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Weekly Chart Report (6/21/13)

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SPIN ZONE

KVOM/Morrillton, Ark.’s Ashton Taylor recently visited with Montgomery Gentry while at Thunder On the Mountain.

KVOM/Morrillton, Ark.’s Ashton Taylor recently visited with Montgomery Gentry while at Thunder On the Mountain.


Carrie Underwood blows away the competition with “See You Again,” which earns this week’s No. 1 spot with 3,387 spins. We’re pretty sure that song title is prophetic, and that this powerful singer will indeed see the top slot on our MusicRow charts again soon. Zac Brown Band’s “Jump Right In” continues to jump up the chart, landing at No. 2. Justin Moore’s “Point At You” settles in at No. 3, while Kip Moore’s “Hey Pretty Girl” at No. 4. Keith Urban’s “Little Bit Of Everything” climbs three spots to break into the Top 5. Rounding out the Top Ten this week are Randy Houser’s “Runnin’ Outta Moonlight” and Hunter Hayes’s “I Want Crazy,” which continue to hold the No. 6 and No. 7 slots. Lady Antebellum’s “Goodbye Town” sits at No. 8, with Tyler Farr’s “Redneck Crazy” at No. 9 and Luke Bryan’s “Crash My Party” at No. 10.
Toby Keith’s “After Work” is this week’s greatest gainer, landing at No. 33 with an additional 585 spins. Kenny Chesney’s “When I See This Bar” earns the No. 24 spot with an added 511 spins. Jason Aldean’s “Night Train” gained another 407 spins, reaching the No. 40 spot. Dierks Bentley’s “Bourbon in Kentucky” (which features Kacey Musgraves on harmony vocals) breaks the Top 30, landing at No. 29 with an added 386 spins. Finally, Miranda Lambert’s “All Kinds of Kinds” sits at No. 43 with an additional 365 spins.
Women rule this week’s debuts, with Ashley Monroe’s “You Got Me” debuting at No. 75, Taylor Swift’s “Red” at No. 77, Erica Nicole’s “Better Beer” at No. 79 and Jordan Anderson’s “You Ain’t Ready For Me” at No. 80.
Frozen Playlists: KVVP, WDHR, WDGG, KCJC, KVOM, KYEZ, KYYK
Upcoming Singles
June 24
Jason Aldean/Night Train/BBR
Aaron Lewis/Grandaddy’s Gun/Blaster
Andy Gibson/Best Thing/Curb
Gwen Sebastian/Suitcase/Flying Island
Dylan Scott/Makin’ This Boy Go Crazy/Sidewalk
Rachele Lynae/Fishing For Somethin’/Momentum/New Revolution
Jason Aldean/Night Train/Broken Bow
Sarah Darling/Little Umbrella/764/Aristo
Miranda Lambert/All Kinds Of Kinds/RCA Nashville
Toby Keith/Drinks After Work/Show Dog-Universal
Ry Bradley/New Kind Of Lonely/Crimson Q Records
Trae Edwards/Killing Myself To Stay Alive/BREEZEWOOD Productions
Taylor Swift/Red/Big Machine
Logan Tudeen/Circles/Go Time
June 27
Lathan Moore/Burn These Memories/Render
July 1
Chris Stapleton/What Are You Listening To/Mercury
Eli Young Band/Drunk Last Night/Republic Nashville
July 2
Colby Dee/He Don’t Know/Donard Music Group
Joe Allen/Looks LIke It’s Raining/Stubborn Horse Records
July 8
Downday/Back In The Day/Render
Denae Gardner/Sound Of A Woman Sayin Goodbye/4D
Kelly Clarkson/Tie It Up/RCA/Columbia Nashville
Craig Morgan/Wake Up Lovin’ You/Black River
July 15
Old Crow Medicine Show/Carry Me Back To Virginia/ATO Recrods
July 22
North 4o/Hey Girl Hey/RHYMETOWN ENTERTAINMENT
Jay Jolley/God Save Us All From Religion/Double J Records
July 29 
Jared Blake/Countryfied/Skiddco Records
Blue Sky Riders/Brave/3 Dream Records
August 6
Brett Eldredge/Bring You Back/Atlantic
• • •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Ashley Monroe/You Got Me/Warner Bros. Records – 75
Taylor Swift/Red/Big Machine – 77
Erica Nicole/Better Beer/Heaven-Nine North-Turnpike – 79
Jordan Anderson/You Ain’t Ready For Me/GTR – 80
Greatest Spin Increase
Artist/song/label — spin+
Toby Keith/Drinks After Work/Show Dog-Universal – 585
Kenny Chesney/When I See This Bar/Blue Chair-Columbia Nashville – 511
Jason Aldean/Night Train/Broken Bow – 407
Dierks Bentley/Bourbon In Kentucky/Capitol Nashville – 386
Miranda Lambert/All Kinds Of Kinds/RCA – 365
Most Added
Toby Keith/Drinks After Work/Show Dog-Universal – 39
Miranda Lambert/All Kinds Of Kinds/RCA – 29
Jason Aldean/Night Train/Broken Bow – 27
Blake Shelton/Mine Would Be You/Warner Bros. – 21
Tracy Lawrence/Footprints On The Moon  – 17
Kenny Chesney/When I See This Bar/Blue Chair-Columbia Nashville 16
Dierks Bentley/Bourbon In Kentucky/Capitol Nashville 15
Cassadee Pope/Wasting All These Tears/Republic Nashville- 15
Eli Young Band/Drunk Last Night/Republic – 12
Taylor Swift/Red/Big Machine – 11
On Deck—Soon To Be Charting
Herrick/Do You Love Me/BreakAway Entertainment – 232
Eli Young Band/Drunk Last Night/Republic – 229
The Lockets/Stepping Stone/Nu Toy – 224
Tracy Lawrence/Footprints On The Moon / – 201
Sherry Lynn f. Crystal Gayle/Beautiful Life/Steal Heart – 198
Joy Williams of The Civil Wars caught up with SirusXM’s John Marks at Sony Music Nashville’s Music Row offices in anticipation of the group’s sophomore self-titled album August 6 on Sensibility Music/Columbia Records. Pictured (L-R): Nate Yetton (Sensibility Music), Gary Overton (SMN Chairman & CEO), Joy Williams, John Marks (SirusXM Senior Director, Country Music Programming), Norbert Nix (Columbia Nashville VP Promotion).

