Country Music Gets "Funky" for Warner Wednesday 3

While country radio programmers and personalities from across the country have poured into Nashville this week for the annual Country Radio Seminar for days of panels and nights of hot performances, they got a chance to let loose and get a little “funky” during the recent “Warner Wednesday 3–That ’70s Showcase.’ The event was held at aVenue. Throughout the evening, the label showcased most of the artists on the roster. Each artist performed one of his or her own singles, as well as a song from the 1970s.

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Miranda Lambert, Ashley Monroe and Sheryl Crow.


First on the bill were Dean Alexander and Frankie Ballard. Alexander gave a daring performance of Aerosmith’s “Dream On,” complete with a respectable rock scream. He followed it with a confident rendering of his single “Sunshine In My Rain.” Ballard sang his latest single, “Young and Crazy,” before stunning the crowd with his exceptional guitar skills on an extended version of the Lynyrd Skynyrd classic, “Freebird.”
The crowd was buzzing with the news that Miranda Lambert was hanging out sidestage to watch friend and fellow Pistol Annies member Ashley Monroe‘s performance. Monroe sang the clever “One Dollar Short and Two Weeks Late” from her solo album Like A Rose, while Lambert showed full support, pumping her fists in the air to the tune. She followed it with a sweet rendition of The Jackson 5’s “I’ll Be There.”
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Miranda Lambert and Blake Shelton


Blake Shelton smartly invited wife Lambert to perform with him on “Sure Be Cool If You Did,” to the approval of the audience. He didn’t have to coax the crowd into singing along with every word when he launched into an essential ’70s hit, “Play That Funky Music.” He warned the crowd in advance that he was using his cell phone to read the lyrics to the tune; that admission did little to dampen the crowd’s enthusiasm.
Newly signed artist Sheryl Crow was clearly an artist the radio attendees had been waiting to hear, as evidenced by the swell of screams and clapping upon her introduction to the stage. She treated the crowd to her new single, “Easy,” before giving one of the biggest highlights of the evening. She was confident and comfortable on a rendition of The Eagles’ “Take It To the Limit,” backed by Miranda Lambert and Ashley Monroe on harmonies. The crowd offered an extra applause when it was revealed that the ladies had no rehearsal before the performance.
The Farm performed their single, “Be Grateful,” before giving a strong performance of Bill Withers’ “Ain’t No Sunshine When You’re Gone.” Brett Eldredge‘s soulful voice was a perfect fit for The Doobie Brothers’ “Take It To The Streets,” as well as his upbeat and suggestive hit “Don’t Ya.”
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Sheryl Crow


Brantley Gilbert was also in the house, supporting fiance Jana Kramer as she performed Johnny Nash’s “I Can See Clearly Now,” and her own single “Whiskey.” Hunter Hayes performed another ’70s classic, Stevie Wonder’s “Superstition.” But it was perhaps Charlie Worsham who brought the biggest thrill of the evening, as he introduced John Oates to perform the Hall and Oates classic, “Rich Girl.”
The Country Radio Seminar wraps this evening (March 1) with the New Faces of Country Music dinner and show, which features Warner’s Jana Kramer, along with Brantley Gilbert, Florida Georgia Line, Easton Corbin and Kip Moore.
 

Sony Boat Show Keeps On Rolling

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Brad Paisley and REO Speedwagon


Celebrating its 27th year, Sony Music Nashville’s General Jackson Show & Dinner Cruise on Thursday night (Feb. 28) offered attendees performances from many of the label’s diverse roster and ended the evening with a very special guest.
Sara Evans and Sony Music Chairman/CEO Gary Overton began the festivities with Radio Ink’s Lois Chooljian honoring the 2013 class of Best Country Radio Program Directors.
Miranda Lambert kicked off the evening with “Mama’s Broken Heart” after sharing with the crowd, “this is my first time to start the boat and I’m very excited!” She then brought out husband and Warner Music Nashville’s Blake Shelton to perform their duet and 2012 CMA Song of the Year, “Over You.” Shelton admitted he never thought he would ever be performing on the Sony boat.
Ashley Monroe and Angaleena Presley joined Lambert (forming the Pistol Annies) and performed “Hell on Heels” and a new song, “Hush, Hush” from their upcoming album. After host Gary Overton joked that not everyone gets to come on the boat, television producer Simon Cowell introduced via video 2012’s The X Factor winner Tate Stevens who delivered his upcoming single, “Power of a Love Song.”
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Pictured (L-R): Ashley Monroe, Kelly Clarkson, Angaleena Presley and Miranda Lambert


