
(L-R): Charlie McCoy, Barbara Mandrell and Roy Clark. Photo: Donn Jones
Birds of a feather, flock together.
It wasn’t until we had them all in the same room for the Country Music Hall of Fame Medallion Ceremony (5/17) that I realized how much this year’s inductees have in common. Receiving their industry’s highest honor were Charlie McCoy, Roy Clark and Barbara Mandrell. All three began their careers in childhood. All three are multi-instrumental wizards. And all three furthered their fame by effectively using television.
Charlie got his first harmonica at age 8, recounted Kyle Young. “He is the most recognized harmonica player in the world, period,” said Kyle. “He re-established the harmonica as a voice in country music.” Charlie also plays bass, keyboards, saxophone, guitar, percussion, trumpet and tuba.
“I think of him as a complete musician,” said Harold Bradley, who did the official induction honors.
“Mom said there’d be days, but she never said there’d be days like this,” said a grateful Charlie McCoy. “I want to thank the Nashville A-Team for setting the bar so high. We made records that are still being played. And that’s cool.”
He told the audience that he divides his career into three parts. The first was as a session musician, who performed on “500 Miles Away From Home,” “Orange Blossom Special,” “What’s Made Milwaukee Famous,” “Only Daddy That’ll Walk the Line,” “Joshua,” “Delta Dawn,” “Old Dogs, Children and Watermelon Wine,” “The Streak,” “Play Guitar Play,” “Take This Job and Shove it” and hundreds of other hits during more than 1,000 recording sessions.
Charlie recorded “Desolation Row” with Bob Dylan in New York, prompting the legendary artist to begin recording in Nashville with other members of Music City’s elite musician corps in the 1960s. Thus, Nashville came to flourish as a recording center for all genres of music.
The second phase of his career was as a recording artist, largely for Fred Foster at Monument Records. Fred stayed with Charlie for eight long years before the musician began to turn a profit. Charlie also recorded as a member of Area Code 615 and Barefoot Jerry.
Charlie’s third career was as the musical director of Hee Haw, the most successful country television program in history. He thanked producer Sam Lovullo for giving him, “one of the greatest experiences of my life.”
Before the event, Charlie had strolled through the Hall of Fame and noted that he has played on records by 53 of the Hall’s members. “And I ain’t through playin’ yet,” he concluded.
Roy Clark was tutored on guitar, fiddle and banjo by his father. When he was only 16, he was excused from school so that he could back Hank Williams at concerts in Baltimore. He gravitated toward television while he was quite young, appearing on Town and Country Time and Arthur Godfrey’s Talent Scouts in the 1950s. He became a popular guest on The Tonight Show, as well as its occasional host. Like Charlie, Roy also became familiar to millions via Hee Haw, which he hosted for 25 years.
He was a pioneer in building Branson, Mo. as a country-music mecca. He was one of the first American musicians to tour the Soviet Union. Roy is considered one of country’s greatest showmen in that he can dazzle audiences with his instrumental dexterity and his vocal warmth, as well as his hilarious comic timing.
He was inducted by Jimmy Dickens. “You can’t say a few words about Roy Clark,” said Jimmy. “You just can’t do that, when he’s the ultimate country-music entertainer all over the world.”
Jimmy delighted the crowd with his quips: “I’ve been sick. I had two brain surgeries in one day. And they never did find it.” He told about the time when Roy and his band pushed a VW into a pool in Vegas to see if it would float. On a more serious note, he added, “Thank you for the nice things you’ve done for our industry.”
Roy recognized Jim Halsey and Jim Foglesong in the audience before stating, “What an honor it is to be a member of the Country Music Hall of Fame. Thanks to all of you. And thanks to God.”
Kyle called Barbara Mandrell, “Everybody’s Miss America….Few have been as multi-skilled or as determined as Barbara.” By age 10, she was playing accordion, sax and steel guitar, later adding banjo, mandolin and bass to her instrumental arsenal. As “The Princess of the Steel Guitar” she starred in Las Vegas at age 11. At 13, she went out on a country package tour with Johnny Cash, Don Gibson, Gordon Terry and June Carter. On it, she roomed with Patsy Cline and played steel backing George Jones.
