
(L-R) CMA Board President Steve Buchanan; KKGO Senior Programmer Charlie Cook; FCC Chairman Julius Genachowski; CMA Board Chairman Steve Moore; EMI Music EVP/GM; and KILT Program Director Jeff Garrison.
The FCC’s long-awaited National Broadband Plan is due to be revealed next Tuesday (3/16) then presented to Congress the following day. FCC Chairman Julius Genachowski, nominated by President Barack Obama and sworn into office on June 29, 2009, met with Country Music Association Board members in Washington DC at the Capitol Building 3/10.
Genachowski has spent over 10 years working in the technology industry as an executive and entrepreneur. His bio describes him as “active at the intersection of social responsibility and the marketplace.” The following transcription has been edited for space, but gives a studied look inside the upcoming plan. Content owners will be pleased to see the Chairmanis a proponent of IP rights.
Edited text from Julius Genachowski while addressing the CMA
People who still think of country music as some niche industry apart from the American mainstream haven’t been paying attention for a long, long time. You’ve got Taylor Swift selling more albums than any artist in America last year and selling out Madison Square garden in one minute. American idol is perhaps the ultimate arbiter of popular culture in America and Carrie Underwood won on that show by an overwhelming margin and has gone on to sell more albums than any other winner. When Barack Obama accepted the Democratic nomination in Denver what song did they play? Brooks and Dunn’s “Only In America.” And the same song was played when President Bush accepted the Republican nomination in 2004. Now that is broad appeal.
Not to say that the country music industry doesn’t have unique issues and interests, but at the end of the day policies that will grow our economy will also help grow your industry. Actions that expand real opportunity are good for all Americans no matter what music you listen to. And few actions will do more to grow our economy and expand opportunity than building a world class broadband infrastructure here in the United States.
The plan that we will be announcing next week is intended to get broadband deployed to unserved households around the nation over the next several years through a reform of the Universal Services fund and other initiatives.
In addition to deployment—getting broadband to places that just don’t have it at all—another part of the problem is adoption, use of broadband. 42% of core country music fans who are not online also say they have no desire to remedy the situation according to recent research from the CMA. This dovetails with recent findings by the FCCs broadband team regarding non adopters. Relevance is a key factor cited by people who don’t subscribe to high speed Internet access. They just aren’t aware yet of the benefits, whether it’s music, employment opportunities or health information. They don’t see what the Internet can do for them or why it is a service they should subscribe to.
Yesterday the FCC together with the Knight Foundation co-hosted a summit on digital inclusion in Washington to focus on affordability and adoption issues around broadband. We announced several initiatives in our plan including a digital literacy corp and other efforts to help people get online and realize the benefits that broadband can bring.
The group Lady Antebellum owes its existence to the Internet. Members met on Myspace. Lady A, a younger group, draws 28% of its revenue from digital sales (closer to 10% for older artists), which says something about future direction. Country stars are harnessing the high tech tools of today to reach their audience. For example, country’s hottest star Taylor Swift has 2.8 million twitter followers. So what will the national broadband plan mean for this marketplace of artists, radio station owners, Internet entrepreneurs and music lovers?
Broadband is our generation’s major infrastructure challenge. It is like roads, canals, railroads and telephones were for previous generations. In terms of transformative power, broadband is most akin to the advent of electricity. Our electric grid was a platform for innovation that as much as anything helped propel the US to global economic leadership in the 20th century. Think about your industry without electricity.
Electricity brought the country an unending array of new appliances— refrigerators, radios, ovens, TVs and computers. Broadband brings innovation-fueled applications. Even modest increases in broadband adoption can yield hundreds of thousands of new jobs and economic activity.
As we pursue broadband networks that deliver broad opportunity and prosperity we believe in the complementary goals of preserving freedom on the Internet and protecting the intellectual property rights of creative artists and other content owners. The national broadband plan is not self-executed, it’s a strategic blueprint for action. It will require subsequent public processes to implement. And the delivery of the plan is not the end, but actually the beginning of the next stage of our process. As we proceed I want you all to know that my door is open and we welcome the input from everyone in this room as we tackle the challenges ahead.