Sporting a life jacket, Brad Paisley appeared on stage and quickly had the guests laughing as he bantered with Overton about being prepared for any mishap on the boat. Paisley introduced upcoming tour mates, The Henningsens who performed “American Beautiful” and “To Believe.” Next up was Jerrod Niemann stepping up for “Only God Could Love You More” and his No. 1 hit “Lover, Lover.” Chris Young performed “I Can Take It From There” and thanked RCA “for sticking with me” followed by his new song, “Aw Naw.”
Kelly Clarkson delivered “Don’t Rush” with Jason Sellers and performed her new song “Ain’t Gonna Like This,” backed by the Pistol Annies. Two words: standing ovation. Brad Paisley returned to the stage offering up his new single, “Beat This Summer,” before the special guest for the evening was introduced.
REO Speedwagon surprised the crowd performing “Take It On The Run” and being joined by Evans. Lead singer Kevin Cronin shared with the guests, “the line between rock and country has never been grayer.” The legends continued with such mega hits as “Music Man,” “Keep On Loving You,” and “Time For Me To Fly.” The finale brought out the Sony Nashville artists as they performed “Roll With The Changes.”
The boat had docked, but we were indeed still rollin’.

Weekly Chart Report (3/1/13)


SPIN ZONE

Sidewalk Records' Morgan Frazier (L) recently visited with Stephanie Crist (R) from 97-3 The Dawg in Lafayette, LA.

Sidewalk Records’ Morgan Frazier (L) recently visited with Stephanie Crist (R) from 97-3 The Dawg in Lafayette, LA.


With her debut single, “Merry Go Round,” Kacey Musgraves has etched her first No. 1 on the MusicRow CountryBreakout Chart. Blake Shelton‘s “Sure Be Cool If You Did” takes up residence at No. 2, while Lee Brice‘s ballad “I Drive Your Truck” ups a notch to No. 3. Taylor Swift‘s “Begin Again,” previously a No. 1 single, is at No. 4 this week. Toby Keith‘s “Hope On The Rocks” holds on strong at No. 5 again this week. Rounding out the Top 10 are Chris Young‘s “I Can Take It From There” at No. 6, Hunter Hayes‘ “Somebody’s Heartbreak” at No. 7, Miranda Lambert‘s “Mama’s Broken Heart” at No. 8, Lady Antebellum‘s “Downtown,” which breaks into the Top 10 this week at No. 9 and George Strait‘s “Give It All We Got” at No. 10.
Jason Aldean‘s “1994” is the biggest gainer this week, hitting the chart full-throttle with 233 added spins. The Band Perry‘s “Done” earned an increase of 195 spins, while Brad Paisley‘s “Beat This Summer” gained 194 spins. Zac Brown Band‘s “Jump Right In” added 161 spins, and Gary Allan‘s “Pieces” with 146 additional spins.

Zac Brown Band‘s “Jump Right In” makes its debut this week at No. 71, while The Band Perry‘s “Done” lands at No. 77 and Brad Paisley‘s “Beat This Summer” opens at No. 78.

Frozen Playlists: KWWR, KMOK, WZZS, WTCM, WBYZ, WWBE, WOKA, KVWF, WTHO, KFAV, WIFE, KXIA, WKDZ, WDGG, WMEV, WTRS, KWOX, KCNY, WJVL, KGMN, WDHR, KDKD, KDOL, KDXY, KIAI, KITX, KKAJ, KKOW, KMGO, KVVP, KXBZ, KXKZ, KYTN, WAAG, WKWS, WPPL, WXXK
Upcoming Singles
March 4
Brad Paisley/Beat The Summer/Arista Nashville
Randy Houser/Runnin’ Outta Moonlight/Stoney Creek
March 11
Jason Aldean/1994/BBR
Jon Pardi/Up All Night/Capitol
The Band Perry/Done/Republic Nashville
Sheryl Crow/Easy/Old Green Barn-Sea Gayle-Warner Bros.-WMN
Tate Stevens/Power Of A Love Song/Syco Music-RCA
Billy Dean/I Can’t Leave A Good Thing/Rainman-Flying Island
Erica Nicole/Better Beer/Heaven-Nine North-Turnpike
Tobacco Rd. Band (Feat. Colt Ford)/That’s Country/Turnpike-Big Southern
March  18
Justin Moore/Point At You/Valory
Phil Vassar/Love Is Alive/Rodeowave
 

