The stars are blindingly bright this week.
Here for your listening enjoyment are top-tier new sounds from Carrie Underwood, Dierks Bentley, Rascal Flatts, Sugarland and Jamey Johnson. That’s what I call an embarrassment of riches. Up-and-comers like Jaron & The Long Road to Love and Crossin’ Dixon have fresh offerings, too.
Almost all of them are worth your attention. But for clear-cut sonic creativity, you can’t top Sugarland’s “Stuck Like Glue.” Give that duo a Disc of the Day prize.
Dandy newcomers? We have some of them as well. Troy Olsen, in particular, is well worth your spins.
But even fresher is that slap-in-the-face slab of sound by Joanna Smith. Give the little lady a DisCovery Award.
SUGARLAND/Stuck Like Glue
Writer: Jennifer Nettles/Kristian Bush/Kevin Griffin/Shy Carter; Producer: Byron Gallimore, Kristian Bush & Jennifer Nettles; Publisher: Jennifer Nettles/Dirkpit Music Control Group/Primary Wave Brian/Worldwide EMG/You Want How Much of What/Wixen, ASCAP/BMI; Mercury (CDX)
—Kinda crunchy sounding and more than kinda cool. The rhythm track is a sheer delight. The tune is loaded with hooks. The mood is merry. The highly inventive veering into reggae patois is goofy fun. And I love it when they harmonize together.
PHOENIX STONE/Proud To Be
Writer: Brent Miller/Phoenix Stone; Producer: James Stroud; Publisher: G and L/LCL, BMI/ASCAP; Rounder (CDX)
—There already is a “God Bless the U.S.A.”
CROSSIN’ DIXON/Lovin’ In The Country
Writer: Garrett Parris/Terry Dennis; Producer: Garrett Parris; Publisher: Magic Mustang/What Is Written, BMI; Stoney Creek (CDX) (www.stoneycreekrecords.com)
—We’ve heard this one a zillion times before—back in the woods, in the pickup truck, swimming in the creek, dancing, rebel yells, raising cane, looking for action, blah blah blah.
CARRIE UNDERWOOD/Mama’s Song
Writer: Carrie Underwood/Kara DioGuardi/Marti Frederiksen/Luke Laird; Producer: Mark Bright; Publisher: none listed, BMI; 19/Arista (CDX)
—Sweetly earnest. Distinguished by a lilting melody and superior supporting work by keyboards, voices and strings. The parallels with Carrie’s impending nuptials in the lyric will doubtless tickle her many fans.
TROY OLSEN/Summer Song
Writer: Troy Olsen/Ben Hayslip/Jimmy Yeary; Producer: Troy Olsen; Publisher: 2010 Hillbilly Petry/Rio Nuevo/Made for This Music/Warner-Tamerlane/Melissa’s Money/Get a Load of This/WB, BMI/ASCAP; EMI Nashville (CDX)
—As warm and comforting as sunshine. The rolling, thumpy tempo and the airy arrangement are just perfect, as is the personable presence of his vocal. If this guy doesn’t make it as an artist, I’d hire him as a record producer in a heartbeat.
RASCAL FLATTS/Why Wait
Writer: Niel Thrasher/Tom Shapiro/Jimmy Yeary; Producer: Dann Huff & Rascal Flatts; Publisher: Feet in the Creek/BMG Gold/EMI Blackwood/Little Dooley/Black to Black/ole, ASCAP/BMI; Big Machine
—Bright and jaunty. It’s a marriage proposal set to a giddy bopping beat. Radio friendly in the extreme.
JOANNA SMITH/Gettin’ Married
Writer: Joanna Smith/Tom Hambridge/Jeffrey Steele; Producer: Jimmy Ritchey; Publisher: Big Borassa/EMI April/Sarachel/Jeffrey Steele/BPJ Administration, BMI/ASCAP; Columbia
—She’s as country as grits and is definitely in your face about it in this slap-happy rocker. The lyric is hilarious. The pickers are playing their fingers off. And she’s having a vocal ball. Count me IN.
DIERKS BENTLEY/Draw Me A Map
Writer: Jon Randall/Dierks Bentley; Producer: Jon Randall Stewart; Publisher: Reynsong/Wha Ya Say/Big White Tracks, BMI/ASCAP; Capitol Nashville (track)
—This lovely, mid-tempo meditation leaves plenty of “open” space for the instrumentalists to shine and Dierks to deliver one of the most expressive vocal performances of his career to date. Enchanting. By the way, that’s Alison Krauss singing harmony in the background.
