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Nashville Songwriters Hall of Fame Inducts Four

Pictured (L-R):  Pat Alger, Board Chair , NaSHOF Foundation; inductees Gretchen Peters, Tom Douglas and John Anderson; Mark Ford, Executive Director, NaSHOF Foundation. Front Row: Inductee Paul Craft. Photo: Bev Moser

Pictured (L-R): Pat Alger, Board Chair, NaSHOF Foundation; inductees Gretchen Peters, Tom Douglas and John Anderson; Mark Ford, Executive Director, NaSHOF Foundation. Front Row: Inductee Paul Craft. Photo: Bev Moser/Moments By Moser


It was an all-star celebration Sunday evening (Oct. 5) at Nashville’s Music City Center, as John Anderson, Paul Craft, Tom Douglas, and Gretchen Peters were inducted into the Nashville Songwriters Hall of Fame.
“Once again four incredibly talented songwriters have taken their rightful place as the newest members of the Nashville Songwriters Hall of Fame,” said Pat Alger, Board Chair of the Nashville Songwriters Hall of Fame Foundation and a member of the Hall of Fame. “John Anderson, Paul Craft, Tom Douglas and Gretchen Peters represent the best our great songwriting community has to offer. With long fruitful careers of memorable songs, they set the highest creative standard for all of us.”
Paul Craft. Photo: Bev Moser/Moments By Moser

Paul Craft. Photo: Bev Moser/Moments By Moser


Paul Craft was inducted by Hall of Fame songwriter Layng Martine, Jr. Thomas Rhett performed a medley of songs, including “Hank Williams, You Wrote My Life” and “Brother Jukebox.” Britt Ronstadt performed “Keep Me From Blowing Away” and Bobby Bare closed out the set with “Drop Kick Me, Jesus.”
Gretchen Peters. Photo: Bev Moser/Moments By Moser

Gretchen Peters. Photo: Bev Moser/Moments By Moser


Gretchen Peters was inducted by Hall of Fame songwriter Rodney Crowell. Brandy Clark performed a medley of “You Don’t Even Know Who I Am” and “Independence Day” while Trisha Yearwood sang “On A Bus To St. Cloud.” Bryan Adams sent a congratulatory video message to Peters.
Tom Douglas. Photo: Bev Moser/Moments By Moser

Tom Douglas. Photo: Bev Moser/Moments By Moser


Tom Douglas was inducted by his longtime publisher Troy Tomlinson. The music segment featured Collin Raye performing “Little Rock,” Hall of Fame member and co-writer Allen Shamblin singing “The House That Built Me” and Tim McGraw with “My Little Girl.” Lady Antebellum sent their congratulations to Douglas via video.
John Anderson. Photo: Moments By Moser

John Anderson. Photo: Moments By Moser


John Anderson was inducted by Big & Rich’s John Rich, who also performed a medley of Anderson penned hits, including “Wish I Coulda Been There” and “Chicken Truck.” Hall of Fame songwriter Bobby Braddock sang “Seminole Wind,” while Josh Turner performed “Swingin’.”
Hall of Fame songwriters Matraca Berg and Don Schlitz presented the Frances Williams Preston Mentor Award to publisher Pat Higdon.  
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Back row (L-R): Matt Jenkins, Jessi Alexander, Brett James, Tom Douglas, Dierks Bentley, Bart Herbison. Second row (L-R): Jeffrey Steele, Chris Tompkins, Shane McAnally, Brandy Clark, Deric Ruttan. Third Row (L-R): Craig Wiseman, Luke Laird, Chris Stapleton, Lee Thomas Miller, Zach Crowell, Phillip Coleman, Connie Harrington, Jim Beavers. Front row (L-R): Rhett Akins, Dallas Davidson, Don Henry, Natalie Hemby, Nicolle Galyon and Ashley Gorley. Photo: Bev Moser/Moments By Moser