High Valley

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New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Zac Brown Band/Jump Right In/Southern Ground-Atlantic – 71
The Band Perry/Done/Republic Nashville – 77
Brad Paisley/Beat This Summer/Arista Nashville – 78
Most Added
Artist/song/label — New Adds
Jason Aldean/1994/Broken Bow Records – 18
The Band Perry/Done/Republic Nashville – 16
Brad Paisley/Beat This Summer/Arista Nashville – 15
Zac Brown Band/Jump Right In/Southern Ground-Atlantic – 13
Gary Allan/Pieces/MCA Nashville – 12
Tim McGraw w/ Taylor Swift/Highway Don’t Care/Big Machine – 11
Justin Moore/Point At You/Valory Music Co. – 6
Greatest Spin Increase
Artist/song/label — spin+
Jason Aldean/1994/Broken Bow – 233
The Band Perry/Done/Republic Nashville – 195
Brad Paisley/Beat This Summer/Arista Nashville – 194
Zac Brown Band/Jump Right In/Southern Ground/Atlantic – 161
Gary Allan/Pieces/MCA – 146
On Deck—Soon To Be Charting
Artist/song/label — spins
Jordan Anderson/Toxic/GTR – 180
Jaida Dreyer/Half Broke Horses/Streamsound – 174
Stephanie Grace/Would U Be Mine/SMG – 173
Smokey River Boys/All Pure Country/Platinum Plus – 170
Joe Bachman/Small Town Rock Stars/Joe Bachman – 163

Show Dog Universal Music’s Joel Crouse (L) made a recent pit stop on the west coast at KKGO to visit with PD Tonya Campos (R) in support of his debut single, “If You Want Some.”

Show Dog Universal Music’s Joel Crouse (L) made a recent pit stop on the west coast at KKGO to visit with PD Tonya Campos (R) in support of his debut single, “If You Want Some.”


Atlantic/WMN’s Hunter Hayes recently paid a visit to KKWF on top of the Hard Rock in Seattle. Pictured (L-R): Kevin Herring (VP of Promotion WMN), Mike Preston (KKWF PD), Hunter Hayes, Wingnut (KKWF MD), Deanna Lee (KKWF Assistant MD), and Rick Young (West Coast Regional WMN).

Atlantic/WMN’s Hunter Hayes recently paid a visit to KKWF on top of the Hard Rock in Seattle. Pictured (L-R): Kevin Herring (VP of Promotion WMN), Mike Preston (KKWF PD), Hunter Hayes, Wingnut (KKWF MD), Deanna Lee (KKWF Assistant MD), and Rick Young (West Coast Regional WMN).


 

Charlie Cook On Air: Traditional Radio vs. Auto Wi-Fi

CCook-onair-sm11So much of radio listening is taking place in the car, it is why Mel Karmazin once said he felt cell phone usage in the automobile should be outlawed. Not for safety purposes but because it took away from listening to the radio.
Last week I wrote about Sprint and Emmis chief Jeff Smulyan leading the way to having cell phones activate radio chips. This would certainly free broadcast radio to be in your pocket or purse 24-7. Then two new stories hit this week. One is mostly good news for broadcast radio and one is scarier than hellfire. The Radio Advertising Bureau reported that local online revenue grew more than 20 percent in 2012. This is the good news part of the story. The other side is radio is still far behind almost every other media for creating revenue online. This growth still points to more usage of websites and presumably online listening to broadcast radio.
Part of the reason is we are talking about local radio and clusters having their own strategy so there is not really a defined template in place. Clear Channel has its strategy with iHeartRadio. Many other companies have embraced it but, in the case of Cumulus, while they are partners in iHeartRadio, they concentrate much of their efforts on SweetJack. Smaller broadcast companies simply add a page to their sales pitches and hope for the best.
The other story that sends chills up the spines of broadcasters is the news that General Motors will begin offering Wi-Fi in their automobiles by the Summer of 2014. GM is not the only automaker to climb aboard the Wi-Fi express. All of the luxury automakers will be providing it by next year and it will quickly filter down to all cars on the road in short order. One of the questions, of course, is cost. Most new cars come today with Sirius/XM and in many cases the buyer gets free access for 90-180 days. Not every new car owner re-ups for the service once the trial period expires and cost must play some role in that decision. So will new car buyers play $20 or $30 a month to have Wi-Fi access when they already pay for it at home and on their cell phones?   Additionally, Sirius/XM users may make the choice to stay with satellite and not move to Wi-Fi, or vice versa. I doubt that many people are going to pay for both. How would you feel about adding $30-$50 a month to your car payment? I know that I won’t do it. For no additional cost, you get 20-80 broadcast radio stations in your car right now.
GM’s partner in this project predicts this could be worth $1B to their company. Folks, that $1B doesn’t grow on trees. It comes from consumers who are today in the midst of figuring out how to pay new fees for health care and sequestration avoidance (politicians like to call taxes fees because apparently Americans don’t know how to use a thesaurus).
I am a broadcast radio guy. My entire work life has been spent in broadcast radio. I like more access to broadcast radio. I am not a Luddite. Wait a minute. Yes, I am. I like traditional broadcast radio. I believe the only way to hold back the charging forces of technological advances in delivery systems is to provide great content and compelling radio every hour of every day. I don’t think enough radio is doing that so we may very well be inviting the competition. And if that is true, shame on us.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)

