Philadelphia’s WXPN Launches New ‘Artist To Watch: Black Opry Residency’ Podcast

Philadelphia public radio station WXPN has launched a new podcast called Artist To Watch: Black Opry Residency, airing each Thursday through Black Music Month.

Hosted by John Morrison, the podcast presents five stories of up-and-coming Black musicians seeking to reclaim country and Americana as inclusive genres. The first episode of the five-part series is available to stream across all digital platforms now, with subsequent episodes airing each Thursday.

“Artist To Watch: Black Opry Residency” is the culmination of WXPN’s first-of-its-kind artist development project, which launched earlier this year with the goal of helping selected artists build sustainable careers through mentorship from industry professionals and a weeklong creative residency in Philadelphia. Each episode offers a deep and personal dive into the real-life struggles of emerging performers and new talent, and the debut season delves into the lives and music of up-and-coming musicians who found support, community, and inspiration through the Black Opry Residency.

The first episode features country musician Tylar Bryant, a Texas native based in Nashville who marries modern and traditional country with rock and pop grooves. Each subsequent episode will focus on four other Black Opry Residency participants: Samantha Rise, a Philadelphia-based teacher, activist, performer and writer whose inclusive music is rooted in indie folk; Grace Givertz, a Boston-based folk artist and multi-instrumentalist whose witty, honest lyrics bring a refreshing energy and sound to folk music; Nashville-based twin brothers Brandon and Derek Campbell, who harmonize, write and perform as The Kentucky Gentlemen, blending pop, country and R&B; and soulful singer-songwriter Denitia, a Nashville-based artist music exhibits elements of country and folk.

“We’ve been focused on showcasing emerging talent through our Artist To Watch program for two decades,” says Bruce Warren, Associate General Manager for Programming at WXPN. “Building on that commitment, we really wanted to up our game and build an artist development residency. We chose to partner with Black Opry and focus on Black creators who have not traditionally been afforded access to resources to help their careers.”

The Black Opry founder and co-director, Holly G, adds, “The partnership with XPN for the Black Opry Residency has been such an easy fit, it felt like we were meant to work together. It can be hard to find people in the industry that are passionate about emerging artists and willing to provide the resources to support them, especially artists from marginalized identities in the country and American landscape. It displays a tremendous amount of leadership and faith that Bruce and his team were able and willing to put their efforts behind such a big project and I’m grateful they were so keen to listen to myself and people like Rissi Palmer about the needs of our community. My hope is that others will see the success of this project and realize that we need to do it many times over.

Thomas Rhett Commemorates Seven No. 1 Songs, Adding To 20 Total

Pictured (L-R, back row): Leslie Roberts (BMI), Josh Miller (BMI), Will Bundy (ASCAP), Riley Green (BMI), Rhett Akins (BMI), Josh Thompson (BMI), Matt Dragstrem (ASCAP), Jon Pardi (BMI) and Mike Sistad (ASCAP);(L-R, front row): Julian Bunetta (BMI), Parker Welling (BMI), Thomas Rhett (BMI), Dann Huff (ASCAP) and Ashley Gorley (ASCAP) Photo: Steve Lowry for BMI

In how many music towns would a format-leading superstar take time to speak about each of his co-writers on his last seven chart-toppers? Well that’s exactly what happened in Nashville on Tuesday (June 6) when BMI and ASCAP staged a rooftop party celebrating seven of Thomas Rhett‘s 20 career No. 1 hits.

BMI’s Leslie Roberts kicked everything off by welcoming the industry crowd. She quickly turned it over to Studio Bank’s Ron Cox, who made a special donation presentation on behalf of Rhett and the songwriters to Love One International.

“We’re celebrating 14 songwriters today and over 25 publishers,” Roberts shared. She turned everything over to Rhett, who became the emcee. He recognized each songwriter as he went through all seven of the celebrated songs, including “Remember You Young,” “Beer Can’t Fix” feat. Jon Pardi, “Be A Light” feat. Reba, Hillary Scott, Chris Tomlin and Keith Urban, “What’s Your Country Song,” “Country Again,” “Slow Down Summer” and “Half of Me” feat. Riley Green.

“It’s been four years since we had a No. 1 party. It’s important to me to acknowledge all these songwriters for the incredible impact they’ve had on my career,” Rhett said.

He started the presentations by recognizing Julian Bunetta (“Beer Can’t Fix”). “I met you seven years ago and from that day, you have taught me to calm down,” Rhett said as Bunetta made his way to the stage. “You’ve made a huge impact on my career and it’s been an honor to write with you and get to know you.”