She launched her hit-making career in 1969, was a superstar by the mid-1970s and in 1980-82 starred on NBC’s Barbara Mandrell & The Mandrell Sisters, network television’s last successful variety series.
Ralph Emery inducted Barbara, recalling that Merle Travis recommended her for his Ralph Emery Show on Channel 4, long before she became famous. “Her favorite prayer is, ‘God give me patience…and could You please hurry,’” quipped Ralph about the famously driven Barbara. “You are an absolute inspiration to us all,” he concluded.
“This is just an emotionally charged evening,” said Barbara. She saluted husband Ken Dudney, mother Mary, sisters Louise and Irlene and her children, adding that Irby, her father/manager, lived long enough to know she would enter the Hall of Fame. He died on March 5.
“Tonight, I thank you with my entire being,” said Barbara Mandrell. “I thank God for taking me on this amazing journey. God bless you. And God bless the Country Music Hall of Fame.”
The evening was one musical thrill after another. Dawn Sears & The Medallion All-Star Band kicked it off with an electrifying “Old Rugged Cross.” The group included Eddie Bayers, Michael Rhodes, Brent Mason, Paul Franklin (who was brought to town by Barbara and Irby when he was 17), Deanie Richardson, Jeff White and bandleader John Hobbs.
Rock Hall of Famer Duane Eddy saluted Charlie McCoy with “(Ghost) Riders in the Sky.” With Jim Hoke on harp and Sam Levine on sax, Rodney Crowell sang a grooving, grinding “Candy Man.” Jelly Roll Johnson followed with a sweet instrumental of “Today I Started Loving You Again.” Charlie’s Barefoot Jerry co-horts P.T. Gazell, Russ Hicks and Wayne Moss offered “Summit Ridge Drive.”
Then Charlie concluded his segment of the ceremony with a version of “Shenandoah” so tender it brought tears to my eyes.
Roy Clark’s first salute came from Josh Turner, who did an outstanding job on 1970’s “Thank God and Greyhound.” Roy’s Tulsa neighbor Garth Brooks sang the 1973 ballad “Come Live with Me” backed by The Carol Lee Singers. Roy, himself, offered a poignant take on his immortal 1969 classic “Yesterday When I Was Young.”
Honoring Barbara, Alison Krauss was sensational on 1973’s “The Midnight Oil.” Sister Louise Mandrell bopped through 1978’s “Sleeping Single in a Double Bed.” Michael McDonald steamed the place up with a soulful “(If Loving You Is Wrong) I Don’t Want to be Right,” a Barbara smash from 1979.
Backed by Charlie McCoy, Reba McEntire nailed 1981’s “I Was Country When Country Wasn’t Cool,” and George Jones appeared to recreate his cameo on Barbara’s original hit record.
As is the custom, all of the Hall of Famers present gathered to sing “Will the Circle Be Unbroken” as the event’s finale. In addition to Foglesong, Dickens, Emery, Jones, Bradley and the three new inductees, they included Phil Everly, Jo Walker-Meador, Charlie Louvin, Emmylou Harris, Earl Scruggs, Sonny James, Bud Wendell and Jordanaires Ray Walker, Louis Nunley and Curtis Young.
The pre-induction cocktail supper featured strolling waiters bearing stuffed mini-potatoes, crabcakes, cheese sandwich bites, puff pastries and other tempting morsels. Tables held tortellini and veggies, avocado-and-grapefruit salad, roast beef sandwiches and more. I always love the catering at this gig.
Heading a stellar cast of attendees was Mayor Karl Dean and Nashville first lady Ann Davis. Schmoozers included Ken Levitan & Gloria Dumas, Mary Ann McCready & Roy Wunsch, Jett Williams & Keith Atkinson, Christy Sutherland & Matt Dudney, Kitty Moon & Pat Emery, David & Susanna Ross, Gary Scruggs, Randy Scruggs, Lane Brody, Rose Lee Maphis and Rodney Lay.
