenny Chesney’s “The Boys of Fall,” and Craig Morgan’s “This Ain’t Nothin.’”

Kennard’s noted career includes six years with hit producer Byron Gallimore at Violator Nashville Artist Management and Red Vinyl Music, as well as four years as General Manager for Song Garden Publishing. He also spent three years as the Creative Director at Frank Liddell’s Carnival Music Publishing, and nearly seven years at Curb Music Publishing.

Kennard has helped cultivate No. 1 hits including Rodney Atkins’ “If You’re Goin’ Through Hell,” and Reba McEntire’s “Somebody.” He’s also played a role in other hits/award nominated tracks including George Strait’s “Desperately,” Rascal Flatts’ “Unstoppable,” and Jamey Johnson’s “High Cost of Livin.”

Beloved Publicist Jayne Rogovin Passes

Jayne and her horse Diva. Photo: Gina Binkley

Veteran Nashville publicist Jayne Rogovin passed away last night (2/13) from incurable breast cancer.

For eight years she ran her successful Jayne Gang PR, with most recent clients including The Americana Music Association, Sunset Grill, Cabana Restaurant, Midtown Cafe and Manuel Exclusive Clothier. A devoted publicist, she was working even in recent weeks, as her condition worsened. Friends say the decline in her health was sudden.

Proof of her courageous spirit and drive, she proclaimed in a recent interview, “I’m living, not battling.”

Best friend Kay West helped Rogovin keep on living, acting as a point person for others who wanted to help. “I met Jayne when Steve West asked her to direct the first Nashville Music Awards aka The NAMMIES 17 years ago and I wrote the script,” recalls West. “We have been dear friends since. Jayne was fearless, adventurous, insatiably curious, always learning, generous, devoted to her friends and clients and a damned fine horsewoman and dancer. She lit up a room and touched countless lives. I will miss her terribly.”

Longtime friend Kay Clary agrees, “Jayne was bursting with life and seriously had the widest circle of close friends of anyone I’ve ever known! She had an hilariously quick wit, the tenderest of hearts, and sharpest of minds. Yes, she did impassioned work as a PR and marketing exec, but she’ll be remembered most by so many as a vibrant and true friend.”

Rogovin’s more than twenty-year career included time as Pecos Films Director/Producer, as well as work in media, marketing and creative services.

The New York native graduated from the University of Florida and went into broadcast journalism. Later, after a two-month stint with a TV crew covering the Branch Davidian standoff in Waco, Texas, she decided a career change was in order. She eventually landed in Nashville, and became a much-loved, hard-working member of the music community. She was passionate about horses, and indulged her caring nature with gardening, and her feisty side with salsa dancing.

Friends rallied around Rogovin during her illness, organizing the Kick the Crap Outta Cancer benefit in her honor. Held April 5, 2011 at Cabana, the event attracted performers including Raul Malo, Jim Lauderdale, Steve Cropper, and Foster & Lloyd, and raised about $30,000.

She was as devoted to the community as it was to her, working with charitable causes including UPAW (United Partnership for Animal Welfare), and Billy’s Wish Foundation, which helps children with cancer.

Ronna Rubin saw her friend as an inspiration. She says, “In good health and in bad, Jayne inspired me. I will always remember Jayne’s passion; her passion for life, for her friends, for our creative community. Those artists, songwriters and singers lucky enough to have had her as their cheerleader were gifted with a rare combination of vision and devotion.”

In recent months Rogovin continued her longtime work with the Americana Music Association, including at its September Festival and Conference. She was one of the most devoted and earliest supporters of the organization and the genre it represents. According to her blog, she also enjoyed traveling to see family in the months before her passing.

Read more about Rogovin’s history here and her recent interview here.

Arrangements have not been announced.

Americana Music Association Executive Director Jed Hilly shared this moving letter today.

Dear Jaynie,

Your friendship was unconditional. Your love was unconditional. Your professionalism unsurpassed. I am so grateful for the gifts you shared.

You never once let me down. You not being here today is unimaginable and I am figuring out how to deal with this… It’s tough. Happened too fast.

