New Collection Of Unearthed Waylon Jennings Tracks, ‘Diamonds,’ Set For Release In November

A new album of previously unheard songs by Waylon Jennings, Diamonds, is set for release on Nov, 13 on LP, CD, cassette and download, with the album available to stream digitally starting Dec. 11 via Son of Jessi/Thirty Tigers.

Today (June 22) Waylon’s son Shooter Jennings shares the title track from the project, “Diamonds,” featuring Glen Campbell. The new song was featured on a special CBS Sunday Morning story Sunday on both Shooter and Waylon, and features a surprise appearance by the late great Campbell, who joins Gordon Payne, Jerry Bridges, Carter Robertson, Barney Robertson, and Rance Wasson, the collective known as the Waylors, in backing Waylon on the track.

“This track eluded me,” says Shooter Jennings. “I kept finding it across three different sessions while I was going through my father‘s work. At first, I was very confused because of the sound of the guitar as to what it was. Suddenly, upon listening to the whole thing, I realized Glen Campbell had stopped by the studio and they recorded this little gem on a late December night in 1978. The remaining members of the Waylors helped put the picture together. It quickly became one of my favorite recordings that my dad ever made and I knew I had to have a whole album centered around it.”

Diamonds is the second in a series of albums featuring unknown recordings by Waylon Jennings that Shooter recently unearthed. He shared the first installment of the newly uncovered songs last year with Songbird, which was met by widespread acclaim.

“In the process of combing through and cataloging all of his recordings, I started to get a grasp on all of the music that had not been heard before, and a story started to emerge in my mind,” explains Shooter. “The way I wanted to reveal all of this music to the world was part of my job. With Songbird I knew it would be an emotional journey, hearing Waylon, in his prime, sing new songs to us was going to hit hard. A set of songs almost immediately presented itself to me as Songbird. But there was a second set forming, anchored by the mysterious song “Diamonds”. It was a higher energy album, a “younger man’s” album, if you will.

“I immediately knew which songs were attaching themselves to the second album, and they all shared stories about the rollercoaster of relationships and unrequited love,” he continues. “Among the many Jessi Colter songs I found in the batch, two stood out as part of what Diamonds was becoming, so I selected them to add to the album to weave the tale a little more colorfully. Again, the Waylors and legendary harp player Mickey Raphael helped me close the book on a few of these songs. We had a blast. Now, I’m done and Diamonds is in your hands. Pour yourself a cup of something, turn down the lights and let’s take a ride together.”

Adrien Nunez Makes Grand Ole Opry Debut

Adrien Nunez. Photo: Grand Ole Opry, photos by Chris Hollo

Adrien Nunez made his Grand Ole Opry debut last Wednesday (June 17).

Nunez performed his Gold-certified hit single, “Low Road,” before premiering his upcoming track “Broken Pieces” for the packed house of country music lovers. After the Brooklyn native left the Opry stage, he was surprised backstage with a plaque for “Low Road.” Among those that gathered in the audience and backstage for the special moments were representatives from Nunez’s label, management, as well family and friends, including Nunez’s proud parents Jenny and Martin.

The appearance continues a breakout year for Nunez that has been highlighted by streaming success, major co-signs, and festival appearances and headline shows. Nunez will release his new single, “Broken Pieces” this Friday (June 26).

Pictured (L-R): Patrick Sabatini (EVP Operations and Business & Legal Affairs, WRN), Torie Mason (EVP Marketing, WRN), Mike Dupree (SVP Creative Director, WRN), Dillon Goldberg (Founder and Artist Manager, The PRNT Company), Adrien Nunez, Cris Lacy (Chair & President, WRN), Rohan Kohli (SVP A&R, WRN) and Brooke Hardesty (SVP Digital Marketing, WRN). Photo: Josh Erb

Lilly Moss Signs With Music City Power Company

Lilly Moss. Photo: Lia Pizarro

Lilly Moss has signed with Music City Power Company, the newly launched artist development and music marketing hub from Preston Brust and Chris Lucas of LOCASH, Shane Harluk and Skip Bishop.

The 21-year old Bethlehem, Pennsylvania native first discovered her deep passion for music as a little girl and started penning her own songs at age 16. Influenced by the sounds of Jason Isbell, Adele, Chris Stapleton, Miranda Lambert, Kassi Ashton and Ella Langley, she began releasing music at 19 and soon gained traction with songs like “Heartbreak Summer,” which landed on Spotify’s All New Country playlist. Moss made an appearance at Barefoot Country Music Fest last week.

