
Billy Edd Wheeler. Photo: Courtesy of the Country Music Hall of Fame and Museum
Known for such hits as “Jackson,” “The Reverend Mr. Black” and “Coward of the County,” Nashville Songwriters Hall of Fame member Billy Edd Wheeler died in North Carolina on Monday (Sept. 16) at age 91.
In addition to being an award-winning songwriter, Wheeler was a playwright, an author, a painter and a poet. He was also a former Music Row publishing executive.
Billy Edd Wheeler was born in 1932 in the coal-mining country of West Virginia. He began playing guitar and writing songs at age 12. He left home at age 16 to work his way through high school in North Carolina. In 1955, he earned his university degree at Berea, Kentucky, then served in the U.S. Navy. Following his discharge, Wheeler worked in administration at Berea College.
In 1958, teen idol Pat Boone recorded his song “Rockin’ Boll Weevil,” his firs taste of songwriting success. Wheeler also launched his recording career while at Berea. He made two folk-music albums for the small Monitor label. The second, 1962’s Billy Earl and Bluegrass Too, featured legendary Coon Creek Girls members Lily May Pennington and Rosie Foley in trio performances with him billed as The Berea Three.
He enrolled in the Yale School of Drama’s playwright program, then moved from New Haven to Manhattan to pursue his music career. In 1963, the superstar folk group The Kingston Trio made Wheeler’s song “The Reverend Mr. Black” a top 10 pop hit. Later that year, the act scored again with the songwriter’s “Desert Pete” and introduced his miner’s classic “Coal Tattoo.” The latter song has been recorded by a dozen others, including Judy Collins, Jim Croce and Kathy Mattea.
Similarly, folk singer Judy Henske’s introduction of Wheeler’s “High Flying Bird” in 1963 led to the song’s embrace by Richie Havens, The New Christy Minstrels, We Five, Jefferson Airplane, Neil Young and more. Also in 1963, Hank Snow recorded “Blue Roses,” introducing Billy Edd Wheeler’s songwriting to the country music community.
Kapp Records signed him in 1964, and the following year, he delivered “Ode to the Little Brown Shack Out Back” as a top 10 country smash. This became his biggest success as a performer. He had an even bigger hit as a songwriter when Johnny Cash & June Carter released his “Jackson” as a duet in 1967. Nancy Sinatra & Lee Hazelwood recorded it for the pop market and also scored with it. “Jackson” was recorded by Joaquin Phoenix and Reese Witherspoon for the Oscar-winning 2005 movie Walk the Line.
Billy Edd Wheeler moved to Nashville in 1968 to become the manager of United Artists Music. But he returned to North Carolina two years later to make a home and raise a family in Swannanoa.
He published poetry books in 1969 and 1977. Billy Edd Wheeler also continued to work in theater. As a playwright, he was behind more than a dozen musical and dramatic productions. In 1970, The Hatfields and McCoys premiered as an outdoor drama written by him. It has been running continuously in West Virginia ever since. Wheeler’s Young Abe Lincoln outdoor drama premiered in Indiana in 1987, and his Johnny Appleseed premiered in Ohio in 2004. Both are also still running. The National Geographic Society commissioned his folk opera Song of the Cumberland Gap.
Country stars Johnny Darrell (“I Ain’t Buyin’”) and Hank Williams Jr. (“A Baby Again”) succeeded with his tunes in 1968-69. Then Cash returned to his catalog to score a big top 10 hit with 1969’s “Blistered.” Anita Carter & Johnny Darrell memorably dueted on his “The Coming of the Roads” in 1969, and the mountain song has also been sung by Kathy Mattea, Mary Hopkin, Judy Collins and Peter, Paul & Mary, among others
Songwriting success continued in the 1970s. Wheeler’s “Baby’s Smile, Woman’s Kiss” (1972), “It’s Midnight” (1975) and “Gimme Back My Blues” (1978) were winners for Johnny Duncan, Elvis Presley and Jerry Reed, respectively. In 1979, “Coward of the County” became a chart-topping smash for Kenny Rogers on both country and pop hit parades. It inspired a successful TV movie starring Rogers in 1981.