I have no doubt you would have already pulled into my driveway by now to listen and comfort me, and to advise me on how to deal with this situation. You would likely be telling me that I have to grieve, and then you would, at the right time, tell me I needed to stand up, pull it together and leave the house. You’d tell me I needed a statement. It’s making me laugh and cry.

How lucky we all have been to be your friend. You gave us such confidence. Your belief in greatness and kindness in all of us is one I cherish.

I love you and miss you so much Jayne Rogovin. Happy Valentine’s Day sweetheart.

Friends rallied aroud Jayne Rogovin at the Kick The Crap Outta Cancer benefit. (L-R): Steve Cropper, Jonell Mosser, Jayne Rogovin, Harry Stinson and Beth Hooker. Photo: Alan Mayor

Wade Bowen Plays Nashville’s Exit-In

Wade Bowen’s current single “Saturday Night” (Sea Gayle/BNA) bears the refrain “So why does everybody love Saturday night/Stale smell of beer and the smoke in your eyes/I keep sittin’ and drinkin’ and thinkin’ ‘bout a sad good-bye/So tell me why is everybody so in love with Saturday night?” It’s an inversion of the usual party-hearty weekend theme found in popular country songs, set to a jangling, uptempo track. It works really well because, let’s face it, the weekend sucks when you’re alone and brokenhearted.

That marriage of darker subject matter to gritty, driving country rock is a particular strength of Bowen’s, and he was in fine form when he played Nashville’s Exit-In last Thursday (Feb. 9) with Charlie Worsham and Striking Matches. Backed by his usual six-piece band, the beloved Texas artist debuted songs from his upcoming BNA Records album and spirited versions of his older material.

The set kicked off with “God Bless This Town,” a bitter take on the gossip and narrow-mindedness that plagues small town dwellers. He originally recorded the song in 2006, but has re-recorded it for the new album. Other new songs included “All That’s Left,” “Say Anything,” and the rocking “Patch of Bad Weather.”

Years of playing hundreds of dates have given Bowen a commanding stage presence, and he’s built a great chemistry with his band. As a unit, they excel in building the suspense for each new song.

Failed relationships were a popular topic in the evening’s selections, and they range from the haunted memory ballad “Ghost In This Town,” to the done-me-wrong kiss off “Nobody’s Fool,” and breakup aftermath tale “You Had Me At My Best.” He even touched on the casualties of alcoholism in “Daddy And The Devil.” Pretty grim stuff, but the crowd loved it.

Fans were also treated to a special appearance by Dave Loggins, whose “Please Come To Boston” is a staple of Bowen’s live sets. Loggins joined the band onstage for a verse and chorus of the song before turning the stage back over.

Bowen closed out his main set with the cathartic and triumphant “Resurrection,” which ought to feel familiar to anyone who’s ever endured a bad breakup. “We’ve all been there,” he said. “If you haven’t, you’re not living like you should.”

For his encore, he played an acoustic “Before These Walls Were Blue” accompanied by vocalist Jessica Murray. He closed out the evening with one more poison-arrow anthem called “Beat Me Down,” accompanied by the song’s co-writer Sean McConnell and a pack of rowdy music lovers pumping their fists in time.

Being bummed out never felt so good.

Grammys Ratings Through The Roof

Jason Aldean and Kelly Clarkson perform on the Grammy Awards.

Last night’s Grammy Awards attracted the show’s biggest audience in almost 30 years, with 41.2 million viewers tuning in for the ceremony on CBS, reports Zap2It.com. This is a gigantic leap from last year’s 26.6 million viewers.

According to Zap2It.com, it was the Grammy’s second biggest audience since total-viewer counts started being kept in the late 1970s.

Saturday’s death of superstar singer Whitney Houston could have contributed to the increase in viewership.

By comparison, the biggest ratings magnets of the year on US television are the Super Bowl and the Academy Awards. Earlier this month the Super Bowl drew 111.3 million viewers to become the most-watched television program in U.S. history, according to Nielsen.

The 2011 Academy Awards drew 37.6 million viewers. The 2012 show is set for Feb. 26.