The evening also featured a presentation to Troy Tomlinson, president and CEO of Sony/ATV Music Publishing Nashville, in recognition for his efforts to raise funds for the construction of the Nashville Songwriters Hall of Fame at the Music City Center.
The Nashville Songwriters Association International (NSAI) also presented its annual Songwriter Achievement Awards.
The organization’s professional songwriter members voted “Automatic” (written by Nicolle Galyon, Natalie Hemby and Miranda Lambert / recorded by Miranda Lambert) as their Song of the Year.
The Songwriter of the Year prize went to Ashley Gorley.  The Songwriter/Artist of the Year was awarded to Jack White.
In addition to honoring the Song, Songwriter and Songwriter/Artist, NSAI presented “The 10 Songs I Wish I’d Written” Awards, voted on by NSAI’s Professional Membership, to the following writers and their songs: “All Kinds Of Kinds” (Phillip Coleman, Don Henry / recorded by Miranda Lambert), “Boys ’Round Here” (Rhett Akins, Dallas Davidson, Craig Wiseman / recorded by Blake Shelton), “Cop Car” (Zach Crowell, Sam Hunt, Matt Jenkins / recorded by Keith Urban), “Drink A Beer” (Jim Beavers, Chris Stapleton / recorded by Luke Bryan), “Drunk On A Plane” (Dierks Bentley, Josh Kear, Chris Tompkins / recorded by Dierks Bentley), “Follow Your Arrow” (Brandy Clark, Shane McAnally, Kacey Musgraves / recorded by Kacey Musgraves), “Give Me Back My Hometown” (Eric Church, Luke Laird / recorded by Eric Church), “I Hold On” (Dierks Bentley, Brett James / recorded by Dierks Bentley), “Meanwhile Back At Mama’s” (Tom Douglas, Jaren Johnston, Jeffrey Steele / recorded by Tim McGraw w/ Faith Hill) and “Mine Would Be You” (Jessi Alexander, Connie Harrington, Deric Ruttan / recorded by Blake Shelton).

GMA's Jackie Patillo Discusses The Dove Awards

Jackie Patillo

Jackie Patillo


Tuesday night’s (Oct. 7) Gospel Music Association Dove Awards will be a showcase for multiple genres, says GMA President and Executive Director Jackie Patillo. “The Dove Awards is the only platform where all of these different styles of music come together on one stage. It really looks like The Kingdom,” she says. “It has been really important to me to unify our community, and it’s very rewarding to see that happen in one night on the Dove Awards.” The diversity is reflected in co-hosts Bart Millard of MercyMe (a CCM/pop artist) and hip-hop/rapper Lecrae, who recently held the No. 1 spot on the all-genre albums chart. Patillo adds there will be a Southern Gospel segment, black gospel choir and a worship song backed by a choir of star artists.
It is the awards show’s second year at the Allen Arena on the campus of Lipscomb University in Nashville. GMA and the university have forged a relationship, which includes the GMA offices moving to campus.
For the first time, the show will be broadcast exclusively on The Trinity Broadcasting Network (TBN), with the air date set for Sunday, Oct. 12.
While other awards shows, including the ACM and CMA Awards, have not always made tickets available to consumers, Patillo doesn’t remember a time when fans weren’t invited to the Doves, and this year they’ve upped the ante. “For the first time we are offering a VIP experience,” says Patillo. “The fans will have an opportunity to do artist meet and greets, have dinner with artists, and enjoy premium seating. Christian music is all about sharing with the people. There’s a spiritual bond as well as a musical bond.”
Events surrounding the Dove Awards keep expanding. Among three events tonight (Oct. 6) is a comedy show with headliner Bone Hampton at Lipscomb’s Shamblin Theater. There will be a nominee luncheon today at the Schermerhorn Symphony Center featuring speaker Beth Moore. “Everybody should be honored, even though not everybody is going to be a winner on Tuesday,” says Patillo. “The nominee luncheon is a great time of fellowship and letting them see each other, because the show is hectic.”
• • • •
As the GMA marks its 50th anniversary, its slate of events is biggest than ever, including the addition of the GMA Honors in the spring. “We want what we do to celebrate the past, present, and future,” says Patillo. “GMA Honors is our way of acknowledging the trailblazers that came before us. The Dove Awards is the platform that we use to raise those who are presently on the front lines making an impact with their music. And we do an event called Immerse which is geared toward the future. It is a three-day program, where we gather the industry for panels, training, vocal competitions and speak to the aspiring artists and Christian business people who want to learn more about the industry.
“Every year we induct four or five people into the Gospel Music Hall of Fame, and this year we decided to broaden the Hall of Fame event into GMA Honors. We added five honorees, we focused on companies and artists who are making an impact through their philanthropic endeavors. And we did a sit-down family style dinner in the Allen Arena. It was powerful.”
• • • •
Tuesday, Oct. 7, Dove Awards day schedule—The preshow begins at 2 p.m. at Collins Alumni Auditorium at Lipscomb, sponsored by SoundExchange. The Dove Cares Red Carpet in partnership with St. Jude Children’s Research Hospital starts at 3:30 p.m. Both will stream live at www.hearitfirst.com/live. The Dove Awards will be presented at 6:30 p.m. at Lipscomb’s Allen Arena.