JARON & THE LONG ROAD TO LOVE/That’s Beautiful To Me
Writer: Jaron Lowenstein; Producer: Jaron Lowenstein; Publisher: Jaronwood, BMI; Jaronwood/Big Machine/Universal
—Ultra romantic. He lists all her qualities and quirks that make him love her while piano, fiddles and guitars chime along. His breathy tenor delivery is irresistible.
JAMEY JOHNSON/Playing The Part
Writer: Jamey Johnson/Shane Minor; Producer: Jamry Johnson & The Kent Herdly Playboys; Publisher: none listed; Mercury (track)
—Jamey’s double CD The Guitar Song is a heaping helping of music. Divided into “Black” and “White” song collections, it is indeed a feast for the ears. This rollicking, drawling track from the “Black” album casts a jaundiced, wary eye on Hollywood and its phoniness. He wryly remembers back to, “when the only L.A. I knew was Lower Alabama.” Hang on for the band members’ catchy instrumental ride at the finale.
Quarterback Records Partners With Ettinger Talent
/by adminJohn Ettinger and Chris Allums
Quarterback Records and John Ettinger’s newly-established management/consulting firm, Ettinger Talent Associates have formed a joint venture which places Quarterback founder Chris Allums and Ettinger as co-principals of an enlarged Quarterback Records.
“This is a huge step for Quarterback,” said Allums. “John’s reputation in Nashville and throughout country radio is one of integrity and success. We are very excited to begin this new era, and we expect to take a lead position in the profession of country radio marketing.”
“I couldn’t be more excited to get going with Chris and his team,” said Ettinger. “Together we plan to rewrite the understanding of what an independent label is and how it can partner with country radio and country artists.”
Allums founded Quarterback in 2003 and has been associated with records such as “Pray For You” with Jaron and The Long Road to Love,” and “Three Wooden Crosses” for Randy Travis.
Ettinger spent 14 years with Mercury Records, the last seven as VP of Promotion, where he oversaw artists Shania Twain, Toby Keith, Sugarland and Billy Currington. He helped launch Disney’s Carolwood Records in 2008, scoring a Top 10 single for Love And Theft, before segueing to sister label Lyric Street to head field promotion there in 2009.
Quarterback Records Staff
Chris Allums, President
615-300-5321 allums@quarterbackrecords.com
JR Hughes, National Promotion Director and
Midwest
931-728-0071 JRPromoman@aol.com
Bill Lubitz, West/Southwest Promotion Director
702-580-6886 billlubitz@quarterbackrecords.com
John Ettinger, Principal
615-438-7667 john@ettingertalent.com
Chuck Thagard, Northeast/Southeast Promotion
Director
770-753-8154 CThagard520@aol.com
Swift Video Gets Global Cross-Channel, Debut
/by adminThe first single from Swift’s upcoming album Speak Now, “Mine,” was rushed to radio after reportedly being leaked across the Internet. It debuted at #1 on Billboard’s Hot Digital Songs Chart and #3 on Billboard’s Hot 100. All the MTV Music Group channels and websites will join in a cross-channel, cross-platform event featuring simultaneous online premieres and heavy on-air promotion, including a half-hour special to air across CMT, MTV and VH1.
CMT.com, MTV.com and VH1.com, along with MTV International sites, will present “Mine” in an exclusive online premiere roadblock beginning at 8:30 p.m. ET. MTV will debut the video on-air during its primetime lineup Friday at 9 p.m. ET/PT, while VH1 is set to air the video as part of its highly-rated weekly series VH1 TOP 20 Video Countdown on Sat., Aug. 28 at 9:00 a.m. ET/PT.
Prior to its online premiere, CMT and CMT.com will premiere the video first as part of an exclusive half-hour live special when CMT PREMIERES TAYLOR SWIFT “MINE” airs Friday, August 27 at 8:00-8:30 p.m. ET/PT.
Swift will introduce the video for the very first time before a live audience in CMT Premieres Taylor Swift “Mine” as she returns to the towns of Kennebunk and Kennebunkport, Maine where the video was filmed with co-star Toby Hemingway. The special includes a behind-the-scenes look as she gives CMT host Katie Cook a tour of the quaint towns, and offers personal insight into how this latest video came to life. “Mine” was co-directed by Swift and Roman White.