Meanwhile, Kapp, United Artists, RCA and other labels continued to release charting singles by Wheeler throughout the 1970s. He issued 15 albums between 1961 and 2006.
“Coward of the County” was co-written with Roger Bowling, who became a steady songwriting collaborator. Beginning in 1980, Bowling issued a string of charting singles containing their co-written songs. Also in 1980, Roy Clark had a hit with the team’s “Chain Gang of Love.”
Another regular songwriting collaborator was Country Music Hall of Fame member Chet Atkins. Wheeler commemorated their friendship with his 1995 album Songs I Wrote with Chet. Over the years, Wheeler’s songs have been recognized with 13 ASCAP awards in Music City.
Beginning with Laughter in Appalachia in 1986, Billy Edd Wheeler published six books of country humor. Star of Appalachia was published as his debut novel in 2004. He issued his memoir Hotter Than a Pepper Sprout in 2018, which contained an appreciation written by his longtime friend Janis Ian. Wheeler also published three songbooks. In addition, Billy Edd Wheeler became an accomplished painter, sculptor and wood worker.
More than 150 artists have recorded his songs. Country’s Conway Twitty & Loretta Lynn, Mel Tillis, John Denver, George Strait, Carl Perkins, Hazel Dickens, Glen Campbell, Merle Haggard, Faron Young, George Hamilton IV, Del Reeves, Rex Allen, Jean Shepard, Flatt & Scruggs, Ed Bruce, Bill Anderson, Wanda Jackson, Narvel Felts, Vernon Oxford, Charlie McCoy, Stella Parton and Jerry Lee Lewis are among the many stars who have sung the works of Billy Edd Wheeler. In the pop world, he had cuts by Bobby Darin, The Association, Florence & The Machine, Jose Feliciano, The Chipmunks, Jay & The Americans, Gram Parsons, R.E.M., Lone Justice, Stephen Stills, B.W. Stevenson, The Human League, Lonnie Donegan, Carly Simon, O.C. Smith and more. His songs have sold an estimated 57 million records.
Wheeler was inducted into the Nashville Songwriters Hall of Fame in 2001, the West Virginia Music Hall of Fame in 2007 and the North Carolina Music Hall of Fame in 2011.
“The world has lost a treasure, a character, and a wonderful example of a life lived with beautiful authenticity,” eulogized Kathy Mattea yesterday. “I feel lucky to have known him.”
Billy Edd Wheeler passed away peacefully at his home. He is survived by his wife of 61 years, Mary Bannerman Wheeler, by daughter Lucy Wheeler, son Travis Wheeler and brother Robert Stewart.
Dustin Lynch Drives Into Top Spot With 10th No. 1 ‘Chevrolet (Feat. Jelly Roll)’
/by Lorie HollabaughPhoto: Courtesy of Homestead Music
The tune topped the Billboard Country Airplay chart and the Country Aircheck/Mediabase chart this week in the U.S. in addition to reaching No. 1 at Canadian Country Radio and No. 1 on Australia’s Countrytown Hot 50 Country Airplay chart, powered by Radio Monitor, at the end of July. It has also collected over 110 million on-demand streams to date.
Written by Chase McGill, Jessi Alexander, Hunter Phelps and Mentor Williams, “Chevrolet (feat. Jelly Roll)” seeks to celebrate the forever-young kind of freedom that comes from turning on an ignition and aims to summon a picture, a mood and a memory with the familiar throwback melody of the 1973 Dobie Gray hit “Drift Away.”
“Reaching my 10th No. 1 is a milestone we are so proud of and grateful for. I feel extra blessed to be able to share this one with my buddy Jelly,” shares Lynch. “This is a true testament to the overwhelming support from my fans who have become family over the past 12 years. Also, to my Broken Bow Records fam and country radio friends, alongside my team, band, crew and collaborators—I couldn’t have done any of this without y’all. You are the best of the best. Here’s to the next 10!”
Additionally, Lynch is prepping for his first headlining show at Red Rocks Amphitheatre on Nov. 6 in Morrison, Colorado.