Joy Williams of The Civil Wars caught up with SirusXM’s John Marks at Sony Music Nashville’s Music Row offices in anticipation of the group’s sophomore self-titled album Aug. 6 on Sensibility Music/Columbia Records. Pictured (L-R): Nate Yetton (Sensibility Music), Gary Overton (SMN Chairman & CEO), Joy Williams, John Marks (SirusXM Senior Director, Country Music Programming), Norbert Nix (Columbia Nashville VP Promotion).


Leah Turner performed for a gathering of industry executives and Country Radio Broadcasters board members at The Chapel on Wednesday, June 19 in conjunction with the June 19-21 CRB board and CRS agenda committee meetings. Pictured (L-R): Gary Overton (Sony Music Nashville), Mike Culotta (CRS President), Leah Turner,Charlie Morgan (WLHK), Bill Mayne (CRS Executive Director), Norbert Nix (Columbia Nashville). Photo Credit: Kristen England

Leah Turner performed for a gathering of industry executives and Country Radio Broadcasters board members at The Chapel on Wednesday (June 19) in conjunction with the June 19-21 CRB board and CRS agenda committee meetings. Pictured (L-R): Gary Overton (Sony Music Nashville), Mike Culotta (CRS President), Leah Turner,Charlie Morgan (WLHK), Bill Mayne (CRS Executive Director), Norbert Nix (Columbia Nashville). Photo Credit: Kristen England

[Updated] Respected Journalist Chet Flippo Passes

Chet Flippo
With additional reporting by Sarah Skates
Revered music journalist Chet Flippo passed away early Wednesday morning (June 19) following a remarkable career that shined a national spotlight on country music like never before. Flippo died at St. Thomas Hospital in Nashville after complications from a brief illness. He was 69. He had spent the last 12 years at CMT and CMT.com where he served as Editorial Director.
Flippo’s wife Martha Hume, also a noted music journalist and author, died on December 17, 2012. Loved ones believe he never recovered from her passing. “The two of them were really one,” sums longtime friend Liz Thiels.
“To anyone who cares about writing about popular music, he’s a huge figure and it’s a great loss,” says historian and friend Robert K. Oermann. “He wrote about music not just from a fan’s perspective, and not just from an industry perspective, but from an artistic perspective. Those people who can step outside and take a clear-eyed view are very rare and Chet had that ability until the end. With a very clear head and clear mind, he analyzed what was happening musically and culturally with this city and its most famous export.”
Flippo was born in Fort Worth, Texas, in 1943 and served in the U.S. Navy during the Vietnam War. His bachelor’s and master’s degrees in journalism led to a job as Contributing Editor for Rolling Stone while in graduate school at the University of Texas in Austin. During his tenure at the venerable magazine, his work boosted country music’s profile. “He was the one who brought country music culture into the pages of rock publications by profiling Waylon, Willie, Tanya and Dolly,” continues Oermann. “He was a real ground-breaker in so many ways, and all this while he was based in New York in the midst of a culture that had nothing to do with country music. But his Texas heritage served him well.”
Flippo was promoted to Rolling Stone New York Bureau Chief in 1974. After the publication moved its offices from San Francisco to New York in 1977, he became Rolling Stone Senior Editor. He covered a wide range of artists and subjects including the Rolling Stones, Bob Dylan, John Lennon, Joseph Heller, Tom Wolfe, and the Who. “Chet Flippo is the man who took country music out of the country and sent it around the world through Rolling Stone magazine,” explains journalist and friend Hazel Smith. “He knew that country music was as good as any other kind of music and he represented it 100 percent.”
Flippo and Hume settled in Music City in 1995, when he began a five-year run as Billboard’s Nashville Bureau Chief. They established plenty of relationships, but Flippo didn’t open up to those around him. “He had the manner of what he was: a preacher’s kid,” explains Oermann. “He had a reserved quality about him, but was not without humor. He was good company when you got him going.” Flippo was also interested in photography, and was an avid animal lover who enjoyed the company of his dog, Trixie.
“This is a stunning loss to all of us,” adds CMT President Brian Philips. “Chet was a stoic Texan, fiercely loyal and intensely private. He was honest to the core and widely regarded as a bit enigmatic, even among his closest colleagues. For all, it was a terrific privilege to work with Chet Flippo. If you knew Chet and you knew how much he loved Martha, it does not seem quite so surprising that he has gone to join her so soon. We will love and respect Chet forever.”
Flippo left Rolling Stone in 1980 to write the definitive book Your Cheatin’ Heart: A Biography of Hank Williams. His seven titles also include books about Paul McCartney, Graceland and David Bowie, as well as On the Road with the Rolling Stones. Of the latter, Philips recalls, “Long ago, I read and re-read my frayed paperback copy of this book, living vicariously through Chet’s exotic pirate stories. Chet’s 1978 Rolling Stone magazine cover story ‘Shattered’ (featuring his nose-to-nose confrontation with an angry Mick Jagger) is the kind of no-holds-barred music journalism that doesn’t exist anymore, anywhere. Chet was a fierce advocate for country music long before country was cool. Chet articulated the virtues and joys of country music with a passion and intelligence that helped make the genre respectable even among snobs and city slickers.”
“He was a true intellectual,” agrees Thiels, “one of the smartest, brightest minds I ever ran across. What he did for country music and Nashville was an enormously important contribution. Because he was from Texas he understood the importance of country music. And he caused others to understand why it was an important artform—a voice of the people. He had great respect for this music, and the people who made it, and the people it was about.”
Flippo and Hume paved the way for writers that followed. “Years ago, there were so few of us that were seriously interested in country music,” remembers Oermann. “It was looked down upon by everyone, but we were passionate about it, so we bonded with each other. Chet and Martha are the reason I have written books, they introduced me to my agent, they helped others. He led the way for all of the critics that followed, myself included. The rest of us wouldn’t be here without him.” Later, Oermann and Flippo worked together as historical consultants on TNN’s acclaimed Century of Country docu-series. Flippo also penned TV scripts for VH1, CBS and CMT. He also contributed liner notes to Wanted! The Outlaws, the 1976 album that brought the Outlaw movement to national attention. Flippo and wife Martha also sang background vocals on the Nitty Gritty Dirt Band’s 1972 album Will the Circle Be Unbroken, which brought together the Nitty Gritty Dirt Band with Roy Acuff, Maybelle Carter, Earl Scruggs and Merle Travis.
His career included lecturing at the University of Tennessee, publishing an anthology of articles titled “Everybody Was Kung-Fu Dancing,” and contributing to the New York Times, TV Guide, Texas Monthly, and Q Magazine of London. In 2000, he was hired by Sonicnet, where he worked until moving to CMT. His contributions were honored with the Country Music Association Media Achievement Award (1998), and The International Country Music Conference’s Charlie Lamb Award for Excellence in Country Music Journalism (2006).
Survivors include sister Shirley Smith of Brandon, Fla., and brothers Bill Flippo of Saginaw, Texas and Ernest Flippo of Abbington, Mass.
Arrangements have not been finalized. The family asks that memorial contributions be made to the Country Music Hall of Fame and Museum.
This story will continue to be updated as it develops. MusicRow offers sincere condolences to Flippo’s loved ones. 