Rhett and Bunetta’s co-writers on “Beer Can’t Fix,” Zach Skelton and Ryan Tedder, weren’t in attendance but were applauded.

Rhett also recognized Pardi, who was a featured vocalist on the song. Pardi was in attendance and said, “Awesome song. Awesome people. Awesome artist. This was a really cool moment, even though it was three years ago. It’s better now, right?”

Pictured (L-R, back row): MusicRow’s Sherod Robertson, Josh Miller, Will Bundy, Riley Green, Rhett Akins, Josh Thompson, Matt Dragstrem and Jon Pardi; (L-R, front row): Julian Bunetta, Parker Welling, Thomas Rhett, Dann Huff, Ashley Gorley and MusicRow’s LB Cantrell. Photo: Steve Lowry for BMI

Next, Rhett recognized the writers on “Be A Light,” starting with Josh Miller. “He’s one of the kindest human beings in the world. I really wish he would make his own record.” Of “Be A Light” co-writer Matt Dragstrem, Rhett said, “You’re an incredible dude. Such a joy to be around and an incredible talent.”

Will Bundy (“Half of Me”) was the next songwriter to be praised. “You’re an amazing talent. This was your first country No. 1,” Rhett said.

Josh Thompson (“Be A Light” and “Half of Me”) was next. “Josh is the silent killer in the room,” Rhett stated. “You’re one of the most talented people I’ve ever been around.”

“You’re so fun to write with,” Thompson said to Rhett. “Thank you for being you.”

Rhett then recognized Green, who sang on “Half Of Me.” Green shared, “I appreciate you for letting me ride your coattails to No. 1. This was an awesome opportunity for me and a great song.”

Parker Welling (“What’s Your Country Song”) was the next songwriter up. “From the moment I met Parker, I knew she was going to make a gigantic impact on this town,” Rhett said. “I want to thank you for making me a better human being and challenging me as a writer.”

Welling thanked Home Team, Rhett’s publishing joint venture with Warner Chappell that signed her in 2020.

“This next guy is pretty new to town, you may not know him. His name is Ashley Gorley,” Rhett joked about the NSAI Songwriter of the Decade and ACM Songwriter of the Year. “Through the years, Ashley has been a go-to co-writer for me.”

Gorley (“Remember You Young,” “What’s Your Country Song,” “Country Again” and “Slow Down Summer”) made sure to thank all of the publishers and those who help make songs go to the top of the charts.

Finally, Rhett spoke about his dad, Nashville Songwriters Hall of Famer Rhett Akins. “You have been the source of every bit of inspiration I could have ever had,” he said. “You supported me [in every interest and passion I have had] and I think that’s why I have the mentality to go and get it today.”

Akins spoke about getting to write songs with his son, and thanked the crowd of supporters who have helped Rhett along the way.

“This is a miracle. This does not happen to most artists. It doesn’t happen to most dads—to get to sit up here to watch your son receive seven No. 1s,” Akins said. “God is the only way that this happened. I pray we get to do it a lot more.”

Zach Crowell (“Country Again”), Sean Douglas (“Slow Down Summer”) and Jesse Frasure (“Remember You Young,” “What’s Your Country Song” and “Slow Down Summer”) weren’t in attendance, but Rhett recognized them as well.

In addition to recognizing his co-writers, Rhett managed to get humble producer Dann Huff out to a No. 1 party. “You have really helped me find my sound. You’ve let me be me and you’ve allowed me to explore,” Rhett said. “You’ve been an incredible staple in my career.”

Huff, who produced all seven No. 1 hits, shared, “The feeling is mutual. I learn as much from you.”

Big Machine Label Group’s Scott Borchetta, Allison Jones and George Briner gave a special presentation to commemorate Rhett’s 20 career hits. They each told the story of how they encountered Rhett.

Borchetta thanked the writers, his team at Big Machine and Rhett.

“Allison, myself and everyone who touches these records, we live for the moment when Thomas says, ‘I’m ready to play you new songs,'” Borchetta said. “It’s the thing that keeps me going and it’s the thing that drives our beautiful town.”

Tony-Nominated ‘Shucked’ To Open On London’s West End In 2024

Pictured (L-R): Shane McAnally, Robert Horn and Brandy Clark

Shucked, the Tony-nominated musical, is heading to London.

