Swift Tunes Rollout Over Multiple Channels

Starting Oct. 4, fans can hear one new track per week from Taylor Swift’s upcoming Speak Now release. The star’s label home Big Machine has partnered with iTunes, Comcast, XfinityTV.com and E! News Daily to debut songs for the three weeks leading up to the album’s Oct. 25 street date.

On Mondays starting Oct. 4, the songs will be available in advance as an exclusive 30-second preview, along with a brief interview with Taylor on Comcast On Demand, online at XfinityTv.com, and on E! News Daily. On the following Tuesdays, starting Oct. 5, the tracks will be up for purchase on iTunes. Here’s the schedule: October  4 & 5 “Speak Now;” October  11 & 12 “Back To December;” October 18 & 19 “Mean.”

The complete track listing for Speak Now is as follows:
1. Mine
2. Sparks Fly
3. Back to December
4. Speak Now
5. Dear John
6. Mean
7. The Story of Us
8. Never Grow Up
9. Enchanted
10. Better Than Revenge
11. Innocent
12. Haunted
13. Last Kiss
14. Long Live

Gamma Blast Promotes Nahay; CRB Honors McEntee

Matt Hahay

Matt Nahay has been promoted to Executive Producer at Gamma Blast, a creative video and digital content production company. He has been a Writer/Producer with the company for three years.

“It just made sense to promote Matt,” says Director/Owner, Chad Denning. “With the number of new relationships he’s forged for us and his experience working with the entertainment industry, it was a natural move.”

Gamma Blast’s clients include The Grand Ole Opry, Emblem Music, espn.com and Nissan.

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Country Radio Broadcasters, Inc.® recently unveiled its Tom McEntee Memorial Conference Room, named in honor of the Country Radio Seminar founder and former CRB Executive Chairman.

McEntee, who passed away on Sept. 24, 2009, served as CRB Executive Chairman and President for the organization’s first decade. He also created the CRB’s flagship event, Country Radio Seminar. CRS 2011, to be held March 2-4, 2011, marks the seminar’s 42nd consecutive year.

CRB Executive Director Bill Mayne says, “Tom was way ahead of his time in terms of his vision for Country Radio, and the contributions he made to this format cannot be overstated. He was a visionary that shaped the evolution of the CRB and Country music, in general.”

During his career, McEntee received the CRB President’s Award, the Nashville Mayor’s Award, and the BMI Commendation of Excellence. In addition to his work with the CRB, McEntee’s past included time with Country Music Survey, Cashbox Magazine, radio promotion, publicity, bio writing, artist management and songwriting. He was involved in the careers of Alabama, Jimmy Buffett, Jimmy Dean, Hank Williams, Jr. and many other artists.

Top row (l-r): CRB board members Scott Lindy, Becky Brenner, Tim Roberts, Jeff Walker, Tom Baldrica, Charlie Morgan and CRB Executive Director Bill Mayne. Bottom row, l to r: Charlie Monk, Mike McVay, Dan Halyburton, Mike Culotta. Photo: Kristen England.

Photos: Tyler Reeve, Troy Olsen, Benefit Drive

SESAC hosted a “Give + Love” blood drive and spare change/canned food donation event for the American Red Cross and Second Harvest Food Bank at its Nashville headquarters. A steady stream of artists, songwriters and Music Row personnel stopped by to lend a hand with donations. The event, which was sponsored by Urban Flats, Provence Bread & Café, vitaminwater and MusicRow Magazine, helped raise enough blood to help over 80 patients and provide over 500 meals for Nashville’s hungry.

Pictured (L-R): American Red Cross’s Raquel Reed, SESAC’s Tim Fink, songwriter Lance Miller, songwriter Easton Hamlin, SESAC’s Shannan Hatch, songwriter Rob Hatch and Second Harvest Food Bank’s Betsega Bakele & Leigh Clark. Photo: Peyton Hoge

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A mix of Nashville executives and artists turned out for rising country singer Tyler Reeve‘s industry showcase at the Mercy Lounge. Reeve delivered an eight-song set before jumping back on his tour bus and heading to Tallahassee, Fla. The husky-voiced singer performed a mix of material from his 2008 debut, Whiskey Down, as well as several songs from his upcoming release, to be co-produced this fall by hit songwriter and producer Jonathan Singleton. Reeve was the only independent artist featured on the Country Throwdown Tour’s Outlaw Stage this summer, following a breakout year that saw him perform nearly 250 shows in 2009.

Tyler Reeve (l) after his industry showcase at Mercy Lounge with fellow 2010 Country Throwdown Tour performers Emily West and Jonathan Singleton. Photo: Bev Moser

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Troy Olsen was overwhelmed when he got to meet legendary Grand Ole Opry member Little Jimmy Dickens backstage at the Ryman.