"Little Big Town, Would Y’all Like To Be A Member Of The Grand Ole Opry?”

LBTGrammy®-winning vocal group Little Big Town (Karen Fairchild, Phillip Sweet, Kimberly Schlapman, and Jimi Westbrook) was invited to join the Grand Ole Opry yesterday (October 3) by Opry member and friend Reba McEntire. Opry member Vince Gill will formally induct the group into the Opry on Friday, October 17.
As the group finished a three-song set with its smash “Pontoon,” McEntire appeared from the side of the stage, improvising on the song’s last few words. “I know the Grand Ole Opry is very important to y’all, because this is the first place you guys played together as a group in 1999,” McEntire began after the impromptu collaboration.

“I have been asked to ask y’all, Little Big Town, would y’all like to be a member of the Grand Ole Opry?”

After hugs with McEntire and between the members followed by a collective “Yes!” from the group, McEntire said, “Special moments like this—they’re priceless.”
Speaking for the group, Fairchild cheered, “Thank you, Grand Ole Opry! We will try to make you proud!”
Opry Vice President and General Manager Pete Fisher said, “We have been enjoying Grand Ole Opry visits from Little Big Town for almost 15 years now. During that time, the group has developed an amazing artistry and has won over millions of fans, all while maintaining a commitment to and love for the Opry we saw firsthand tonight. We will all be excited to officially welcome Little Big Town to the Opry family October 17.”

Weekly Chart Report (10/03/14)

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2014 IEBA Award Winners

IEBA Executive Director Pam Matthews and Chris Young Photo: Getty Images

IEBA Executive Director Pam Matthews and Chris Young
Photo: Getty Images


Trade organization IEBA wrapped its 44th annual conference Tuesday (Sept. 30) with a ceremony honoring promoters, buyers, casinos, fairs, festivals, talent agents, and venues. The Doobie Brothers performed, and were inducted into the IEBA Hall of Fame, along with their longtime manager Bruce Cohn, as well as veteran agent and manager Jim Halsey and event producers Bob and Peggy Kaltenbach (Klein’s Entertainment).
2014 IEBA AWARD WINNERS:  
Casino of the Year: Little River Casino Resort – Manitsee, MI
Casino Buyer of the Year: Kell Houston – Houston Productions
Club Buyer of the Year: Adam Weiser – AEG Live
Corporate Buyer of the Year: Michael Boltzman – AEG Live Events
Fair of the Year: Minnesota State Fair – St. Paul, MN
Fair Buyer of the Year: R.J. Romeo – Romeo Entertainment Group
Festival of the Year: Country Thunder USA – Twin Lakes, WI
Festival Buyer of the Year: Nicole Moore – Neste Event Marketing
International Buyer of the Year: Rod Tate – Calgary Stampede (Canada)
Promoter of the Year: Ali Harnell – AEG Live / The Messina Group
Talent Agent of the Year: Jay Williams – WME
Venue of the Year: Ryman Auditorium – Nashville, TN
Venue Executive of the Year: David Kells – Bridgestone Arena
Rookie of the Year: Andrew Farwell – Outback Concerts
 
MC Hammer at Sunday's Tailgate Party Photo Credit: Getty Images

MC Hammer at Sunday’s Tailgate Party. Photo: Getty Images


The Doobie Brothers with Vince Gill at IEBA's Honors and Awards Ceremony. Photo: Getty Images

The Doobie Brothers with Vince Gill at IEBA’s Honors and Awards Ceremony.
Photo: Getty Images