Watch below for a behind the scenes look at the making of the video…
Underwood, Paisley Return as CMA Hosts
/by contributor“Carrie and Brad have done a tremendous job hosting and we are very happy to have them back again this year,” said Steve Moore, CMA Chief Executive Officer. “They have developed a natural rhythm and have a great rapport with the audience – both in the house and our fans watching at home. They each have a great sense of humor and timing, which are two essential ingredients for hosting a live awards broadcast.”
“The CMAs are different from any other awards night,” said Paisley. “You’re looking at a roomful of people who love each other. And any new viewer will be pleasantly surprised at what they relate to on the Awards and what they like that they had no idea they would like. For that reason alone, this is the most important night of the year for country music.”
“It’s all about country music,” said Underwood. “We all live here. This is our community. The CMA Awards are in Nashville, the home of country music. It’s great to come here and celebrate that every year.”
The 44th Annual CMA Awards is a production of the Country Music Association. Robert Deaton is the Executive Producer. Paul Miller is the Director. David Wild is the writer. The special will be shot in high definition and broadcast in 720 Progressive (720P), ABC’s selected HDTV format, with 5.1 channel surround sound.
Randy Houser Visits ACM Offices
/by contributorThe Academy of Country Music welcomed Show Dog-Universal Music Recording Artist and ACM Professional Member Randy Houser to the office for a visit when he was in Los Angeles this week. Houser’s new album, They Call Me Cadillac, releases on September 21 and will feature forthcoming single, “A Man Like Me.” Houser appeared on the ACM Awards in 2010 and was nominated for his first ACM award for Video of the Year for “Boots On.”
(L-R): Tiffany Moon, ACM, SVP, Managing Director, Randy Houser, Michelle Goble, ACM, VP, Membership & Events) Photo: Michel Bourquard /Courtesy of the Academy of Country Music
CMT To Showcase “Artists of the Year”
/by contributorCMT Artists of the Year will recognize five of the year’s top acts based on album and download sales, radio airplay, online activity and touring. The evening will also include multiple musical performances from the country world and beyond. Taping in Nashville, CMT Artists of the Year will take place in an elegant, yet relaxed setting that allows attendees to kick back, cut loose and enjoy the show.
“Make no mistake: This is not an awards show or a competition, but a year-end party on a grand scale,” said John Hamlin, senior vice president, music events and talent, CMT. “CMT Artists of the Year celebrates the artists that made this year a great one for country music. It’s their night because it’s been their year and they deserve to be wined, dined and entertained like no other evening anywhere else.”
CMT Artists of the Year is produced by Audrey Morrissey and Chad Hines. Hamlin and Margaret Comeaux serve as executive producers for CMT.
Trace Adkins Leaps To No. 1
/by contributorWhile Cowboy’s Back In Town is the first project with the newly merged label, Show Dog – Universal Music, it is his 11th album release overall, including eight studio albums and two Greatest Hits collections. The new disc marks Adkins’ fourth album to make its debut in the chart-topping position. To date, he has sold more than 10 million albums worldwide.
Adkins and label mate Toby Keith have been performing to packed houses across the country this summer on the American Ride Tour which continues through September 25. In coming weeks, look for Adkins on the late night talk show circuit, with appearances on the the O’Reilly Factor (8/25), Tonight Show with Jay Leno (9/14), Jimmy Kimmel Live (9/15), Late Night with Jimmy Fallon (10/5), Late Late Show with Craig Ferguson (10/12) and Chelsea Lately (10/19).
For more of the latest news and information, visit www.traceadkins.com.
Marty Stuart’s “Ghost Train” Comes To Town
/by adminMarty Stuart and his Fabulous Superlatives celebrated the release of their new album, Ghost Train: The Studio B Sessions, with an SRO performance at Nashville’s Belcourt Theater last night (8/25). The perfectly paced show featured plenty of virtuosic mandolin and guitar picking from traditionalist Stuart and showcased his Superlatives – guitarist Kenny Vaughan, drummer Harry Stinson, bassist Paul Martin and steel guitarist Gary Carter. From full-band country workouts like “Tempted” to harmony-soaked, a capella gospel numbers like “Working On A Building,” the Superlatives more than lived up to Stuart’s description as “the best hillbilly band in town.” (photo by www.izzynashville.com)
L-R: Marty Stuart, Harry Stinson and Paul Martin
Lady A Lands Three in the Top 10
/by contributorWith Neilsen SoundScan reporting sales approaching 18,000, Lady A’s iTunes Session landed the biggest week’s sales of any iTunes “Session,” “Live From…” or “Originals” ever released. This week their current single, “Our Kind Of Love,” works its way into the Top five on the country radio charts.