As we roll out the next generation of the Internet we need to do it in a way that is both open and safe and secure for businesses especially for IP owners who need to get on the Internet in order to profit from the new technologies, but of course we have to do it in a way that doesn’t lead to all the content being stolen. And I think what you will see in the plan is an identification of some of those issues and a desire to work together to make sure our broadband infrastructure promotes broad opportunity, broad prosperity and we understand that protecting one of our precious resources, our intellectual property in this country, has to be a part of that.
With respect to deployment via wired and/or wireless access, the plan will be technologically neutral. We need to lead the world in both wired and wireless broadband. They each provide services the other can’t provide. If a loved one gets into an accident somewhere on a country road we want the EMT to have a broadband connection to the emergency room, it will save lives, but wired broadband can’t do that. At the same time, the amount of capacity that you can get in a fixed, wired location will always be more than wireless, so we need to promote investment in both. Even though there are physical constraints that will keep wireless speed below fiber, the speed that we will be able to get in the next few years with wireless will be faster than the wired speeds we have now. And so it is part of a plan to make sure that rural America gets broadband. We are hopeful, notwithstanding the differences, that wired and wireless will exert competitive pressure on each other which will be good for American consumers and businesses that want to compete on the Internet. We are certainly going to be speaking both about setting ambitious speed and deployment goals for the country around broadband which will chiefly be achieved through wires, but also by unleashing spectrum so that the U.S. can be the center of innovation in mobile broadband which represents a tremendous opportunity for the country over the next ten years.
Photos: Underwood Starts Tour; Lambert Scores Gold Single
/by Sarah SkatesCarrie Underwood’s Play On Tour opened March 11 in front of a sold-out crowd at the Sovereign Center in Reading, PA with special guests Craig Morgan and Sons of Sylvia. The Play On Tour, hydrated by vitaminwater® and sponsored by PEDIGREE® Brand, is currently slated to run through June 20 in Saskatoon, SK at the Credit Union Centre.
(L-R): Donna DiBenedetto, AEG; Carrie Underwood; and Zane Collings, SMG Regional General Manager.
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Miranda Lambert’s first No. 1 hit single “White Liar” scored big recently with the announcement of its RIAA Digital Single Gold Certification. Her follow-up single, “The House That Built Me,” impacted country radio last week with support from over 100 stations. Both songs are from her Gold certified studio album, Revolution.
Pictured (l-r): Sony Music Nashville Marketing VP Tom Baldrica, Sony Music Nashville Chairman Joe Galante, Sony Music Nashville EVP A&R Renee Bell, Lambert, Sony Music Nashville SVP Sales & Operations Paul Barnabee, Sony Music Nashville Digital Business VP Heather McBee.
John Rich At Marathon Post-Show; Local Cumulus Radiothon
/by Sarah SkatesThe concert is open to the public and tickets are now on sale for $35 at the Bridgestone Arena box office, and Ticketmaster.
The Country Music Marathon is a weekend celebration complete with a two-day Health & Fitness Expo, YMCA Country Music Kids’ Marathon and post-race concert. Adam Zocks is the event’s General Manager.
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Tomorrow, Tues. March 16, is the Cumulus Nashville Radiothon to benefit the Nashville Rescue Mission. All five of the radio cluster’s stations (SuperTalk 99.7-WTN; 92Q Nashville’s Big Station-WQQK; 95.5 The Wolf-WSM; 97.1 RQQ Nashville’s Rock Station-WRQQ; and i106-All the Hits-WNFN) will go commercial-free from 5 a.m. – 7 p.m. to raise money for the mission.
The stations want listeners to know that $2.26 is the cost of a meal for a homeless man, woman or child. Throughout the day, jocks will make their own “listener requests,” relying upon the generosity of their audiences to make donations by calling 877-294-GIVE or 877-294-4483 or in person at Camper’s Corner RV Superstore (730 Gallatin Pike North in Madison).
Mayne Named Exec. Dir. of CRB
/by Sarah SkatesBill Mayne
The Country Radio Broadcasters (CRB) Board of Directors has named Bill Mayne CRB Executive Director, effective April 1, 2010. Mayne, a radio veteran and owner of Nashville-based Mayne Street Consulting, had been serving as the organization’s interim director in recent months.
Mayne says he is “honored by this opportunity…and the confidence shown in me by the CRB Board of Directors. This organization has a clear vision, a great staff and a dedicated Board to help craft the future course for the Country Radio Seminar and all its associated endeavors. CRS 2010 was a successful first step in the process of serving the best interest of Country radio and the Country music industry in the years to come.”