Bertelsmann Acquires Full Ownership of BMG

bmg logo22International media group Bertelsmann is taking full ownership of the innovative music rights management company BMG by acquiring the shares currently held by Kohlberg Kravis Roberts & Co. (KKR), and will continue to develop BMG as a wholly owned subsidiary. The transaction, which is subject to regulatory approval, is scheduled to close during the first half of this year. The parties have agreed to keep the financial details of the transaction confidential.
BMG represents songwriting copyrights of numerous artists including Johnny Cash, Kings of Leon and The Civil Wars.
Bertelsmann Chairman & CEO Thomas Rabe said: “This is a great day for Bertelsmann: We are bringing the music home to our group. A few years after our exit from the traditional music business, in association with KKR, we have succeeded in building the world’s fourth- largest music rights management business.” Rabe emphasized that KKR has been a good partner. “Our partnership made it possible for BMG to take advantage of consolidation opportunities and to rapidly advance the organic expansion of the business. I thank them for an excellent collaboration.”
Hartwig Masuch, CEO of BMG, said: “For BMG, this is a return home. Being a subsidiary of one of the world’s leading media companies opens up more fields of cooperation for us and our customers in the future, and we look forward to many new, long-term development opportunities. The worldwide increase in the use of music, and the emergence of new digital business models offer a variety of opportunities that we will actively explore. We are grateful to KKR for always sharing our vision of an alternative, service-oriented company in the music rights market, and for actively supporting us with their team these past three and a half years. Without KKR, this development would not have been possible.”

LifeNotes: Toby Keith's Bassist, Carl "Chuck" Goff Jr., Dies In Crash

chuck goff11Toby Keith‘s bass player, Carl “Chuck” Goff Jr. died during a two-car collision in Oklahoma. According to WCPO, Goff was killed Wednesday evening (Feb. 27) in rural Cleveland Country, about 35 miles southwest of Oklahoma City.
Goff, 54, served as bassist as well as band leader for the entertainer. He also co-wrote two songs recorded by Keith, “Upstairs Downtown” and “You Ain’t Much Fun,” both from Keith’s 1994 album Boomtown.
Keith released a statement on his website, saying, “We are deeply saddened by the sudden death of our band member, Chuck Goff. He was a close friend for over 25 years, the band leader and bass player. Our hearts and prayers go out to his family.”
 

CRS Luncheon Showcases Jon Pardi and Gary Allan

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Gary Allan performs at CRS 2013.

Capitol and MCA hosted lunch for CRS attendees Thursday (Feb. 28) to showcase performances by Jon Pardi and Gary Allan. On display were two unique artists with very different, yet equally engaging sets.

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Jon Pardi onstage at CRS.


