Americana Music Association Announces Board of Directors

The Americana Music Association announced new additions to its Board of Directors today, following annual elections. These individuals will serve two year terms starting in 2012.

Board members being re-elected for new terms:

Booking — Ashley Capps of AC Entertainment
Radio — Joan Kornblith, Voice of America
Publishing — John Allen, Bug Music
Artists — Rodney Crowell and Buddy Miller

New Board members:

At Large — Terry Lickona, Exec. Producer of Austin City Limits
At Large — Brad Paul, Rounder Records
Business/Financial — Wayne Halper, Attorney
New Media — Emilee Warner, Crash Avenue

The newly elected join the existing board members returning in 2012, which include Artist Mary Gauthier, Tim McFadden, Sylvia Giannitrapani, SESAC’s Tim Fink, Amanda Hale-Ornelas from New West Records, Al Moss of Al Moss Promotions, Music Fog’s Jessie Scott, Ramseur Records’ Holly Lowman, Bob Benckert from the Alternate Root and Todd Ohlhauser of the Mercy Lounge/Cannery Ballroom.

Registration is already open for the 2012 Americana Music Festival and Conference, scheduled for Sept. 12-15 in Nashville. Sign up here.

Lukey Bryan Wraps Successful CMT Tour

Bryan and crew close CMT ON TOUR. Photo: Nate Dreger

Luke Bryan wrapped his first major headlining tour over the weekend. CMT ON TOUR: Luke Bryan Tailgates & Tanlines performed in 22 cities with opening acts Lee Brice, Josh Thompson and CMT’s New Superstar winner Matt Mason.

“This year, we witnessed one of the most successful tours in the now 10-year history of CMT ON TOUR, with Luke playing to packed houses every night,” said Leslie Fram, senior vice president of music strategy, CMT.

To get a glimpse of behind the scenes action on the tour as well as Bryan performing his current hit “I Don’t Want This Night To End” from his Capitol Records Nashville album tailgates& tanlines click here.

During a two-week break from the CMT tour, Bryan’s Farm Tour played in six cities for over 42,000 fans, raising funds for local college scholarships in each city.

Country’s Marketing Chess Board—Staying In The Game

If country marketing is like a game of chess then imagine that the pieces you control are named Product Distribution, Publicity, Radio, Touring, Digital and Endorsements/Sponsorships.

Click to see larger image.

[Reprinted from MusicRow Oct./Nov 2011]

Taking the chess analogy one step further, there are a number of sophisticated moves that each of these pieces can complete. In fact, sometimes it is advantageous to create combo moves where two different pieces support each other and affect a situation where the whole becomes greater than the sum of the parts. It will require planning, expertise and experience to decide which moves are both affordable and will push a career forward. Too many plans can exhaust your resources and cause you to fall out of the game too soon. Too few, and you’ll never achieve star velocity.

As with all journeys, good directions are essential. In the case of building a country music artist career that need still applies, although the pathway from “unknown” to “household name” is a lot more complex than just getting from point A to B. Hopefully, the mind maps and circles presented in this article will help ease your passage.

But before you begin familiarizing yourself with the various tools and techniques, let’s absorb some basic research about the fans you are hoping to acquire.

According to the massive CMA Country Music Consumer Segmentation study presented in 2009, approximately two in five American adults ages 18-54 (37%) qualify as “Country Music Fans.” These Fans split into two groups based upon revenue contribution—a small core group (4.7%) who invest heavily and a larger group of “Low Funding” fans who engage with country for free (32.6%).

The core fans, or CountryPhiles and MusicPhiles, skew female (54%), are more likely to be married (59%), caucasian and from small towns versus the average American adult. They appreciate the core values of the format and the artists. And, their commitment translates to both significant engagement time and industry revenue.They are an extremely valuable group, perhaps 15 million people, that pay over 50% of the country music bills.

The low funding portion of fans (100+ million) skew a bit more male (55%). They are younger, more diverse (especially Hispanic) and more urban. They are extremely hip, high tech, engaged music lovers who happen to include Country Music in the mix.

This CMA data is now several years old. No doubt, all segments have more effectively embraced the digital revolution and unfortunately, have also been adversely affected by the weak economy.