The CRB’s flagship event, Country Radio Seminar, closed on Feb. 26 with a 3.5 percent year-to-year increase in attendance, totaling 2,181 registrants.
“It became evident, during the difficult transitional period leading up to CRS 2010, that Bill had the leadership, passion and vision to steer the organization in the direction it needs to go,” reports CRB President Mike Culotta. “We are confident that CRB is in good hands going forward.”
Mayne is a Country radio and music industry veteran with senior level experience in radio broadcasting, including programming and operations management at KZLA/KLAC (Los Angeles), KSCS/WBAP (Dallas) and KASE (Austin). His resume also includes work in artist development, management and at record labels, where he was Sr. VP GM and VP Promotion at Warner Bros. Nashville, and VP of Promotion and Artist Development at 903 Music. His Mayne Street Consulting provides guidance in radio, marketing, management and artist development to clients such as CRB, Inc., GAC, IEBA, Nexshow, Dualtone Records, Muscle Shoals Music Group, Fame Records and RGK Entertainment. Mayne also serves as current President of the Academy of Country Music.
CRS 2011 will be held March 2-4, 2011, at the Nashville Convention Center. Visit www.CRB.org for more information.
Dierks To Debut Music On Tour
/by Sarah SkatesBentley’s roadshow includes Texan Hayes Carll in the opening slot, and Bentley’s backing band the Travelin’ McCourys—featuring Ron McCoury (mandolin), Rob McCoury (banjo), Jason Carter (fiddle) and Alan Bartram (bass) as the latest incarnation of bluegrass stars The Del McCoury Band. The outing will visit rock clubs and major bluegrass festivals, such as the just announced April 30 date at MerleFest 2010 in Wilkesboro, NC.
Fans can expect new music and surprising new arrangements of his hits during the run. Contributors to Bentley’s summer release include Del McCoury Band, Chris Thile and the Punch Brothers, Alison Krauss, Miranda Lambert, Tim O’Brien and Sam Bush. For the project, Bentley teamed with award-winning singer/songwriter/producer Jon Randall Stewart and recording engineer Gary Paczosa.
Tickets for the Ryman show go on sale April 2, other dates on sale Fri., March 19. Visit www.dierks.com for pre-sale info and for details on the upcoming album.
“Scene” Digs Into McGraw Movie
/by contributorStrait Adds Nashville Date; Victoria Shaw And Friends At Limelight
/by Sarah SkatesTickets for the Nashville show go on sale March 20 at 10:00 AM at www.ticketmaster.com, charge by phone at 800-745-5300 and at the Bridgestone Arena Box Office.
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The show will feature national syndicated radio personality Blair Garner (After MidNite) and CNN Headline News anchor Robin Meade, who will perform.
This is the second year Shaw has organized a fundraiser for the Arts Program at Abintra Montessori School.
Tickets are $15 per person at www.limelightnashville.com or www.abintra.org.
Gloriana’s Milk-Based Promotion
/by contributorGloriana, who are on the road with Taylor Swift and American Idol alum Kellie Pickler on the Fearless 2010 Tour through June, recently released their single “The World Is Ours Tonight,” which charted on the Billboard Digital Singles charts this week.
The milk carton side panels also include access to tips from Paper Mate on how to be green, including information on Paper Mate’s new Biodegradable* pen and mechanical pencil and the brand’s new writing instrument upcycling program. The Milk Rocks! Program promotes healthy lifestyles and nutrition with milk as the focus. They utilize milk carton side panels, lunchroom posters, and online initiatives to communicate their messages. Milk Rocks! features some of today’s most popular recording artists and emerging talent and is a member of the Ad Council’s Coalition for Healthy Children, whose mission is to provide clear, consistent, research-based messages to children and parents about the importance of practicing a healthier lifestyle and give them the means to improve their eating and physical activity habits.
Americana Artists Mix It Up
/by contributorLevon Helm’s Ryman Ramble Returns
Grammy winner Levon Helm will bring his heralded Ramble on the Road back to the Ryman Auditorium on Wednesday April 21. Tickets are on sale now and available at all Ticketmaster locations and at the Ryman box office.