Erin Kinsey Slates New EP ‘Gettin’ Away With It’ For October
/by Lorie HollabaughErin Kinsey is gearing up for the release of her new EP Gettin’ Away With It, due out Oct. 11 via RECORDS Nashville. The title track from the project, co-written by Kinsey with Lauren McLamb and Brandon Hood and produced by Josh Kerr, is out now.
“‘Gettin’ Away With It’ is a song I wrote about my younger sister, who I think is the coolest person on the planet. Every girl wants to be her best friend and every boy wants to date her. And if I didn’t love her so much, it would be so hard to like her,” Kinsey jokes. “I think Gettin’ Away With It is a cool title for the project because it is symbolic of my relationship to my music. I feel like I am able to say what I want to say, wear what I want to wear and most importantly be myself. I feel like I am ‘getting away with it’ and the process should be harder, but people are relating to the songs and I think it is because they are coming from a genuine place.”
“Gettin’ Away With It” follows viral hits “I Ain’t Crazy” and “Matchmaker,” which also appear on the new EP. The three songs were all co-written by Kinsey, and share a more personal side of the 23-year-old, who has some life under her belt since her last EP and is ready to spill on her experiences. Since its release in April, “I Ain’t Crazy” has amassed over 55 million streams across streaming and socials with no radio airplay.
Gettin’ Away With It Track List:
1. “Matchmaker” – Smith Ahnquist/Dylan Guthro/Erin Kinsey
2. “I Ain’t Crazy” – Travis Wood/Casey Brown/Erin Kinsey
3. “Best of My 20’s” feat. Trousdale – Sarah Buxton/Josh Kerr/Erin Kinsey
4. “Tabs on Me” – Casey Brown/Travis Wood/Erin Kinsey
5. “Gettin’ Away with It” – Lauren McLamb/Brandon Hood/Erin Kinsey
6. “Wild” – Sarah Buxton/Josh Kerr/Erin Kinsey
7. “Trouble” – Laura Veltz/Joybeth Taylor/Sam Ellis
8. “No Fences” – Clara Park/94Skrt/Erin Kinsey
Soundstripe Taps Angela Abbott As Global Head Of Music Partnerships
/by Liza AndersonAngela Abbott. Photo: Jessica Amerson Photography
Music licensing company Soundstripe has added Angela Abbott as Global Head of Music Partnerships.
Abbot brings more than a decade of experience in business development and strategic partnerships from her tenure at music platforms like TIDAL and Pandora, where she secured licensing agreements with Universal Music Group, Warner Music Group, Sony Music and other top labels, valued at over $200 million. As Soundstripe’s Global Head of Music Partnerships, she will spearhead strategic relationships with key industry stakeholders, while expanding music offerings in hopes of better serving the needs of content creators, enterprises and music rights holders. Additionally, Abbott is involved with the Recording Academy and serves as Global Co-Chair of Partnerships & Development for Women in Music.
“We founded Soundstripe to address a critical gap in the music licensing space for content creators, but our vision extends far beyond that. With Angela’s proven track record and expertise in negotiating complex licensing deals with the world’s leading music companies, we are excited to accelerate our trajectory and provide top-tier music solutions for both creators and global brands,” says Travis Terrell, Soundstripe Co-Founder & CEO.
“I’m thrilled to join Soundstripe at such an exciting time in its journey,” shares Abbott. “My goal is to forge innovative partnerships that deliver value across the entire music ecosystem, from creators to major brands, while expanding the availability of high-quality music for licensing. Together, we aim to reshape the sync licensing market and unlock new revenue streams for artists, songwriters and rights holders.”
Multi-Talented Songwriter Billy Edd Wheeler Dies At 91
/by Robert K OermannBilly Edd Wheeler. Photo: Courtesy of the Country Music Hall of Fame and Museum
Known for such hits as “Jackson,” “The Reverend Mr. Black” and “Coward of the County,” Nashville Songwriters Hall of Fame member Billy Edd Wheeler died in North Carolina on Monday (Sept. 16) at age 91.
In addition to being an award-winning songwriter, Wheeler was a playwright, an author, a painter and a poet. He was also a former Music Row publishing executive.