The trio’s current release, Need You Now, racked up weekly sales of 32,000 copies, bringing total sales of the album close to the 2.5 million mark and landing the album at No. 2, just behind labelmate Trace Adkins’ newly released Cowboy’s Back In Town. With 123 consecutive weeks on the chart, Lady A’s self-titled debut landed at No. 10. Both Lady A albums seem to have gotten a boost from this week’s release of iTunes Session.
Fans will have the opportunity to catch Lady A perform in the coming weeks with appearances scheduled on ABC’s Good Morning America from Central Park this Fri., Aug. 27 as well as ABC’s CMA Music Festival: Country’s Night to Rock special airing Wed., Sept. 1. The trio will also perform on the star-studded Stand Up To Cancer Telethon Fri., Sept. 10 airing simultaneously on NBC, ABC and CBS. The commercial-free special raises money for the fight against cancer.
For a full list of appearances and tour dates, visit www.ladyantebellum.com.
Circle Unbroken: Opry Returns Home
/by contributorThe show will air live on GAC: Great American Country. Special events and artist appearances will follow throughout October in celebration of both the show’s return and its 85th Birthday.
The announcement came just before the Opry House’s signature element, a six-foot circle of oak wood taken from the historic Ryman Auditorium when the show moved to the Grand Ole Opry House in 1974, was returned this morning to its home center stage at the Opry House. The circle, along with the full Opry stage, had been covered by 46 inches of water during May’s flood. Rescued immediately after waters receded from the Opry House, the circle has been painstakingly refurbished. The country music treasure was placed in its rightful spot with assistance from Dickens and Paisley. The two Opry members then took to the circle behind an Opry microphone stand for an acoustic performance of the country classic “Will the Circle be Unbroken.”
“It is the best feeling in the world to see our beloved circle back home,” said Grand Ole Opry Group President Steve Buchanan. “We can not wait for the curtain to go up as we launch a new chapter in the Opry’s history on September 28, just in time to celebrate our 85th birthday. There is no doubt the next two months are going to be some of the most memorable and emotional ever for our performers and fans.”
“It is as it should be,” said Paisley. “That circle means the world to all of us who love country music. I’ve always said that the circle still contains the dust from Hank Williams’ cowboy boots. Well now it contains that dust, but also the heart and soul of this town and all the people who have worked to rise above this spring’s floods. I know I speak for all my fellow Opry members when I say, ‘we are so excited to come home!’”
The Opry has not missed a single show since the flood, broadcasting from several Nashville venues including former Opry homes the Ryman Auditorium and the War Memorial Auditorium.
DISClaimer Single Reviews (8/25/10)
/by Robert K OermannHere for your listening enjoyment are top-tier new sounds from Carrie Underwood, Dierks Bentley, Rascal Flatts, Sugarland and Jamey Johnson. That’s what I call an embarrassment of riches. Up-and-comers like Jaron & The Long Road to Love and Crossin’ Dixon have fresh offerings, too.
Almost all of them are worth your attention. But for clear-cut sonic creativity, you can’t top Sugarland’s “Stuck Like Glue.” Give that duo a Disc of the Day prize.
Dandy newcomers? We have some of them as well. Troy Olsen, in particular, is well worth your spins.
But even fresher is that slap-in-the-face slab of sound by Joanna Smith. Give the little lady a DisCovery Award.
SUGARLAND/Stuck Like Glue
Writer: Jennifer Nettles/Kristian Bush/Kevin Griffin/Shy Carter; Producer: Byron Gallimore, Kristian Bush & Jennifer Nettles; Publisher: Jennifer Nettles/Dirkpit Music Control Group/Primary Wave Brian/Worldwide EMG/You Want How Much of What/Wixen, ASCAP/BMI; Mercury (CDX)
—Kinda crunchy sounding and more than kinda cool. The rhythm track is a sheer delight. The tune is loaded with hooks. The mood is merry. The highly inventive veering into reggae patois is goofy fun. And I love it when they harmonize together.