Helm’s first Ramble at the Ryman in July of 2007 was picked as Best Show of the Year by the Nashville Scene. In 2008, the Ramble kicked off the Americana Music Festival and Conference and Rolling Stone described his performances as the “Jam of the Year.” Since that night, Helm has produced two albums (Dirt Farmer and Electric Dirt), won three Grammy Awards, including the first-ever Best Americana Album Grammy for Electric Dirt, and garnered the 2008 Americana Artist of the Year award.
Special Guests for the upcoming Ryman show include Gillian Welch and the Dave Rawlings Machine, Rodney Crowell and Sam Bush with more guests to be announced. Past Rambles at the Ryman have included artists Emmylou Harris, Robert Plant and Alison Krauss, Sheryl Crow, John Hiatt, Buddy Miller, Ricky Skaggs, Delbert McClinton, Steve Earle and Allison Moorer and Fred Carter Jr. Click here for more information.
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Two-time Grammy Award-winning singer/songwriter Jim Lauderdale will release his new album Patchwork Girl on May 11. Lauderdale co-wrote the album with longtime Grateful Dead lyricist Robert Hunter. Patchwork River was written at Hunter’s California home and produced by Tim Coates and Doug Lancio, who also played guitar. James Burton, Al Perkins, Ron Tutt, Garry Tallent, Kenny Vaughan, and Patty Griffin round out the album’s all-star cast.
This marks the second collaboration between the singer/songwriter and Hunter, who first met when Lauderdale was preparing to record I Feel Like Singing Today, his first album with bluegrass icon Dr. Ralph Stanley. Lauderdale knew that Hunter and Grateful Dead guitarist Jerry Garcia were fans of Dr. Stanley, so he approached Hunter about contributing lyrics to the album. The two became friends and wrote over 30 songs together during Robert’s three-month visit to Jim’s Nashville home in 2001, 13 of which wound up on the 2004 release Headed For the Hills.
Says Hunter of Lauderdale, “I’m proud to call him a friend and I know what I say is true. This man has what it takes. If you don’t like country with a humble jolt of human soul, leave him alone.”
Click here for more information on Jim Lauderdale.
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Grand Ole Opry favorite Elizabeth Cook will release her new album, Welder on May 11. Produced by Don Was (Rolling Stones, Kris Kristofferson), Welder features guest appearances by Dwight Yoakam, Rodney Crowell and Buddy Miller.
Welder is the follow up to Cook’s Rodney Crowell-produced and critically acclaimed Balls from 2007. Cook wrote the majority of the new album herself with a few noteworthy exceptions. “I’m Beginning To Forget” was penned by her late mother, Joyce Cook and “Follow You Like Smoke and “Til Then” by her husband, Tim Carroll. Don Was also brought her “Not California” by NYC indie folk band, Hem.
In addition to her full touring schedule, Cook hosts Apron Strings on XM/Sirius’ Outlaw Country station Monday through Friday 6-10 am Eastern. Every morning, the always witty Cook offers household tips, fashion advice and recipes to legions of devoted fans coast to coast. Click here to preview songs from Welder.
FCC Chairman Reveals Broadband Plan Elements To CMA
/by admin(L-R) CMA Board President Steve Buchanan; KKGO Senior Programmer Charlie Cook; FCC Chairman Julius Genachowski; CMA Board Chairman Steve Moore; EMI Music EVP/GM; and KILT Program Director Jeff Garrison.
The FCC’s long-awaited National Broadband Plan is due to be revealed next Tuesday (3/16) then presented to Congress the following day. FCC Chairman Julius Genachowski, nominated by President Barack Obama and sworn into office on June 29, 2009, met with Country Music Association Board members in Washington DC at the Capitol Building 3/10.
Genachowski has spent over 10 years working in the technology industry as an executive and entrepreneur. His bio describes him as “active at the intersection of social responsibility and the marketplace.” The following transcription has been edited for space, but gives a studied look inside the upcoming plan. Content owners will be pleased to see the Chairmanis a proponent of IP rights.
Edited text from Julius Genachowski while addressing the CMA
People who still think of country music as some niche industry apart from the American mainstream haven’t been paying attention for a long, long time. You’ve got Taylor Swift selling more albums than any artist in America last year and selling out Madison Square garden in one minute. American idol is perhaps the ultimate arbiter of popular culture in America and Carrie Underwood won on that show by an overwhelming margin and has gone on to sell more albums than any other winner. When Barack Obama accepted the Democratic nomination in Denver what song did they play? Brooks and Dunn’s “Only In America.” And the same song was played when President Bush accepted the Republican nomination in 2004. Now that is broad appeal.