2012 Grammy Winners: Country and More

Lady Antebellum backstage. Photo: Grammy.com, Steve Granitz/WireImage.com

Taylor Swift, The Civil Wars, and Alison Krauss and Union Station’s Paper Airplane earned two awards each last night in Los Angeles. Lady Antebellum won Best Country Album for the second year in a row.

Adele dominated the overall categories. She was honored with six Grammys, including Record of the Year, Album of the Year and Song of the Year, tying the record held by Beyoncé for most Grammy Awards won by a female artist in a single year.

During the live telecast from the Staples Center, Jason Aldean and Kelly Clarkson sang their hit duet “Don’t You Wanna Stay,” and Swift offered her Grammy winning smash, “Mean.” Other Country acts who took the stage included Carrie Underwood with Tony Bennett, and Glen Campbell with The Band Perry and Blake Shelton.

Swift arrives at the Grammys. Photo from Grammy.com/Lester Cohen/WireImage.com

Record Of The Year
“Rolling In The Deep”
Adele
Paul Epworth, producer; Tom Elmhirst & Mark Rankin, engineers/mixers
Track from: 21
[XL Recordings/Columbia Records]

Album Of The Year
21
Adele
Jim Abbiss, Adele, Paul Epworth, Rick Rubin, Fraser T. Smith, Ryan Tedder & Dan Wilson, producers; Jim Abbiss, Philip Allen, Beatriz Artola, Ian Dowling, Tom Elmhirst, Greg Fidelman, Dan Parry, Steve Price, Mark Rankin, Andrew Scheps, Fraser T. Smith & Ryan Tedder, engineers/mixers; Tom Coyne, mastering engineer
[XL Recordings/Columbia Records]

Song Of The Year
“Rolling In The Deep”
Adele Adkins & Paul Epworth, songwriters (Adele)
Track from: 21
[XL Recordings/Columbia Records; Publishers: Universal-Songs of Polygram/EMI Music Publishing]

Best New Artist
Bon Iver

Best Country Album
Own The Night
Lady Antebellum
[Capitol Records Nashville]

The Civil Wars on the red carpet. Photo: Grammy.com, Steve Granitz/WireImage.com

Best Country Solo Performance
“Mean,” Taylor Swift, Track from: Speak Now

Best Country Duo/Group Performance
“Barton Hollow,” The Civil Wars, Track from: Barton Hollow

Best Country Song
“Mean,”
Taylor Swift, songwriter (Taylor Swift)
Track from: Speak Now
[Big Machine Records; Publishers: Sony/ATV Tree Publishing, Taylor Swift Music]

Best Americana Album
Ramble At The Ryman
Levon Helm
[Vanguard/Dirt Farmer Music]

Best Bluegrass Album
Paper Airplane
Alison Krauss & Union Station
[Rounder]

Best Engineered Album, Non-Classical
Paper Airplane
Neal Cappellino & Mike Shipley, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)
[Rounder]

Best Folk Album
Barton Hollow
The Civil Wars
[Sensibility Music LLC]

Best Gospel/Contemporary Christian Music Performance
“Jesus,” Le’Andria Johnson
Track from: The Awakening Of Le’Andria Johnson
[Music World Gospel]

Best Gospel Song
“Hello Fear”
Kirk Franklin, songwriter (Kirk Franklin)
Track from: Hello Fear
[Verity Gospel Music Group/Fo Yo Soul Ent.; Publisher: Aunt Gertrude Music]

Best Contemporary Christian Music Song
“Blessings”
Laura Story, songwriter (Laura Story)
Track from: Blessings
[Fair Trade Services; Publishers: New Spring/Gleaning Publishing]

Best Gospel Album
Hello Fear, Kirk Franklin
[Verity Gospel Music Group/ Fo Yo Soul Ent.]

Best Contemporary Christian Music Album
And If Our God Is For Us…
Chris Tomlin
[Sparrow Records / sixstepsrecords]

Best Classical Instrumental Solo
Schwantner: Concerto For Percussion & Orchestra
Giancarlo Guerrero, conductor; Christopher Lamb (Nashville Symphony)
Track from: Schwantner: Chasing Light…
[Naxos]

See the complete winners list here.

Alison Krauss & Union Station backstage. Photo: Grammy.com, Steve Granitz/WireImage.com