Industry titans Denise Stiff, Bob Doyle, Jody Williams, Tim Wipperman, David Conrad, Billy Deaton, Tom Collins, Clint Higham, Dale Morris, Rod Essig, Don Light, Mike Milom, Dick Frank, Chris Horsnell, Tamara Saviano, Jeff Walker, Chet Flippo, Tammy Genovese, Ed Benson and Lon Helton mingled with “civilians” Seab Tuck, Keel Hunt, Donna Nicely, Jerry & Ernie Williams, Steve Turner and other Hall of Fame boosters.
WSM’s Bill Cody hosted the red-carpet arrivals. Considering how cool the evening was, a surprisingly large crowd of fans lined the sidewalks of Demonbreun Street.
Holly Williams Readies Debut
/by LB CantrellAdkins Joins Nat’l Memorial Day Concert
/by LB Cantrell“For 20 years, a remarkable group of distinguished performers and television veterans have come together to create a moving remembrance and tribute to those who have been wounded or given their lives for our country,” said executive producer Jerry Colbert. “And, every year, we receive a growing number of e-mails and letters from those who still suffer their own personal and painful losses — from WWII, Korea, Vietnam, and now Iraq and Afghanistan — for whom this concert is truly a healing and uniting experience.” Click here for more information.
Guitar Auction to Benefit Opry Trust Fund
/by LB CantrellGuitarist Wariner will kick off the event with a number from his upcoming project, Steve Wariner, C.G.P., My Tribute to Chet Atkins. Wariner will also serve as Celebrity Auctioneer, and GAC-TV and 650 WSM radio personality Bill Cody will be on hand to emcee.
All proceeds benefit the Opry Trust Fund, which has for more than 40 years assisted members of the country music community in need of help with medical bills, living expenses, utilities, rent, and food. For more on the Opry Trust Fund, click here.
Source Foundation Honorees
/by LB CantrellSOURCE, Music Row’s executive women’s group, held a luncheon May 14 for the 2009 honorees who will be feted at the Source Foundation Awards, July 30. Plaques commemorating the outstanding careers of the honorees will permanently hang in the Source Room, located within the Musicians Hall of Fame Museum. This years honorees are Joyce Jackson, Peggy Lamb, Pat McCoy, Sandy Neese, Margaret Parker and Marion Keisker MacInnes (posthumously). (L-R) standing: Kay Smith, Pat Rolfe, Judy Harris, Lamb, Teena Camp, McCoy, Neese, Linda Chambers and Judi Turner. Seated: Parker and Karen Conrad.
Shea Fisher Signs With Stroudavarious
/by LB CantrellJames Stroud, CEO of Stroudavarious Records, has announced the signing of Australia native Shea Fisher to a recording agreement covering worldwide territories outside her home country. Fisher’s self-titled album, produced by Richard Landis and Steve Forde, debuted in the Top 10 on Australia’s ARIA Country Chart last month. The Trey Fanjoy-directed music video for her first single, “Don’t Chase Me,” hit No. 1 on Australia’s Country Music Channel (CMC), and the song has just shipped to U.S. radio stations. “The minute I heard Shea’s music, I knew I wanted to sign her,” said Stroud. “She has done what many young artists don’t accomplish until later, which is to find her own voice and make a record that reflects her vision.” For more information click here.
(l. to r.) Front Row: Shea Fisher; James Stroud. Back Row: Steve Ford; Bill Catino, President of Stroudavarious Records; Richard Landis; Derek Simon, Stroudavarious VP, Marketing & Artist Development.
Gospel’s “First Lady” Passes
/by Robert K OermannShe married gospel singer Urias LeFevre in 1934 and formed the trio with his brother, Alphus. They landed a daily radio show on WGST in Atlanta in 1940. In the years following World War II, she led the act to gospel stardom. During the 1960s, the LeFevres starred on the weekly TV show The Gospel Singing Caravan. The group recorded for Canaan Records, Sing Records and other Nashville labels. In 1978, LeFevre became the first living woman inducted into the Gospel Music Hall of Fame. Ten years later she became the first gospel-music inductee into the Georgia Music Hall of Fame. Urias died in 1979, and Eva Mae returned to the road in 1985. She was recording “Where Could I Go” with Bill Gaither and others in 1991 when she spontaneously sat at the piano and began to “jam” with the singers. The event became Gaither’s first Homecoming video, which is now a major franchise.