Billy Edd Wheeler was born in 1932 in the coal-mining country of West Virginia. He began playing guitar and writing songs at age 12. He left home at age 16 to work his way through high school in North Carolina. In 1955, he earned his university degree at Berea, Kentucky, then served in the U.S. Navy. Following his discharge, Wheeler worked in administration at Berea College.
In 1958, teen idol Pat Boone recorded his song “Rockin’ Boll Weevil,” his firs taste of songwriting success. Wheeler also launched his recording career while at Berea. He made two folk-music albums for the small Monitor label. The second, 1962’s Billy Earl and Bluegrass Too, featured legendary Coon Creek Girls members Lily May Pennington and Rosie Foley in trio performances with him billed as The Berea Three.
He enrolled in the Yale School of Drama’s playwright program, then moved from New Haven to Manhattan to pursue his music career. In 1963, the superstar folk group The Kingston Trio made Wheeler’s song “The Reverend Mr. Black” a top 10 pop hit. Later that year, the act scored again with the songwriter’s “Desert Pete” and introduced his miner’s classic “Coal Tattoo.” The latter song has been recorded by a dozen others, including Judy Collins, Jim Croce and Kathy Mattea.
Similarly, folk singer Judy Henske’s introduction of Wheeler’s “High Flying Bird” in 1963 led to the song’s embrace by Richie Havens, The New Christy Minstrels, We Five, Jefferson Airplane, Neil Young and more. Also in 1963, Hank Snow recorded “Blue Roses,” introducing Billy Edd Wheeler’s songwriting to the country music community.
Kapp Records signed him in 1964, and the following year, he delivered “Ode to the Little Brown Shack Out Back” as a top 10 country smash. This became his biggest success as a performer. He had an even bigger hit as a songwriter when Johnny Cash & June Carter released his “Jackson” as a duet in 1967. Nancy Sinatra & Lee Hazelwood recorded it for the pop market and also scored with it. “Jackson” was recorded by Joaquin Phoenix and Reese Witherspoon for the Oscar-winning 2005 movie Walk the Line.
Billy Edd Wheeler moved to Nashville in 1968 to become the manager of United Artists Music. But he returned to North Carolina two years later to make a home and raise a family in Swannanoa.
He published poetry books in 1969 and 1977. Billy Edd Wheeler also continued to work in theater. As a playwright, he was behind more than a dozen musical and dramatic productions. In 1970, The Hatfields and McCoys premiered as an outdoor drama written by him. It has been running continuously in West Virginia ever since. Wheeler’s Young Abe Lincoln outdoor drama premiered in Indiana in 1987, and his Johnny Appleseed premiered in Ohio in 2004. Both are also still running. The National Geographic Society commissioned his folk opera Song of the Cumberland Gap.
Country stars Johnny Darrell (“I Ain’t Buyin’”) and Hank Williams Jr. (“A Baby Again”) succeeded with his tunes in 1968-69. Then Cash returned to his catalog to score a big top 10 hit with 1969’s “Blistered.” Anita Carter & Johnny Darrell memorably dueted on his “The Coming of the Roads” in 1969, and the mountain song has also been sung by Kathy Mattea, Mary Hopkin, Judy Collins and Peter, Paul & Mary, among others
Songwriting success continued in the 1970s. Wheeler’s “Baby’s Smile, Woman’s Kiss” (1972), “It’s Midnight” (1975) and “Gimme Back My Blues” (1978) were winners for Johnny Duncan, Elvis Presley and Jerry Reed, respectively. In 1979, “Coward of the County” became a chart-topping smash for Kenny Rogers on both country and pop hit parades. It inspired a successful TV movie starring Rogers in 1981.
Meanwhile, Kapp, United Artists, RCA and other labels continued to release charting singles by Wheeler throughout the 1970s. He issued 15 albums between 1961 and 2006.
“Coward of the County” was co-written with Roger Bowling, who became a steady songwriting collaborator. Beginning in 1980, Bowling issued a string of charting singles containing their co-written songs. Also in 1980, Roy Clark had a hit with the team’s “Chain Gang of Love.”
Another regular songwriting collaborator was Country Music Hall of Fame member Chet Atkins. Wheeler commemorated their friendship with his 1995 album Songs I Wrote with Chet. Over the years, Wheeler’s songs have been recognized with 13 ASCAP awards in Music City.