Based on the book written by Robert Horn, Shucked is a tale from the heart of the heartlands directed by three-time Tony Award winner Jack O’Brien and produced by Sandbox Entertainment’s Jason Owen alongside Mike Bosner. The show features music and lyrics by renowned songwriters Shane McAnally and Brandy Clark, and is also nominated for 12 Drama Desk Awards, seven Outer Critics Circle Awards and three Drama League Awards.

The musical will open in London’s West End theatre district in 2024, confirmed by U.K.’s preeminent producer and theater owner, Cameron Mackintosh. Casting, theater location, ticketing information and other details will be announced in the coming months.

“I’m delighted to confirm that London is going to get Shucked in one of one of my theatres next year! Shucked is a rarity: a completely original musical and the funniest show since The Book of Mormon, with a terrifically tuneful rollicking country and western score,” says Mackintosh.

“The truth about this kind of entertainment is it should make people feel good,” says Owen. “You can make people think or look at their values with a smile on their face just as easily as you can by being serious. But where the world is right now, people need to come together, to laugh and honestly recognize that Iowa, Nebraska, Ohio or even Arkansas where I’m from is as much a part of America as Wall Street or Hollywood – and Shucked is about bringing all these people together.”

Leadership Music Announces Class Of 2024

Leadership Music has announced the 44 industry leaders from across the nation who will make up its Class of 2024.

Leadership Music is an annual program designed to create a forum in which music industry leaders can learn about all facets of the music business, explore current issues affecting the industry and enjoy once-in-a-lifetime experiences while building lasting relationships with their classmates.

Participants first attend an orientation, alumni welcome reception, and the two-day Opening Retreat in October, followed by six all-day sessions once a month, ending in May with graduation at the two-day Closing Retreat.

“It’s not an exaggeration when I say my journey as a member of the Leadership Music Class of 2001 was a life-changing experience for me,” says Debbie Carroll, Leadership Music President and Selection Committee Co-Chair. “As an alum, I know the 44 leaders in the Class of 2024 are about to embark on an amazing experience that will have a significant impact on their career. This is a special group of leaders, chosen after a great deal of deliberation by the selection committee from nearly 300 qualified candidates. The 30 alums who make up the selection committee don’t take the responsibility of choosing a class lightly, which is why Leadership Music classes always include the best of the best.”

Class of 2014 alumnus, Past Leadership Music President and Selection Committee Co-Chair David Kells, highlights the effort that goes into choosing a class. “The selection committee keeps several factors in mind when choosing members of a class,” he says. “Of course, we’re considering a candidate’s career history and achievements, community impact and more, but we also strive to assemble a class that’s diverse in every way—gender, ethnicity, genre of music and segment of the music industry. We’re exceptionally proud of the leaders chosen for this program year, the 34th class, and can’t wait to see how they bond and unite as the Leadership Music Class of 2024.”