She released her debut single “Death of Me” on Friday (June 19). Produced by Moss, Aaron Goodvin, and Eric Torres, the track was penned by Lauren Hungate, Caroline Watkins, Lauren Watkins, Mackenzie Carpenter, Nicole Croteau and Emily Landis.

Moss is the second artist to sign with Music City Power Company, following Six One Five Collective. The company works in conjunction with LOCASH’s own independent label Galaxy Label Group.

Hit Producer & DRUMATIZED Founder Tay Keith Passes

Tay Keith

Grammy-nominated producer and DRUMATIZED Founder Tay Keith passed away today (June 18) at his Nashville home. He was 29.

Known for his hard-hitting trap beats, Keith earned 11 top 10 songs on the Billboard Hot 100 and produced four No. 1 hits, including Travis Scott’s “Sicko Mode” and Drake’s “First Person Shooter.” He also holds the record for the most No. 1 songs on the Hot R&B/Hip-Hop Songs chart this decade, with six. He is a two-time Grammy nominee and three-time BMI Producer of the Year.

Beyond hip-hop, Keith expanded into country music and worked to build opportunities for artists in Nashville. He founded DRUMATIZED, a label and creative space that supported both hip-hop and country musicians. The studio became the second Black-owned recording studio in Nashville and hosted private music camps for artists such as Walker Hayes, Lalo Guzman, Reyna Roberts and David J, among others. He has also worked with Kane Brown, ERNEST and Bailey Zimmerman, among others.

Born Brytavious Lakeith Chambers, Keith was born and raised in south Memphis, Tennessee. Around age 14, Keith started making music and sharing it on YouTube and DatPiff. Using a piano at home, he created original beats and remade popular songs, including Lil Wayne’s “Lollipop.”

After moving to East Memphis, Keith met rapper BlocBoy JB. The two quickly connected and began making music together, starting a partnership that would help shape both of their careers.

In December 2018, Keith graduated from Middle Tennessee State University, celebrated his first No. 1 hit with “Sicko Mode,” and earned his first Grammy nomination. He also remained committed to helping other artists succeed, playing a key role in the careers of Memphis rappers like BlocBoy JB and Black Youngsta. In 2018, he produced BlocBoy JB’s biggest hit, “Look Alive,” featuring Drake, which reached No. 5 on the Billboard Hot 100 and introduced the Memphis rapper to a much larger audience.

In the early 2020s, he helped launch Sexyy Red into the spotlight by producing her breakout hit “Pound Town,” a song that helped turn her from a rising local artist into a major name in hip-hop.

Keith’s signature sound, which included booming drums and powerful bass, made his productions stand out. His work on songs like Eminem’s “Not Alike” and Lil Baby and Gunna’s “Never Recover” gave artists the energy and impact they were looking for while helping bring Memphis’ influence back to mainstream rap.

Additional credits also include BlocBoy JB’s “Rover” (later remixed to “Rover 2.0” featuring 21 Savage), and “Shoot,” Drake’s “Nonstop,” Beyoncé’s “Before I Let Go,” Aitch’s “Rain,” featuring AJ Tracey and many more.

“He wasn’t impressed by his success, and if he had an ego, he never showed it,” says Beverly Keel, Dean of the MTSU Scott Borchetta College of Media and Entertainment. “He was confident in his work, but there was no arrogance. (I once asked him if he was nervous sending a song to Beyonce, and he simply said no.) He was focused on building an empire, supporting and building others’ careers along the way. He hired several MTSU students as interns.”

Funeral services have not been announced.

MusicRow Weekly (Artist Roster, News, Charts, More…)

This week’s edition of The MusicRow Weekly is led by the release of MusicRow’s 2026 Artist Roster print issue, an essential resource and annual snapshot of Nashville’s music industry landscape. Gracing the cover is ASCAP songwriter and American Dogwood/EMPIRE artist Shaboozey, whose breakout success continues to make waves across genres and audiences. Click here to see the full edition.

Beyond the cover story, this year’s Artist Roster issue offers an in-depth look at the continued evolution of Nashville’s label groups and a behind-the-scenes exploration of the city’s newest venue, The Truth. Industry leaders also lend their expertise throughout the publication, with TK Kimbrell sharing insights on estate management and Dwight Wiles discussing financial stability within the music business. A special roundtable on modern artist management brings together Morris Higham’s Will Hitchcock, Neon Coast’s Nikki Boon, Range Media Partners’ Jared Cotter and Shopkeeper Management’s Crystal Dishmon for a timely conversation on navigating today’s rapidly changing artist landscape.