Pardi’s energetic opener was a rockin’ mix of upbeat, radio-ready fare. “His music is frat-party meets Buck Owens. We won’t stop until we break Jon Pardi,” proclaimed Mike Dungan. Pardi has already scored with his debut hit “Missin’ You Crazy,” and proudly offered his equally catchy next single “Up All Night.” The laid-back vibe that makes Pardi such an accessible artist didn’t linger for fellow California native Gary Allan’s performance—but it turns out that’s a good thing.
Allan brought a captivating intensity to the stage, his recognizable voice full of conviction and believability. The set was a thorough reminder of the hit-stacked catalog he’s been compiling for 17 years including “Watching Airplanes,” “Smoke Rings In The Dark,” “Nothing On But The Radio” and “Right Where I Need To Be.”
Lesser-known tunes such as “It Ain’t The Whiskey” went over just as well with the audience. Allan has been singing the powerful song of heartbreak on the road and hopes it will one day become a single. The emotion oozing from his facial expressions makes every song seem autobiographical, including current single “Pieces.” He closed the set with the biggest single of his career, “Every Storm (Runs Out of Rain),” and was joined onstage by Hillary Lindsey, who co-wrote the song with Allan and Matt Warren.
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Gary Allan and band.


 

The Grand Ole Opry Comes To Country Radio Seminar

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Little Big Town


Since many of this week’s Country Radio Seminar attendees reside outside Tennessee, they received an experience that is essentially Nashville last night (Feb. 27)–attending the Grand Ole Opry. However, instead of taking everyone to the Opry House, they brought the Grand Ole Opry to the attendees at the Nashville Convention Center.
The NCC stage was set up with the Grand Ole Opry backdrop and lighting along with performances from several of the Opry’s members. The evening kicked off with a video introduction from Carrie Underwood, who gave an overview of the Grand Ole Opry’s history. Vince Gill, who served as host for the evening and who was inducted into the Grand Ole Opry in 1991, greeted the crowd with “Take Your Memory With You When You Go.” His sharp wit and dry sense of humor was on full display the entire evening. “That thunderous applause is overwhelming. Did you just eat?” he deadpanned after wrapping up “Take Your Memory…”
He brought out Little Big Town, who warmed up the crowd with “Tornado.” They then introduced another track from their Tornado album, the gorgeous ballad “Your Side of the Bed,” featuring a duet between Karen Fairchild and Jimi Westbrook. “The one we are about to play is the one we are about to send you [country radio], so you can play it on the radio too if you want,” said Fairchild. They closed the trio of tunes with their summer No. 1 hit, “Pontoon.”
Next came a lineup of three of country’s traditional-leaning male singers–Dustin Lynch, Josh Turner and Greg Bates. Lynch performed his current single, “She Cranks My Tractor” before thanking radio for their support of his previous single, “Cowboys and Angels.”  Turner (who was inducted into the Grand Ole Opry in 2007) treated the crowd to his deep register on the songs “Long Black Train” and “Deeper Than My Love.” “I never have to worry about Vince Gill cutting that song,” he said, referring to Gill’s high tenor. Bates offered his debut single, “Did It For The Girl” before performing his clever new single, “Fill In The Blank.”
kacey musgraves1Ashley Monroe injected some old-school country into the evening with her airy, lilting voice on “Like A Rose,” the title track of her upcoming album, with backing guitar and vocal work from Gill. Following Monroe were performances from Scotty McCreery, then Nashville‘s Clare Bowen and Sam Palladio, who were received enthusiastically by the radio crowd.
After a video clip of Darius Rucker‘s induction into the Grand Ole Opry last year, Rucker performed two of his signature tunes, “Alright” and “Don’t Think I Don’t Think About It” before lending his booming voice to a cover of Old Crow Medicine Show’s “Wagon Wheel” (also Rucker’s latest single).
The show hit a minor snag when host Gill mispronounced Kacey Musgraves’ name upon introducing her. The misstep became a running joke throughout the rest of the evening. Musgraves, who has a surging hit on the MusicRow CountryBreakout chart with “Merry Go Round,” charmed the crowd with her candor on “Step Off” and her aforementioned debut single.
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Vince Gill and Brad Paisley


The evening closed with an acoustic performance from Brad Paisley, who was inducted in 2001. He sang “This Is Country Music,” followed by “Southern Comfort Zone.” After joining in on the fun with a wisecrack about Gill’s age, Gill reminded him that many artists have had their names mispronounced during their debut performance including Martina McBride and Gill himself. “Thank you, Vern,” Paisley replied. The friends and fellow Opry members closed the show with “Mud On The Tires,” with Gill on background vocals and guitar.

Primetime 'Nashville': Dear Brother

Pam Tillis, Kate York, Vince Gill and Dan Auerbach guest on Nashville.

Pam Tillis, Kate York, Vince Gill and Dan Auerbach guest on “Nashville.”


Scarlett and Kip Moore toast Deacon's birthday.