Leadership Music Class of 2024

Angela Abbott, Senior Manager, Business Affairs & Music Licensing, Tidal
Beth Barcus, Co-Director & Porter, Porter’s Call
Andrew Batey, Founder & Co-CEO, Beatdapp Software Inc. (Santa Monica, California)
Sarah Buxton, Artist-Songwriter
Jackie Campbell, Founding Partner, 615 Leverage + Strategy
April Carty-Sipp, EVP Industry Affairs, National Association of Broadcasters (NAB) (Washington D.C.)
Sal Cirrincione, Senior Director of Rock Programming & Specials, Premiere Networks/iHeartRadio (New York, New York)
Katie Cline Moore, President, Cline Co Business & Financial Management
Michelle Conceison, Artist Manager/Associate Professor, Mmgt, Middle Tennessee State University (MTSU)
Juanita Copeland, President/COO/GM, Sound Emporium Studios
Paul Davis, SVP/Booking & Development, MGM Resorts International (Las Vegas, Nevada)
Kirsten Donaldson, Vice President of Legal, Digital Media Association (DiMA) (Washington, D.C.)
Holly G, Founder, Co-Director, The Black Opry
Dan Gill, EVP Recorded Music, Los Angeles, BMG (Los Angeles, California)
Paul Goldman, CEO, Founder, Muserk (New York, New York)
Kerry Gordy, CEO, Kerry Gordy & Associates, Inc. (Beverly Hills, California)
Tiara Guy, Associate Director of Industry Relations & Marketing Operations, SoundExchange (Washington, D.C.)
Chrissy Hall, Director of Concerts, Ryman Auditorium, Opry Entertainment Group
Kelly Henderson, Senior Director, Sales Enablement, Ticketmaster
Matt Houser, Head of Production, Taillight & Porchlight
Tiffany Kerns, SVP Industry Relations & Philanthropy, Country Music Association (CMA)
Rohan Kohli, VP A&R, Warner Music Nashville
Rory Levine, VP Marketing and Digital Strategy & Engagement, Academy of Country Music (ACM)
Keith Levy, Agent/Vice President, Wasserman Music
Jodi Marr, Songwriter/Producer/Educator/Author, Lazy Jo Music/Wizard of Ahhs Productions/Belmont University
Mandy McCormack, EVP/Marketing & Partner Strategy, Trisha Yearwood, Inc.
John Merchant, Professor, Middle Tennessee State University
Nick Gusz Miller, Senior Director of International Marketing, Interscope Records
Lauren Morales, COO, TomKats Hospitality
Wes Perry, Senior Director of Business Development, Live Nation
Kevin Ream, Owner, Round Rock Amp (Austin, Texas)
Jessie Richard, SVP Federal Public Policy, RIAA (Washington, D.C.)
Autumn Rowe, Artist-Songwriter/Producer (Van Nuys, California)
Samantha Saturn, Chief Marketing Officer, SESAC Music Group
Seth Seigle, Agent/Partner, William Morris Endeavor (WME)
Ashley Sidoti, VP of Promotion & Digital, The Valory Music Co.
Jason Sloan, Assistant General Counsel, U.S. Copyright Office (Washington, D.C.)
Daniel Susla, Commercial Development, Music Publishing, Apple (Santa Monica, California)
Jenn Tressler, Senior Manager, Artist & Label Strategy, Opry Entertainment Group
Charles Wadelington, Senior Manager, Public Policy & Government Relations, Universal Music Group (Washington, D.C.)
Matt Watkins, President of Marketing & International Relations, The AristoMedia Group
Derek Wells, VP A&R, Spirit Music Group
Joe Wetzel, Partner, Latham & Watkins LLP (San Francisco, California)
Iwona Wyrzykowska, VP Global Film & TV Administration, UMPG

Bailey Zimmerman & Crew Celebrate First Two No. 1 Hits

Pictured (L-R, back row): Duane Hobson (ASCAP), Shaina Botwin (Boom Music Group) Joe Fisher (Boom Music Group), Ben Kline (Warner Music Nashville), Cris Lacy (Warner Music Nashville), Ryan Beuschel (Warner Chappell Music), Clay Bradley (BMI) Sam Shelton (Goat Island Sound) Emma Kiefer (Boom Music Group); (L-R, front row): Jacob Hackworth (BMI), Gavin Lucas (ASCAP), Heath Warren (BMI), Bailey Zimmerman (BMI), Austin Shawn (BMI), Jet Harvey (BMI). Photo: Steve Lowry for BMI

Breakout country star Bailey Zimmerman celebrated his first two chart-topping hits earlier this week with a double No. 1 party at Hi-Fi Clyde’s.

Industry members gathered to toast to Zimmerman’s debut chart-topper “Fall In Love” along with its follow-up, the multi-week No. 1 hit “Rock and a Hard Place.” The celebration brought together writers Zimmerman (BMI), Austin Shawn (BMI) and Gavin Lucas (ASCAP) for “Fall In Love,” along with Jacob Hackworth (BMI), Jet Harvey (BMI) and Heath Warren (BMI) for “Rock and a Hard Place.” Shawn is the producer on both hits.

“Fall In Love” and “Rock and a Hard Place” collaborators with their MusicRow No. 1 Challenge Coins. Pictured (L-R, back row): MusicRow‘s LB Cantrell, MusicRow‘s Sherod Robertson; (L-R, front row): Jacob Hackworth, Gavin Lucas, Heath Warren, Bailey Zimmerman, Austin Shawn, Jet Harvey. Photo: Steve Lowry for BMI

All parties were celebrating their first ever No. 1 song. As part of BMI tradition, the BMI writers got their custom-made Taylor guitar to commemorate their first.

BMI’s Clay Bradley welcomed the crowd to the party. “What better way to kick off the 50th anniversary of CMA Fest than with these fresh and new faces, voices, energies and sounds for country music,” he said.