Not to say that the country music industry doesn’t have unique issues and interests, but at the end of the day policies that will grow our economy will also help grow your industry. Actions that expand real opportunity are good for all Americans no matter what music you listen to. And few actions will do more to grow our economy and expand opportunity than building a world class broadband infrastructure here in the United States.
The plan that we will be announcing next week is intended to get broadband deployed to unserved households around the nation over the next several years through a reform of the Universal Services fund and other initiatives.
In addition to deployment—getting broadband to places that just don’t have it at all—another part of the problem is adoption, use of broadband. 42% of core country music fans who are not online also say they have no desire to remedy the situation according to recent research from the CMA. This dovetails with recent findings by the FCCs broadband team regarding non adopters. Relevance is a key factor cited by people who don’t subscribe to high speed Internet access. They just aren’t aware yet of the benefits, whether it’s music, employment opportunities or health information. They don’t see what the Internet can do for them or why it is a service they should subscribe to.
Yesterday the FCC together with the Knight Foundation co-hosted a summit on digital inclusion in Washington to focus on affordability and adoption issues around broadband. We announced several initiatives in our plan including a digital literacy corp and other efforts to help people get online and realize the benefits that broadband can bring.
The group Lady Antebellum owes its existence to the Internet. Members met on Myspace. Lady A, a younger group, draws 28% of its revenue from digital sales (closer to 10% for older artists), which says something about future direction. Country stars are harnessing the high tech tools of today to reach their audience. For example, country’s hottest star Taylor Swift has 2.8 million twitter followers. So what will the national broadband plan mean for this marketplace of artists, radio station owners, Internet entrepreneurs and music lovers?
Broadband is our generation’s major infrastructure challenge. It is like roads, canals, railroads and telephones were for previous generations. In terms of transformative power, broadband is most akin to the advent of electricity. Our electric grid was a platform for innovation that as much as anything helped propel the US to global economic leadership in the 20th century. Think about your industry without electricity.
Electricity brought the country an unending array of new appliances— refrigerators, radios, ovens, TVs and computers. Broadband brings innovation-fueled applications. Even modest increases in broadband adoption can yield hundreds of thousands of new jobs and economic activity.
As we pursue broadband networks that deliver broad opportunity and prosperity we believe in the complementary goals of preserving freedom on the Internet and protecting the intellectual property rights of creative artists and other content owners. The national broadband plan is not self-executed, it’s a strategic blueprint for action. It will require subsequent public processes to implement. And the delivery of the plan is not the end, but actually the beginning of the next stage of our process. As we proceed I want you all to know that my door is open and we welcome the input from everyone in this room as we tackle the challenges ahead.
As we roll out the next generation of the Internet we need to do it in a way that is both open and safe and secure for businesses especially for IP owners who need to get on the Internet in order to profit from the new technologies, but of course we have to do it in a way that doesn’t lead to all the content being stolen. And I think what you will see in the plan is an identification of some of those issues and a desire to work together to make sure our broadband infrastructure promotes broad opportunity, broad prosperity and we understand that protecting one of our precious resources, our intellectual property in this country, has to be a part of that.
With respect to deployment via wired and/or wireless access, the plan will be technologically neutral. We need to lead the world in both wired and wireless broadband. They each provide services the other can’t provide. If a loved one gets into an accident somewhere on a country road we want the EMT to have a broadband connection to the emergency room, it will save lives, but wired broadband can’t do that. At the same time, the amount of capacity that you can get in a fixed, wired location will always be more than wireless, so we need to promote investment in both. Even though there are physical constraints that will keep wireless speed below fiber, the speed that we will be able to get in the next few years with wireless will be faster than the wired speeds we have now. And so it is part of a plan to make sure that rural America gets broadband. We are hopeful, notwithstanding the differences, that wired and wireless will exert competitive pressure on each other which will be good for American consumers and businesses that want to compete on the Internet. We are certainly going to be speaking both about setting ambitious speed and deployment goals for the country around broadband which will chiefly be achieved through wires, but also by unleashing spectrum so that the U.S. can be the center of innovation in mobile broadband which represents a tremendous opportunity for the country over the next ten years.