Now let’s look at the mind maps. Here’s a brief rundown of the six “key” areas on the map…

Product Distribution 
The Product Distribution area splits into digital and physical pipelines. The digital side is much less expensive because there is no inventory to create, ship, etc. Consumers are interacting with digital product via paid downloads (Own), monthly all you can play payments (Subscribe) and unpaid channels (Free) which often means P2P piracy. Physical shelf space at major music retailers is now mostly the exclusive domain of major labels and established artists. However, physical product can be profitable, especially for sale at gigs.

Publicity 
DIY (do it yourself) is all the rage, but adding a publicity expert to your team can still be a wise investment. When it comes to imaging and getting a realistic appraisal of an artist’s media skills, one can’t rely solely on Mom. A publicist can be essential in taking your story to the media and you to another level.

Touring 
Gigs are a musician’s lifeblood. Even superstars will tell you, touring is where the money is. Start regionally. Be sure to acquire fan emails whenever possible, and have merchandise and product on hand. Social networking sites can also help you to interact with acquired fans in a more personal way (without leaving home).

Endorsements/Sponsorships 
You don’t have to be playing arenas and stadiums to get one of these coveted partners. But it is crucial to find a brand that fits nicely with who you are and the fans you attract. Get creative in finding a way to make it fit. Think about local, regional and national brands. Find out what the brand expects from you and make sure you deliver.

Radio 
Only a few years ago, this area was limited to terrestrial radio for country music. Today add satellite and online to the mix. Plus there are new hybrid arrivals like Pandora and Last.FM competing for listeners’ attention. Competition means additional opportunities.

Digital 
Digital marketing and all it entails has become an absolute necessity for success. The list of outlets is substantial with new ones busting loose almost daily. Digital begins with content, video and social networking. Leveraging these areas can provide low cost, high power energy to your career when used in a conscientious daily regimen. Artists should be at least somewhat familiar with every red circle company on the map. The landscape is fragmented with lots of choices. Try to discover the ones that best match with your fans.

Fan Engagement Tools 
The Engagement mindmap is a tool box for creating content, reaching out to fans one-on-one and measuring your progress. Taming your mass email program is a must. Analyzing your marketing efforts is how you begin to see what works best and fine tune your strategy. Content generation tools and imaging also play a large role in helping you implement strategy. Good luck and remember the term “overnight success” was invented by Hollywood. Don’t confuse it with “reality.” •

Industry Pics

Songwriter of the Year Party
EMI Music Publishing and This Music teamed to host the Nashville Songwriter of the Year party at The Boudry during the recent festivities surrounding the CMA Awards. EMI Music Publishing celebrated wins by Hillary Scott (SESAC Songwriter of the Year), and Rhett Akins and Dallas Davidson (BMI Songwriters of the Year).  This Music toasted Ben Hayslip winning ASCAP Songwriter of the Year.

(L-R): EVP/GM EMI Nashville Ben Vaughn, Ben Hayslip, Hillary Scott, Rhett Akins, Dallas Davidson, and This Music owner Rusty Gaston.

Robert Earl Keen’s Ryman Debut
Robert Earl Keen received a warm welcome when he performed at Nashville’s Ryman Auditorium for the first time. He played a mash-up of his winding story songs, feel-good sing-a-longs and new material off his eleventh studio album, Ready for Confetti, which hit No. 1 on the Americana Music Chart in October.

Keen backstage with his BMI team (L-R): BMI’s Mark Mason and Clay Bradley, Robert Earl Keen, The Ryman’s Brian Wagner, and BMI’s Jody Williams. Photo: Steve Lowry

Craig Campbell Visits MTSU Students
The Middle Tennessee State University CMA EDU chapter welcomed publicist Craig Campbell as a guest speaker during a recent meeting. The students received an inside look at his role, including how an artist’s publicity activities are booked and coordinated with the record label and management. Campbell also gave a brief overview of his career in the industry and offered advice.

(L-R): MTSU CMA EDU chapter President Angela Johnson, and VP Becca Roberson; CMA Manager of Strategic Partnerships Sarah McGrady; and Campbell Entertainment Group President Craig Campbell. Photo: Wes Perry

Lifenotes: Gary Lamb

Gary Lamb, son of music industry figure Charlie Lamb, died Nov. 21 at age 63. He was preceded in death by his mother, Frances A. Lamb, and is survived by his father, wife Peggy and many other family members.