Zimmerman’s new sound has been incredibly well received by country music fans. Since breaking onto the scene in 2021, Zimmerman has amassed 2 billion streams to date. His debut album Religiously. The Album. arrived as not only the biggest all-genre streaming debut since 2021, but also the biggest streaming country debut of all time.

“I think it’s safe to say country music is in safe hands,” Bradley said.

ASCAP’s Duane Hobson was on hand to support affiliate songwriter Gavin Lucas. Studio Bank’s Ron Cox let the writers know that the bank had made a donation in their names to CreatiVets. Country Aircheck‘s Lon Helton presented Zimmerman with a plaque commemorating his success at country radio.

When Warner Chappell’s Ryan Beuschel got up to speak, he let the crowd know that the publishing giant represented everyone on stage, whether through direct publishing deals or administration partnerships.

“This crew has become like family to me,” Beuschel said, adding some backstory about his and Zimmerman’s first meeting. “You delivered song after song for this album. I’m so proud of you. What an amazing run that you’ve been on.”

Beuschel then went on to speak about each writer, complimenting them on what they bring to the songs.

Warner Music Nashville co-head Cris Lacy presented some stats on Zimmerman’s record-breaking run thus far. She let the crowd know that WMN originally asked for a re-write of “Fall In Love.” After Zimmerman, Shawn and Lucas humored them, they let the label executives know that they felt it was good as is.

“Sometimes the best thing for a record label to do is get the hell out of the way, so we did. This is the result,” Lacy said. “That gave us the fastest debut single to reach No. 1 since 2015, making this the quickest an artist has earned a chart-topping No. 1 on their first two singles in nearly 25 years.

“Then ‘Rock and a Hard Place’ hit No. 1 only 15 weeks after ‘Fall In Love,’ and held that top spot for six weeks,” Lacy said. “There are some people whose job isn’t to get the hell out of the way—that’s the radio people. It’s their job to push people out of the way.”

Lacy acknowledged WMN’s Kristen Williams and her radio warriors and streaming experts.

Gregg Nadel from Elektra, who partners with WMN on Zimmerman, visited Nashville to share some kind words about the star. He recalled a night on the road when the crowd wouldn’t settle down after Zimmerman finished his set with “Rock and a Hard Place.” After a moment backstage, the young performer went out and sang it again for them.

More publishers spoke about their writers, such as Goat Island Sound’s Sam Shelton, who was also celebrating his first No. 1. He and Boom Music Group’s Shaina Botwin were on hand to speak about Hackworth. Both made sure to thank everyone involved in the song, especially Zimmerman for cutting an outside song.

“Fall In Love” co-writer Lucas was the first songwriter to speak. “Meeting Bailey Zimmerman changed my entire life,” he said. “It’s hard to write a song and hear someone else sing it in the way you meant for it to be sang. This guy sings it 10 times better than I could have thought of.”

Co-writer and co-producer Shawn shared a bit about the beginning of his partnership with Zimmerman, highlighting how quickly the artist went from a “regular guy” to a superstar.

“I met Bailey three months after he started singing. He didn’t know how to play a chord on a guitar, he didn’t know how to sing a harmony, he didn’t know anything, but what he did have and what I saw was his heart… This is the power of having heart and having drive,” he said, “We had nothing at the same time and now we have everything we could have ever imagined.”

“Rock and a Hard Place” co-writer Warren was next up. “This has been an incredible journey. I have learned a lot of lessons along the way through this entire thing, but the thing I’ve really learned is to appreciate the people you’ve surrounded yourself with,” he said.

Harvey shared that “Rock and a Hard Place” was based on argument he and his wife Kristin had. “I never thought that an argument would turn into such a miracle,” he said. “Bailey says something every night after his shows—he talks about believing in yourself. I never had anyone believe in me until I met Kristin.”

Hackworth summed everything up by saying, “Everything you’ve heard is exactly the truth. Everyone in these seats are incredible people. We all work really hard at what we do and we’re really thankful that we’re here today.”

Zimmerman told the stories behind his connection to both songs. He thanked everyone on his impactful team.

“You hear it takes a village and it really does. If I wouldn’t have had everyone I have here, it would have been awful,” Zimmerman said. “Thank you for everything you guys do. I’m so grateful to be a part of this. I love y’all with my whole heart.”

Randy Travis Helps Midwest Communications Launch Y’all 106.7 Country

Pictured (L-R): Ron Allen, Randy Travis, Eryn Cooper

Randy Travis helped Midwest Communications, Inc. flip the switch and launch a new country station in Nashville this week when Hot 106.7 was transformed to Y’all 106.7.