Beginning with Laughter in Appalachia in 1986, Billy Edd Wheeler published six books of country humor. Star of Appalachia was published as his debut novel in 2004. He issued his memoir Hotter Than a Pepper Sprout in 2018, which contained an appreciation written by his longtime friend Janis Ian. Wheeler also published three songbooks. In addition, Billy Edd Wheeler became an accomplished painter, sculptor and wood worker.
More than 150 artists have recorded his songs. Country’s Conway Twitty & Loretta Lynn, Mel Tillis, John Denver, George Strait, Carl Perkins, Hazel Dickens, Glen Campbell, Merle Haggard, Faron Young, George Hamilton IV, Del Reeves, Rex Allen, Jean Shepard, Flatt & Scruggs, Ed Bruce, Bill Anderson, Wanda Jackson, Narvel Felts, Vernon Oxford, Charlie McCoy, Stella Parton and Jerry Lee Lewis are among the many stars who have sung the works of Billy Edd Wheeler. In the pop world, he had cuts by Bobby Darin, The Association, Florence & The Machine, Jose Feliciano, The Chipmunks, Jay & The Americans, Gram Parsons, R.E.M., Lone Justice, Stephen Stills, B.W. Stevenson, The Human League, Lonnie Donegan, Carly Simon, O.C. Smith and more. His songs have sold an estimated 57 million records.
Wheeler was inducted into the Nashville Songwriters Hall of Fame in 2001, the West Virginia Music Hall of Fame in 2007 and the North Carolina Music Hall of Fame in 2011.
“The world has lost a treasure, a character, and a wonderful example of a life lived with beautiful authenticity,” eulogized Kathy Mattea yesterday. “I feel lucky to have known him.”
Billy Edd Wheeler passed away peacefully at his home. He is survived by his wife of 61 years, Mary Bannerman Wheeler, by daughter Lucy Wheeler, son Travis Wheeler and brother Robert Stewart.
BMI Honors John Oates With 2024 Troubadour Award
/by LB CantrellPictured (L-R): Clay Bradley, BMI’s Mason Hunter, Troubadour John Oates, BMI’s Mike Steinberg and BMI’s Mike O’ Neill. Photo: Erika Goldring/BMI
BMI awarded John Oates with its coveted Troubadour Award last night (Sept. 16) during a private dinner reception at BMI’s Nashville location. Designed to recognize songwriters on the mastery of the American musical landscape, Oates’ legacy was celebrated by a bevy of performers and speakers.
Guthrie Trapp, Sam Bush and Tom Bukavoc jam at the 2024 BMI Troubadour Awards. Photo: Erika Goldring for BMI
BMI’s President and CEO, Mike O’ Neill, alongside BMI Nashville’s VP of Creative, Clay Bradley, presided over the evening.
“A Troubadour is someone who mixes knowledge with memories and puts that into songs to help us better understand the connections we all share,” Bradley said. “John Oates is the epitome of that. For the past 15 years, he has deepened the Americana community with his timeless albums like Arkansas and Reunion and he continues to raise the bar with music that transcends time.”
Oates’ musical footprint was highlighted throughout the evening with performances by Bekka Bramlett (“Stand Strong”), Sam Bush (“Arkansas”), AJ Croce (“Reunion”), Wendy Moten with Rome Ramirez (“She’s Gone”) and Molly Tuttle (“Out of Touch”). The honoree himself closed out the night with a performance of his new song “Mending,” featuring Devon Gilfillian.
Molly Tuttle performs at the 2024 BMI Troubadour Awards. Photo: Erika Goldring for BMI
Former BMI President and Chief Executive Officer, Del Bryant, shared words about Oates, as did longtime friends and collaborators James Burton, Roger Daltrey, Chris Epting and The War & Treaty. The evening’s band was compromised of prolific instrumentalists Tom Bukovac, Guthrie Trapp, Steve Mackey, Greg Morrow, Russ Pahl and Jimmy Wallace.