No. 1 Party: Thompson Square's 'If I Didn't Have You'

Pictured (front row, L-R): Thompson Square and co-writers Jason Sellers and Paul Jenkins; (back row, L-R): Broken Bow Records’ Jon Loba, BMI’s Penny Everhard, ASCAP’s Ryan Beuschel, SESAC’s Shannan Hatch, Magic Mustang Music’s Juli Newton-Griffith, and Sony ATV Music Publishing’s Terry Wakefield. Photo by Rick Diamond

Pictured (front row, L-R): Thompson Square and co-writers Jason Sellers and Paul Jenkins; (back row, L-R): Broken Bow Records’ Jon Loba, BMI’s Penny Everhard, ASCAP’s Ryan Beuschel, SESAC’s Shannan Hatch, Magic Mustang Music’s Juli Newton-Griffith, and Sony/ATV Music Publishing’s Terry Wakefield. Photo by Rick Diamond.


It was an emotional celebration Tuesday (June 18) for Keifer and Shawna Thompson of Thompson Square during an event for their chart-topping single “If I Didn’t Have You.” It marked the first No. 1 for the duo as co-writers (their previous No. 1, “Are You Gonna Kiss Me or Not,” was penned by Jim Collins and David Lee Murphy).
In a rare occurrence, the song’s writers were represented by all three performing rights organizations–ASCAP, BMI and SESAC. “If I Didn’t Have You” was co-written by Shawna Thompson, Keifer Thompson, Jason Sellers and Paul Jenkins.
The celebration took place at Nashville restaurant The Row Kitchen & Pub. ASCAP’s Ryan Beuschel introduced Terry Wakefield of Sony/ATV Music Publishing, who spoke of Sony/ATV writer Sellers. The Texas-raised songwriter began his career at age 18 performing with Vince Gill. He has been an ASCAP songwriter for 17 years.
BMI’s Penny Everhard saluted Shawna for her first chart-topper as a songwriter, giving her a customary BMI guitar. BMI also honored songwriter Jenkins.
Avenue Bank offered a donation to Child Fund International, an organization that Shawna and Keifer have close ties to. Avenue Bank’s Ron Cox was on hand to announce the donation.
SESAC’s Shannan Hatch awarded plaques to SESAC songwriter Keifer Thompson, as well as to the production team New Voice Entertainment and to Juli Newton-Griffith of Magic Mustang Music.
The Academy of Country Music’s Butch Waugh also made an appearance to congratulate Shawna and Keifer (two-time ACM Top Vocal Duo winners). “They epitomize what the ACM is about–helping new artists break through,” said Waugh. Brandi Simms of the CMA and Michelle Kammerer from the Country Radio Broadcasters also presented awards. Broken Bow Records owner Benny Brown and wife Caroline were in attendance.
“It takes an army,” said Keifer Thompson, and judging by the number of people who crowded into the restaurant and lobby to attend the celebration, he was right. “We are proud to call Jason and Paul our friends. Benny and Caroline, you have changed our lives forever. This label is a special situation and it doesn’t feel like a label, it feels like a family.” Thompson also thanked the duo’s manager Shawn Pennington.
Keifer and Shawna had their own tokens of appreciation to give out, inviting their band members onstage and then giving necklaces to the Broken Bow promotions staff, including Shelley Hargis, Heather Propper, Abi Durham, Samantha Borenstein, Jen Joe and Chelsey Flick.
“You guys are like my kids,” Broken Bow owner Brown said to Keifer and Shawna. “You make me proud. As a label owner, you get enjoyment from seeing good things happen to special people.”

Weekly Register: An Unstoppable Freight Train

voicefinalist

The Voice finalists—Swon Brothers, Danielle Bradbery and Michelle Chamuel.