Notable alumni of the LeFevres include evangelist Rex Nelon and gospel stars Janet Passchal, Teresa McNeil, Ron Hitchins and Mylon LeFevre, her son. Granddaughter Summer LeFevre is married to Peter Furler of The Newsboys.
1720 Entertainment to Acquire Rock PR
/by LB Cantrell“I’m excited about building a partnership and connecting our amazing artists and media properties with Rock’s powerful branded entertainment assets,” said Terry K. Johnson, President/CEO of 1720 Entertainment. “Their business model and strategy aligns perfectly with the 1720 vision and our multimedia platform and gives 1720 the media and event properties we need to create enormous value with the various brands in our portfolio. I believe our combined strengths will accelerate the growth of both companies and result in truly a great partnership.”
For more details click here.
CMT Music Awards Nominees Announced
/by LB CantrellCountry music’s only fan-voted awards show, the 2009 CMT Music Awards will premiere live on Tuesday, June 16 at 7:00 PM/CT on CMT and CMT.com, and includes performances by Trace Adkins, Jason Aldean, Dierks Bentley, Toby Keith, Brad Paisley, Rascal Flatts, Sugarland, Taylor Swift, Keith Urban and British rockers Def Leppard. Fans can vote online at CMT.com now through Monday, June 15 to determine the winners. The final nominees for Video of the Year will be announced at the beginning of the live show and fans can vote at CMT.com and via text on their Verizon Wireless phones throughout the live broadcast (ET/CT only) to determine the night’s big winner.
The final nominees in each of the 2009 CMT Music Awards categories include:
VIDEO OF THE YEAR
Best video of the year; awarded to the artist (male, female, group/duo or collaboration) and the video director. Final nominees announced during live telecast, with final voting held online at CMT.com during the show.
* Trace Adkins – “You’re Gonna Miss This” (Director: Peter Zavadil)
* Kenny Chesney featuring The Wailers – “Everybody Wants To Go To Heaven” (Director: Shaun Silva)
* Toby Keith – “God Love Her” (Director: Michael Salomon)
* Kid Rock – “All Summer Long” (Director: Deaton Flanigen)
* Lady Antebellum – “Lookin’ For A Good Time” (Director: Chris Hicky)
* Brad Paisley – “Waitin’ On A Woman” (Directors: Jim Shea & Peter Tilden)
* Rascal Flatts – “Every Day” (Director: Deaton Flanigen)
* Sugarland – “All I Want To Do” (Director: Shaun Silva)
* Taylor Swift – “Love Story” (Director: Trey Fanjoy)
* Carrie Underwood – “Just A Dream” (Director: Roman White)
MALE VIDEO OF THE YEAR
Best video by a male artist; awarded to the artist
* Trace Adkins – “You’re Gonna Miss This”
* Toby Keith – “God Love Her”
* Brad Paisley – “Waitin’ On A Woman”
* Keith Urban – “Sweet Thing”
FEMALE VIDEO OF THE YEAR
Best video by a female artist; awarded to the artist
* Miranda Lambert – “More Like Her”
* Martina McBride – “Ride”
* Kellie Pickler – “Don’t You Know You’re Beautiful”
* Taylor Swift – “Love Story”
GROUP VIDEO OF THE YEAR
Best video by a group; awarded to the artists
* Lady Antebellum – “Lookin’ For A Good Time”
* Rascal Flatts – “Bob That Head”
* Rascal Flatts – “Every Day”
* Zac Brown Band “Chicken Fried”
DUO VIDEO OF THE YEAR
Best video by a duo; awarded to the artists
* Brooks & Dunn – “Put A Girl In It”
* Montgomery Gentry – “Roll With Me”
* Sugarland – “All I Want To Do”
* Sugarland – “Already Gone”
USA WEEKEND BREAKTHROUGH VIDEO OF THE YEAR
Best video from an artist’s major breakthrough album; awarded to the artist (male, female, or group/duo)
* Julianne Hough – “That Song In My Head”
* Jamey Johnson – “In Color”
* Lady Antebellum – “Lookin’ For A Good Time”
* Zac Brown Band – “Chicken Fried”