Now a Troubadour Award recipient, Oates joins the ranks with Billy F Gibbons and Robert Earl Keen, who were in the audience last night, along with John Hiatt, John Prine and Lucinda Williams. Also in attendance were many BMI affiliates like Ronnie Bowman, BMI Icon Bob DiPiero, The Band Loula, She Returns From War, SistaStrings, Liz Rose and Daniel Tashian.
The Troubadour Award serves as a precursor to AmericanaFest, which takes over Nashville Sept. 17-21.
Devon Gilfillian and 2024 BMI Troubadour John Oates debut a new song. Photo: Erika Goldring for BMI
Wendy Moten and Rome Ramirez perform. Photo: Erika Goldring for BMI
‘Hometown To Hometown’ Event To Honor Ali Harnell, Brittney Spencer & Maren Morris
/by Liza AndersonThe Save The Music Foundation has announced that its fifth annual “Hometown To Hometown” fundraising event, taking place on Oct. 15 at City Winery Nashville, will honor President of Live Nation Women Ali Harnell as well as singer-songwriters Brittney Spencer and Maren Morris.
Harnell is longtime Save The Music Advisor who has produced tours for Morris, Brandi Carlile and Oprah Winfrey, among others. Along with her efforts to elevate female-led tours and events, she has helped to raise tens of millions of dollars collectively for causes and nonprofit organizations, producing large-scale benefit events annually.
Save The Music will recognize rising songstress Spencer, who performed at both the “Hometown To Hometown” and “Music Saves L.A.” event last year, for her consistent support, and multi-Grammy nominee Morris for her industry achievements and music education advocacy.
Co-hosted by CMT’s Leslie Fram and artist Angie K, the fundraiser will feature acoustic performances by Spencer, Morris, Abbey Cone, Allison Russell with Ruby Amanfu, Brandy Clark and Joy Oladokun in addition to appearances by Morris’ mother Kellie, Middle Tennessee State University (MTSU)’s Beverly Keel and more.
For over 25 years, Save The Music has donated more than $78 million in instruments and music technology equipment to over 2,800 public schools nationwide. All proceeds from this year’s event will go toward music technology programs in under-resourced high schools in Nashville, Baltimore and Dallas. Tickets are available now until Oct. 14. For more information regarding tickets and sponsorship packages, click here.
Spotify’s ‘Countdown To’ Celebrates Successful Debut With Jelly Roll & MGK
/by LB CantrellJelly Roll and MGK converse on Spotify’s Countdown To podcast. Photo: Courtesy of Spotify
Countdown To, Spotify’s new original video interview series, celebrated a successful launch with its debut episode featuring an interview with Jelly Roll conducted by Machine Gun Kelly (MGK). The show was No. 9 on the overall podcast music charts, including all podcasts available on Spotify, on the day of its premiere. It was also the No. 1 listened-to new episode on Sept. 15 in the U.S., Australia, Canada and New Zealand, and No. 2 in the U.K. and Ireland.
On the Countdown To podcast, artists sit down with a fellow artist or collaborator, family member or friend to discuss the themes, musicality and inspirations that drove the creation of their latest project. The series acts as the first introduction to an artist’s album on the platform before its release date.
The episodes live on artist’s Countdown Pages, a Spotify destination where fans can pre-save an artist’s upcoming album, preview the track list, watch clips, purchase merch and see the timer count down to the release moment. Once an artist’s new album drops, Spotify sends a push notification to all pre-savers and adds it straight to their libraries—which is advantageous because, according to Spotify, nearly 70% of users who pre-save an album stream it in the week following its release.
In the debut episode of Countdown To, Jelly Roll and MGK go deep into the former’s upcoming album, Beautifully Broken, out Oct. 11. The two talked over Jelly’s creative process, jokingly sparred about their now-quelled artistic rivalry and spoke about their desires to grow with their projects. The full episode is available to watch or listen to here or on YouTube.
“The debut success of Countdown To is a testament to the importance of fan and artist connection globally on Spotify,” shares Sarah Patellos, Head of Spotify Music Studios. “The series is a first-of-its kind for Spotify, and our team is so thankful that Jelly Roll trusted us in unveiling this deeply-personal conversation. We’re excited to continue to provide more artists the space to tell these meaningful stories and resonate with their fans around the world.”