EMI Records Nashville’s Troy Olsen made his debut on the famed Ryman Auditorium stage recently. The Arizona native performed his new single “Good Hands” as well as “Tumbleweed” and “Summer Thing” for the crowd. Click here to check out Troy’s GAC Webisode series “Livin’ The Dream with Troy Olsen.”

Olsen is currently on his headlining “Get Right Tonight Tour” in advance of the October 5 release of his self-titled debut EP. The club tour hits over 40 cities before the tour concludes on November 20 in Denver, CO.

Capitol Promotes Melissa Spillman

Capitol Records Nashville has promoted Melissa Fuller Spillman to A&R Manager, where she will act as the A&R department’s liaison with producers, publishers, management and artists. She joined Capitol Nashville in May 2006 as a marketing coordinator.

“Melissa has always kept her ears to the street and her eyes on the goal-line,” says Capitol Pres./CEO Mike Dungan. “I am happy to recognize her contribution with this promotion to A&R Manager.”

Prior to working at Capitol, Spillman was a management assistant at Dreamcatcher Entertainment with artists Kenny Rogers, Jo Dee Messina, and others. The University of Texas at Austin graduate is also active with philanthropic causes and coordinating fundraisers with songwriters for charitable initiatives.

Fontanel Venue To Host Rich, Wilson, MG

Montgomery Gentry, Gretchen Wilson and special guest John Rich will headline a concert at Nashville’s newest outdoor concert venue, The Woods at Fontanel, on Sunday, Oct. 24.

“This is the kind of star-studded event we built The Woods for,” said Marc Oswald, who co-owns the venue with fellow superstar manager Dale Morris. “It’s outdoors, it’s intimate, and fans get to see an amazing concert in a setting they just can’t see anywhere else.” Morris and Oswald count Wilson and Rich among their clients.

The concert wraps up the month-long “Fontanel Fall Festival” on the grounds of the Fontanel Mansion and Farm, which also houses The Woods music venue. The free festival will run the first three weekends in October, and will feature a pumpkin patch, family activities and a variety of local vendors. They will be collecting canned food donations for the Second Harvest Food Bank of Middle Tennessee throughout the month and at the concert.

The concert on Oct. 24 will be presented by Logan’s Roadhouse, with The Farm as the opening act. Tickets will go on sale to the public through www.ticketmaster.com on Saturday, October 2, at 10:00 a.m. CT, starting at $25.00 for general admission.

The Indie Facts of Life

Last week’s article “Appraising The Strategic Value of Airplay For Indie Artists,” featuring Tom Baldrica, generated a number of heated responses. One person who has been connected with Indie careers and was especially passionate about the challenges outlined in the article had a lot to say, but wished to do so anonymously. We agreed, let’s call him Mr. X.

Baldrica cautioned, “You’re out of your mind to play the national chart game as an independent.” Mr. X agrees. “Baldrica sure pulled the curtains back on this subject. The country music economy is probably a Top 15 or Top 10 marketplace. When you get to those numbers you might start to see sales. It goes back to something I heard Joe Galante say on some panel a while ago. Talking to an artist he said, ‘I can take you to the audience, but I can’t make the audience take you.’ I can’t think of a better line to describe what happens. Between nowhere and No. 25 there’s not a lot of difference on the monitored chart. I’ve had promoters get us to No. 45 and say ‘congratulations.’ But realistically, congratulations on what? The record wasn’t played in morning drive or mid-day, in fact it was completely invisible. So tons of money later there’s little to show.”

But Mr. X is a bit stoic about the fight to break an indie artist. “You know what? Knowing the chart facts of life isn’t likely to keep most people from doing anything any differently,” X says. “The allure of the Nashville dream is so bright and blinding, you could write this article and pin it on every door in America, but there still will be another crop of people coming to Nashville saying, ‘I’m different. It only applies to all those people that weren’t good enough’.”

In last week’s article Baldrica also suggested that independents might be better served working toward a regional approach. But Mr. X takes exception to this idea. “The problem is while it sounds good to build a story regionally, it’s actually used against you and it then becomes impossible to break out nationally. For example great acts that were branded regional such as Jack Ingram, Pat Green and Cross Canadian Ragweed. This is a major label game and that’s a fact. As an industry we need to admit it’s far more label focused than artist, or song focused. If it was based on the song, then you would have more acts in the Top 20 actually selling records. The inherent monopoly of the majors makes it easy for them to chart a Top 20, even if it has almost no relation to audience acceptance. Miranda Lambert sold over a million units before she ever had a Top 15, which means the chart didn’t reflect her audience acceptance. While the chart does launch more careers than any other vehicle, the monopoly of the majors allows for a lot of misses, too.”