COLLABORATIVE VIDEO OF THE YEAR
Best video that featured a special collaborative appearance by artists; awarded to the artists (individual, group or duo)
* Brooks & Dunn featuring Reba McEntire – “Cowgirls Don’t Cry”
* Kenny Chesney featuring The Wailers – “Everybody Wants To Go To Heaven”
* Brad Paisley with Keith Urban – “Start A Band”
* Sugarland featuring Little Big Town and Jake Owen – “Life In A Northern Town”
CMT PERFORMANCE OF THE YEAR
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)
* Alan Jackson featuring Dierks Bentley, Brad Paisley and George Strait – “Country Boy” from CMT Giants: Alan Jackson
* Robert Plant and Alison Krauss – “Gone Gone Gone (Done Moved On)” from CMT Crossroads: Robert Plant and Alison Krauss
* Sugarland featuring Little Big Town and Jake Owen – “Life In A Northern Town” from the 2008 CMT Music Awards
* Def Leppard and Taylor Swift – “Photograph” from CMT Crossroads: Def Leppard and Taylor Swift
WIDE OPEN COUNTRY VIDEO OF THE YEAR
Best video from an artist outside the mainstream of country music; awarded to the artist (male, female, group/duo or collaboration)
* Def Leppard and Taylor Swift – “Photograph”
* Kid Rock – “All Summer Long”
* Robert Plant and Alison Krauss – “Please Read The Letter”
* Rehab featuring Hank Williams, Jr. – “Bartender Song”
VIDEO DIRECTOR OF THE YEAR
Best video director of the year; awarded to the director for his or her body of work from the past year
* Deaton Flanigen (award eligible videos include: Kid Rock’s “All Summer Long” and Rascal Flatts’ “Every Day”)
* Trey Fanjoy (award eligible videos include: Taylor Swift’s “Love Story” and George Strait’s “Troubador”)
* Roman White (award eligible videos include: Carrie Underwood’s “Just a Dream” and Reba McEntire’s “Every Other Weekend”)
* Peter Zavadil (award eligible videos include: Trace Adkins’ “You’re Gonna Miss This” and Joey + Rory’s “Cheater Cheater”)
Industry News: Time Jumpers, Chesney, Montgomery Gentry and More
/by LB CantrellTime Jumpers In the Times
Colgate Showdown Adds Internet Program
Chesney Plays For Free
Montgomery Support Wounded Warrior Project
Strickland to Head Golden Music Nashville
Industry veteran Brinson Strickland has joined new record label, Golden Music Nashville as President and C.E.O. The label will open offices at 54 Music East, Suite 390. Strickland, President and C.E.O. of Golden Music Nashville, is known for his work with 262 Five’s Netflix campaigns and his managerial involvement with Bryan White, Josh Turner, Brad Paisley, and most recently as a manager with Doc McGhee and McGhee Entertainment. Joining Strickland will be veteran promoter Brad Howell as VP of Promotion and Marketing. Howell spent many years at Warner Bros. Records and most recently worked with Broken Bow Records. Noel Golden will continue to serve as managing member of the label. The flagship act on Golden Music Nashville is country band Williams Riley. The band is currently having success with “I’m Still Me,” now being worked at radio. Strickland can be reached at Brinson@GoldenMusic.biz or at 615-891-4283.
Bobby Karl Works the Hall of Fame Medallion Ceremony—Chapter 308
/by Bobby Karl(L-R): Charlie McCoy, Barbara Mandrell and Roy Clark. Photo: Donn Jones
Birds of a feather, flock together.
It wasn’t until we had them all in the same room for the Country Music Hall of Fame Medallion Ceremony (5/17) that I realized how much this year’s inductees have in common. Receiving their industry’s highest honor were Charlie McCoy, Roy Clark and Barbara Mandrell. All three began their careers in childhood. All three are multi-instrumental wizards. And all three furthered their fame by effectively using television.