As always, the issue serves as a vital industry resource through its extensive company directory, featuring client rosters across labels, management firms, talent agencies, publicity companies and artist service providers. The publication also highlights important industry organizations and charities, while the popular Artist Grid returns as a quick-reference guide connecting artists with their core label, management, agency and publicity teams.

The week also brought notable executive and management moves across the industry. Shane Tarleton has joined LEO33 as Co-Head alongside Katie Dean, while rising country star Tucker Wetmore has signed with Sandbox Entertainment for management. Ryan Hurd has entered a new chapter by signing with Combustion Masters, the label arm of Combustion Music, and David Nail has assembled a new team, signing with 117 Entertainment for management and public relations, New Frontier Touring for worldwide touring representation and Carnival Music for publishing.

Several artists and songwriters announced new partnerships this week. Angel White has signed with American Dogwood, Waylon Payne has joined Big Loud Texas, Max Alan has signed with Sony Music Nashville, Highway Home has inked a deal with Warner Records, and Eli Winders has signed with Big Loud Publishing. Songwriter Kyle Schuesler has entered a new publishing agreement with Liz Rose Music, while Sam Banks has signed with Universal Music Publishing Nashville.

Recognition for excellence in songwriting was also front and center as Riley Green was named the 2026 NSAI Songwriter-Artist of the Year and Blake Pendergass earned Songwriter of the Year honors ahead of the 9th annual Nashville Songwriter Awards.

The Country Music Hall of Fame and Museum has announced “Kenny Chesney: Living in Fast Forward,” presented by Blue Chair Bay Rum. The exhibit will open July 23, 2026, and run through June 2027, offering visitors an immersive look at Chesney’s life, career and enduring impact on country music.

Elsewhere, Triple Tigers Records and its radio promotion division AKANDO Music celebrated internal promotions, elevating Mackenzie Cooper to Manager of Radio Promotions and Hope Garrison to Associate Director of Marketing. Entersong Entertainment also unveiled a new strategic partnership with The Heartland Network that will focus on developing and producing original music-centered programming, with filming slated to begin later this year.

Finally, one of the week’s most memorable milestones belonged to Jason Scott & The High Heat, who made their Grand Ole Opry debut on June 11.

In addition, the latest MusicRow CountryBreakout Radio Chart is included. Morgan Wallen remains in the No. 1 spot with “Don’t We.” Explore more chart data here.

The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.

Morgan Wallen Notches Third Consecutive Week Atop MusicRow Radio Chart

Morgan Wallen; Photo: Spidey Smith

Morgan Wallen remains No.1 on the MusicRow CountryBreakout Radio Chart for a third consecutive week with his hit “Don’t We.”

The track comes from his fourth studio album I’m The Problem and was written by Wallen, Rocky Block, John Byron, Ashley Gorley, Blake Pendergrass and Charlie Handsome.

Wallen is currently on the road as a part of his “Still The Problem Tour” with upcoming shows alongside Ella Langley, Brooks & Dunn, Thomas Rhett, HARDY and more.

“Don’t We” currently sits at No. 5 on the Billboard Country Airplay chart and No. 4 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

LOCASH Talks Two Decades Of Betting On Themselves [Interview]

LOCASH. Photo: Josh Beech

More than 20 years after first meeting in Nashville, Chris Lucas and Preston Brust have entered a new chapter of their careers.

The duo behind LOCASH recently expanded their independent venture with Music City Power Company, an artist development and marketing company that operates alongside Galaxy Label Group, the label they launched in 2024. A new partnership with Intercept will help power the next phase of that growth. The move comes after one of the most successful stretches of the duo’s career, including the multi-week No. 1 hit “Hometown Home.” Getting to this point, however, took time.

Long before the chart success, Lucas and Brust met while working at Nashville’s Wildhorse Saloon, where they were both aspiring musicians trying to figure out what came next. Wildhorse offered more than a paycheck. Record labels regularly brought new music into the club to gauge audience reactions, giving the duo an early look at how the industry operated. Outside of work, they began writing songs and

Photo: bigred

discovering how their different influences could fit together. Brust grew up on gospel music.

Lucas leaned toward rock. Both shared a love for harmony-heavy R&B groups from the 1990s. Before long, they were playing regular shows at Tootsie’s Orchid Lounge. The crowds started small, but slowly grew. Wednesday nights turned into Fridays and eventually Saturdays.