Brett Eldredge Announces New Holiday Album ‘Merry Christmas (Welcome To The Family)’
/by Lorie HollabaughBrett Eldredge. Photo: Alysse Gafkjen
Brett Eldredge is helping us usher in the holidays in glamorous style once again this year, releasing Merry Christmas (Welcome to the Family), his third Christmas album.
The new collection of eight holiday originals is the first on his own label, Warm and Cozy Records. A duet with Kelly Clarkson, “Sweet December,” is available now before the album’s release.
“After singing ‘Under the Mistletoe’ together, I knew there was no one else in the world I wanted to sing this song with…Kelly’s voice has this soulful retro feeling,” says Eldredge. “I’ve never done a Christmas song in this style, and I really love it.”
Clarkson adds, “I’ve been fortunate enough to record songs with Brett, go see him live, and have him on my show! He has one of my favorite voices and I will sing with him anytime, anywhere! I hope people dig ‘Sweet December’ as much as we do!”
“I had a story in my head of introducing a stranger to my really wacky experience of going home for the holidays and meeting all of the interesting, crazy, beautiful, and awesome characters in my family,” explains Eldredge about the new album’s title. “I had just experienced another Christmas with 50 people in my house. We opened presents, went to Christmas service, and everybody was sleeping in the attic. At the end of the song, I introduce everyone to my family, everyone from my brother and mother to Uncle Jim and Aunt Margo.”
This year, Eldredge invites fans to unplug and gather around the kitchen table with Welcome to the Family: The Game, an exclusive board game printed onto the inner gatefold of the album’s vinyl edition. Fans who roll Santa’s special virtual die could win surprise holiday prizes, and the vinyl will be accompanied by a printed inner sleeve and will be available in a website exclusive signed Christmas splatter LP, retail exclusive Evergreen LP, Amazon exclusive red LP and black LP. The signed Christmas splatter LP will only be available to members of the Locals Fan Club, a community for Eldredge fans.
Eldredge has served up two fan-favorite holiday albums in years past, Glow [2016] and Mr. Christmas [2021]. Among the highlights are his cover of “Baby, It’s Cold Outside!” featuring Meghan Trainor, which emerged as a staple and generated over 207 million Spotify streams and counting. Glow ignited the spark for his annual holiday “Glow Tour” as well.
Merry Christmas (Welcome to the Family) Track List:
1. “Merry Christmas (Welcome to the Family)”
2. “It Must Be Christmas”
3. “Sweet December (featuring Kelly Clarkson)”
4. “Warm and Cozy”
5. “The Night St. Nick Got Sick”
6. “Season of Lights and Wonder”
7. “Who Will You Be Kissing on New Year’s Eve? (featuring Idarose)”
8. “Welcome to the Family (Reprise)”
Mason Ramsey Details Viral Fame & Retro Revival [Interview]
/by John Nix ArledgeMason Ramsey. Photo: Alex Crawford
Calling Mason Ramsey’s viral moment in 2018 a “meme” may miss the point. While an 11-year-old yodeling on aisle four was certainly unexpected, what left people talking was how exceptionally well he did it.
The Golconda, Illinois native has come a long way since his Walmart-yodeling days. In the aftermath of his sudden viral fame, he made appearances on The Ellen DeGeneres Show and performed at Coachella, Stagecoach and the Grand Ole Opry, quickly becoming a household name.
“It was a domino effect, really. It opened a door for me to get a taste of the music industry. After that, I got to be a feature on ‘Old Town Road,’ do a Grammy appearance in early 2020 and then COVID happened,” Mason shares with MusicRow. “That was a good time for me to practice my music and listen to other artists. Between new musical influences and my voice changing, my style of music changed.”
Mason Ramsey. Photo: Alex Crawford
After three years of honing his musical chops, writing songs and settling into his deeper voice, Ramsey decided it was time to make his way back into the public eye with a new outlook on his music. Now, Ramsey is determined to bring back big collars, vintage mics and Elvis-inspired tunes—and his execution of that interest is intriguing fans.