Weekly Register: Chesney Dukes It Out In Three-Way Chart Battle

kenny chesney11This week’s albums chart featured a three-way battle for No. 1, as Kenny Chesney‘s The Big Revival, Barbra Streisand‘s duets album Partners, and Tony Bennett/Lady Gaga‘s Cheek To Cheek fought for the top position.
Bennett and Gaga came out on top, selling 131k, followed by Chesney at No. 2 with 130k, and Streisand and her leading men at No. 3 with 127k units moved.
And there’s always a Nashville connection: The Streisand/Blake Shelton duet featured on Partners, titled “I’d Want It To Be You,” was written by Bobby Tomberlin, Steve Dorff and Jay Landers.
The top 5 selling Country albums this week were Chesney, followed by Tim McGraw‘s Sundown Heaven Town with 23k, George Strait‘s The Cowboy Rides Away: Live From AT&T Stadium with 22k, Luke Bryan‘s Crash My Party at 8.8k, and Lee Brice‘s I Don’t Dance with 8.8k.
There were several additional worthy debuts this week. Lee Ann Womack‘s The Way That I’m Livin‘ moved 3.4k units, while Big & Rich‘s Gravity moved 6.6k, and Josh Abbott Band‘s EP Tuesday Night moved 5.5k.
Overall album sales are down 14.3 percent YTD, while overall digital sales are down 11.5 percent. Country sales are down 18.8 percent YTD, while Country digital sales are down 12 percent.
Next week’s Weekly Register will include numbers for Blake Shelton‘s Bringing Back The Sunshine, Lady Antebellum‘s 747, and Chase Bryant‘s digital EP.
Tracking Tracks
jaosn aldean11Megan Trainor‘s “All About That Bass” shakes off Taylor Swift‘s “Shake It Off” this week to become the top selling track, with 253k. Swift moves to No. 3, with 224k this week, cracking the 2 million in sales mark for “Shake It Off.”
The top debut track overall, coming in at No. 4 is Jason Aldean‘s “Tonight Looks Good On You,” which moved 90k. That also makes it the No. 1 Country track this week.
Aldean also take the No. 2 best-selling Country track this week, with “Burnin’ It Down” at 77k. Florida Georgia Line‘s “Dirt” moved 62k, while their “Anything Goes” debuted with 58k sold. Blake Shelton‘s “Neon Light” is the fifth best-selling Country track this week, with 39k sold.
Overall track sales are down 12.9 percent from last year, while Country track sales are down 17.8 percent from this time last year.
WeeklyReg10011411Numbers according to Nielsen Soundscan.
Special Note: MusicRow sends our condolences to Spielberg Entertainment’s Neal Spielberg on the passing of his Uncle Dave Benjamin. Spielberg shared, “I lost a very dear relative and inspiration in my life. He is the reason I do what I do when it comes to the music business.” Benjamin was the first WEA Florida sales manager in 1971, after years working for Henry Stone at Tone Distributors.

DISClaimer: An Industry In Need of More Second Chances

shotgun rider1If you ask me, the country-music industry could use a lot more second chances. Take Tim McGraw. He is experiencing a welcome career-uptick now that he has been energized by a new record label. He also has this week’s Disc of the Day with the irresistible “Shotgun Rider.”
If Brian Pounds sounds a little familiar, maybe you were watching Season 5 of The Voice in 2013. He was on Team Blake, but was eliminated. His just-released CD gives him a new lease on life and earns him a DisCovery Award.
BRIAN POUNDS/Somewhere, Maybe Carolina
Writers: Brian Pounds; Producer: Brian Douglas Phillips; Publisher: none listed; BPSG (track)
-Now here’s an outstanding find. Not only does this guy sing like a bird, his lilting, melodic composition soars right into your heart and, for a change, his Texas record production sounds as fully realized as anything Nashville has to offer. Pounds’ five-song EP is titled Strikes and Gutters. Be the first on your block to own a copy.
ALABAMA/The Last Altar Call
Writers: Jeff Cook/Tony Nichols; Producer: Alabama; Publishers: Whispering Cougar, BMI; Cracker Barrel
-Alabama’s new gospel collection contains three tracks that are exclusive to Cracker Barrel. This waltz is the most ear opening, for it has a heartfelt lead vocal by Jeff instead of Randy. Refreshingly different.
WADE BOWEN/When I Woke Up Today
Writers: none listed; Producer: Justin Niebank; Publishers: none listed; AMP (track)
-The album doesn’t come out until Oct. 28, but this jangly, jaunty country-rock single is out now. It is sung with enormous verve. Just as important, it boasts an excellent lyric as well as a catchy tempo. Recommended.