One night, booking agent Gary Curtis walked into the venue during a snowstorm. The chance encounter would change the course of their career. “He takes one step in, dusts the snow off, looks at us, looks at the crowd and immediately says, ‘Call me,’ hands us his business card and leaves,” the duo tells MusicRow. A few days later, Curtis invited the duo to his office and pitched a plan. If they were willing to take the show on the road, he would help get them booked across the country. The strategy was simple. Curtis offered venues a money-back guarantee and told LOCASH to hook a U-Haul to a Jeep Cherokee and start driving.

The gamble paid off. What started as bar gigs soon turned into a relentless touring schedule that took the duo across the country and helped build the grassroots following that would carry them through the years ahead. The momentum eventually led to a record deal with DreamWorks in 2003. For a moment, it looked like everything they had been working toward was finally happening. Then the label was sold before the duo had even recorded an album.

“We thought, we’ll just go get another record deal. It won’t be a big deal. It was harder the second time around.”

Rather than walk away, they went back to building. They continued touring, growing their audience and looking for another opening. Over the years, opportunities came and went. Through it all, Lucas and Brust kept writing songs, playing shows and looking for ways to stay in the game.

LOCASH.

As the years went on, the duo continued to gain momentum. After signing a new deal, their single “Keep in Mind” was climbing at country radio, and the duo had committed to dozens of appearances across the country to support it. Then, just as things seemed to be moving in the right direction, the label shut down. They were offered a chance to cancel the radio appearances they had already booked, but they decided to honor every commitment.

“When you look back on it, that was one of those turning points,” they share. “We could have taken the easy way out, but I think that is why we have such a good relationship with country radio now. It’s because of those moments when we all just honored each other and said ‘A handshake is a handshake. We’re doing this.’”

After eventually signing to a new label deal, the duo wrote “I Love This Life,” a song they immediately believed in and one that would ultimately become their breakout hit. Not everyone shared their enthusiasm. Rather than abandon the song, Lucas and Brust decided to bet on themselves. They left the deal with “I Love This Life” and took it directly to the radio programmers and industry relationships they had spent years cultivating. That track climbed the charts and, as the duo puts it, “LOCASH was officially on the map.”

LOCASH.

What followed was the most successful stretch of their career. Over the next decade, they would earn multiple No. 1 hits, tour internationally and watched a dream they had spent years chasing finally become reality. Along the way, they also gained a deeper understanding of the business itself.

Early in their career, radio executive Bill Catino offered a piece of advice that stuck with them: “No one is gonna care about your career more than you.” The lesson stayed with them through every stage of their success. As Lucas and Brust became more involved in everything from promotion and marketing to artist development and long-term strategy, they began to see opportunities beyond simply recording and touring.

By 2024, that mindset led to one of the biggest decisions of their career. Lucas and Brust launched Galaxy Label Group alongside industry veterans Skip Bishop and Butch Waugh, with LOCASH serving as the label’s flagship artist. The move represented something larger than simply starting a record label. After spending more than two decades learning the music business from every angle, they finally had the opportunity to build something of their own, and the gamble paid off. “Hometown Home,” the first song released on the label, became LOCASH’s first multi-week No. 1 hit.

LOCASH & Skip Bishop.

As the duo continued expanding the label’s team, they leaned on the relationships they had spent decades cultivating. “It felt so different being on our own because we knew all these years of experience and all these 20 years of ups and downs and in-betweens, meeting people,” Brust says. “You take it back and rewind to those 50 or 60 radio shows that we honored 15 years ago and things like that, and it all comes to this moment.” Former colleagues, radio veterans, marketers and industry executives have all become part of the growing operation, including Kerry Wolfe, Cheryl Broz, Mitch Mills, Mara Sidweber and others. Together, they’ve helped transform Galaxy from a label built around LOCASH into a growing company focused on artist development, promotion and long-term career building.

That growth eventually expanded into Music City Power Company, a venture launched alongside Bishop and Canadian music entrepreneur Shane Harluk. Designed as a natural extension of Galaxy, the company brings together artists, songwriters and industry professionals to offer everything from artist development and creative strategy to marketing and promotion.

Photo: bigred

The latest piece of that puzzle came through a new partnership with Intercept. After evaluating a number of distribution options, Lucas and Brust said they were drawn to the company’s global reach, but also to the opportunity to help establish a stronger presence in Nashville. Rather than viewing the arrangement as a traditional distribution deal, they describe it as a collaborative partnership that aligns with the long-term vision for both Galaxy and Music City Power Company. “We’ve got a real partnership, not just a distro deal, but something we’re all invested in,” the duo says.