PHOENIX STONE/Proud To Be
Writer: Brent Miller/Phoenix Stone; Producer: James Stroud; Publisher: G and L/LCL, BMI/ASCAP; Rounder (CDX)
—There already is a “God Bless the U.S.A.”
CROSSIN’ DIXON/Lovin’ In The Country
Writer: Garrett Parris/Terry Dennis; Producer: Garrett Parris; Publisher: Magic Mustang/What Is Written, BMI; Stoney Creek (CDX) (www.stoneycreekrecords.com)
—We’ve heard this one a zillion times before—back in the woods, in the pickup truck, swimming in the creek, dancing, rebel yells, raising cane, looking for action, blah blah blah.
CARRIE UNDERWOOD/Mama’s Song
Writer: Carrie Underwood/Kara DioGuardi/Marti Frederiksen/Luke Laird; Producer: Mark Bright; Publisher: none listed, BMI; 19/Arista (CDX)
—Sweetly earnest. Distinguished by a lilting melody and superior supporting work by keyboards, voices and strings. The parallels with Carrie’s impending nuptials in the lyric will doubtless tickle her many fans.
TROY OLSEN/Summer Song
Writer: Troy Olsen/Ben Hayslip/Jimmy Yeary; Producer: Troy Olsen; Publisher: 2010 Hillbilly Petry/Rio Nuevo/Made for This Music/Warner-Tamerlane/Melissa’s Money/Get a Load of This/WB, BMI/ASCAP; EMI Nashville (CDX)
—As warm and comforting as sunshine. The rolling, thumpy tempo and the airy arrangement are just perfect, as is the personable presence of his vocal. If this guy doesn’t make it as an artist, I’d hire him as a record producer in a heartbeat.
RASCAL FLATTS/Why Wait
Writer: Niel Thrasher/Tom Shapiro/Jimmy Yeary; Producer: Dann Huff & Rascal Flatts; Publisher: Feet in the Creek/BMG Gold/EMI Blackwood/Little Dooley/Black to Black/ole, ASCAP/BMI; Big Machine
—Bright and jaunty. It’s a marriage proposal set to a giddy bopping beat. Radio friendly in the extreme.
JOANNA SMITH/Gettin’ Married
Writer: Joanna Smith/Tom Hambridge/Jeffrey Steele; Producer: Jimmy Ritchey; Publisher: Big Borassa/EMI April/Sarachel/Jeffrey Steele/BPJ Administration, BMI/ASCAP; Columbia
—She’s as country as grits and is definitely in your face about it in this slap-happy rocker. The lyric is hilarious. The pickers are playing their fingers off. And she’s having a vocal ball. Count me IN.
DIERKS BENTLEY/Draw Me A Map
Writer: Jon Randall/Dierks Bentley; Producer: Jon Randall Stewart; Publisher: Reynsong/Wha Ya Say/Big White Tracks, BMI/ASCAP; Capitol Nashville (track)
—This lovely, mid-tempo meditation leaves plenty of “open” space for the instrumentalists to shine and Dierks to deliver one of the most expressive vocal performances of his career to date. Enchanting. By the way, that’s Alison Krauss singing harmony in the background.
JARON & THE LONG ROAD TO LOVE/That’s Beautiful To Me
Writer: Jaron Lowenstein; Producer: Jaron Lowenstein; Publisher: Jaronwood, BMI; Jaronwood/Big Machine/Universal
—Ultra romantic. He lists all her qualities and quirks that make him love her while piano, fiddles and guitars chime along. His breathy tenor delivery is irresistible.
JAMEY JOHNSON/Playing The Part
Writer: Jamey Johnson/Shane Minor; Producer: Jamry Johnson & The Kent Herdly Playboys; Publisher: none listed; Mercury (track)
—Jamey’s double CD The Guitar Song is a heaping helping of music. Divided into “Black” and “White” song collections, it is indeed a feast for the ears. This rollicking, drawling track from the “Black” album casts a jaundiced, wary eye on Hollywood and its phoniness. He wryly remembers back to, “when the only L.A. I knew was Lower Alabama.” Hang on for the band members’ catchy instrumental ride at the finale.