“I found my natural sound, a sound that I really like, earlier this year and I have just been sticking with it,” he says. “I wouldn’t consider myself a commercial country artist. I would just consider myself an artist—with unique sounds and styles of music.”
In pursuit of his natural sound, Ramsey found himself influenced by the likes of Elvis, Chuck Berry, Roy Orbison and, recently, Donny Hathaway. Taking these inspirations to his producer Dan Fernandez, they got to work crafting a sound reminiscent of the ’50s, ’60s and ’70s.
“I really didn’t know how my fans were going to react to [this change]. We posted a video online to tease ‘Blue Over You’ a little bit and everyone loved it. So, we released it and it sort of went viral.”
The now 17-year-old star is obviously no stranger to virality. Since his original hit video, Ramsey has continued to create moments for himself. His contribution to the remix of internet sensation “Old Town Road” along with artists Young Thug, Billy Ray Cyrus and Lil Nas X came over a year after he sprung into the spotlight. In 2022, his track “Before I Knew It,” from his 2019 EP Twang gained traction on TikTok after he used it in a few “life update” videos.
“Every time that I’ve had something go viral, I’ve always gotten really excited. I don’t know if that’s just the kid in me, but I love it,” Ramsey says. “Every now and then you will get a few hate comments, but if they’re hating on you, they’re still your fans.”
Growing up in a small town of only 700 people, Ramsey’s positive outlook on fame transcends his comment section and seeps into real-world interactions with fans.
“Meeting fans is such an amazing thing for me. There have been several times where I’ve been in downtown Nashville and someone will say, ‘Are you Mason Ramsey?’ I am always happy to take pictures with them. I love meeting new people, going to new places and doing different shows. I love what I do.”
Mason Ramsey. Photo: Alex Crawford
This kind of recognition will not soon slow down. Since its release in February, Ramsey’s “Blue Over You” has garnered over 18 million streams on Spotify alone. He even joined Grammy Award-winning artist Lana Del Rey on stage at Boston’s Fenway Park to perform the track in July. Adding to this surge, Ramsey was recently featured on the Twisters soundtrack with his song “Shake Shake (All Night Long),” joining stars like Luke Combs, Miranda Lambert, Jelly Roll, Lainey Wilson and more.
“I’ll never forget when I got the call [to be featured on Twisters: The Album]. It was such a big moment for me and we hadn’t even planned for it. It was a ‘they picked me’ moment—I was in shock that they had picked me. It was such a huge honor and I thank them for thinking of me.”
Ramsey has even more on the horizon. He is soon to hit the road on his “Falls Into Place Tour Pt 2” and will release his first-ever album on Friday (Sept. 20). Titled I’ll See You In My Dreams, the project includes 14 tracks, all of which Ramsey co-wrote.
“This is my ‘coming of age’ album. I’ve done EPs, but I have never done an album before, so this has been a work in progress for several years now,” Ramsey notes. “It definitely leans into the ’50s, ’60s and ’70s feel, however, we did end up writing a few country songs that just kind of happened. I am really happy with it, and I am so excited for fans and people who have never heard my music before to hear it.”
Nashville Yards To Open The Pinnacle Music Venue In February
/by Liza AndersonRendering of The Pinnacle
The Pinnacle, Nashville Yards’ 4,500-capacity music venue presented by AEG, is set to open the weekend of Feb. 28 with a surprise artist to be announced at a later date.
Equipped with cutting-edge lighting and video systems, the venue is designed host private events and live television productions in addition to a variety of concerts. It also features an open-air rooftop space and bar.
Following its grand opening, The Pinnacle will welcome the Turnpike Troubadours, Journey, T-Pain, Russell Dickerson, Megan Moroney and more to its stage in the spring.
“We see The Pinnacle being a complementary piece of the music and special events landscape. A venue to showcase programming that resonates within the city’s rich musical history and is simultaneously a home for all genres of music,” says Mike Ducharme, AEG Regional Vice President. “Our aim is to become an artist and fan favorite and part of the fabric of the Music City scene.”
Presale tickets for the shows will be available this Thursday (Sept. 19) at 10 a.m. CT, with general sales starting this Friday (Sept. 20) at the same time. For more information, click here.