The first song to air on the new ’80s and ’90s-based country format was Travis’ “Forever and Ever, Amen,” and Travis was in the Y’all 106.7 studio with Brand Manager Ron Allen to help celebrate and kick off the new format.

Allen, Brand Manager for Nashville’s 96.3 JACK-fm, will add programming responsibilities for the new brand. Allen has served as Midwest Communications Duke FM Format Captain (Classic Country), and has launched and programmed several country stations over the course of his career.

“Nashville is a market already rich in great country programming, but we feel that this unique ’80s and ’90s-based format will bring country listeners an exciting new option,” says Representing Midwest Communications ownership family, Mary Kay Wright. “It’s such an honor to have Randy Travis as part of our Y’all 106.7 launch. He isn’t just a top artist from the ’80s, he helped define the best of what country music was then and still is today.”

“We fully appreciate that the country format in Nashville is crowded, but we believe there is still an opportunity to serve the community and be successful in this lane,” says Allen.

On a personal note, Wright also shared, “Today is a little bittersweet for our family. Midwest Communications CEO and founder, Duke Wright, who recently passed away, was a huge fan of Randy Travis. ‘Forever and Ever, Amen’ was one of his all-time favorites. He would have been thrilled that Randy helped kick off Y’all 106.7.”

Trisha Yearwood, Mickey Guyton & CMT’s Leslie Fram Honored At ‘Hometown to Hometown’ Event

Pictured (L-R): Honorees Trisha Yearwood, Mickey Guyton and Leslie Fram attend Save The Music & SongFarm.org’s 4th annual “Hometown to Hometown” event at City Winery Nashville. Photo: Catherine Powell/Getty Images for Save The Music

The fourth annual “Hometown to Hometown” event from Save The Music and SongFarm.org brought the Nashville music community together Monday night (June 5) for a great event, raising over $200k for music education programs in under-resourced public high schools.

Trisha Yearwood, Mickey Guyton and CMT’s Leslie Fram were honored as the 2023 Champions of the Year for their contributions to the music industry and their passion for music education. Funds raised from the event will go towards developing music technology programs in Nashville as well as the honoree’s respective hometowns in Jasper, Georgia (Yearwood) and Dallas, Texas (Guyton).

Pictured (L-R): Madeline Edwards, Leslie Satcher, Karyn Rochelle, Kelsea Ballerini, honoree Trisha Yearwood, honoree Mickey Guyton, honoree Leslie Fram, Caylee Hammack, Brittney Spencer and Julie Williams. Photo: Catherine Powell/Getty Images for Save The Music

Throughout the event, honorees, performers and speakers including Kelsea Ballerini, Madeline Edwards, Caylee Hammack, Wendy Moten, Leslie Satcher, Brittney Spencer, Karyn Rochelle and Julie Williams spoke passionately about the bonds shared by women in the music industry, including via CMT’s Next Women of Country program, and the importance of supporting each other’s careers.

Highlights from the evening included Fram leading a powerful conversation between fellow honorees Yearwood and Guyton on themes including inclusivity and the unique challenges women face in the country music industry.

Kicking off the night’s performances, Rochelle and Satcher paid tribute to Yearwood with heartfelt renditions of “Georgia Rain” and “Help Me,” both recorded by Yearwood. Tracy Gershon presented Yearwood with the first Champion of the Year award of the night.

Performing on behalf of  Guyton, Spencer earned the night’s first standing ovation with a rendition of Guyton’s powerhouse anthem “Black Like Me.” Hammack followed with a performance of “Sister,” further cementing the night’s theme. UMG Nashville’s Cindy Mabe later presented a tearful Guyton with her award as she reflected on her journey throughout her career and the shift she has brought to country music.

Pictured (L-R): Honorees Mickey Guyton, Trisha Yearwood and Leslie Fram speak during Save The Music & SongFarm.org’s 4th annual “Hometown to Hometown” event. Photo: Catherine Powell/Getty Images for Save The Music

Dedicating her song “The Wolves” to Leslie Fram, Edwards touched on the ways Fram has impacted her career. She was followed by Ballerini, who shared anecdotes about her and Fram’s relationships over the past 10 years before putting a fun spin on her latest single “If You Go Down (I’m Goin’ Down Too).”