With new music coming and a busy tour schedule through the rest of year, Lucas and Brust are still building. When asked what they would tell the two young artists who moved to Music City, the answer was simple. With a laugh, they shared, “Stay the course, keep the wheels rolling, and the Beach Boys are going to call.”

Little Big Town To Headline The Carousel Ball In Denver

Little Big Town. Photo: Courtesy of Becky Fluke

Little Big Town will perform at the 40-year anniversary of The Carousel Ball on Oct. 3 at the Sheraton Denver Downtown Hotel.

“We are honored to welcome Little Big Town to this year’s Carousel Ball,” says Dana Davis, Event Chairman, and Barbara Davis, Honorary Chairman. “For nearly five decades, the Carousel Ball has brought together an incredible community united by one goal – to improve the lives of people living with type 1 diabetes and help accelerate research toward better treatments, prevention, and ultimately a cure. We are deeply grateful to Little Big Town for joining us in support of this special evening.”

The Carousel Ball celebrates the work of the Barbara Davis Center for Diabetes, and proceeds benefit research programs for type 1 diabetes. Past performers have included Usher, Lenny Kravitz, Reba McEntire, Lionel Richie and more, with the Goo Goo Dolls performing at last year’s event.

Little Big Town’s upcoming 12th studio album, It’s A Dying Art, arrives Aug. 28 via MCA. Co-produced by LBT’s Karen Fairchild and Gena Johnson, the project includes collaborations with Ashley Monroe, Jason Isbell and Kelsea Ballerini.

Opry Entertainment Group To Host July 4th Celebrations Across Nashville

Photo: Courtesy of Opry Entertainment Group

Opry Entertainment Group will celebrate America’s 250th birthday by hosting multiple Fourth of July celebrations across Nashville at Category 10, the Grand Ole Opry, Ole Red and the Ryman Auditorium.

Locals and visitors alike are invited to enjoy a full week of festivities from June 29-July 5, including rooftop firework views, live music and iconic tours and performances.

Category 10 will host Luke Combs’ Big USA Party on July 4 with live music, line dancing and signature eats and cocktails. Guests can take in views of Nashville’s downtown fireworks display from The Eye, Category 10’s riverfront rooftop. The venue will offer both general admission tickets or VIP table packages. This event is for guests aged 21 and older and tickets are available here.

Guests can also enjoy panoramic views of the Fourth of July firework show on Ole Red’s The Lookout rooftop. General admission tickets include rooftop access and live music, with food and beverages available for purchase. This event is for guests aged 21 and older and tickets can be purchased here.

The Grand Ole Opry will commemorate America’s 250th birthday with two special nights of country music featuring Opry members and guest artists including Suzy Bogguss, Gary Mule Deer, Ashby Frank, Wendy Moten, Charlie Worsham, Darin & Brooke Aldridge, Dean Miller and Frank Ray, with additional artists to be announced. Tickets are available here.

To celebrate America’s birthday, Ryman Auditorium will offer $25 self-guided tour tickets during the holiday week from June 29-July 5. Visitors can experience several exhibits, including “Opry 100 at the Ryman,” and “Unexpected Company.” Tour tickets are available online or at the Ryman box office.

DISClaimer Single Reviews: Brothers Osborne ‘Rock Out’ On Tom Petty Cover

Brothers Osborne

This week’s country-music stew is about groups and collaborations.

One of those groups, Brothers Osborne, nails down a Disc of the Day prize. Matt Stell & Ne Yo, LoCash & Parmalee, Brad Paisley & Miranda Lambert, Ryan Bingham & The Texas Gentlemen and Elizabeth Cook & Evan Felker (of the Turnpike Troubadours) are also vying for your ear attention today.

Hand a DISCovery Award to Julianna Rankin.

ELIZABETH COOK & EVAN FELKER / “Razorwire Wall
Writer: Elizabeth Cook; Producer: Shooter Jennings; Label: Agent Love Records
– Snarling, Dixie-fried country rock, complete with super-twang guitar grinding. Whiplash energy and down-home outlaw charm. Cook plays at The Hermitage on June 26 in an Americana-artists’ salute to the music of Steve Earle.