Charlie got his first harmonica at age 8, recounted Kyle Young. “He is the most recognized harmonica player in the world, period,” said Kyle. “He re-established the harmonica as a voice in country music.” Charlie also plays bass, keyboards, saxophone, guitar, percussion, trumpet and tuba.
“I think of him as a complete musician,” said Harold Bradley, who did the official induction honors.
“Mom said there’d be days, but she never said there’d be days like this,” said a grateful Charlie McCoy. “I want to thank the Nashville A-Team for setting the bar so high. We made records that are still being played. And that’s cool.”
He told the audience that he divides his career into three parts. The first was as a session musician, who performed on “500 Miles Away From Home,” “Orange Blossom Special,” “What’s Made Milwaukee Famous,” “Only Daddy That’ll Walk the Line,” “Joshua,” “Delta Dawn,” “Old Dogs, Children and Watermelon Wine,” “The Streak,” “Play Guitar Play,” “Take This Job and Shove it” and hundreds of other hits during more than 1,000 recording sessions.
Charlie recorded “Desolation Row” with Bob Dylan in New York, prompting the legendary artist to begin recording in Nashville with other members of Music City’s elite musician corps in the 1960s. Thus, Nashville came to flourish as a recording center for all genres of music.
The second phase of his career was as a recording artist, largely for Fred Foster at Monument Records. Fred stayed with Charlie for eight long years before the musician began to turn a profit. Charlie also recorded as a member of Area Code 615 and Barefoot Jerry.
Charlie’s third career was as the musical director of Hee Haw, the most successful country television program in history. He thanked producer Sam Lovullo for giving him, “one of the greatest experiences of my life.”
Before the event, Charlie had strolled through the Hall of Fame and noted that he has played on records by 53 of the Hall’s members. “And I ain’t through playin’ yet,” he concluded.
Roy Clark was tutored on guitar, fiddle and banjo by his father. When he was only 16, he was excused from school so that he could back Hank Williams at concerts in Baltimore. He gravitated toward television while he was quite young, appearing on Town and Country Time and Arthur Godfrey’s Talent Scouts in the 1950s. He became a popular guest on The Tonight Show, as well as its occasional host. Like Charlie, Roy also became familiar to millions via Hee Haw, which he hosted for 25 years.
He was a pioneer in building Branson, Mo. as a country-music mecca. He was one of the first American musicians to tour the Soviet Union. Roy is considered one of country’s greatest showmen in that he can dazzle audiences with his instrumental dexterity and his vocal warmth, as well as his hilarious comic timing.
He was inducted by Jimmy Dickens. “You can’t say a few words about Roy Clark,” said Jimmy. “You just can’t do that, when he’s the ultimate country-music entertainer all over the world.”
Jimmy delighted the crowd with his quips: “I’ve been sick. I had two brain surgeries in one day. And they never did find it.” He told about the time when Roy and his band pushed a VW into a pool in Vegas to see if it would float. On a more serious note, he added, “Thank you for the nice things you’ve done for our industry.”
Roy recognized Jim Halsey and Jim Foglesong in the audience before stating, “What an honor it is to be a member of the Country Music Hall of Fame. Thanks to all of you. And thanks to God.”
Kyle called Barbara Mandrell, “Everybody’s Miss America….Few have been as multi-skilled or as determined as Barbara.” By age 10, she was playing accordion, sax and steel guitar, later adding banjo, mandolin and bass to her instrumental arsenal. As “The Princess of the Steel Guitar” she starred in Las Vegas at age 11. At 13, she went out on a country package tour with Johnny Cash, Don Gibson, Gordon Terry and June Carter. On it, she roomed with Patsy Cline and played steel backing George Jones.
She launched her hit-making career in 1969, was a superstar by the mid-1970s and in 1980-82 starred on NBC’s Barbara Mandrell & The Mandrell Sisters, network television’s last successful variety series.
Ralph Emery inducted Barbara, recalling that Merle Travis recommended her for his Ralph Emery Show on Channel 4, long before she became famous. “Her favorite prayer is, ‘God give me patience…and could You please hurry,’” quipped Ralph about the famously driven Barbara. “You are an absolute inspiration to us all,” he concluded.