Billboard’s Melinda Newman presented Fram with her award, describing her as a “truth teller” and applauding her “fearless nature” when it comes to tackling issues in the industry. Fram then handed over her acceptance speech to singer Moten, who commanded the stage with a powerful performance of “Don’t Give Up,” delivering the night’s second standing ovation.

Save The Music grant recipient school Whites Creek High School educator Jonathan Curri and his three students Eric Yarber, Briah Robinson and Isaiah Bailey recounted the impact that the music technology grant has had on their school, noting the significance of the evening.

Since its inception in 2019, “Hometown to Hometown” has empowered nine high schools with essential music technology equipment and valuable resources—with three additional schools planned for the fall of 2023.

 

Brock Berryhill Signs With Warner Chappell Music & Madfun Entertainment

Pictured (L-R): Madfun Entertainment’s Alicia Pruitt, Brock Berryhill and Warner Chappell’s Ben Vaughn

Warner Chappell Music (WCM) and Madfun Entertainment have signed songwriter, producer and engineer Brock Berryhill to a global publishing deal.

Berryhill has written chart-topping hits including “Good As You” and “Homesick” by Kane Brown, both of which reached No. 1 on Billboard’s Country Airplay chart and are certified double-Platinum by the RIAA. He is currently climbing the charts as a co-writer on Justin Moore and Priscilla Block‘s single “You, Me And Whiskey,” which is closing in on the Top 10 of Billboard’s Country Airplay chart as well as Brantley Gilbert, Blake Shelton and Vince Gill‘s “Heaven By Then,” which is currently in the top 40 of the chart.

Ben Vaughn, President & CEO, Warner Chappell Music, Nashville says, “Brock is a true professional who knows his way around any writer’s room and any studio you put him in. You’d be hard-pressed to find a writer that works harder than Brock. His co-writers know that a day spent with Brock is a day that wins.”

“Brock is one of those few writers that can create in any room and in any genre. His heart and his work ethic are what makes him one of today’s biggest songwriters,” adds Alicia Pruitt, Founder, Madfun Entertainment.

Berryhill started playing drums and guitar at age 12 and joined a band at 15. A few years later, he started his own band, Hand to Hand, and signed a record deal with the German-based Lifeforce Records. Berryhill spent four years touring with Hand to Hand before parting ways with the band to begin working as an assistant engineer for James Paul Wisner. During this time, he also teamed up with his friend and colleague, Evan Coffman, to start their own recording studio, Starlight Studios.

Berryhill moved to Nashville in 2015 and started his career as a songwriter. He has since had cuts with Jelly Roll, Chase Matthew, Jason Aldean, Kenny Chesney, Lee Brice, Greylan James, Cole Swindell, Colt Ford and more, and has produced work for artists such as Gilbert, Matthew and Jelly Roll.

Musicians On Call Appoints New National Board Members

Pictured (L-R, top); Alicia Mitchell and Josh Joseph; (L-R, bottom) Allison Davenport and Jeff Jowdy

Musicians On Call (MOC), the nonprofit that brings music to the bedsides of patients, families and caregivers in healthcare environments, has added four new members to its National Board of Directors.

The new members include American Hospital Association (AHA) Senior Vice President of Communications Alicia Mitchell, Big Plan Holdings Founder & CEO Josh Joseph, Riveredge Hospital CEO Allison Davenport and Lighthouse Counsel President Jeff Jowdy.

MOC has also appointed Senior Vice President of G7 Marketing Rick Whetsel as Vice Chair, and re-elected Baker Sullivan Hoover PLC Managing Partner Cathy Sullivan as Treasurer.

“The Musicians On Call National Board of Directors is headed in an exciting direction with the addition of our newest members. Vice Chair Rick Whetsel has been instrumental in connecting us with passionate and experienced leaders who can help us push our organization forward as we head down the road to our next million served,” says Pete Griffin, Musicians On Call President & CEO. “All of these newest members have already made great strides for our mission through their past support and we look forward to utilizing their expertise to further grow our programs and reach.”

As Senior Vice President of Communications for the AHA, Mitchell is responsible for promoting the association’s advocacy agenda among members of the public, the media and the association’s 5,000 member hospitals. She also serves as AHA’s Chief Communications Strategist. Mitchell earned her Bachelor’s degree in biology from the College of William and Mary in Williamsburg, Virginia.