Brian Pounds

Brian Pounds


TIM McGRAW/Shotgun Rider
Writers: Hillary Lindsey/Marv Green/Troy Verges; Producers: Byron Gallimore/Tim McGraw; Publishers: Hillarody Rathbone/BMG/Warner-Tamerlane/The Good The Bad The Ugly/Goes Something Like This/Songs of Universal/Songs From the Engine Room, ASCAP/BMI; Big Machine (track)
-Summer might be coming to an end, but this is still a perfect roll-the-top-down and take-to-the-highway song. A single with its own built-in breeze. The electric guitar leads and fills by Michael Landau, David Lavita and producer Byron Gallimore are delightfully ear tickling.
DERIK HULTQUIST/For The Good of the Rose
Writers: Derik Hultquist; Producer: none listed; Publishers: Scrambler/Carnival; ASCAP
-Subtle, poetic, artistic and a little verbose, with just the tiniest hint of a chorus. He definitely has troubadour blood in his veins.
JASON ALDEAN/Burnin’ It Down
Writers: Rodney Clawson/Chris Tompkins/Brian Kelley/Tyler Hubbard; Producer: Michael Knox; Publishers: none listed; Broken Bow (ERG)
-It has more production layers than most of his singles. Which would be okay if the song was comparably complex instead of monotonous.
NATALIE STOVALL & THE DRIVE/Mason Jar
Writers: none listed; Producer: none listed; Publishers: none listed; HitShop (ERG)
-Youthful and rocking. They have sometimes sounded a little over the top, but this time out, the merry, sunny tone is pitched just right.
JON BYRD/In The Back of Your Mind
Writers: Mando Saenz/Will Kimbrough; Producer: Jon Byrd/Thomm Jutz; Publishers: none listed; Longleaf Pine
-I have liked the work of this plainspoken, down-home country stylist in the past. His new CD, Route 41, contains songs by writers he has encountered in both Atlanta and in Nashville. This moody, downbeat ballad has a definite Music City pedigree.
KELLEIGH BANNEN/You Are What You Love
Writers: none listed; Producer: none listed; Publishers: none listed; EMI (ERG)
-Sprightly and enjoyable. It won’t exactly change your life, but it might make you smile for three minutes and 16 seconds.
LOUISIANA SWAMP DONKY/Redneck Revival
Writers: none listed; Producer: Richard Young; Publishers: Bugmusic, ASCAP; LSD (track)
-Produced by Richard Young of The Kentucky HeadHunters, these four dudes attack a song like whiskey-ripped barroom brawlers. As you might expect by the title, there’s plenty of electric guitar screaming, drum pounding and growling Bocephus/Dixie vocal attitude. And, yes, that is the way they spell “donky.”

Lisa Davis Purcell Named VP Of Development for CMHoF

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Lisa Davis Purcell


The Country Music Hall of Fame and Museum has appointed Lisa Davis Purcell as Vice President of Development. She will oversee the efforts to generate contributed income and support its mission to preserve the evolving history and traditions of country music and educate diverse audiences.
“Lisa is the perfect fit for us at this juncture in the museum’s rapid and sustained growth,” said Kyle Young, Museum Director. “She’s a mission-oriented executive and well integrated into both the non-profit and music industry sectors of Nashville. And, as a longtime member of the museum’s Honor Society, Lisa already has demonstrated her commitment to supporting our work.”
“The Country Music Hall of Fame and Museum not only honors and preserves the history of country music, from its folk roots to the present day; it also provides local, national and global audiences with access to artists, artifacts and educational programs that celebrate the power of this uniquely American art form,” said Purcell. “I am honored to have the opportunity to collaborate with the museum’s incredible team of professionals and with the generous volunteers and donors who dedicate their time, talent and treasure to sustain and advance the Country Music Hall of Fame and Museum’s important work.”
For the past seven years, Purcell served as VP of External Affairs for Hands On Nashville. Purcell previously worked in the program and administrative departments of diverse arts organizations, including the Frick Art & Historical Center, Southern Alleghenies Museum of Art, Frist Center for the Visual Arts and the Tennessee Arts Commission. She has served as a grant review panelist for the National Endowment for the arts, and she has worked for music business charity T.J. Martell Foundation, to support medical research.
Purcell holds both undergraduate and master’s degrees in art history from West Virginia University and a certificate in executive leadership from Belmont University.

Atlas Publishing Acquires Combustion Catalog, Opens Nashville Office

Richard Stumpf (L) and Chris Farren.

Richard Stumpf (L) and Chris Farren.