Visitation will be tonight (11/22) from 4-8 p.m. at Woodlawn-Roesch-Patton Funeral Home on Thompson Ln. There will also be visitation tomorrow (11/23) at 10:30 a.m., followed by the funeral at 11:30 a.m. in Woodlawn’s Dignity Hall.

Interment will follow in Woodlawn Memorial Park, family and friends to serve as pallbearers.

Guitarist Paul Yandell Passes

(L-R): Steve Wariner, Merle Atkins Russell, and Paul Yandell. Photo: Caryn Wariner

Master “fingerstyle” guitarist Paul Yandell, who was Chet Atkins’ bandleader for over 25 years, passed away Monday morning (Nov. 21) in Hendersonville following a battle with cancer. He was 76.

Yandell arrived in Nashville from Kentucky in 1955, already an accomplished guitarist. He began his career with the Louvin Brothers, working with them until 1959. In 1961, he joined the Kitty Wells show, where he performed until 1970. He joined Jerry Reed that year, and said he “went to college” by learning from Reed. In 1975, Yandell joined Chet Atkins and remained at his side for the next 25 years.

In August 2011, Atkins’ daughter Merle Atkins Russell bestowed Yandell with Atkins’ last and final “Certified Guitar Player” (c.g.p.) degree at the opening of the Chet Atkins exhibit at the Country Music Hall of Fame and Museum. As Atkins’ sideman, Yandell had helped confer the honor upon only four players before Atkins passed in 2001: Tommy Emmanuel, John Knowles, Jerry Reed, and Steve Wariner.

Yandell also made significant contributions as a session musician, playing on records by Wariner, Dolly Parton, George Strait, the Everly Brothers, Mary Chapin Carpenter, Perry Como and many more. In 2001, Yandell recorded a tribute to his late boss called Forever Chet.

He is survived by his wife Marie Jones Yandell, son Paul, sister Yvone Lambert, brother Forrest Yandell, and numerous nieces and nephews. A Celebration of Life service will be held at Hendersonville Memory Gardens Funeral Home on Friday, Nov. 25 at 5 pm. Funeral services will take place Saturday, Nov. 26 at Clark’s River Baptist Church Cemetery in Symsonia, Ky. In lieu of flowers, donations may be made to Alive Hospice or the Country Music Hall of Fame and Museum’s Chet Atkins exhibit.

Gartner Study Predicts Strong Music Growth Online

A recent Gartner Industry Research report (9/16/11) suggests that online music revenue will grow 31%, from $5.9 billion in 2010 to $7.7 billion in 2015. Physical CDs will move conversely, falling from about $15 billion in 2010 to $10 billion in 2015. Gartner’s findings place strong emphasis on connected devices such as media tablets and smart phones for driving the changes over the upcoming period in terms of revenues and actual business models. Subscription services such as Spotify, the report says, will lead the growth, but “a la carte sales will drive the bulk of overall revenue.”

“The primary stakeholders in the music industry — artists, music labels, publishers and retailers/service providers — are facing wrenching changes and a somewhat uncertain future,” states analysts Mike McGuire and Stephanie Baghdassarian. “But the next four to five years, as portrayed in our forecast portends solid growth — if you ignore the continued decline of CD sales…”

Although the substantial loss in CD revenue appears unavoidable, the report focuses on the online sector which is, “Where the strategic focus needs to be.” Part of the data projects that subscription services will take a 317% leap from 2011 to 2015 where it will account for $2,218 million. Download revenues in 2011 lead subscription revenues by about 600%. By 2015, however that lead is expected to be only about double the subscription revenues (see graph).

The growth in the online music sector is clearly being driven by the proliferation of connected devices which is causing industry stakeholders to realign and restructure business models and services. “The essential element — the thing that will affect the fortunes of any number of stakeholders in the music industry,” states the report, “is how each sector addresses consumer data (behavior patterns, and how consumers find and share data about music and information). For music labels, artists and publishers, challenges abound. However, there remain real opportunities to reinvent the business based on consumers who are adopting connected devices (that marry playback and purchase acquisition capabilities in a single device) and who are showing they will pay for content in multiple ways.”

Dierks Bentley Wraps Fall Tour, Plays The White House

Dierks Bentley with Eli Young Band

Dierks Bentley wrapped the first leg of his 2011 Country & Cold Cans Tour this weekend with sold out shows in Boise, Bozeman, and Denver. The tour featured Eli Young Band and Jerrod Neimann and will resume in February 2012 with first dates scheduled internationally in Canada and Australia.