And indies also get shut out of a lot of exposure opportunities according to Mr. X. “The majors dug this pond and we’re just asking to fish in it. But they own the fishing rights and as an independent you are relegated to the corners of the pond. Rarely, you might pull in a big fish, but mostly you are just net casting for minnows. We’re trying to say, ‘Our music is good enough to be a part of the system,’ but it’s not our pond. You can’t believe the leverage the majors have. Opportunities for valuable added exposure from vehicles such as Award shows or duets with artists on major labels, for example, are completely shut out for us. I don’t want to sound bitter, but these are just the facts. If there is any frustration in my voice it is the romance they put around a great song, and not near enough emphasis on the leverage of the label which is the reality of the actual forces needed to get to the starting line.”

Jim King Joins BMI As Sr. VP

James “Jim” A. King has joined BMI as Senior Vice President of Business Technology. From his base in the Nashville office he will be responsible for technology, operations, and product development, including Landmark Digital Services group. King was most recently with United Business Media, PR Newswire, where he was Senior Vice President, Audience Platforms, and Global Chief Information Officer.

At BMI King will report directly to Pres. and CEO Del Bryant. “Technology occupies a pivotal role for BMI,” explains Bryant. “Jim’s extensive experience in strategic planning and product platform development, including social media/mobile and data management, will be a strong asset to BMI. His knowledge of how rights need to be married to media systems and tracking data is the perfect fit for the needs of our songwriters and publishers in this increasingly digital world.”

King has held CIO, CTO, and COO positions with leading global information services, media and publishing companies including McGraw-Hill, Brightpoint, and Reed Elsvier PLC. He also has held leadership roles with top IT companies including Microsoft and AT&T Bell Labs. He is recognized as a leader in media, online and technology industries with more than 25 years of innovative strategic product development and business operations experience.

Photo Friday: Ashley Gearing, George Strait

Curb Records artist Ashley Gearing performed for the Country Radio Broadcasters Board of Directors during their annual meetings September 16 and 17. Gearing’s current single is “What You Think About Us?” (L-R): New Revolution Entertainment’s Rob Dalton, CRB Executive Director Bill Mayne, CRB President Mike Culotta, Gearing, Curb Records’ Dennis Hannon and Adrian Michaels and producer Byron Gallimore. Photo: Kristen England.

George Strait spent some time with his friends in radio after a recent tour stop in Birmingham, Alabama. (L-R): WDRM/Huntsville PD Jim Tice, Cumulus Broadcasting's Bill Jones, Strait, WDXB/Birmingham PD Tom Hanrahan, WZZK/Birmingham PD Casey Carter, MCA southeast rep Louie Newman

Colt Ford And Bellamy Brothers Hit Social Media Milestones

Social media has become a staple in the artist development/exposure toolkit, especially for country music. Howard and David Bellamy of the Bellamy Brothers harnessed the power of YouTube to promote the duo’s somewhat controversial “Jalapenos” video which has now garnered over 1 million user views. “I am truly amazed we have had over a million hits on the lowest budget video we have ever done and in such a short period of time”  says Howard Bellamy. “Our timing was perfect for today’s political environment.” The low budget video, shot in a sleepy middle-Texas cantina, is laced with politically charged humor and preaches the message:

Life ain’t nothing like a bowl of cherries,
there’s too little laughter, too much sorrow.
It’s more like a jar of  jalapeños.
Cause what you do and say today, won’t go away and stay,
it’ll just come back to burn your ____  tomorrow”

Colt Ford has also found success following the soc-net pathway. Just recently (9/24) he passed the 100,000 fans on Facebook mark. The Average Joes Entertainment artist has asked fans to finish the phrase, “This is more exciting that …..” and getting lots of congrats and humor from fans. One fan submitted “more exciting than a 2 story Wal-Mart. Ford is currently touring to support his Chicken and Biscuits CD.

Messina Opens Marathon; Lady A Sells Out Tour Dates

Just after dawn on Saturday (9/25) Jo Dee Messina will sing the national anthem at the Women’s Running Magazine “Women’s Half Marathon Series,” which starts in front of the Country Music Hall of Fame and Museum. Messina is set to join the event by running the 5k. Later that evening Messina will perfom at the Grand Ole Opry on the Ryman Stage and will be interviewed on the Opry’s syndicated radio show, America’s Opry Weekend.

For more details about the Women’s Running Magazine event, click here.

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Lady Antebellum kicked off their first headlining Need You Now 2010 Tour this week with four consecutive sold out concerts. The run began in Orlando, FL on Monday, Sept. 20 and included stops in Clearwater and St. Augustine, FL and finishing in Raleigh, NC.

Photo from Orlando, Fl performance.