Atlas Music Publishing has acquired the catalog of one of Nashville music’s most successful independent music publishers, Combustion Music, it was announced today by Atlas CEO Richard Stumpf and Combustion Music owner/President Chris Farren. The deal marks the opening of Atlas Music Publishing’s Nashville offices and launches a long-term joint venture with Combustion Music under the banner Combustion Atlas.
Through the deal, Atlas Music Publishing will acquire a publishing interest in hit songs including No. 1s: “Crash My Party” “That’s My Kind of Night” and “Play It Again” by Luke Bryan; “Bottoms Up” by Brantley Gilbert; “Good Girl” by Carrie Underwood; “Hello, My Name Is” and “Strong Enough” by Matthew West; “Beer Money” by Kip Moore; “Hey Girl” by Billy Currington; “Runnin’ Outta Moonlight” by Randy Houser; “Don’t Ya” by Brett Eldredge; “Mr. Know It All” by Kelly Clarkson; “Rewind” by Rascal Flatts; and “I Hold On” by Dierks Bentley.
Combustion will continue its relationship with Ashley Gorley, songwriter of 16 No. 1 Country hits. Gorley was named Billboard’s 2013 Country Music Songwriter of the Year and has written or co-written over 100 songs recorded by over 50 artists, including Luke Bryan’s “That’s My Kind of Night,” Randy Houser’s “Runnin’ Outta Moonlight,” Trace Adkins’ “You’re Gonna Miss This,” and three cuts on the new Dustin Lynch album Where It’s At.
Combustion will continue to represent the catalogs of Blair Daly, and Brett James. Daly has three cuts on the new Tim McGraw album Sundown Heaven Town and is co-writer of songs including “Beer Money,” Rascal Flatts No. 1 song “Stand,” and mega hit crossover “Smile” by Uncle Kracker. James has 17 No. 1 singles, a Grammy win for “Jesus, Take The Wheel,” and is co-writer of Dierks Bentley’s “I Hold On” and the current Miranda Lambert/Carrie Underwood smash “Somethin’ Bad.”
The new Combustion Atlas roster will include Gorley, Zach Crowell, Matt Jenkins, Jerry Flowers, Bobby Huff, and Native Run.
VP Chris Van Belkom, and Senior Creative Kenley Flynn will remain on board.
Zach Crowell and Jenkins are co-writers on the No. 1 Dustin Lynch song “Where It’s At.” Crowell co-wrote “Strong” for the 2014 National Chevy Silverado campaign, and co-wrote five songs on Sam Hunt’s upcoming Montevallo, which he also produced. Matt Jenkins is co-writer of Keith Urban’s single “Cop Car,” Blake Shelton’s “Good Country Song,” and has cuts on the new Sam Hunt LP. Jerry Flowers has two songs on Hunt’s LP and has had songs recorded by Lady Antebellum, Keith UrbanMartina McBride, and Carrie Underwood. Bobby Huff has success in both the rock and country landscapes, co-wrote Reba McEntire’s “Turn On the Radio,” and has production and writing credits with 3 Doors Down and Papa Roach. Native Run (Rachel Beauregard and Bryan Dawley) are making waves at radio with their debut release “Good On You.”
“Nashville is without question one of the most important writer towns in the US. We wanted to make a major commitment to the songwriting community here and enter Nashville in the right way—this collaboration with Chris and the Combustion team does just that,” said Atlas’s Stumpf. “The songs in the Combustion catalog are standouts and writers on our roster here are continuously booked with major label artists. We are excited to include these writers in the Atlas new paradigm of music publishing—a mindset built on (1) an authentic, hands on partnership with songwriters, (2) unlocking new paths of consumer discovery for our artists and (3) embracing the industry’s digital future through techniques that maximize song value on streaming services like Spotify and Youtube. Our Nashville roster is going to get a push like they’ve never felt before. It’s going to get very exciting, very quickly!”
“All of us at Combustion couldn’t be happier to be partnering with Atlas Music,” said Combustion’s Farren. “The history and resources they present and their commitment to and belief in Combustion have set us up to meet this next era of music publishing with strength, creativity and agility. Both Richard and I come from a like-minded independent spirit of building a publishing company, and I look forward to many years of success together.”
Founded in 2001, Combustion Music is headed by owner/President Farren. Since 2009, Combustion has earned 19 No. 1 singles in four genres and cuts on LPs totaling 100 million in sales. Among their accomplishments are the 2006 ASCAP and GRAMMY Country Song of the Year “Jesus, Take the Wheel;” the 2009 Grammy Best Rock Song, Best Rock Performance, and Record of the Year for “Use Somebody” by Kings of Leon; 2009 ASCAP Country Song of the Year “You’re Gonna Miss This;” 2009 ASCAP Country Songwriter of the Year Ashley Gorley; and the 2013 ASCAP Christian Song, “Hello My Name Is” and Songwriter of the Year Matthew West.
Stumpf founded Atlas Music Publishing in 2013, which has a roster of hit-makers and represents songs performed by John Legend, Carrie Underwood, Kelly Clarkson, Daughtry, Luke Bryan, Keyshia Cole, Hillary Duff, Icona Pop, Prince Royce, and Colbie Caillat. The company’s global headquarters is in New York.
The deal was negotiated with the help of The Sukin Law Group and Greenberg Traurig.