WARREN ZEIDERS / “Days of My Life
Writers: Ashley Gorley/Ben Johnson/Jon Robert Hall/Warren Zeiders; Producer: Ben Johnson; Label: Warner Records
– Swirling, giddy romance with a frothy, churning rhythm track. An ultra-hooky song.

RYAN BINGHAM & THE TEXAS GENTLEMEN / “Let the Big Dog Eat
Writer: Ryan Bingham; Producers: Grant Jackson Wilborn, Ryan Bingham; Label: The Bingham Recording Co.
– Loads of rocking energy. The song is just barely there.

BRAD PAISLEY & MIRANDA LAMBERT / “Someone Else’s Arms
Writers: Brad Paisley/Chris DuBois; Producer: Brad Paisley, Luke Wooten; Label: BP
– Both stars excel on this instant-classic honky-tonk cheatin’ song. The twist is that the cheaters can’t bear the thought of being cheated on themselves.

DAVID NAIL / “Riverbank
Writers: Anderson East/David Nail/Lori McKenna; Producer: none listed; Label: DN
– Soothing, sensuous and soft, this ballad of enduring love lingers long after the final notes echo away. Nail has always been an exquisite country voice. Co-writer McKenna provides gentle harmony on the poetic choruses.

LOCASH & PARMALEE / “Let the Country Music Play
Writers: Brinley Addington/Matt Thomas/Rupert Holmes/Tommy Cecil; Producers: Jacob Rice, Tommy Cecil; Label: Galaxy Label Group
– Bopping and joyous. The song’s hook salutes ‘90s country by replacing the original lyrics of the 1979 pop smash “Escape (The Pina Colada Song)” with the names of country stars and songs. A must listen.

JACKSON DEAN / “My Cross to Bear
Writer: Julian Raymond; Producer: Julian Raymond; Label: Blue Highway Records
– This is the theme song of a new documentary film about Rock Hall of Famer Gregg Allman. Dean’s vocal on the ballad is appropriately wailing, soulful and bluesy. The string arrangement is gorgeous, as is the entire production. Greg Allman: The Music of My Soul was released to theaters this week. Dean’s current single remains the dynamic “Make a Liar,” whose video also dropped this week.

BROTHERS OSBORNE / “Runnin’ Down a Dream
Writers: Jeff Lynne/Mike Campbell/Tom Petty; Producer: none listed; Label: Big Machine
– The brothers rock out on their cover of this Tom Petty classic. Robust, roaring, ripping and rambunctious. Toss out your energy drink and play this instead.

RAELYNN / “Come On Cowboy (Giddy Up)
Writers: Geoff Warburton/Racheal Lynn Davis/Zach Abend; Producer: Zach Abend; Label: Red Van Records
– Get out on the dance floor and stomp those boots. This flirty, fun tempo tune features her saucy vocal over a monster-propulsive percussion track that screams summer party.

CHARLIE WORSHAM / “Powers That Be
Writers: Charlie Worsham/James McNair/Jaren Johnston; Producers: Charlie Worsham, Jaren Johnston; Label: CW
– This brilliant, guitar-slinging troubadour is one of Nashville’s greatest hidden treasures. His new single is a poly-rhythmic delight with a personable vocal and some stinging, six-string work. Stay tuned for a star-studded new album in August.

JULIANNA RANKIN / “XYZ71s
Writers: Chase McGill/John Pierce/Jon Decious/Micah Wilshire; Producers: Jon Randall, Miranda Lambert; Label: Big Loud Texas
– Don’t let the drawling, laid-back vibe fool you: She’s a habitual heartbreaker on a Chevy-truck roll. Highly promising. And dig those celebrity producers.

MATT STELL & NE-YO / “Better Angels
Writers: Brett Aaron Truitt/Erik Dylan/Matt Stell/Shaffer Smith; Producer: Anthony Olympia; Label: Black River Entertainment
– These guys both sing up a storm on this r&b heartbreak tune. Stell’s robust baritone contrasts nicely with Ne-Yo’s falsetto.

BILLY RAY CYRUS / “You’re Not Here
Writer: Billy Ray Cyrus/Braison Cyrus; Producer: Braison Cyrus; Label: Billion Streams Entertainment
– Billy Ray is the cover boy of this week’s People magazine. The article within describes the life-threatening health condition that took his voice. He now sings in a dramatically lowered range, somewhere between spoken-word and melodic. The dark, foreboding song features sighing steel over a deep-blue ambiance that mourns a dearly departed one. Haunting and poetic. It is drawn from his new album, The Hill, which dropped this week.