“This is just an emotionally charged evening,” said Barbara. She saluted husband Ken Dudney, mother Mary, sisters Louise and Irlene and her children, adding that Irby, her father/manager, lived long enough to know she would enter the Hall of Fame. He died on March 5.
“Tonight, I thank you with my entire being,” said Barbara Mandrell. “I thank God for taking me on this amazing journey. God bless you. And God bless the Country Music Hall of Fame.”
The evening was one musical thrill after another. Dawn Sears & The Medallion All-Star Band kicked it off with an electrifying “Old Rugged Cross.” The group included Eddie Bayers, Michael Rhodes, Brent Mason, Paul Franklin (who was brought to town by Barbara and Irby when he was 17), Deanie Richardson, Jeff White and bandleader John Hobbs.
Rock Hall of Famer Duane Eddy saluted Charlie McCoy with “(Ghost) Riders in the Sky.” With Jim Hoke on harp and Sam Levine on sax, Rodney Crowell sang a grooving, grinding “Candy Man.” Jelly Roll Johnson followed with a sweet instrumental of “Today I Started Loving You Again.” Charlie’s Barefoot Jerry co-horts P.T. Gazell, Russ Hicks and Wayne Moss offered “Summit Ridge Drive.”
Then Charlie concluded his segment of the ceremony with a version of “Shenandoah” so tender it brought tears to my eyes.
Roy Clark’s first salute came from Josh Turner, who did an outstanding job on 1970’s “Thank God and Greyhound.” Roy’s Tulsa neighbor Garth Brooks sang the 1973 ballad “Come Live with Me” backed by The Carol Lee Singers. Roy, himself, offered a poignant take on his immortal 1969 classic “Yesterday When I Was Young.”
Honoring Barbara, Alison Krauss was sensational on 1973’s “The Midnight Oil.” Sister Louise Mandrell bopped through 1978’s “Sleeping Single in a Double Bed.” Michael McDonald steamed the place up with a soulful “(If Loving You Is Wrong) I Don’t Want to be Right,” a Barbara smash from 1979.
Backed by Charlie McCoy, Reba McEntire nailed 1981’s “I Was Country When Country Wasn’t Cool,” and George Jones appeared to recreate his cameo on Barbara’s original hit record.
As is the custom, all of the Hall of Famers present gathered to sing “Will the Circle Be Unbroken” as the event’s finale. In addition to Foglesong, Dickens, Emery, Jones, Bradley and the three new inductees, they included Phil Everly, Jo Walker-Meador, Charlie Louvin, Emmylou Harris, Earl Scruggs, Sonny James, Bud Wendell and Jordanaires Ray Walker, Louis Nunley and Curtis Young.
The pre-induction cocktail supper featured strolling waiters bearing stuffed mini-potatoes, crabcakes, cheese sandwich bites, puff pastries and other tempting morsels. Tables held tortellini and veggies, avocado-and-grapefruit salad, roast beef sandwiches and more. I always love the catering at this gig.
Heading a stellar cast of attendees was Mayor Karl Dean and Nashville first lady Ann Davis. Schmoozers included Ken Levitan & Gloria Dumas, Mary Ann McCready & Roy Wunsch, Jett Williams & Keith Atkinson, Christy Sutherland & Matt Dudney, Kitty Moon & Pat Emery, David & Susanna Ross, Gary Scruggs, Randy Scruggs, Lane Brody, Rose Lee Maphis and Rodney Lay.
Industry titans Denise Stiff, Bob Doyle, Jody Williams, Tim Wipperman, David Conrad, Billy Deaton, Tom Collins, Clint Higham, Dale Morris, Rod Essig, Don Light, Mike Milom, Dick Frank, Chris Horsnell, Tamara Saviano, Jeff Walker, Chet Flippo, Tammy Genovese, Ed Benson and Lon Helton mingled with “civilians” Seab Tuck, Keel Hunt, Donna Nicely, Jerry & Ernie Williams, Steve Turner and other Hall of Fame boosters.
WSM’s Bill Cody hosted the red-carpet arrivals. Considering how cool the evening was, a surprisingly large crowd of fans lined the sidewalks of Demonbreun Street.