Tina Turner Museum Opens In West Tennessee

Ribbon Cutting Tina Turner-Flagg Grove School Dedication. Photo: Mary Bufwack.

Ribbon cutting at The Tina Turner Museum. Photo: Mary Bufwack


Tennessee staked another claim as America’s premier music state with the dedication of The Tina Turner Museum on Friday, September 26.
“Tennessee is the global music destination of choice,” said Susan Whitaker at the opening ceremony. She is the commissioner of the Tennessee Department of Tourism Development. The new museum is located on the campus of the West Tennessee Delta Heritage Center in Brownsville, TN.
“Brownsville has a connection to the whole world through our homtown girl, Annie Mae Bullock,” said Mayor Bill Rawls. Tina Turner was raised as Anna Mae Bullock in the rural community of Nutbush, TN, which is 10 miles northwest of Brownsville on Route 19. The road was renamed “Tina Turner Highway” in 2002.
She immortalized her hometown in her self-penned 1973 hit “Nutbush City Limits.” The song’s lyric begins, “A church house, gin house/A schoolhouse, outhouse/On Highway Number 19/The people keep the city clean/They call it Nutbush.”
The church is still there, historic Woodlawn Baptist. So is the “gin house,” Nutbush’s cotton gin. The “schoolhouse” now houses the Tina Turner Museum.
Flagg Grove Schoolhouse and Tina Turner Museum. Photo: WTDHC.

Flagg Grove School, which is now The Tina Turner Museum. Photo: WTDHC


Founded by Turner’s great uncle, it served as an African-American school between 1889 and 1966. The Flagg Grove School was used as a barn by Joe Stephens until he donated the historic structure to Brownsville in 2012. A rare surviving example of an African-American grade school, the building was relocated to the West Tennessee Delta Heritage Center’s grounds and restored. Tina Turner then donated the items for the museum it has become.
“I am with you in spirit,” said the superstar via video from her home in Switzerland. “A very special good morning to you there…I’d like to ask everyone for a round of applause for everyone involved.” Turner cited and thanked many of the people who made her museum a reality, including designer Stephan Sills. “Have a wonderful day: Ciao!” she added.
Flagg Grove Schoolhouse and Tina Turner Museum. Photo: WTDHC.

Inside The Tina Turner Museum. Photo: WTDHC


“All I can say is, ‘Hallelujah!’” said Murrell Syler. “The family is very grateful [and] I am most grateful to my cousin, Tina Turner, for her support.” Syler’s and Turner’s fathers were brothers. “I come from good stock,” the 89-year-old Syler stated.
“This is a real blessing to our town, our county, our country,” said Lollie Beard Mann at the ceremony. She was a classmate of Turner’s at the Flagg Grove School. At the school, “Me and Tina sang ‘Standing in the Need of Prayer,’” Mann added, performing the gospel classic a cappella.
The Lewis Family Singers sang “God’s Been Good to Me,” which interpolated “Amazing Grace.” Rep. Craig Fitzhugh read a proclamation from Gov. Bill Haslam declaring “Tina Turner Day.” Turner was a babysitter for Fitzhugh when he was a child. “There is no finer lady and no finer person,” he commented.
Video congratulations came from Melissa Etheridge, The Beach Boys, The Oak Ridge Boys, Fred Cash of The Impressions, Ann Wilson of Heart and Robin Roberts of Good Morning America.
Flagg Grove Schoolhouse and Tina Turner Museum. Photo: WTDHC.