“It has been a great run…the fans came ready to party. The crowd in Boise set a record for beer sales!” laughs Bentley. “I’d say that’s a pretty good way to wrap up this leg of the tour.”

Dierks was recently at the White House with Lauren Alaina, The Band Perry, Alison Krauss, Kris Kristofferson, Lyle Lovett, Darius Rucker, James Taylor and Mickey for a live-stream taping of PBS’ sixty-minute special, Country Music: In Performance at the White House, which will formally air on PBS Wednesday (11/23), at 7 PM/CT as previously posted by MusicRow.

“No matter who you vote for or what you believe, [The White House] is one of the greatest symbols of our country. It is our nation’s ‘Home,’” says Bentley. “I’m honored to have been asked to perform there, and when I sing this song, I will definitely be thinking about all of the men and women in the military.”

Bentley will also engage fans by releasing a customizable version of the official music video for “Home,” the title track from his upcoming album due February 7. Fans will have the ability to upload photos into the video and download or share virally from his official website. Customized videos can be created here.

Paisley’s “Diary” Hits NYT Best-Seller List

Brad Paisley’s first major book, Diary Of A Player, was released on Nov. 1 and is celebrating its second consecutive week on the New York Times Best-Seller List.

Co-written with David Wild, contributing editor to Rolling Stone and Emmy-nominated television writer and producer, Diary of a Player reached No. 34 on the New York Times Hardcover Nonfiction chart for Nov. 22.

The book was memorably spoofed on the Nov. 9 CMA Awards by co-host Carrie Underwood, who tossed it over her shoulder when Paisley asked if she’d been reading anything interesting.

Published by Paisley with Howard Books, an imprint of Simon and Schuster, Diary of a Player serves as Paisley’s salute to the guitar gods of country, blues, and rock & roll who have shaped his life. “No matter how I have changed, learned and evolved as a person, the guitar has been a major part of it, and really the only constant,” Paisley wrote as an explanation of the book in the liner notes for his album Play. “You can get through some real tough moments with that guitar on your knee. When life gets intense, there are people who drink, who seek counseling, eat, watch TV, pray, cry, sleep, and so on. I play.”

Nashville Artists Cover McCartney For Charity

Backstage at the “Let Us In” benefit concert at The Ryman Auditorium. (L-R) Matthew Stevens from Stevens Management, Premiere Radio Network's Robin Rhodes, Chuck Wicks and David Ross CEO of Reviver Music and Producer of the "Let Us In" Campaign.

Numerous stars performed at the Nov. 7 Let Us In concert to benefit The Woman and Cancer Fund at Nashville’s legendary Ryman Auditorium. The concert was hosted by actor/musician Jeff Daniels, who performed along with SHeDAISY, Sarah Darling, Steel Magnolia, Phil Vassar, Cheyenne Kimball, Jordyn Shellhart, Chuck Wicks, Blue Sky Riders and others.

Many of the same artists contributed an original version of a Sir Paul McCartney song for a compilation album. “Let Us In” Nashville – A Tribute To Linda McCartney is available for purchase, and proceeds will benefit The Women and Cancer Fund.

Darling’s track “Blackbird” is streaming here and the full album is on MSN’s Listening Booth.

Track listing
1. SHeDAISY – “With A Little Luck”
2. Timothy B. Schmit, Mark Hudson, Laurence Juber, Denny Seiwell – “Every Night”
3. Sarah Darling – “Blackbird”
4. Steel Magnolia – “Maybe I’m Amazed”
5. Phil Vassar – “Lady Madonna”
6. Blue Sky Riders (Kenny Loggins, Georgia Middleman and Gary Burr) – “Junk”
7. Cheyenne Kimball – “Mull Of Kintyre”
8. Juliana Cole – “Bluebird”
9. Ricky Skaggs – “Listen To What The Man Said”
10. Jeff Daniels – “Heart Of The Country”
11. Nikki Shannon Fernandez – “I Saw Her Standing There”
12. Jordyn Shellhart – “I Will”
13. Chuck Wicks – “No More Lonely Nights”
14. Nancy Siranni – “Calico Skies”
15. Samantha Landrum – “Pipes Of Peace”
16. Tommy Emmanuel – “She’s A Woman”