Scarlett and Kip Moore toast Deacon’s birthday.


“Dear Brother” Season 1 | Episode 114 | Aired 02/27/2013
Rayna’s world was rocked when news of her divorce hit the tabloids in last night’s (Feb. 27) episode of Nashville. She and sister Tandy tried to do damage control to protect Rayna and Teddy’s daughters—the oldest of whom knows about Teddy’s affair with Peggy.
Meanwhile, Teddy continued to focus on his new career as mayor and selected former opponent Coleman as deputy mayor, against the wishes of his ex-father-in-law, Lamar. Teddy also named Peggy his financial consultant.
While Nashville writers usually keep the show mostly in-line with real-life Music City, last night’s paparazzi scenes were a big stretch from what local celebs experience. On the show, the paparazzi tracked Rayna to her daughter’s dance class and then to Deacon’s surprise birthday party at the Bluebird Café.
Juliette organized a star-packed shin-dig in honor of her guitar player Deacon. Cameo appearances at the event included Dan Auerbach, Vince Gill, and Kip Moore. For a happening party, there wasn’t much upbeat music coming from the stage. Rayna offered new song “Stronger Than Me,” (written by Sarah Buxton and Kate York), accompanied by her uncle Watty (JD Souther) on guitar, and Pam Tillis and Kate York on harmonies. Scarlett and Gunnar lured in the crowd with “I Will Fall” (written by Tyler James and Kate York).
Rayna and Watty at Deacon's birthday party.

Rayna and Watty at Deacon’s birthday party.


Juliette’s fun was cut short when her mom, who was recently released from rehab, fell off the wagon. Juliette is slowly coming around to helping her mother, particularly with the aid of her mom’s recovery advisor. The singer let her guard down long enough to reveal a story about how her mom’s addiction ruined her birthday as a child. Other scenes included Juliette and her entourage shopping at the Mall at Green Hills and Juliette working on new song “We Are Water” (written by Patty Griffin).
The episode ended with Gunnar being summoned to the morgue to identify his brother’s body. After Gunnar and Scarlett kicked him out of their house, he was beaten to death in an alley. Later at home, Scarlett and Gunnar found comfort in each other, by taking their romantic relationship to the next level.
Most new music from the show is available on iTunes.

Behind the scenes photo of Deacon (Charles Esten) and executive producer Steve Buchanan.

CMA Radio Listener Panel Discusses Mobile Music Consumption

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Back row (L-R): Panel members Christina, Brandon, and Diane; CMA Consumer Research Committee Chairman David Ross; CMA Senior Director of Market Research Karen Stump; and panel members Melissa, Christopher, April, and Joey. Front row (L-R): Panel member Sara and panel moderator Pat Snyder of What They Think Research.


CMA’s Music On The Move: Inside the Drive toward Mobile Music Consumption session during Country Radio Seminar brought in a live Nashville radio listener panel of eight men and women, ages 18-49, to the stage at the Nashville Convention Center. They were recruited from the local market and are avid Country Music consumers, who in addition to traditional radio, listen to music via online sources, including iheartradio, Pandora or radio station streaming.
Some key pieces of information from the panel include:

  • Mobile technology is indeed helping listeners take their music everywhere as they listen at home, at work, on the job, and even in their cars.
  • While not abandoning traditional radio, streaming and mobile apps deliver on key consumer requirements.
  • While freedom of location is a key benefit, the panelists revealed a more engaging benefit is personalizing music to match their own preferences and variety. This personalization enables their listening to embrace a wider variety of songs and artists.
  • Most panelists want a listening experience that spans the format from traditional, current, and rising Country artists. The panelists said they are not getting enough of the legacy and up-and-coming artists on traditional radio.
  • With mobile apps and streaming, they can control what they listen to, not only where they listen.
  • Common features of today’s apps such as “like” and tagging, along with pre-programmed playlists of similar artists and songs, seem to be strong aids in the discovery of new music with users.
  • While mobile provides a unique method for music customization, it’s also supporting their listening of favorite Country stations when listeners leave the area. Now they take their favorite stations with them.

“Obviously the strength and vitality of Country radio has a direct influence on the industry,” said Steve Moore, CMA Chief Executive Officer. “Country radio stations and broadcast professionals do an outstanding job of broadening the scope of Country Music and presenting artists to their listeners–expanding the careers of established artists, creating and development awareness of new talent and delivering music directly to the fans that support our business.”