In a world of confusion and distrust, where events challenge beliefs daily and trust in institutions is often trampled by truth, it’s nice to be able to hear someone say the simple phrase, “Yeah, I told you so!”
So consider it said Weekly Register readers, because as predicted in this column and duly noted as early as May 8, Danielle Bradbery has won The Voice TV competition.
Here’s how www.zap2it.com’s Billy Nilles put it, “She was the unstoppable freight train of pluck and talent, wowing the coaches and fans from Day 1—and on June 18, 16-year-old Danielle Bradbery was named, at long last, the winner of Season 4 of The Voice, besting fellow finalists Michelle Chamuel and The Swon Brothers.”
Coach Blake Shelton’s star also continues to rise, in no small measure due to his weekly in-your-living-room-Voice exposure. MTV News asked him about all the country music on the show this year and he replied, “It’s been a perfect storm this year, a great country season.”
weeklygrid6-16-13Unlike most new label signees that arrive full of promise, but lite on tangible goods, Ms. Bradbery enters with a signing dowery that includes over 60k downloads of her performance “Who I Am” this week and a RTD total of weekly tracks that could easily top 500k. She is the latest artist to ink with the Big Machine.
OK, ‘nough said. Not that she needs any advice, but mine would be, “get a damn single out right away and figure out the rest of the plan later.”
And now on to the sales results…
Comparing The Grids
A quick look at the two grid charts tells you most everything you need to know. Country is doing better than the overall industry, but its Y/Y increase is shrinking— from 2.6% ahead last week to only 2% ahead this week. Digital albums are way ahead of last year, but that metric shows the album format split between digital and physical. The first number (2%) is total country album sales Y/Y. Tracks, however, seem to be a ray of sunshine for country fans who have taken a liking to the download derby, finally. All genre tracks are off Y/Y -2.6% compared with country that has surged ahead almost 10%. (Note the increase W/W of almost 4 million country tracks sold.)
weeklygrid6-9-13Albums
This week’s biggest country debut album news is the Now Country 6 compilation which grabbed No. 4 with over 23k units. Completing the Top 5 album list this week is: FGL (No. 1; 33k), Darius Rucker (No. 2; 33k), Blake Shelton (No. 3; 31k) and George Strait (No. 5; 19k).
Tracks
TV power is our theme today and it is reflected nicely on the Digital Genre Country tracks list. Voicers The Swon Brothers have three tracks on the list including a No. 4 (“Danny’s Song”; 73k) and No. 10 (“Turn The Page”; 47k). The aforementioned Ms. Bradbery has five songs on the list including No. 8 (“Who I Am”; 60k) and No. 11 (“Please Remember Me”; 47k). Filling out the Top 10 are: FGL/”Cruise” (No. 1; 205k); Blake Shelton “Boys Round Here” (No. 2; 136k); Darius Rucker “Wagon Wheel” (No. 3; 97k) and Tim McGraw/Taylor Swift “Highway Don’t Care” (No. 5; 66k). Luke Bryan “Crash My Party” (No. 6; 66k), Hayes Hunter “I Want Crazy” (No.7; 61k) and Randy Houser “Runnin’ Outta Moonlight” (No.9; 52k) finish the Top 10.
One More Thought
Country music is having an incredible year across all kinds of mainstream media and yet this week’s Current Country 75 shifted only a disappointing 386k units total, up less than 20k from the previous week.
Clearly album sales are not effectively monetizing country’s surge in popularity. Tracks are a good business for a handful with enormous success, but all genre tracks have reached maturity which means country will soon follow.
If the bloom is off album and track sales that leaves streaming. Shouldn’t we pay more attention to this emerging business model and new ways to  structure its revenue streams?
Tune in next week….

DisClaimer: Newcomers, Come on down!

DisCovery Winner Rob Baird

DisCovery Winner Rob Baird


This week, it’s newcomers, “Come on down!”
Making their debuts in the column are Stephanie Quayle, Sturgill Simpson, Rob Baird, Rian Greene and Madison McKenzie. Obviously, one of them is walking off with a DisCovery Award. But which one will it be?
It will be Rob Baird of Austin, Texas. He sings with dusty authenticity and has co-written an escapist road song that puts pedal to the metal.
The Disc of the Day award goes to Robin Meade & Blue Sky Riders. TV news anchor Meade has proved in the past that she has what it takes as a country singer. Her “Here For You” collaboration with the trio of Gary Burr, Kenny Loggins & Georgia Middleman is a match made in heaven.
CNN ON AIR TALENT

Disc of the Day goes to Robin Meade and Blue Sky Riders.


ROBIN MEADE & BLUE SKY RIDERS/Here for You
Writer: Erik Dylan/Robin Meade/Victoria Shaw; Producer: Victoria Shaw; Publisher: Warner-Tamerlane/Songs of the Corn/Meade in America/Victoria Shaw/Do Write, BMI/ASCAP/SESAC; Meade in America (track) 
Count on Me is the second country CD by popular HLN Morning Express TV host Meade. The collection leads off with this stirring, passionate ode to fidelity and emotional support. Meade’s sturdy alto delivery trembles with emotion and the interwoven vocal harmonies of the Blue Sky Riders send the track into the stratosphere. The collection includes seven songs co-written by the singer, as well as covers of Tom Petty’s “I Won’t Back Down,” The Pretenders’ “I’ll Stand By You” and Garth Brooks’ “The Dance.”
Blue Sky Riders