Joseph founded Big Plan Holdings in Nashville to incubate new business ventures along with strategic investments with joint venture partners, and to mentor and educate up-and-coming entrepreneurs. The company invests in real estate, cannabis, music and entertainment, sports, hospitality, food and beverage, philanthropy, branding and licensing opportunities, fashion and other diversified positions. He also sits on boards for MAD TASTY, Sliver Therapeutics Inc., Milk & Honey Baseball, SpinIntel and The Lupus Society of Illinois.

For more than 15 years, Davenport has been a leader in the healthcare and hospital management industry. As CEO of Riveredge Hospital, affiliated with Universal Health Services, she leads the largest free-standing psychiatric facility in the state of Illinois. Davenport earned her MBA with a focus on Healthcare Administration from the Belmont University Jack C. Massey Graduate School of Business and a Bachelor of Arts degree in public relations/marketing from Lipscomb University in Nashville.

Jowdy has more than 35 years of nonprofit experience as a CEO, advancement professional, human resources professional and consultant. As President & Founder of Lighthouse Counsel, he works with nonprofits across the country in fundraising, strategic planning and more. He also serves on boards for Troy University’s Sorrell College of Business Executive Advisory Council, the Georgia Chamber of Commerce, the Leukemia & Lymphoma Society Tennessee, The Giving Institute, the NonProfit PRO Editorial Advisory Board and the US Foundation for Philanthropy Fundraising Board.

In his role as Senior Vice President, Whetsel oversees the talent buying and event production division at G7 Marketing. Prior to his work at G7, Whetsel was the owner of event production and concert promotion company Great Big Shows. He joined MOC’s National Board of Directors in 2019, and has helped with event production and fundraising for the organization’s programs through brand partnerships.

Sullivan is a CPA whose focus is family planning for individuals and helping clients achieve lifestyle goals. She is a trained Volunteer Guide for MOC, helping the organization launch its bedside program in Nashville in 2007, and served on MOC’s Advisory Council for more than a decade. She joined the board in 2021.

58th ACM Awards Sees Significant Year-Over-Year Audience Growth

Ed Sheeran and Luke Combs at the 58th Academy of Country Music Awards from Ford Center at The Star on May 11, 2023 in Frisco, Texas.

The 58th Academy of Country Music Awards achieved more than 87% year-over-year growth in the 2023 show’s audience compared to 2022.

The show also saw record increases in viewership and interactions across its sites and social media platforms, as well as on Harmony, Penske Media’s proprietary live streaming platform.

Stars Ed Sheeran and Luke Combs, Miranda Lambert, Keith Urban and Lainey Wilson also saw triple digit streaming increases following their live performances on the ACM Awards stage, according to the Academy. The show was the No. 1 program across all social media platforms for TV & Streaming on May 11 excluding sports, according to Talkwalker, Social Content Ratings.

This year’s ACM Awards amassed 60.6 million video views across the Academy of Country Music’s official Twitter, Instagram, Facebook and TikTok from May 11 to May 22, marking a record increase of 94% in year-over-year social media views, according to ListenFirst.

The Official ACM Awards Red Carpet Show garnered 3.2 million live and VOD views in the first 24 hours on Harmony. As of June 2, there are currently more than 7.1 million views across all 18 full show performances on ACM Award performers’ YouTube channels since May 12.

Sheeran and Combs performed “Life Goes On” live together for the first time, premiering a new collaboration version of the song on the ACM Awards stage. There was a 281% increase of total on-demand streams for the song on the day following the show and consistent streams through the weekend (+210%), according to data from Luminate.

Urban’s “Texas Time” was released in April 2018, but his performance of the fan-favorite in honor of the ACM Awards’ return to Texas was followed by a 428% increase in total on-demand streams on the day following the show and consistent streams through the weekend post-show (+337%) according to Luminate. Lambert’s “Carousel,” released in April 2022, saw a 209% increase in total on-demand streams on the day following the ACM Awards and consistent streams through the weekend post-show (+142%).

Wilson’s performance of “Grease” was followed by an increase in total on-demand streams on the day following the show (+221%) and saw an average increase of 206% through the weekend post-show. Also, Jelly Roll and Wilson’s performance of the new duet version of “Save Me” landed at No. 4 on Country Digital Song Sales following the show.

Following one of her biggest performances to date, 58th ACM Awards host Dolly Parton’s “World on Fire,” the lead single from the legend’s upcoming rock album Rockstar, landed at No. 1 on the Rock Digital Song Sales chart, as well as No. 3 on the Country Digital Song Sales chart. This marks Parton’s first ever appearance on the Billboard Rock Chart, according to Luminate.