The Tina Turner Museum. Photo: WTDHC


More than 200 crowded the Delta Heritage Center for the museum dedication, including family members, politicians, museum specialists, music performers, Turner’s business associates, news media and her fans. “It’s not just Tennessee,” pointed out Elle Denneman, the president of the International Tina Turner Fan Club. “Also people from Germany, Sweden and Denmark are here.” Denneman, a professional photographer, had travelled from Holland for the event.
“I’m just blown away by the crowd,” marveled museum executive director Sonia Outlaw-Clark.
“You’ve welcomed me, an outsider, with open arms,” said Turner’s assistant Rhonda Graam, who coordinated the artifacts. “I’m so proud to work for her and be a part of this. It’s a highlight of my life. It’s teamwork that brought this project together.”
One member of the team was Dr. Carroll Van West from the Center for Historic Preservation at MTSU. “We’re continuing the magic that began at the Flagg Grove School over 100 years ago,” he testified. Another team member was Nashville’s PLA Media.
Following the ribbon cutting, family members and media representatives were the first to see the museum. It houses flamboyant costumes, historic photos, major awards, movie stills, her high school yearbook, Gold and Platinum records, magazine covers and a model of Britain’s Wembley Stadium, where Tina Turner triumphed in concert, among many other items. A screen shows a continuous loop of a concert video. Behind the artifacts, school memorabilia commemorate the building’s long heritage.
Sleepy John Estes. Photo: Mary Bufwack.

The West Tennessee Delta Heritage Center’s grounds also contain the home of Brownsville’s Sleepy John Estes. Photo: Mary Bufwack


The West Tennessee Delta Heritage Center’s grounds also contain the home of Brownsville’s Sleepy John Estes (1899-1977). This “crying” bluesman recorded for Victor, Decca and others between 1929 and 1941. His influential songs include “Someday Baby Blues,” “Drop Down Mama” and “Milk Cow Blues.”
Both Turner and Estes are celebrated in the Center’s main museum, as are such regional music stars as Carl Perkins (Jackson), Alex Harvey (Brownsville), Eddy Arnold (Chester County), T.G. Sheppard (Humboldt), Mike Snider (Gleason), Sonny Boy Williamson (Jackson), Malcolm Yelvington (Covington), Yank Rachell (Brownsville), Carl Mann (Huntingdon), Denise LaSalle (Jackson) and Hammie Nixon (Brownsville).
The Center also houses a series of aquarium tanks containing fish native to the Hatchie River, a cotton museum, a collection of Lincoln memorabilia and a photo exhibit about Brownsville’s historic district.
Brownsville, Tenn. Sculpture. Photo: Mary Bufwack.

“Mindfield” sculpture in Brownsville, Tenn. Photo: Mary Bufwack


Downtown, the community’s outstanding attraction is “Mindfield.” This is Tennessee’s largest sculpture, a stunning piece of folk art that is a block-long, 10-story-high metal assemblage incorporating a water tower, a fire tower, giant propeller screws, toys and multiple girders. It is the work of Billy Tripp, and will continue to evolve until his death. Almost everything is painted in battleship gray, his favorite color. Tripp’s eccentric work also contains lyrics, slogans, verses and assorted exhortations.
On Friday afternoon, the Tina Turner Heritage Days weekend continued with a scheduled book-signing for Katherine Carlson, author of Arrows Across Eons: Becoming Tina Turner. Guitarist Durwood Hayes was booked to entertain that evening.
Saturday’s events included tours of Brownsville, Nutbush, Ripley and nearby Henning, the site of the Alex Haley Museum. At Carver High School that night, the scheduled entertainment included the W.S. Holland Band, Rayburn Anthony, Carl Mann and vocalist Samira, who is billed as “Samira’s Totally Tina.” She also attended the museum dedication.
“You have The King of Rock ‘n’ Roll, 65 miles down the highway [in Memphis],” observed Turner’s former EMI Records chief Jim Fifield at the dedication. “You have the Queen of Rock ‘n’ Roll right here in Brownsville.”
Memphis has attractions devoted to Elvis Presley, as well as the Stax and Sun labels. In Hurricane Mills, near Waverly, is the Loretta Lynn Dude Ranch with its museum, mansion and birthplace recreation. Nashville has the Johnny Cash, Country Music Hall of Fame and Musicians Hall of Fame attractions. Sevierville has Dollywood with its Dolly Parton Museum and Southern Gospel Hall of Fame. In Bristol is the newly opened Birthplace of Country Music Museum. Brownsville now has the Tina Turner Museum.
“Just about every city in this state is on board,” said Cindy Dupree, the director of PR for the Tennessee Department of Tourism Development.