Blue Sky Riders


ROB BAIRD/Dreams and Gasoline
Writer: Rob Baird/Rick Brantley; Producer: Scott Davis & Kevin Szymanski; Publisher: Tiltawhirl/Carnival/Scrambler, BMI/ASCAP; Carnival (CDX)  
—I like the urgency and passion in his voice. The country-rock track rumbles along splendidly. His composition has the irresistible forward momentum and sky-high optimism of all great road songs. A thrilling performance.
RACHELE LYNAE/Fishin’ for Something
Writer: Rachele Lynae/Hannah Bethel; Producer: Jamie O’Neal; Publisher: Rachele Lynae/Hamywyn, ASCAP/BMI; Momentum 
—Very cleverly written, featuring plenty of water, bait, fish and angling metaphors. The track rocks nicely with a punchy backbeat and cool banjo and dobro licks. The vocal performance has all the moxie you could ask for.
LIVEWIRE/Whiskey Sunday
Writer: Joe Romano/Jason Vanover; Producer: Justin Woods; Publisher: Carolina Basketball/Draw Four, ASCAP/BMI; Way Out West
—Heartache, performed with a lively tempo, vocal harmonies and a catchy tune. Highly listenable.
CLAYTON GARDNER/Something About You
Writer: Clayton Gardner/Mack Damon; Producer: none listed; Publisher: none listed
—He has a burnished baritone voice with a “lived in” quality that is quite attractive. The song is a romantic country-rocker that invites you dance and sing along. Well done.
STEPHANIE QUAYLE/Stand Back
Writer: Stephanie Quayle/Mindy Ellis Campbell/Mark Carson; Producer: Dale Libby; Publisher: none listed; Rebel Engine (track)
—She sings well. Not that the song is a vocal showcase of any kind. It barely has a melody. Rock energy is no substitute for craftsmanship.
STURGILL SIMPSON/Life Ain’t Fair and the World Is Mean
Writer: Sturgill Simpson; Producer: Dave Cobb; Publisher: Pan Bowl. ASCAP; High Top Mountain (track)
—This singer-songwriter has a cool, retro style that is country, country, country. This opening track of his just-released CD borrows its rolling atmosphere from the outlaw sound of Waylon Jennings. Which is a good thing, indeed. Simpson has been opening shows for Dwight Yoakam and Junior Brown, and I’ll bet he’s darn good at it.
PHILLIP THOMAS/Summer Fun
Writer: none listed; Producer: Phillip Thomas & A.J. Vallejo; Publisher: none listed; Phillip Thomas  
—He certainly no powerhouse as a vocalist on this record. But his delivery of the lightweight, harmless ditty about being a teen at a beach party goes down easily.
RIAN GREENE/The Best I’ve Ever Had
Writer: Rian Greene; Producer: none listed; Publisher: Mountainwood, BMI; Post Oak (track) 
—This Nashville singer-songwriter has a hushed, intimate vocal style. The backing is spare, featuring jingle-jangle guitar and organ notes in a bopping, bubbling, mid-tempo arrangement.
MADISON McKENZIE/This Is My Life
Writer: Madison McKenzie; Producer: Bob Bullock; Publisher: Madi M, ASCAP; Madi M (track) 
—She has a youthful, confessional songwriting style that packs vivid details into every line. Vocally, she leans toward the breathy, pop end of the spectrum. Sonically, the ditty is airy and fluffy. Kid country.

"String City" Means Smiles

string city hall of fame

On June 11 the Country Music Hall of Fame® and Museum, the Nashville Public Library and the Nashville Public Library Foundation presented a VIP premiere of String City: Nashville’s Tradition of Music and Puppetry in the museum’s Ford Theater. Pictured at the premiere (L-R): Steve and Judy Turner; puppeteers Brian Hull (with Johnny Cash marionette) and Pete Carden (with Hank Williams marionette); Museum Director Kyle Young; Tari Hughes, president, Nashville Public Library Foundation, and Kent Oliver, director, Nashville Public Library.

Photos by Donn Jones

George Strait

George Strait

The most entertaining country-music show in Nashville this week features stars who can’t sing.

They can’t even talk. But the more than 80 puppets who are featured in the revue titled “String City” are still wildly entertaining. The production, which premieres Thursday (June 20) at the Country Music Hall of Fame & Museum, is a journey through country-music history via the puppets’ “miming” of some of the genre’s greatest songs.
The special effects are surprising. The craftsmanship is impressive. The sound is superb. The variety of the presentations is consistently amusing. All sorts of puppets are used in “String City.” There are hand puppets, marionettes, stick puppets, shadow puppets and other types of “mini-people” in the show.
More than 30 country legends appear in puppet form. They include Johnny Cash, Garth Brooks, Dolly Parton, Minnie Pearl, George Jones, Charley Pride and Loretta Lynn. The revue unfolds chronologically, beginning with the old-time sounds of DeFord Bailey, The Possum Hunters and The Carter Family. One by one, Roy Acuff, Bill Monroe, Hank Williams and Eddy Arnold appear to sing their hits. Along the way, “String City” presents dancing mice, a yodeling cow, cavorting insects, animated characters, toy trains and a water skier.
Highlights include the “transformation” scenes with the Patsy Cline, Dolly Parton and Taylor Swift puppets. The members of Alabama are portrayed as Mt. Rushmore figures singing “Mountain Music.” Reba McEntire turns blue while singing “How Blue.” The Dixie Chicks are, of course, hen chicks bopping along to the strains of “Wide Open Spaces.”
“String City” is a collaboration between the Hall of Fame’s staff and Wishing Chair Productions. The latter is the group at the Nashville Public Library that stages weekly children’s puppet shows. Nashville’s library includes one of the greatest puppet collections in the world.
Puppets are only part of the pleasure to be found in the “String City” production. The sound system in the museum’s Ford Theatre gives an audio experience that is just as dazzling as the show’s visuals. Classics showcased in the revue include “Wabash Cannonball,” “All My Ex’s Live in Texas,” “Chattahoochie,” “Cattle Call,” “Your Good Girl’s Gonna Go Bad,” “Coal Miner’s Daughter,” “Ring of Fire,” “Jackson” and “Will the Circle Be Unbroken.”
The fast-paced production is equally entertaining to both adults and children. Whichever you are, you will leave “String City” wearing a smile.
“String City: Nashville’s Tradition of Music and Puppetry” premieres at 7:00 p.m on June 20 at the Country Music Hall of Fame & Museum. Tickets are $30. The performance kicks off the International Puppet Festival, which takes place at the downtown Nashville Public Library on Friday through Sunday, June 21-23. The festival is free.

Minnie Pearl and Roy Acuff marionettes.

Minnie Pearl and Roy Acuff marionettes.


 

JD Souther Inducted Into Songwriters Hall of Fame

Songwriters Hall Of Fame 44th Annual Induction And Awards - Arrivals

JD Souther with Alison Krauss


Nashville songwriter JD Souther was among the inductees at the 2013 Songwriters Hall of Fame 44th Annual Induction and Awards Dinner, along with Tony Hatch, Mick Jones and Lou Gramm, Holly Knight, Steven Tyler and Joe Perry. Honored with special awards were Elton John and Bernie Taupin who were presented with the Johnny Mercer Award; Benny Blanco, who received the Hal David Starlight Award; Sam Cooke’s “A Change Is Gonna Come” was honored with the Towering Song Award; and the Pioneer Award was awarded to Berry Gordy. 
Souther saluted the wide array of artists he has collaborated with and has been influenced during his career, proclaiming he has “the best job in the world.” Alison Krauss, who inducted Souther, gave a moving rendition of “Faithless Love.” The Souther-penned song was originally recorded by Linda Ronstadt. Among his biggest hits are the Eagles’ “Best of My Love,” “Victim of Love,” “Heartache Tonight,” and “New Kid in Town.” During the past year he has also acted on ABC’s Nashville.
Others who were on hand to induct the honorees and/or perform during the evening include Petula Clark, Patty Smyth, Billy Joel (who inducted Gramm and Jones), Rob Thomas, Wiz Khalifa, Chad Kroeger, Ryan Peake (who performed Aerosmith‘s “Sweet Emotion”), Jordin Sparks, Smokey Robinson and the cast of Motown: The Musical.
 

Weekly Chart Report (6/14/13)


SPIN ZONE

Flying Island's Gwen Sebastian visited with Storme Warren in the Sirius Studios to promote her new single "Suitcase," off her forthcoming June 25th self-titled album.

Flying Island’s Gwen Sebastian visited with Storme Warren in the Sirius Studios to promote her new single “Suitcase,” off her forthcoming June 25th self-titled album.


Luke Bryan’s “Crash My Party” continues to crush the competition, holding the No. 1 spot with 3339 spins this week. The chart will be seeing more of Carrie Underwood’s “See You Again,” which lands at No. 2. Zac Brown Band jumps to the No. 3 spot with their song “Jump Right In.” Justin Moore’s “Point At You” lands at No. 4 and Kip Moore’s “Hey Pretty Girl” at No. 5. Rounding out the Top Ten this week is Randy Houser’s “Runnin’ Outta Moonlight” at No. 6, Hunter Hayes’s “I Want Crazy” at No. 7, Keith Urban’s “Little Bit Of Everything” at No. 8, Lady Antebellum’s “Goodbye Town” at No. 9 and Tyler Farr’s “Redneck Crazy” at No. 10.
Kenny Chesney’s “When I See This Bar” is this week’s greatest gainer, landing at No. 30 with an additional 505 spins. Blake Shelton’s “Mine Would Be You” reaches the No. 53 spot with another 472 spins. Toby Keith’s “Drinks After Work” climbs to No. 58 with an added 413 spins. Florida Georgia Line’s “Round Here” gained another 403 spins, landing at No. 24. Finally, Keith Urban’s “Little Bit Of Everything” breaks the Top Ten, landing at No. 8 with an additional 395 spins.
There are plenty of debuts this week. Blake Shelton’s “Mine Would Be You” debuted at No. 53, followed by Toby Keith’s “Drinks After Work” at No. 58, Jason Aldean’s “Night Train” at No. 61, Aaron Lewis’s “Granddaddy’s Gun” at No. 70, Taylor Made’s “That’s How I Roll” at No. 72 and Cassadee Pope’s “Wasting All These Tears” at No. 78.
Frozen Playlists: Renegade Radio Nashville, KMKS, KAIR, KQUS, KVVP, WIBL, WKWS, WZMR
Upcoming Singles
June 17
Travis Tritt (feat. Tyler Reese)/Sometimes Love Just Ain’t Enough
Andy Gibson/Best Thing/Curb
Wynn Varble/Freak Show/Steele Mansion Records
Kayla Calabrese/Kiss Me/Go Time
George Ducas/Cowtown/Propel
Justine Blazer/Amen For The Weekend/La Blaze
Rick Patin/Americana Gold/Rick Patin
Tracy Lawrence/Footprints On The Moon/Lawrence
June 24
Jason Aldean/Night Train/BBR
Aaron Lewis/Grandaddy’s Gun/Blaster
Andy Gibson/Best Thing/Curb
Gwen Sebastian/Suitcase/Flying Island
Dylan Scott/Makin’ This Boy Go Crazy/Sidewalk
Rachele Lynae/Fishing For Somethin’/Momentum/New Revolution
Jason Aldean/Night Train/Broken Bow
Sarah Darling/Little Umbrella/764/Aristo
Miranda Lambert/All Kinds Of Kinds/RCA Nashville
Toby Keith/Drinks After Work/Show Dog-Universal
June 27
Lathan Moore/Burn These Memories/Render
July 1
Chris Stapleton/What Are You Listening To/Mercury
Eli Young Band/Drunk Last Night/Republic Nashville
July 8
Downday/Back In The Day/Render

• • •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Blake Shelton/Mine Would Be You/Warner Bros. – 53
Toby Keith/Drinks After Work/Show Dog-Universal – 58
Jason Aldean/Night Train/Broken Bow – 61
Aaron Lewis/Granddaddy’s Gun/Blaster – 70
Taylor Made/That’s How I Roll/LG Records – 72
Cassadee Pope/Wasting All These Tears/Republic Nashville – 78
Most Added
Artist/song/label — New Adds
Kenny Chesney/When I See This Bar/Blue Chair-Columbia Nashville – 34
Blake Shelton/Mine Would Be You/Warner Bros. – 34
Toby Keith/Drinks After Work/Show Dog-Universal – 33
Miranda Lambert/All Kinds Of Kinds/RCA – 28
Jason Aldean/Night Train/Broken Bow – 25
Cassadee Pope/Wasting All These Tears/Republic Nashville – 22
Dierks Bentley/Bourbon In Kentucky/Capitol Nashville – 19
Florida Georgia Line/Round Here/Republic Nashville – 13
Aaron Lewis/Granddaddy’s Gun/Blaster – 13
Greatest Spin Increase
Artist/song/label — spin+
Kenny Chesney/When I See This Bar/Blue Chair-Columbia Nashville – 505
Blake Shelton/Mine Would Be You/Warner Bros. – 472
Toby Keith/Drinks After Work/Show Dog-Universal – 413
Florida Georgia Line/Round Here/Republic Nashville – 403
Keith Urban/Little Bit Of Everything/Capitol-UMG Nashville – 395
On Deck—Soon To Be Charting
Artist/song/label — spins
Herrick/Do You Love Me/BreakAway Entertainment – 219
Erica Nicole/Better Beer/Heaven-Nine North-Turnpike – 219
Ashley Monroe/You Got Me/Warner Bros. Records – 213
Rachel Farley/Ain’t Easy/Red Bow – 209
Randy Rogers Band/Fuzzy/UMG Nashville – 198

Kellie Pickler recently visited with KMDL/Lafayette's Stephanie Crist during her 18th CMA Music Fest before playing a show at The Stage on Friday night in Nashville. Pickler lands at No. 44 on this week’s MusicRow Chart with her debut Black River single “Someone, Somewhere Tonight.” Pictured (L-R):  Megan Boardman (Black River), Kellie Pickler, Stephanie Crist

Kellie Pickler recently visited with KMDL/Lafayette’s Stephanie Crist during her 18th CMA Music Fest before playing a show at The Stage on Friday night in Nashville. Pickler lands at No. 44 on this week’s MusicRow Chart with her debut Black River single “Someone, Somewhere Tonight.” Pictured (L-R): Megan Boardman (Black River), Kellie Pickler, Stephanie Crist


Kenny Chesney caught up with radio programmers before a sold-out show at Lincoln Financial Field in Philadelphia. Chesney’s latest single, “When I See This Bar,” is this week’s greatest spin increase. Pictured (L-R): Jeff Hurley (Clear Channel Harrisburg/Allentown OM), Dave Hovel (WXCY Wilmington, DE PD), Tanya Burko (WGGY Wilkes-Barre APD/MD), Chesney, Joe Kelly (WPUR Atlantic City), Shelly Easton (WXTU Philadelphia PD), Mark Razz (WXTU Philadelphia APD/MD), David Friedman (Columbia Nashville Promo), Scot Michaels (Morris Management)

Kenny Chesney caught up with radio programmers before a sold-out show at Lincoln Financial Field in Philadelphia. Chesney’s latest single, “When I See This Bar,” is this week’s greatest spin increase. Pictured (L-R): Jeff Hurley (Clear Channel Harrisburg/Allentown OM), Dave Hovel (WXCY Wilmington, DE PD), Tanya Burko (WGGY Wilkes-Barre APD/MD), Chesney, Joe Kelly (WPUR Atlantic City), Shelly Easton (WXTU Philadelphia PD), Mark Razz (WXTU Philadelphia APD/MD), David Friedman (Columbia Nashville Promo), Scot Michaels (Morris Management)


 

Weekly Register: Tickets n' Touring Bar Goes Up; Rimes and Pope Debut

leannTouring has always been an active part of the country album sales formula as well as a hefty revenue stream in its own right. So it should be no surprise to see the competition to attract live audiences (and the ticket profits they yield) ratcheting up. Artists have an array of social media tools and media channels such as reality TV shows like The Voice, American Idol, Dancing With The Stars and Celebrity Apprentice to help put butts in seats. But like every other part of the entertainment biz, the pressure to “deliver the goods” is also rising.
CMA Music Festival 2013 presented a revealing window through which to view and grade onstage wow! as country’s major acts graced the LP Field Stage in short 30-minute time slots. Being chosen to perform in that venue is a testimonial in itself, and as expected, all of the acts presented well. But some came ready to show they intend to dominate—while others seemed to feel that pretty darn good was good enough.
This writer did not see every act over the four days, so please don’t consider the following examples to be a comprehensive list. Two acts that turned the stage into a high energy audio-visual battleground were Florida Georgia Line and The Band Perry, both on the same label.
weeklygrid6-9-13Kimberly Perry exploded onto the stage jumping up and down making calculated sharp turns and spins almost reminiscent of Beyonce in scale and scope. Oh yeah, and let’s not forget that she can sing, sing sing. The crowd responded like a stick of dynamite with a lit fuse jumping to its feet all at once. Florida Georgia Line was different, but similar, if you will. They have a different vibe, but from the second they appeared the energy level was on high alert. (Isn’t it great to see how a few platinum plaques can up an act’s swagger?) Also deserving mention was Keith Urban who substitutes intergalactic guitar licks for choreography to achieve the same out-of-your-seats effect.
weeklygrid6-2-13When the touring smoke clears at the end of the summer, the acts that did their homework should own the pole positions for next year while the others may find themselves riding out in smaller buses.
And now to this week’s results…
Weekly Register
LeAnn Rimes was this week’s sole Top 10 country debut coming in with Spitfire at No. 9 and almost 11k units (54% digital). Last week’s CMT Awards didn’t seem to pump Country album sales much. Overall they climbed 1% W/W while the Current Country tally was slightly down. The fast facts are contained on the grids which show country’s Y/Y lead edging down while all genre sales also lag.
Blake Shelton enjoys a second consecutive week at No. 1 with over 36k units on his Gold-headed-for-Platinum Based On A True Story. Darius Rucker spins his “Wagon Wheel” single which keeps his album True Believers No. 2 again although sales fell about 18% w/w to 33k. The next three titles are Florida Georgia Line (No. 3; 28k), George Strait (No. 4; 21k) and Lady Antebellum (No. 5; 20k).
At the end of Q2 we’ll study the TEA effect more closely, but through this week, Taylor Swift’s Red leads the country pack in YTD Albums w/TEA showing over 1 million combined units. Blake Shelton’s True Story (almost 900k) and FGL’s Good Times (almost 800k) follow.

Pope12

Cassadee Pope


Keeping Track
This week’s track listings reinforce the industry adage, “don’t diss TV cred.” Echoing the wisdom of that advice is The Voice’s Cassadee Pope with her new single “Wasting All These Tears.” Pope impressed the trade press with her recent meet/greet/perform visits. During last year’s show she sold enough tracks to make most any new artist green with envy and this week she storms onto the chart at No. 2 with a robust 125k units. But for now, nothing can touch FGL who remain in No. 1 with 225k units. The duo’s track “Cruise” has now passed an RTD of over 4 million.
This year’s new The Voice star-in-the-making, Danielle Bradbery, continues her reign of chart terror with the Sara Evans hit “A Little Bit Stronger” which debuts at No. 13 with almost 36k units. Not Bradbery’s best showing, but clear evidence she has developed a solid fan base.
Stay tuned…

DISClaimer: Awards Show Edition

Let’s pretend this is an awards show, and give out prizes in lots of categories. Our Female Vocalist Disc of the Day honor belongs to  Miranda Lambert, with special kudos for coloring outside the lines with her song choice. The Male Vocalist Disc of the Day prize goes to Chris Stapleton. No one else even comes close. The Vocal Group Disc of the Day award, I am delighted to announce, is presented to the Eli Young Band for its outstanding audio work. I can’t say enough good things about the magnificent Chris Stapleton, who is also taking home this week’s DisCovery Award. Applause, applause.

Stapleton

Chris Stapleton


BRANCH & DEAN/The Dash
Writers: Marlon Dean/Michael Huffman; Producers: Michael Huffman, Marlon Dean Scallan & Jeff Silvey; Publishers: Shootin Straight/Huff Stuff, BMI/ASCAP; SSM Nashville
-The “dash” is the one they place between your birth and death years. The message here is to spend that brief “dash” well, because, “There’s only so much breath you get to take….So love like you mean it, everyday.” Imaginative and emotionally valid.
CLINTON GREGORY/You Smile
Writers: Pebe Sebert/Gerald Smith; Producers: Jamie Creasy & Clinton Gregory; Publishers: Laloluka/Melody Roundup/Bluewater, BMI; Melody Roundup
-Tender and caressing. This thoughtful ode to perseverance finds its perfect voice in this fine, stone-country stylist. Songwriter Sebert, by the way, is the mother of pop star Ke$ha.
LAUREN ALAINA/Barefoot and Buckwild
Writers: Lauren Alaina/Chris DeStefano/Jon Nite; Producer: Chris DeStefano; Publishers: Lyles/EMI April/Sugar Glider/Jon Mark Nite, BMI/ASCAP; Mercury/19 (CDX)
-Just what we need, a female artist jumping onto the dirt-road-party bandwagon.
ELI YOUNG BAND/Drunk Last Night
Writers: Laura Veltz/Josh Osborne; Producers: Frank Liddell & Justin Niebank; Publishers: Warner-Tamerlane/Want a Fresh One/Black River, BMI/ASCAP; Republic Nashville
-Frothing and foamy, this is one delectable slab of country-rock. Everything works here: The morning-after lyric, the frenetic tempo, the stuttering guitars, the group harmonies and the crisp production work.
TAYLOR SWIFT/Red
Writers: Taylor Swift; Producers: Dann Huff, Nathan Chapman and Taylor Swift; Publishers: Sony-ATV Tree/Taylor Swift, BMI; Big Machine (Track)
-It’s Taylor in her twirling, swirling uptempo mode. Dizzy, bright and delirious.
CHRIS STAPLETON/What Are You Listening To
Writers: Chris Stapleton/Lee Thomas Miller; Producer: Tony Brown; Publishers: House of Sea Gayle/Small Fish/Writers of Sea Gayle/Itchy Baby, ASCAP/BMI; Mercury
-Sublimely soulful. If you never caught his performances in The SteelDrivers, welcome to the Next Great Vocalist in country music. Chris has written hits for Josh Turner, George Strait, Kenny Chesney, Steel Magnolia and more, but Nashville insiders have always known that his powerful singing has always deserved its own spotlight. Now it has it.
lambert

Miranda Lambert


JASON ALDEAN/Night Train
Writers: none listed; Producer: none listed; Publisher: none listed; Broken Bow (track)
-This restrained, subtle, gracefully shaded performance is his most accomplished vocal to date. The come-on song casts him a romantic role. An attractive change of pace.
JESSE & NOAH/Driven Back
Writers: Jesse & Noah Bellamy; Producers: Jesse and Noah Bellamy; Publisher: Skunk Ape, ASCAP; Jessandnoah
-David Bellamy’s boys head in a funky, pop direction on the title tune to their latest collection. Left of center, but definitely listenable.
MIRANDA LAMBERT/All Kinds of Kinds
Writers: Phillip Coleman/Don Henry; Producers: Frank Liddell, Chuck Ainlay & Glenn Worf; Publishers: Gravitron/Carnival/Warner-Tamerlane, SESAC/BMI; RCA (track)
-Exquisitely produced, with rolling Dobro notes, strummed acoustic guitar, rippling mandolin and shuffling percussion. Her vocal is a crystalline wonder, and the song is a pure, off-kilter delight. In a word, brilliant.
LENNY COOPER/Rodeo
Writers: L. Cooper/J. Sciullo/J. Spilner; Producers: www.PhiveStarr.com & DjKo; Publishers: Average ZJS/DJKOPhivesarr/Riley Payton, BMI/SESAC; Backroad/Average
-This guy represents the mud-people, off-road, ATV subculture, hence his album title, Mud Dynasty. Its single is packed with electronic effects and thumping beats. As a general rule, I hate country rapping. And this is no exception.